Read his essays on classic, cult, and
contemporary cinema at gatewaycinephile.com and follow along with his film addiction at letterboxd.com/awyatt76/.
Compared to
contemporary cinema at large, though, this is superior entertainment.
Not exact matches
Tim Robbins ranks among
contemporary cinema's most acclaimed and provocative voices; a multifaceted talent, he has proved so adept
at wearing the various hats of actor, writer, and director that no less a figure than the legendary filmmaker Robert Altman declared him the second coming of Orson Welles.
From one of the most distinct and celebrated directors of
contemporary Taiwanese
cinema, Tsai Ming - liang, comes Walker, a formally rigorous and meditative short film that observes a monk as he ambles through the bustling streets of Hong Kong
at his own VERY slow pace.
Although he supposedly retired to Tasmania in the early 2000s, it is very difficult to see a substantial decrease in his level of engagement or activity, though it did give him more time to write for such outlets as Senses of
Cinema and communicate his passion for film history, as well as
contemporary cinema, in a series of lectures or talks (I'm sure he'd prefer the latter term) held over a ten - year - period
at the State
Cinema in Hobart.
Haneke's 1997 film is notorious for delivering one of the most painful viewing experiences in
contemporary cinema; setting up a standard thriller scenario before breaking the rules, and twisting the emotional knife
at every opportunity.
Whether you're looking
at contemporary cinema or the classics, the Tomatometer can serve as shorthand for a film's critical reception, if not its box office success.
This is
contemporary Italian
cinema is
at its best.
Shot by Academy Award - winning cinematographer Robert Elswit, who has worked with Anderson ever since Hard Eight, scored by singer - songwriter Michael Penn, edited by the great Dylan Tichenor, who started as an apprentice on Robert Altman's movies and went on to do great films such as Magnolia, There Will Be Blood, Brokeback Mountain and The Assassination of Jesse James by the Coward Robert Ford, Paul Thomas Anderson's epic drama went on to garner three Academy Award nominations, did reasonably well
at the box office by tripling its initial investment and, more importantly, showcased the surprising talent and determination of one of the few brilliant filmmakers of American
contemporary cinema.
«So it is not surprising that two of
contemporary cinema's best actresses, Rachel Weisz and Rachel McAdams, take the leading roles here and that Alessandro Nivola does perhaps the most affecting work of his career as their costar -LSB-...] Coming across
at first as timid and plain (quite a challenge for an actress as charismatic as McAdams), Esti turns out to be passionate not only about Ronit but about her vocation as a teacher in a girls high school as well.
My passion is for old movies and much
contemporary cinema has no appeal to me
at all.
Following Mailer's text — or
at least drawing from its imagery — more faithfully than expected, it finally proved a masterclass in adapting the seemingly unfilmable, fusing the scope and swagger of its source material to a meta,
contemporary framing device; all filtered through a singular artistic vision, unique not just to a week's festival viewing, but to
cinema itself.
Contemporary cinema may be deep into a phase of emphasising western - like aspects in everything from horror to action movies, and fashioning revisionist takes as well; however,
at the heart of this fascination sits the timelessness of the genre's core elements.
24 April — 4 May 2008 In the State of
Cinema Address
at the 51st San Francisco Film Festival, delivered annually by a prominent figure» to address complex issues facing
contemporary cinema»,...
East, West and Centre: Reframing Post-1989 European
Cinema, the 18 - chapter volume edited by Michael Gott and Todd Herzog, questions the validity of this particular divide by taking into consideration the current geopolitical and economic situation of the European Union and its neighbouring countries, and this opens up new ways of looking
at the map of
contemporary European
cinema.
Owing equal debt to Italian neo-realism and more
contemporary Iranian
cinema, Haifaa Al - Mansour «s feature debut follows the title character, a rebellious 12 - year - old girl who enters a Koran - recitation competition
at school in order to win enough money to ride a bike, while her mother (Reem Abdullah) fights to hold on to her husband, whose wealthy mother is encouraging him to get a second wife.
Owing equal debt to Italian neo-realism and more
contemporary Iranian
cinema, Haifaa Al - Mansour «s feature debut follows the title character, a rebellious 12 - year - old girl who enters a Koran - recitation competition
at school in order to win enough money to ride a bike.
The 2nd annual Indie Meme Film Festival, highlighting
contemporary South Asian
cinema, starts tonight
at the Regal Arbor.
Set
at the historic Stanley Hotel, inspiration for Stephen King's The Shining, the Stanley Film Festival, showcases the best in classic and
contemporary horror
cinema in beautiful Estes Park, Colorado.
