Sentences with phrase «contemporary artistic approaches»

Rudolph makes classical historical genres available for a contemporary artistic approach.

Not exact matches

His artwork often combines classical artistic technique with modern contemporary and conceptual approaches.

This exhibition employs an inter-disciplinary approach to advance our understanding of the Caribbean and its artistic heritage and contemporary practices.

Yet her uncompromising approach gave rise to a unique and highly individualistic body of work that continues to exert an influence on contemporary artistic production.

No longer separately relegated to «walking» art or «land» art, but including action - based processes, Wanderlust allows viewers to experience 50 years of artistic practices that are intertwined while highlighting diverse approaches to contemporary art.

We strongly encourage experimentation, the use of traditional and contemporary approaches, innovation, and the dialogue between photography and other artistic mediums.

«We feel that by approaching us in particular, The Armory Show shows a deep sensitivity and understanding toward the complexities of contemporary artistic productions from Africa and the Diaspora.»

The program exposes students and the public to a range of artistic approaches, and fosters discussion about contemporary art and ideas.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Showcasing more than twenty important and cutting - edge Chinese, Japanese, Taiwanese, and Korean artists and artist groups, this exhibition presents the work of artists who skillfully use contemporary approaches to express their respective cultural and artistic heritages.

The works approach and seek to make poriferous, the limitations of ratio through the proposition of non-human subject positions — «natural», technologically and digitally made, ancient and contemporary — produced in human, artistic practice.

The dual nature of this approach provides the museum with a diverse range of holdings and opportunities to display histories of recent artistic practice that are disparate, divergent, and reflective of the broader range of identities, disciplines, and forms that give shape to an idea of contemporary life.

«Ida is fascinating not only because of the dynamics within her famous artistic family but also for the distinct approach of her work, which reflects a range of contemporary influences, such as American Modernism and Regionalism.»

While at 18th Street, he allowed the contemporary culture of Los Angeles as well as the artistic approach that many local artists take, to influence and develop his work.

«White Noise I» approaches contemporary modes of artistic production more directly: Noa Gur uses her face as a stamp, as a printing machine to produce a series of quasi-portraits on paper towels.

In October 2012 Montserrat College of Art will welcome the Guerrilla Girls and other artists and academics to approach the topic of Art & Activism as it relates to art history, studio art and contemporary issues within artistic practice.

This catalogue of outstanding paintings, sculptures, drawings and prints from Edward R. Broida's recent gift of 175 contemporary works from his collection to The Museum of Modern Art reflects a wide range of artistic approaches.

Toru Kuwakubo started his artistic practice with a theatrical approach, finding the figure of an imaginary painter within himself as a means to explore contemporary art through the medium of painting.

This exhibition will bring together works by contemporary artists that explore multiple aspects of soil, documenting natural processes and human interventions, and proposing radically innovative solutions that combine leading - edge scientific approaches and fresh artistic and philosophical perspectives.

The DIWO (Do It With Others) campaign for emancipatory, networked art practices was instigated by Furtherfield in 2006 and it is informing an artistic engagement with new blockchain technologies; to organise, cooperate, p2p and at scale to transform approaches to contemporary economic and social challenges.

Begun by a collective of six art curators and organisers in 2001, ARTS INITIATIVE TOKYO is a non-profit space that organizes various artistic programmes and projects, including an artist - in - residence program and Making Art Different (MAD), which embraces new approaches to contemporary art.

He pursued an individual artistic approach and is remembered most for his large - scale symbolist paintings reflecting Victorian sensibilities and Hall of Fame portraits, capturing his distinguished contemporaries in Victorian society.

The editorial approach follows an interest in unresolved narrations of history, culture and the geo - political, and the ways they condition contemporary notions of artistic practice, with a recurring concern of the relationship between contemporary art and the archive.

The eleven artists juxtapose divergent approaches in conversation with each other, reflecting on primal questions consuming artists over the millennia: Elliot Arkin's conceptual use of web - based commerce spins an absurdist view on the commodification of artists; Babette Bloch's stainless steel reassessments of nature and artistic precedent limn positives and negatives through light; Christopher Carroll Calkins's street photography captures moments of under - the - radar narratives; Valentina DuBasky's acrylic and marble dust works on paper and plaster are a contemporary comment on the prehistory of art; Gabriel Ferrer's performance - like in - the - moment sumi - ink drawings on handmade paper reflect on memory and personal narrative; Christopher Gallego's realist, pure light - filled oil painting elevates the ordinariness of an artist's space to visual poetry; Ana Golici, in pergamano and collage, takes inspiration from 17th Century female naturalist, entomologist and botanical illustrator Maria Sibylla Merian to explore questions of science, nature and objective truth; Emilie Lemakis's monumental amplification of an ancient Greek krater employs scale to upend perceptions for the viewer's reconsideration; Mark Mellon's bronzes address the oppositions of movement and stillness; the alchemy of Michael Townsend's uncontrolled poured acrylic paintings equate the properties of materials with the turbulence of the universe; Jessica Daryl Winer's engagement with luminous color and choreographic line reflects in visual resonance the sonic history of a musical instrument.

