«Dave: Neo-Slave Narratives and
Contemporary Black Identity — I made this Pot,» Performance Lecture, Paris, France, 2008
Her work often explores important topics such as
contemporary black identity, queer theory, and the power of human language, seen through video, performance, writing and other new media.
Not exact matches
This
identity disorder — Sofia is one of
contemporary cinema's most filmed cities, yet rarely plays itself — is personified by the lead character (Elika Portnoy), a Bulgarian woman with multiple personalities, each one belonging to a different genre: a bespectacled, blonde educator with a controlling husband (domestic drama), a redheaded belly dancer (romance à la Zalman King), and jet -
black - haired professional assassin (thriller).
Yorgos Lanthimos» name has become synonymous with
contemporary absurdism; the films that have made him one of the most lauded filmmakers in recent years - Dogtooth, Alps, and The Lobster - have mixed stories of families and relationships in the most strange of circumstances, combining
black comedy, violence, and the crisis of
identity.
Long
Black Veil will appeal to readers who enjoy complex plots and exploring
contemporary issues of
identity and the role of gender; as well as the idea of self - reinvention.
A multi-screen, documentary - style video installation, «Question Bridge» presents a dynamic series of «exchanges» among
black men who span generations and backgrounds about a range of
contemporary issues particularly relevant to their experiences such as race,
identity, faith, family and fatherhood — .
One of the most acclaimed recent chroniclers of the conditions, experience and expressions of
Black life, Jafa's work is part of a current of work at the fair examining urgent
contemporary questions of justice and
identity - including the Chicago - based Theaster Gates, famed for his direct interventions into the city's South Side, whose work is given the solo treatment at the fair by Richard Gray Gallery (A1).
EXHIBITION «
Black Eye,» a group show that explores the shifting dynamics of race and
identity over the past two decades, opens May 3 featuring 26
Black contemporary artists, a who's who among two generations — Sanford Biggers, Nick Cave, David Hammons, Deanna Lawson, Simone Leigh, Steve McQueen, Toyin Odutola, Gary Simmons, Xaviera Simmons, Hank Willis Thomas, Kehinde Wiley and Nari Ward, among others.
Through compelling portraiture and both intimate and disquieting scenes of domestic life, Kerry James Marshall comments on
contemporary and art historical depictions of
black identity.
Curated by Nicole J. Caruth, the exhibition focuses on «
contemporary artists who Grace Jones has influenced and inspired, and artists who address
black bodies and queer
identity in ways that recall aspects of Jones» oeuvre,» she said in an interview with Crave.
2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal
Identities:
Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of
Black Identity: Art and the
Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners:
Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks
Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of
Contemporary Art, Cleveland, USA
Contemporary black artists follow the same path when representing
identity.
Freestyle was a turning point in a lot of people's minds about
contemporary black art, and one that catalyzed a kind of new vocabulary for both
identity and interpretation.
Building on a growing interest in reassessing the role of the
Black Arts Movement in the construction of
contemporary ideas around race, national
identity, gender and aesthetics, the conference asserts the continued and dynamic presence of the «Critical Decade».
, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss,
Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for
Contemporary Art, Gateshead, United Kingdom Springtide, Institute of
Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of
Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence:
Identity in
Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures:
Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue)
Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of
Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.
Group Exhibition in Tribeca Explores
Black Identity «Black Eye,» a group show that explores the shifting dynamics of race and identity over the past two decades, features a who's who among two generations of black contemporary art
Black Identity «Black Eye,» a group show that explores the shifting dynamics of race and identity over the past two decades, features a who's who among two generations of black contemporary
Identity «
Black Eye,» a group show that explores the shifting dynamics of race and identity over the past two decades, features a who's who among two generations of black contemporary art
Black Eye,» a group show that explores the shifting dynamics of race and
identity over the past two decades, features a who's who among two generations of black contemporary
identity over the past two decades, features a who's who among two generations of
black contemporary art
black contemporary artists.
In the new works on view at Hauser & Wirth, Bradford probes stories found in comic books to question the archetype of the antihero and the influence of the media on
contemporary society, while also revisiting misconceptions of
black identity and gender as seen in previous works.
She is a member of
Black Salt Collective, whose members are all
Black, brown, and indigenous women, creating work about ancestry and
identity in a
contemporary context.
On Being
Black is an excellent multilayered and highly nuanced remix of an ongoing conversation in
contemporary art about
identity, power and transformation.
