Sentences with phrase «contemporary audiences living»

Two works of art at the entrance to the exhibition signify both the specificity and capaciousness intrinsic to the unusual history of black folk art. Steven Ashby's Untitled (Hunter and Victim)(nd; collection of Robert A. Roth, Chicago) makes clear Majeed's intention to connect the art to contemporary audiences living in the era of Black Lives Matter (fig. 1).

Not exact matches

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Disney's «Beauty and the Beast» is a live - action re-telling of the studio's animated classic which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs composed by Alan Menken.

• «Beauty and The Beast» Sneak Peek — An exciting first look into the live - action re-telling of «Beauty and the Beast,» which refashions the classic characters from the tale as old as time for a contemporary audience, staying true to the original music while updating the score with several new songs.

Recollections that a contemporary audience believed the last fifteen minutes of Burnt Offerings to be the scariest fifteen minutes ever captured on film make me wonder how these guys managed to interview only people who, in 1976, had never seen The Exorcist, Don't Look Now, Rosemary's Baby, Night of the Living Dead, Black Christmas, and on and on.

It brings together historical still life paintings and contemporary artworks that seek to use the language of the past for modern audiences.

Sitting at the heart of cultural life in the UK, the Contemporary Art Society brokers philanthropic support for the benefit of museums and their audiences across the entire country.

Sitting at the heart of cultural life in the United Kingdom, the Contemporary Art Society brokers philanthropic support for the benefit of museums and their audiences across the entire country.

2013 Wipala / Annicā, Surveying: William Cordova & Glexis Novoa, Bridge Red Studios, North Miami, FL Perder la forma humana, Una imagen sísmica de los anos ochenta en America Latina, Curated by Red Conseptualismos del Sur at Museo de Arte de Lima, Lima, Peru Curadores come home II, Curated by Rachel Weis & Sandra Ceballos, Espacio Aglutinador, Havana, Cuba Antonia Eiriz: A Painter and Her Audience, MDC Museum & Galleries of Art + Design, Miami, FL Faux Life, Richard Heller Gallery, Santa Monica, CA El Canto del Cisne, Instituto Cervantes in Berlin present the documentary El canto del Cisne (Swan song) produced and directed by Glexis Novoa; Kino Babylon, Berlin Mentes peligrosas, Espacio Aglutinador, Havana, Cuba Empire, Curated by Natika Soward, FiveMyles, Brooklyn, NY Politics: I do not like it, but it likes me, Curated by Agnieszka Kulazinska and Dermis León, Center for Contemporary Art Laznia, Gdansk, Poland Aesthetics & Values 2013, Patricia & Phillip Frost Art Museum, Miami, FL

Through the curatorial outlets of Unconscious Archives and OtherFilm, Golding presents live audiovisual and sound art performance as a means of examining: «liveness»; the synaesthetic concerns of audiovisual art; and the contemporary role of the audience.

In this performance, contemporary artist Jumana Emil Abboud invites audiences to move in and between spaces in a newly commissioned live art piece inspired by Palestinian folklore.

I'm a contemporary visual artist interested in the high life and lowlifes of everyday culture working with public spaces to stimulate a dialogue between non-traditional art audiences and the incidental viewer.

Operating simultaneously as portraits and still life paintings, these works are contemporary memento mori, serving as reminders of our mortality to both artist and audience.

«To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider world».

Through the curatorial outlets of Unconscious Archives (London) and OtherFilm (Australia), Golding presents live audiovisual and sound art performance as a means of examining: «liveness» the synaesthetic concerns of audiovisual art and the contemporary role of the audience.

The Museum's educational programs help audiences engage with contemporary art at various life stages and interest levels.

The Museum of Contemporary Art recognizes the need to enrich the cultural life of the community and to nurture a knowledgeable and supportive audience.

22.03.2018 «Privilege» Amalia Ulman's first solo show in KWM Art Center, The aim of the exhibition is to introduce Ulman's practice to a new audience exposing the contradictory roles of contemporary professional and private life as they play out amongst a monopoly of contemporary stereotypes.

Moffett consistently constructs his works around critical frameworks that engage audiences to think about painting, art, and the political and social issues that shape our contemporary lives.

Artes Mundi is dedicated to bringing international contemporary visual art to Wales, creating landmark events that enrich cultural and educational life as well as developing and inspiring new audiences.

Over the past fifty years performance art has shifted from being a fledgling artistic practice grounded in the immediacy of the live body, to an increasingly popular medium of contemporary art, engaging large numbers of performers, high production values and rising audience numbers.

Using the often hidden or neglected objects in collections, she works with curators to broker conversations between these objects, museums and audiences, bridging the gaps between the histories and contemporary life.

A contemporary choreographer based in Japan, Kaori Seki explores the possibilities of the live encounter, engaging the audience's senses and evoking...

As PS122's East Village home undergoes a much - needed interior renovation supported primarily by the City of New York, DCA and DDC, PS122's core activity continues to be providing audiences with contemporary live performance.

With this foundation set as a cornerstone, the gallery hopes to open new and traditional avenues of helping audiences of patrons from all walks of life engage and find access to contemporary art.»