They have successfully managed to approach the subject in diverse artistic media, which ultimately contributed to diversifying and enriching the field of Korean contemporary art.

New for this show, he has worked on fabrics for the very first time, a medium that has enjoyed renewed interest in the contemporary art world in the last decade and is emblematic of his approach, giving our artistic heritage a contemporary interpretation, and thus offering it a sense of continuity in art history.

Taking in a range of artistic approaches and media, the exhibition aims to consider how geometry relates to contemporary connectivity and imagination.

In her work, Kilomba approaches «the colonial wound,» as she says, and intentionally creates a hybrid space between the academic and the artistic languages, to explore new formats to decolonise knowledge and narrative, «bringing a new, experimental, and compelling voice into contemporary art and discourse.»

Since its inception in 2008, the project is involved with contemporary issues like the changing perception of authorship, de - and recontextualization of images, appropriation, artistic approaches to photographic archives and the rise of the remix culture.

Set up in a vast postindustrial compound, the gallery defends an artistic grassroots approach, directed towards cities, street and graffiti artists, photographers and contemporary artists.

The twenty or so solo or group exhibitions since 1973 that have focused on the study of the posterity of Pablo Picasso's oeuvre testify to its impact on contemporary art.The exhibition at the Grand Palais takes a simultaneously chronological and thematic approach to the critical and artistic highlights of Picasso's career and the myth that gradually built up around his name.

Borusan Contemporary, with the dynamicism of youth, closely follows the contemporary artistic production and approaches to museum management, reaching a most significant group of people who are interested in media art in Contemporary, with the dynamicism of youth, closely follows the contemporary artistic production and approaches to museum management, reaching a most significant group of people who are interested in media art in contemporary artistic production and approaches to museum management, reaching a most significant group of people who are interested in media art in our country.

Urban Spree Gallery, located at postindustrial compound in the heart of Berlin, regularly promotes a grassroots artistic approach, working closely with street & graffiti artists, urban photographers and contemporary artists.

The exhibition approaches the two phenomena that draw on the unconscious, the dream as well as the psychic injury — the trauma, with over 40 contemporary artistic positions.

Anarchive promotes awareness and provides the memory of an essential part of contemporary artistic practice: facilities, activities, videos, performances, interventions in public space, thus stimulating a critical and experimental approach of current technologies, such is the dual focus of this collection.

Ch» i Contemporary Fine Art Brooklyn - New York February 12 - March 9, 2009 By Ernesto Menéndez - Conde «Ingenious Methodology» - the collective show inaugurated last February 12 at the Ch» i Contemporary Gallery in Brooklyn, New York City - gathers a group of artists who are working with a wide variety of subjects and are interested in different approaches to artistic creation.

b) in the art publications edition, two tasks overlap — to provide access to documentation of the artistic practice of contemporary artists in the region as well as approaching the need for experimentation and innovation of the medium of «traditional» printed publications as two - or three - dimensional objects.

With an eclectic mix of media, approaches and aesthetics, the Centre for Contemporary Chinese Art takes a hard look at Hong Kong and the contemporary artistic practices that are emerging fromContemporary Chinese Art takes a hard look at Hong Kong and the contemporary artistic practices that are emerging fromcontemporary artistic practices that are emerging from the island.

By approaching language and writing from the perspective of contemporary artistic practices, the exhibition seeks to break the conventions decreed by the academics of language and subvert the usual norms.

His extensive body of work has placed him at the forefront of contemporary art, where he has become best known for his ability to successfully merge the best of yesterday's artistic tradition with a fresh, modern approach that is unique.

Having organized shows that explored artistic approaches to everything from cut paper to lace to animal parts, chief curator David McFadden was eager to once again spotlight the work of contemporary artists who specialize in what he describes as «unorthodox, unusual, or unexpected materials.»