Sentences with phrase «contemporary cinema at»

Read his essays on classic, cult, and contemporary cinema at gatewaycinephile.com and follow along with his film addiction at letterboxd.com/awyatt76/.
Compared to contemporary cinema at large, though, this is superior entertainment.

Not exact matches

Tim Robbins ranks among contemporary cinema's most acclaimed and provocative voices; a multifaceted talent, he has proved so adept at wearing the various hats of actor, writer, and director that no less a figure than the legendary filmmaker Robert Altman declared him the second coming of Orson Welles.
From one of the most distinct and celebrated directors of contemporary Taiwanese cinema, Tsai Ming - liang, comes Walker, a formally rigorous and meditative short film that observes a monk as he ambles through the bustling streets of Hong Kong at his own VERY slow pace.
Although he supposedly retired to Tasmania in the early 2000s, it is very difficult to see a substantial decrease in his level of engagement or activity, though it did give him more time to write for such outlets as Senses of Cinema and communicate his passion for film history, as well as contemporary cinema, in a series of lectures or talks (I'm sure he'd prefer the latter term) held over a ten - year - period at the State Cinema in Hobart.
Haneke's 1997 film is notorious for delivering one of the most painful viewing experiences in contemporary cinema; setting up a standard thriller scenario before breaking the rules, and twisting the emotional knife at every opportunity.
Whether you're looking at contemporary cinema or the classics, the Tomatometer can serve as shorthand for a film's critical reception, if not its box office success.
This is contemporary Italian cinema is at its best.
Shot by Academy Award - winning cinematographer Robert Elswit, who has worked with Anderson ever since Hard Eight, scored by singer - songwriter Michael Penn, edited by the great Dylan Tichenor, who started as an apprentice on Robert Altman's movies and went on to do great films such as Magnolia, There Will Be Blood, Brokeback Mountain and The Assassination of Jesse James by the Coward Robert Ford, Paul Thomas Anderson's epic drama went on to garner three Academy Award nominations, did reasonably well at the box office by tripling its initial investment and, more importantly, showcased the surprising talent and determination of one of the few brilliant filmmakers of American contemporary cinema.
«So it is not surprising that two of contemporary cinema's best actresses, Rachel Weisz and Rachel McAdams, take the leading roles here and that Alessandro Nivola does perhaps the most affecting work of his career as their costar -LSB-...] Coming across at first as timid and plain (quite a challenge for an actress as charismatic as McAdams), Esti turns out to be passionate not only about Ronit but about her vocation as a teacher in a girls high school as well.
My passion is for old movies and much contemporary cinema has no appeal to me at all.
Following Mailer's text — or at least drawing from its imagery — more faithfully than expected, it finally proved a masterclass in adapting the seemingly unfilmable, fusing the scope and swagger of its source material to a meta, contemporary framing device; all filtered through a singular artistic vision, unique not just to a week's festival viewing, but to cinema itself.
Contemporary cinema may be deep into a phase of emphasising western - like aspects in everything from horror to action movies, and fashioning revisionist takes as well; however, at the heart of this fascination sits the timelessness of the genre's core elements.
24 April — 4 May 2008 In the State of Cinema Address at the 51st San Francisco Film Festival, delivered annually by a prominent figure» to address complex issues facing contemporary cinema»,...
East, West and Centre: Reframing Post-1989 European Cinema, the 18 - chapter volume edited by Michael Gott and Todd Herzog, questions the validity of this particular divide by taking into consideration the current geopolitical and economic situation of the European Union and its neighbouring countries, and this opens up new ways of looking at the map of contemporary European cinema.
Owing equal debt to Italian neo-realism and more contemporary Iranian cinema, Haifaa Al - Mansour «s feature debut follows the title character, a rebellious 12 - year - old girl who enters a Koran - recitation competition at school in order to win enough money to ride a bike, while her mother (Reem Abdullah) fights to hold on to her husband, whose wealthy mother is encouraging him to get a second wife.
Owing equal debt to Italian neo-realism and more contemporary Iranian cinema, Haifaa Al - Mansour «s feature debut follows the title character, a rebellious 12 - year - old girl who enters a Koran - recitation competition at school in order to win enough money to ride a bike.
The 2nd annual Indie Meme Film Festival, highlighting contemporary South Asian cinema, starts tonight at the Regal Arbor.
Set at the historic Stanley Hotel, inspiration for Stephen King's The Shining, the Stanley Film Festival, showcases the best in classic and contemporary horror cinema in beautiful Estes Park, Colorado.
