Not exact matches
Noa Gur's works presented in the exhibition «Dawn till Dusk» intertwine two series of questions: one thread questioning
contemporary modes of
artistic production, the other thread questioning inequality based on class or ethnicity.
«White Noise I» approaches
contemporary modes of
artistic production more directly: Noa Gur uses her face as a stamp, as a printing machine to produce a series of quasi-portraits on paper towels.
Discussion topics will include the current trajectory of
contemporary African art
production and practice in a global context, and explore
modes of existing, retrospective and theoretical
artistic practice.
A series of talks, artists» salons and tours accompany the exhibition, offering a platform to discuss
contemporary modes of
production and structures of professional
artistic development.
Bringing together
contemporary works that engage with, respond to, or otherwise reference history, this exhibition is devoted to highlighting the ongoing dialogue between current
artistic practices and earlier styles, preoccupations and
modes of
production.