In New York, there was last year's New Museum Triennial, «Surround Audience,» whose participants addressed «a society replete with impressions of life, be they visual, written, or constructed through data,» and «Ocean of Images,» the 2015 iteration of MoMA's «New Photography» showcase, featuring artists who use «contemporary photo - based culture, specifically focusing on connectivity, the circulation of images, information networks, and communication models.»

A free programme of films by contemporary artists featuring film screenings, live music, live performances, talks and audience Q & A.

As the first Paik exhibition in Scotland, the birthplace of electromagnetic theory and television technology, Transmitted Live will demonstrate how revolutionary the artist remains for contemporary audiences in encouraging creative engagement with technology.

He has been included in group exhibitions including Screen Play: Life in an Animated World, Albright - Knox Art Gallery, Buffalo, NY (2015); the New Museum Triennial Surround Audience, New York (2015); Speculations on Anonymous Materials, Kunsthalle Fridericianum, Kassel, Germany (2013); Imagine the Imaginary, Palais de Tokyo (2013); The Imaginary Museum, Kunstverein München, Munich (2013); and Memery: Imitation, Memory, and Internet Culture, Massachusetts Museum of Contemporary Art, North Adams, MA (2011).

2009 Life of Imitation * Singapore Pavilion, 53rd Venice Biennale, Italy Playing Homage Vancouver Contemporary Art Gallery, Canada The Simple Art of Parody Museum of Contemporary Art Taipei, Taiwan If There Is No Audience!

The Review Panel, organized by artcritical.com, now in its eleventh year and its second season in Brooklyn, is a monthly critics» forum in which moderator David Cohen is joined by three other critics for a live discussion, with an audience, of selected current exhibitions of contemporary art in New York City.

His experiments with media, space, and sound, with the relationship between art and audience, as well as his nuanced meditations on modernity, print culture, and everyday life will come as a revelation to many,» said Kelly Baum, Haskell Curator of Modern and Contemporary Art at the Princeton University Art Museum.

The series began in 1981 as part of the Dallas Museum of Art's commitment to the work of living artists, with the goal of making the work of contemporary artists accessible to our audiences while preserving the excitement of the work.

A new addition for 2014 is the introduction of Live Printing sessions in association with Rabley Contemporary and CFPR Editions, where artists will make prints and host printmaking demonstrations onsite in front of a live audieLive Printing sessions in association with Rabley Contemporary and CFPR Editions, where artists will make prints and host printmaking demonstrations onsite in front of a live audielive audience.

The mission of the Center Gallery is to promote and exhibit contemporary visual art produced by emerging and established artists living primarily in the region and to inspire interest and provide enjoyment to an increasingly diverse audience.

Established in 2012, this statewide, juried exhibition promotes contemporary art practices in the state of Louisiana, provides exhibition space for the exposition of living artist's work, and engages a contemporary audience that recognizes the vibrant visual culture of Louisiana and the role of New Orleans as a rising, international art center.

One of the central aspects to the festival is enabling collectors and audiences to engage with living contemporary artists.

The objective is to make contemporary art available to the widest possible audience, which resonates with the values of Art Paris Art Fair and its aim of being a spring fair accessible to art lovers from all walks of life.

We are committed to creating this important space within Irish life and to welcoming audiences, from across Ireland and beyond, into a dynamic and evolving experience of contemporary art and contemporary life.

Artes Mundi is Latin for «Arts of the world», reflecting the international focus of this Wales - based arts charity whose mission is: To present a landmark programme of international, contemporary visual art that will enrich the cultural and educational life of Wales and its people, develop and inspire new audiences and build cultural bridges between Wales and the wider world.

«Its recent exhibitions from Alexander McQueen to The Fabric of India, and the opening of its new Europe 1600 - 1815 galleries, were all exceptional accomplishments - at once entertaining and challenging, rooted in contemporary scholarship, and designed to reach and affect the lives of a large and diverse national audience.

As always our exhibition programme will be accompanied by a rich and varied programme of live performance, events, talks, and learning programmes which will provide audiences of all ages exciting opportunities to enjoy our programme, opening up conversations and bringing the audience deeper into the thinking and making of contemporary art.

We wish to continue to promote and exhibit contemporary visual art produced by emerging and established artists living primarily in the capital region and to inspire interest and provide enjoyment to an increasingly diverse audience.

Although many contemporary artists have broadened the term «studio» to encompass any space where they work and even where they present this work to an audience, The Studio program wants to propose a view from the other side: How have socioeconomic changes, the mutation of labor, and the increasing role of media in everyday life of society transformed the possibilities of the studio?

The Gallery aims to give audiences the confidence to enjoy contemporary art and to understand the importance of art, artists, culture and creativity, and their impact on individual and collective lives.

In a bid to use contemporary art to move more people to action on environmental issues, and to reach a wider audience with the message that we need to clean up our act and live more sustainably, a nonprofit art organization has launched the second part of its online interactive exhibit, Footing the Bill: Art and Our Ecological Footprint.