Featuring an all - star cast that includes Greta Gerwig, Julie Delpy, Danny DeVito, Ellen Burstyn, and Zosia Mamet, Wiener - Dog is a tragically funny, wondrously warped look at the absurdity of life (and death) from one of contemporary cinema's most fearless and unique voices.
At one panel, actors Randall Park, Usman Ally, Joy Osmanski, and Lucille Soong discussed ethnic stereotypes in contemporary cinema Read more
The show resonates with her 2015 exhibition Lives on Wire at the Institute of Contemporary Arts, where she created a site - specific installation, repurposing a resistor mechanism from an old cinema organ to produce rainbow strobes that transformed the gallery through shifting coloured light.
McDowell has held curatorial appointments at the CCA Wattis Institute for Contemporary Arts, San Francisco, the San Francisco Museum of Modern Art, and the Massachusetts Museum of Contemporary Art, where she mounted many solo and group exhibitions, including projects on Minimalism, Fluxus, assemblage, and avant - garde cinema.
The experience of terminal disease and the contemporary women cinema» and prepares the exhibition of Polish female sculptor Wanda Czelkowska scheduled for 2016 at Xawery Dunikowski Museum of Sculpture, Warsaw.
Taking its title from the dark 80s teen cult comedy by the same name, Heathers takes a look at pop culture's (and pop cinema's) co-option of contemporary art and its «impulse to vampirise levity as a cipher for criticality and de-subjectivisation».
This program is aimed at artists in every artistic discipline: Architecture / landscape / urbanism, street arts / circus / puppets, digital arts, visual arts, comics, cinema / movies / video, curating projects, dance / performances, design, literature, youth book, fine arts and crafts, modern music and jazz, classical and contemporary music, contemporary art performances, photography, theatre, musics for films and video games.
He teaches in the Film and Electronic Arts department at Bard College, and is currently writing his second book, a critical history of contemporary experimental cinema in America.
The Africa series at Cinema Orion is a tribute to the masters of African film history and to the masterpieces of contemporary African cinema.
Director David Gryn has produced, curated and promoted artists» film events that have consistently attracted large audiences, comprising those already familiar with contemporary art, general cinema - goers and the interested public at large.
2007 LA CASA ENCENDIDA, CENTRE FOR CONTEMPORARY ARTS screening - retrospective various works, every Tuesday in September 2007, Madrid CINEMATEXAS, Austin, Texas Return of the Black Tower THE HORSE HOSPITAL, Bloomsbury, London Return of the Black Tower screened at the Book Launch of Subversion — the definitive history of underground Cinema CUBE CINEMA Double Dummy & Return of the Black Tower screened as part of OMSK IMAGES 20TH INTERNATIONAL MEDIA FESTIVAL TORONTO, Because of the War NEW YORK UNDERGROUND FILM FESTIVAL, Anthology Film Archives, The Truth and the Pleasure ANN ARBOUR 23RD INTERNATIONAL FILM FESTIVAL screens Because of the War and Sharony!
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
Recent grants have included support for the conservation treatment of minimalist paintings at the Guggenheim; a roundtable addressing video art preservation issues; a conservation survey of Judy Chicago's Dinner Party; publications on the art of Robert Motherwell and Jasper Johns, as well as on contemporary Chicano art, art theory, cinema, and photography; research fellowships focused on contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporcontemporary Chicano art, art theory, cinema, and photography; research fellowships focused on contemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporcontemporary Latino art in the United States, popular Islamic art in urban Senegal, and modern Japanese architecture; and multicultural internship grants to support student interns at the Museum of Contemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporContemporary Art, LACE, and a number of other local museums, alternative spaces, and community galleries that showcase contemporarycontemporary artists.
This traditional oral form inspired the region's cinema at its origins, as well as other modern narrative genres, and intersects in their work with archival footage assembled to represent contemporary history and engender new cultural forms of post-colonialisation.
The film screening will be held at the cinema BABYLON on Friday, February 24, 2017, 7 pm, followed by a conversation between the artist and Krist Gruijthuijsen, director of KW Institute for Contemporary Art.
Her PhD in Curatorial / Knowledge - Department of Visual Cultures at Goldsmiths, University of London - investigates contemporary affects and the aesthetics of the «new» of the Portuguese revolution through militant, documentary and essay cinema.
Contemporary art from elsewhere gave me far more — the Kabakovs with their tremendous lament for a mother Russia that might have been, using the illusion of cinema as the purest of metaphors; the lissome visions of the Lebanese artist Saloua Raouda Choucair in painting and sculpture at Tate Modern — Islam meeting modernism.
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