Sentences with phrase «contemporary audiences as»

I think the reason I love this movie is that it has aged so nicely and works for a contemporary audience as well as it did 77 years ago.

These hybrid paintings engage a contemporary audience as much as they do a graffiti audience, this ability to remain honest with his work while at the same time engaging new territory is one of the artists strengths.

Not exact matches

The Art Gallery of Western Australia plans to broaden its audience reach in 2017 with the renewal of galleries, development of new initiatives and partnerships, as well as the introduction of a contemporary series called Culture Juice.

Building on the success of emerging brands and retailers in the category (Eloquii, Universal Standard, Dia & Co, 11Honore), as well as on the scale of legacy retailers (Lane Bryan, Torrid, FullBeauty) catering to this underserved audience, CoEdition is intent on providing an elevated shopping experience that provides the best selection of contemporary merchandise, while helping consumers find the right size and fit.

His status as a spiritual writer is assured both because of his profound grasp of the Western tradition of spirituality and because of his ability to convey that tradition to an audience of contemporary people.

His uncompromising sermons on «The Sins of Society» attracted large audiences; they also drew criticism, and he was described by a contemporary as a modern Savonarola.

The group, since its inception about a three years ago, has thrilled diverse audiences in the country and beyond with its own variations of traditional music and dance, as well as contemporary dance pieces.

MEN»S NON-NO features an extensive array of menswear styles ranging from street, contemporary and high fashion, as well as more formal attires, making it appealing to a broad audience regardless of age and interest.

He is first and foremost a capitalist, of course (a point not lost on contemporary audiences, hopefully) but one who shows such open disdain towards his slaves that they are acknowledged only as property to be exchanged for cash in transactions.

There's a little bit of farcical spoof humor in place as well, with Django's strut now accompanied by contemporary soundtrack rhymes from Rick Ross, with the irreverent sass - talk of Samuel L. Jackson's postmodern Sambo as Candie's reliable assistant Stephen, clouding the audience's sympathies.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

After «Reservoir Dogs» in 1991 and «Pulp Fiction» in 1994, Quentin Tarantino was hailed as the new wunderkind of contemporary American cinema with his triumphant originality and seemingly effortless ability to excite audiences.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

Shaft's appeal to contemporary audiences resulted in both sequels and imitators, as well as black female superwoman movies like Foxy Brown.

All of it marks the picture as unusually smart about the shortcomings of its origins and dedicated to creating a work that will mean something to a contemporary audience.

As previously announced, the inaugural LFF Connects will feature British filmmaker Christopher Nolan, internationally acclaimed for some of the most original, compelling and successful films in contemporary cinema (Interstellar, Inception, The Dark Knight, Memento), and Tacita Dean, lauded for her art work in film (and whose grand - scale Tate Modern exhibition FILM transfixed audiences).

Criterion presents a contemporary treasure on Blu - ray that's likely to endure with future audiences as a staple of European cult cinema.

The group will debut it at the Museum of Contemporary Art Chicago in April, playing with the audience surrounding them as a large circular sculpture spins above.

The high octane Road War takes audiences on a ferocious chase across a stark desert wasteland as Miller pushes the limits of contemporary cinema to re-imagine the beauty and chaos of the post-apocalyptic world he created in the Mad Max trilogy 30 years ago.

From recent predecessors (Eddie Murphy, Bill Murray) to contemporaries (Jim Carrey, Mike Myers), no funnyman has sustained big audiences as long and consistently as Sandler has.

It's been 25 years since David Cronenberg's first masterpiece drilled its mutant images into the minds of unsuspecting audiences, and Videodrome is as contemporary and relevant as ever.

The Ancient Greeks asserted that theatre exists partly to help us as audience members experience catharsis, to put it in contemporary language — everyone needs to watch a weepy from time to time.

As Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthoughAs Ian Olney explains in his recent book Euro Horror: Classic European Horror Cinema in Contemporary American Culture, Hollywood stole distribution tactics from B - film production studios, such as saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthoughas saturated openings, while also recognizing the viability of cheap sequels to accompany these methods, where films could make so much money in one weekend, as to become profitable, that whether or not audiences actually liked the film ended up being an afterthoughas to become profitable, that whether or not audiences actually liked the film ended up being an afterthought.

A by - product of pandering to a young, young audience, its biggest sin is that it alleges a greater basis in reality than its more «adult» contemporaries: The movie endeavours to give credence to the familiar tropes of storybook romance and rags - to - riches by applying them to the politicized zoo known as high school.

• «Beauty and The Beast» Sneak Peek — An exciting first look into the live - action re-telling of «Beauty and the Beast,» which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

In other words, connect and think of contemporary community as a letting - in of the audience you need, not as a chasing - down of buyers in that loud, raucous marketplace.