Fahamu Pecou is an American
contemporary artist and scholar who explores
black male
identity in art, performance and popular culture
The performances, installations and videos exhibited serve not only as explorations of the complex
identity of
black youthful opposition but also a way in which to question whether these
contemporary traditions can exist with the established traditions of art institutions and discourse.
Cutler employs a vivid color palette to compose internal - landscapes / symbolic still lifes, exploring the cultural and personal significance of his
identity as a
black gay man in
contemporary America.
His powerful figurative paintings highlight the daily lives of
black queer men and the difficulties faced by defining one's
identity as such in
contemporary society.
In terms of
contemporary updates to conceptualism, few have provided as pointed a critique as Adam Pendleton's
Black Dada series, which mines the artist's archive for material from which to create dense mediations on race and
identity.
As we recently explored here on Artspace, the alter ego is a trenchant aspect of
contemporary art — think of the recent controversy surrounding the Yams Collective's withdrawal from the Whitney Biennial because of artist Joe Scanlan's adopting of a
black female
identity (fictional artist «Donelle Woolford») as an avatar.
2013
Black Hair:
Black Identity, Iona College Chapman Gallery, New Rochelle, New York, USA Singular Masses: An Examination of Racial
Identity, Memphis College of Art, Hyde Gallery, Memphis, Tennessee The Moment for Ink, Chinese Cultural Center, San Francisco, USA Ballpoint Pen Drawing Since 1950, Aldrich
Contemporary Art Museum, Ridgefield, Connecticut, USA Seven Sisters, Jenkins Johnson Gallery, San Francisco, USA
2015 Interventions in Printmaking: Three Generations of African American Women, Allentown Art Museum of The Lehigh Valley, Pennsylvania, USA SELF: Portraits of Artists in Their Absence, National Academy Museum of Art, New York, USA Piece by Piece: Building a Collection, Selections from the Christy & Bill Gautreaux Collection, Kemper Museum of
Contemporary Art, Kansas, USA Status Quo, The School, Jack Shainman Gallery, New York, USA Breath / Breadth:
Contemporary American
Black Male
Identity, Maier Museum of Art at Randolph College, Lynchburg, USA To Be Young, Gifted, and
Black, Goodman Gallery, Cape Town, South Africa
Rituals since 1851, Fondazione La Triennale di Milano, Milan, Italy Self: Image and
Identity, Turner
Contemporary, Kent, UK Chercher le Garçon, MAC / VAL, Paris, France In Search of Meaning, Museum de Fundatie, The Netherlands Staying Power: Photographs of
Black British Experience 1950s - 1990s, Victoria and Albert Museum, London, England Making Africa: A continent of
Contemporary Design, Vitra Design Museum, Weil Am Rhein, Germany Unravelling
Identity: Our Textiles, Our Stories, Textile Museum, The George Washington University Museum, Washington DC, USA Heartbreak Hotel, presented by the Vanhaertens Collection, Venice Biennale, Italy 10th Anniversary Exhibition, Museu Afro Brasil, Sao Paulo, Brazil The Inverted Worlds, BPS 22, Charleroi, Belgium La vida es esto, DA2, Salamanca, Spain
Working around issues of
black male
identity in the exhibition Tailor, Singer, Striker, Dandy (2011) at the Gallery of Costume, Platt Hall, Manchester Art Gallery she selected from the large West African textile collection in the gallery's stores and reinterpreted the materials to express
contemporary and historic male
identity through appearance and clothes.
SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for
Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between
Black and White, OCCCA (Orange County Center for
Contemporary Art), Santa Ana, CA 2015 Somewhere Between
Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art /
Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012
Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!
2004 African Art, African Voices: Long Steps Never Broke a Back, Philadelphia Museum of Art, PA, USA Continental Drift: Installations by Ilya Kabakov, Joan Jonas, Juan Muños, Yinka Shonibare, Norton Museum in West Palm Beach, FL, USA Fashination, Moderna Museet, Stockholm, Sweden The Fabric Workshop and Museum, New York, NY, USA Flexible 4:
Identities, Landes Museen, Linz, Austria Between The Lines, James Cohan Gallery, New York, NY, USA
Black President: The Art and Legacy of Fela Anikulapo - Kuti, Yerba Buena Centre for the Arts, San Francisco, CA, USA, (catalogue) 2003 Looking Both Ways: Art of the
Contemporary African Diaspora, The Museum for African Art, New York, USA (catalogue) Love over Gold, Gallery of Modern Art, Glasgow, Scotland
Black President: The Art and Legacy of Fela Anikulapo - Kuti, New Museum, New York, NY, USA, (catalogue) Flexible 4:
Identities, The Whitworth Art Gallery, Manchester Supernova: Art of the 1990s from the Logan Collection, SF MOMA, San Francisco, CA, USA (doublures), vêtements de l'art contemporain, Musée national des beaux - arts du Québec, Québec, Canada (catalogue) Independence, South London Gallery, London The African Exile Museum, Migros Museum, Zürich, Switzerland Somewhere better than this Place, The
Contemporary Arts Center, Cincinnati, Ohio, USA
Harris, who grew up in New York City and Dar es Salaam, Tanzania, came to prominence in 1994 when Whitney Museum of American Art curator Thelma Golden included his large - format Polaroid pictures of friends, family members and himself in poses and guises challenging racial and gender
identity in her seminal exhibition «
Black Male: Representations of Masculinity in
Contemporary American Art.»
