Sentences with phrase «contemporary artistic production from»

This year's Focus surveys contemporary artistic production from African viewpoints.
The collection contains a variety of media and a diversity of contemporary artistic production from many of Washington's notable artists, as well as from nationally and internationally recognized artists.
«We feel that by approaching us in particular, The Armory Show shows a deep sensitivity and understanding toward the complexities of contemporary artistic productions from Africa and the Diaspora.»

Not exact matches

Explore how observation of animal behavior influenced religious belief, artistic production, and daily life from ancient America to contemporary Africa in this three - day workshop for teachers on June 5 - 7.
Moving beyond conventional ideas of the African continent and its «counterpart», «the Western hemisphere,» this year's Focus will provide a glimpse of international artistic production from contemporary African viewpoints: emerging curators, artists, galleries and art spaces that connect scenes and markets through global networks.
«It's the perfect moment to revisit Rauschenberg's career, given that his impact continues to gain momentum as more and more contemporary artists pay homage to, and are influenced by, various facets of his creative practice and artistic productionfrom his technology - based artworks and the reuse of images to international collaborations that demonstrated the power of art to spark dialogues between various cultures,» stated Christy MacLear, CEO of the Rauschenberg Foundation.
Featuring detailed replicas of nearly 100 objects from The Met collection, The Theater of Disappearance encompasses thousands of years of artistic production over several continents and cultures, and fuses them with facsimiles of contemporary human figures as well as furniture, animals, cutlery, and food.
Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.
Over the past fifty years performance art has shifted from being a fledgling artistic practice grounded in the immediacy of the live body, to an increasingly popular medium of contemporary art, engaging large numbers of performers, high production values and rising audience numbers.
More than twenty contemporary artists from home and abroad examine the importance of systems of order such as cartography, archival structures and scientific systematizations for today's artistic production.
It also includes a two - day symposium (March 5 - 6) examining the diverse practices of artists, curators and collectors from Africa and the Diaspora through a series of panel discussions and video screenings, looking at new global phenomena in contemporary artistic production.
Responding to the current climate of art fairs in regard to artistic production and reception, Paris Internationale is a joint initiative from five emerging galleries — Crèvecoeur, High Art, Antoine Levi, Sultana and Gregor Staiger — as a collective attempt to develop an appropriate model for fostering new advanced initiatives in contemporary art.
Her work is focused on examining the relationship between art infrastructure and artistic production, urbanity, cultural politics of food and art, and contemporary art from the Middle East and Southeast Asia.
Studying the initial Westernization of the Ottoman Empire through to the early Republican period, Repertoire reveals the reverberations of historic processes in today's artistic productions and provides the historical backdrop to the Modern and contemporary artworks in the exhibition — from the musical tones of the abstract art of the 1950s to the popularized content of the 1980s.
This separation between African artists who have either lived or travelled to European countries throughout their working lives and the bitter past history of this vast continent is what renders the artistic production of both older and younger artists absolutely crucial to the social dynamics of the contemporary age as an overwhelming sense of wisdom emanates from even the youngest artists included in the fair.
Art of Yugoslavia and Serbia from the Collection of the Museum of Contemporary Art, a splendid historical exhibition which shed light on the remarkable artistic production of the Balkans.
Holding both a MFA from Hunter College and a PhD in Physics from Harvard, Smith's work plays off of contemporary trends in a clever way, highlighting technology's effect on all aspects of artistic production.
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