Featuring an all - star cast that includes Greta Gerwig, Julie Delpy, Danny DeVito, Ellen Burstyn, and Zosia Mamet, Wiener - Dog is a tragically funny, wondrously warped look
at the absurdity of life (and death) from one of
contemporary cinema's most fearless and unique voices.
At one panel, actors Randall Park, Usman Ally, Joy Osmanski, and Lucille Soong discussed ethnic stereotypes in
contemporary cinema Read more
The show resonates with her 2015 exhibition Lives on Wire
at the Institute of
Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old
cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.
McDowell has held curatorial appointments
at the CCA Wattis Institute for
Contemporary Arts, San Francisco, the San Francisco Museum of Modern Art, and the Massachusetts Museum of
Contemporary Art, where she mounted many solo and group exhibitions, including projects on Minimalism, Fluxus, assemblage, and avant - garde
cinema.
The experience of terminal disease and the
contemporary women
cinema» and prepares the exhibition of Polish female sculptor Wanda Czelkowska scheduled for 2016
at Xawery Dunikowski Museum of Sculpture, Warsaw.
Taking its title from the dark 80s teen cult comedy by the same name, Heathers takes a look
at pop culture's (and pop
cinema's) co-option of
contemporary art and its «impulse to vampirise levity as a cipher for criticality and de-subjectivisation».
This program is aimed
at artists in every artistic discipline: Architecture / landscape / urbanism, street arts / circus / puppets, digital arts, visual arts, comics,
cinema / movies / video, curating projects, dance / performances, design, literature, youth book, fine arts and crafts, modern music and jazz, classical and
contemporary music,
contemporary art performances, photography, theatre, musics for films and video games.
He teaches in the Film and Electronic Arts department
at Bard College, and is currently writing his second book, a critical history of
contemporary experimental
cinema in America.
The Africa series
at Cinema Orion is a tribute to the masters of African film history and to the masterpieces of
contemporary African
cinema.
Director David Gryn has produced, curated and promoted artists» film events that have consistently attracted large audiences, comprising those already familiar with
contemporary art, general
cinema - goers and the interested public
at large.
2007 LA CASA ENCENDIDA, CENTRE FOR
CONTEMPORARY ARTS screening - retrospective various works, every Tuesday in September 2007, Madrid CINEMATEXAS, Austin, Texas Return of the Black Tower THE HORSE HOSPITAL, Bloomsbury, London Return of the Black Tower screened
at the Book Launch of Subversion — the definitive history of underground
Cinema CUBE
CINEMA Double Dummy & Return of the Black Tower screened as part of OMSK IMAGES 20TH INTERNATIONAL MEDIA FESTIVAL TORONTO, Because of the War NEW YORK UNDERGROUND FILM FESTIVAL, Anthology Film Archives, The Truth and the Pleasure ANN ARBOUR 23RD INTERNATIONAL FILM FESTIVAL screens Because of the War and Sharony!
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk
at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various
cinemas in Seoul, KR Art = Text = Art: Works by
Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
Recent grants have included support for the conservation treatment of minimalist paintings
at the Guggenheim; a roundtable addressing video art preservation issues; a conservation survey of Judy Chicago's Dinner Party; publications on the art of Robert Motherwell and Jasper Johns, as well as on
contemporary Chicano art, art theory, cinema, and photography; research fellowships focused on contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contempor
contemporary Chicano art, art theory,
cinema, and photography; research fellowships focused on
contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contempor
contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns
at the Museum of
Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contempor
Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase
contemporarycontemporary artists.
This traditional oral form inspired the region's
cinema at its origins, as well as other modern narrative genres, and intersects in their work with archival footage assembled to represent
contemporary history and engender new cultural forms of post-colonialisation.
The film screening will be held
at the
cinema BABYLON on Friday, February 24, 2017, 7 pm, followed by a conversation between the artist and Krist Gruijthuijsen, director of KW Institute for
Contemporary Art.
Her PhD in Curatorial / Knowledge - Department of Visual Cultures
at Goldsmiths, University of London - investigates
contemporary affects and the aesthetics of the «new» of the Portuguese revolution through militant, documentary and essay
cinema.
Contemporary art from elsewhere gave me far more — the Kabakovs with their tremendous lament for a mother Russia that might have been, using the illusion of
cinema as the purest of metaphors; the lissome visions of the Lebanese artist Saloua Raouda Choucair in painting and sculpture
at Tate Modern — Islam meeting modernism.