The group show, titled after the song «To be Young, Gifted, and
Black» by Nina Simone with lyrics from Weldon Irvine and written in the memory of Simone's late friend Lorraine Hansberry author of Raisin in the Sun, surrounded ideas and issues of racial, sexual, and historical
identity in
contemporary culture since 2010.
Citing bam leader Amiri Baraka in a new book that accompanies the recent exhibition at the Museum of
Contemporary Art Chicago, «The Freedom Principle: Experiments in Art and Music, 1965 to Now», art historian Rebecca Zorach writes that «pure forms» of diaspora culture such as music, dance and religion resisted objectification and were best suited to «reconstructing or excavating
black identity».
, an exhibition that examines evolving perspectives of
Black identity in American culture and history from 1912 to 2016 through rare historical printed media shown in dialogue with
contemporary works of art.
Todd Gray in Breath / Breadth:
Contemporary American
Black Male
Identity at Maier Museum of Art, Randolph College, Virginia September 3 to December 11, 2015.
Art and the Feminist Revolution, 1965 - 1980, Los Angeles Museum of
Contemporary Art, Los Angeles, CA; National Museum of Women in the Arts, Washington D.C.; P.S. 1
Contemporary Art Center, New York, NY; Vancouver Art Gallery, Vancouver, British Columbia, Canada Landscape of Slavery: The Plantation in American Art, Gibbes Museum of Art, Charleston, SC; University of Virginia Art Museum, Charlottesville, VA Modern Times: Alumni Collect, Bowdoin College Museum of Art, Brunswick, ME Image and
Identity in African American Art, Highlights from the Collection, Norton Museum of Art, West Palm Beach, FL Beyond the Mountaintop, Wadsworth Atheneum Museum of Art, Hartford, CT
Blacks: In and Out of the Box, California African American Museum, Los Angeles, CA Southern California Art of the 1960s and 70s from LACMA's Collection, Los Angeles County Museum of Art, Los Angeles, CA West Coast Masters of Assemblage & Collage, Salt Lake Art Center, Salt Lake City, UT ART in Embassies Exhibition, United States Ambassador Maurice Parker Residence, Mbabane, Swaziland
Breath / Breadth:
Contemporary American
Black Male
Identity, explores wide - ranging visual expressions, defying the impulse to hone in on singular, cohesive definitions because it is precisely the impulse to categorize that encourages racial profiling.
Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «Dandy Lion: (Re) Articulating
Black Masculine
Identity,» is currently on view at Museum of
Contemporary Photography at Columbia College in Chicago until Sunday, July 12.