While they may not reach a huge audience, chapbooks can be appreciated as a physical object in a way that many contemporary books can not.

MEN»S NON-NO features an extensive array of menswear styles ranging from street, contemporary and high fashion, as well as more formal attires, making it appealing to a broad audience regardless of age and interest.

Previously, she worked as a senior tutor at the Royal College of Art and for over ten years at the BFI, specialising in connecting rare archive material and diverse contemporary moving image work with audiences.

Designed to encourage and reward writing about contemporary art that is rigorous, passionate, eloquent and precise, as well as to create a broader audience for arts writing, the program aims to strengthen... read more... «Bloggers Paddy Johnson, Anjali Srinivasan, and Yuka Otani get Creative Capital / Warhol Foundation Writing Grants»

Dialogue is a keyword, and with the main focus on the audience, Kunsthal NORD functions as a platform for debate, communication and conversation about the current contemporary art.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Other highlights include «LA / LA and Institutional Collaboration», which will use Pacific Standard Time: LA / LA as a reference point to examine how institutions can encourage the growth of regional art scenes; «Digital Museums and Virtual Audiences», focusing on digital innovation and how new technology is starting to leave a deeper mark on the museum world; and «I Was Raised on the Internet», which brings together curators from three major institutions that collaborate on exhibitions investigating the effects of the Internet on contemporary art.

In an act to re-place historical content before contemporary audiences, Sherrie Levine's reprisal of iconic imagery, such as Stieglitz's Equivalents, provokes questions of authorship, originality, and artistic lineage, and encourages work to be experienced anew.

It resonates globally, and that's important for us to get exposure to a different crowd, as it has a more contemporary reputation, and therefore a more contemporary audience.

Through the curatorial outlets of Unconscious Archives and OtherFilm, Golding presents live audiovisual and sound art performance as a means of examining: «liveness»; the synaesthetic concerns of audiovisual art; and the contemporary role of the audience.

This exhibition showcases two vibrant scenes of contemporary art that are as yet little known to New York audiences in order to at least partly redress this lack of information and firsthand experience.»

Trapeta B. Mayson talks with us about the importance of community input into programmatic decision - making, how historic sites can remain relevant for contemporary audiences, and the opportunities and challenges of operating as a smaller organization.

As the audience has diversified, so has the Salon's offering — it now embraces a mix of Old Master drawings through to contemporary works on paper; although French Old Master, and 19th - and 20th - century pieces remain its core.

Günther sees it as an «opportunity to reinvent our exhibition methods and to showcase our manuscripts and early books through the «contemporary lens»» — and of course a chance to broaden his audience.

Operating simultaneously as portraits and still life paintings, these works are contemporary memento mori, serving as reminders of our mortality to both artist and audience.

Working with and for artists that come from different backgrounds, Rodeo will introduce artists from Turkey and this region to an international audience, as well as establishing an international approach to viewing and collecting contemporary art in Turkey.

Targeting the same audience as Phaidon's highly successful and long - selling Art Today by Edward Lucie - Smith, Art & Today surveys contemporary art from 1980 to today, discussing over 450 of the most important artists of the last 25 years.

Art League Houston (ALH) adds to the unique creative identity of Houston by serving as a hub for the appreciation of and participation in contemporary visual art - uniting a variety of audiences across cultural, gender, and sexual identities, age, level of engagement in the art community, professional success, and socioeconomic status.

(2014); Bill T. Jones / Arnie Zane Dance Company 30th Anniversary Exhibition (2013); Dissident Futures (2013); Migrating Identities (2013); and Audience as Subject (2010/2012); Song Dong: Dad and Mom, Don't Worry About Us, We Are All Well (2011); The Matter Within: New Contemporary Art of India (2011); and Nayland Blake: Free!Love!Tool!Box!

His practice is devoted to creating documents that elucidate the hidden realities of contemporary Cambodian existence while creating a more comprehensive historical record for future generations of Cambodians as well as international audiences.

Through the curatorial outlets of Unconscious Archives (London) and OtherFilm (Australia), Golding presents live audiovisual and sound art performance as a means of examining: «liveness» the synaesthetic concerns of audiovisual art and the contemporary role of the audience.

Featuring over 50 artists including Marina Abramović, Jenny Holzer, Zhang Huan, and the Guerilla Girls, the project invites audiences to become contemporary flâneurs through activities such as photography and walking tours.

Filled with handwritten lyrics, stage costumes and childhood artifacts, and with hardly any attempts at placing Bowie's career within a visual art context or linking him to contemporary practices visual or otherwise, it is very difficult to see this one - dimensional exhibition as more than a tactic to get the non-art audience in the doors.

There is another contemporary valence to the title as well, one that might help explain this campaign's appeal to a target audience of potential collectors and their advisors.