The Nude Man in Art from 1800 to the Present Day Musèe d'Orsay, Paris, France «Eye to I... 3,000 years of Portraits» Katonah Museum of Art, Katonah, NY 30 Americans, Milwaukee Art Museum, Milwaukee, WI Through the Eyes of Texas: Masterworks from Alumni Collections, The Blanton Museum of Art, Austin, TX 2012 Looped, Utah Museum of
Contemporary Art, Salt Lake City, UT The Human Touch: Selections from the RBC Wealth Management Art Collection, RedLine Gallery, Denver, CO The Soul of a City: Memphis Collects African American Art, Memphis Brooks Museum of Art, Memphis, TN 30 Americans, Chrysler Museum of Art, Norfolk, VA All I Want is a Picture of You, Angles Gallery, Los Angeles, CA BAILA con Duende: Group Art Exhibition, Watts Towers Arts Center and Charles Mingus Youth Arts Center, Los Angeles, CA The Bearden Project, The Studio Museum in Harlem, New York, NY The Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of
Contemporary Art, Scottsdale, AZ 2011 Parallel Perceptions, NYC Opera, New York, NY Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, NY Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, D.C. Becoming: Photographs from the Wedge Collection, The Nasher Museum of Art at Duke University, Durham, NC Human Nature:
Contemporary Art from the Collection, Broad
Contemporary Art Museum (BCAM) at Los Angeles County Museum of Art, (LACMA) Los Angeles, CA Beyond Bling: Voices of Hip - Hop in Art, Ringling Museum of Art, Sarasota, FL 30 Americans: Rubell Family Collection, Corcoran Gallery of Art, Washington, D.C.. For a Long Time, Roberts & Tilton, Culver City, CA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, CA 2010 Size Does Matter, FLAG Art Foundation, New York NY Passion Fruits, Collectors Room, Berlin The Global Africa Project Exhibition, Museum of Arts and Design, New York, NY Personal
Identities:
Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, CA Patter ID, Akron Art Museum, Akron, OH Wild Thing, Roberts & Tilton, Culver City, CA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, PA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, ND The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of
Black Identity: Art and the
Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, KY The Gleaners:
Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, CO From Then to Now: Masterworks of
Contemporary African American Art, Cleveland Art Museum, Cleveland, OH 2009 Enchantment, Joseloff Gallery, Hartford, CT Reconfiguring the Body in American Art, 1820 - 2009, National Academy Museum, New York Creating
Identity: Portraits Today, 21C Museum, Louisville, KY Other People: Portraits from Grunwald and Hammer Collections, Curated by Cindy Burlingham and Gary Garrels, Hammer Museum, Los Angeles, CA 2008 30 Americans, Rubell Family Collection, Miami, FL Recognize: Hip Hop amd
Contemporary Portraiture, Smithsonian Institution National Portrait Gallery, Washington, D.C. Macrocosm, Roberts & Tilton, Culver City, CA 21:
Contemporary Art at the Brooklyn Museum, The Brooklyn Museum, Brooklyn, NY Selected Drawings, Museum of
Contemporary Art, Cleveland, Cleveland, OH Down, Museum of
Contemporary Art, Detroit, Detroit, MI
The exhibition used the work of seven
contemporary painters including Medina Hammad, Godfrey Lee, Tony Phillips and Lesley Sanderson to examine the importance and centrality of history and
identity in the work of
Black artists in England.
«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic
Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,»
Black Collectivities, Museum of
Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of
Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013
Also exhibited in Stout and Herron's «
Black Mirror, Pink Reflections: Portraits of Queer
Identity in
Contemporary Art» is John Hanning's I Survived AIDS, a sculpture made of 500 stacked c - print posters, reminiscent of Felix Gonzalez - Torres's stacked prints (that unlike Hanning's, are free to take.)
Since, Lydia has created «In / Between Spaces» - a mobile group exhibition series in a 26» U-Haul that explores
Black identity in various spheres of modern life and that travels to predominantly
Black neighborhoods in New Orleans to engage those who have been alienated from the world of
contemporary fine art.
Howardena Pindell's work has been featured in many landmark museum exhibitions, such as:
Contemporary Black Artists in America (1971, Whitney Museum of American Art), Rooms (1976, P.S. 1
Contemporary Art Center), Another Generation (1979, The Studio Museum in Harlem), Afro - American Abstraction (1980, P.S. 1
Contemporary Art Center), The Decade Show: Frameworks of
Identity in the 1980s (1990, New Museum of
Contemporary Art), and Bearing Witness:
Contemporary Works by African - American Women Artists (1996, Spelman College Museum of Fine Art, Atlanta).
Thompson, Barbara «Decolonizing
Black Bodies: Personal Journeys in the
Contemporary Voice,» and «Part III: Meaning and
Identity - Exchanges: Wangechi Mutu,» 2008 p. 279, 327.
examines evolving perspectives of
Black identity in American culture and history from 1912 to 2016 through
contemporary works of art and rare historical printed media.
Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and
Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for
Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of
Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for
Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue)
Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of
Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for
Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of
Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.
Many of my
contemporaries have had educations in environments that are not exclusively
black and that influence our
identities in ways that are often ignored.
3 —
Identity - Politics Curators, Between Adrian Piper pulling out of the show Radical Presence: Black Performance in Contemporary Art and the artists of Jewish descent who declined to participate in the Jew York exhibition at Zach Feuer and Untitled galleries, it looks like curators who want to group or explore artists based on identity have hit har
Identity - Politics Curators, Between Adrian Piper pulling out of the show Radical Presence:
Black Performance in
Contemporary Art and the artists of Jewish descent who declined to participate in the Jew York exhibition at Zach Feuer and Untitled galleries, it looks like curators who want to group or explore artists based on
identity have hit har
identity have hit hard times.