Sentences with phrase «contemporary cinema world»

In a contemporary cinema world dominated by silent reverence for whatever junk in on screen, discount / second - run cinemas feel more like old school movie - going.

Not exact matches

His primary research areas are the legacy of Andrei Tarkovsky and Robert Bresson in modes of realism in contemporary world cinema as well as post war British Cinema and London on film.

In the singular world of Finnish filmmaker Aki Kaurismäki, auteurist homage and social consciousness are joined by some of the most lovingly filmed dogs in contemporary cinema.

Both as cinema and as storytelling, «District 9» capitalizes on the uncertain boundaries between fiction and reality that characterize contemporary media, and for that matter the whole contemporary world.

February 10 — 20, 2005 (1) One of the remarkable aspects of the state of contemporary film discourse on world cinema is that one of its traditional pillars — that of German cinema — has almost...

Then there are 84 other foreign films in the contemporary world cinema section.

Her choice of subjects is eclectic: from A-listers to emerging talents; the history of Indian cinema and its various trends; many strands of contemporary India and world cinema.

Adrián García Bogliano, along with his brother Ramiro, have been leading the way in Argentine genre cinema for the better part of a decade now, but this Mexican set tale of demonically possessed kiddos seems to be Bogliano's ticket into the stratosphere of contemporary world class horror directors.

Haneke's dissections of human behaviour yield mixed rewards, although I believe he is one of the greatest filmmakers currently working, and it's hard to imagine contemporary world cinema without him.

The high octane Road War takes audiences on a ferocious chase across a stark desert wasteland as Miller pushes the limits of contemporary cinema to re-imagine the beauty and chaos of the post-apocalyptic world he created in the Mad Max trilogy 30 years ago.

In her varied and long career, Moreau has worked with such legendary auteurs as Luis Buñuel, Michelangelo Antonioni, Orson Welles (who once called her «the greatest actress in the world»), and Rainer Werner Fassbinder, and she continues to work today, in films by some of contemporary cinema's most revered names, such as Amos Gitai, Tsai Ming - liang, and François Ozon.

CONTEMPORARY WORLD CINEMA «A Ciambra,» Jonas Carpignano, Italy / France / USA / Germany «A Sort of Family,» Diego Lerman, Argentina / Brazil / France / Poland «Alanis,» Anahí Berneri, Argentina «Ana, mon amour,» Călin Peter Netzer, Romania / Germany / France «Angels Wear White,» Vivian Qu, China / France «April's Daughter,» Michel Franco, Mexico «Arrhythmia,» Boris Khlebnikov, Russi Finland / Germany «Beyond Words,» Urszula Antoniak, Netherlands / Poland «Birds Without Names,» Kazuya Shiraishi, Japan «Breath,» Simon Baker, Australia «Dark is the Night,» Adolfo Alix Jr., Philippines «Directions,» Stephan Komandarev, Bulgaria / Germany / Macedonia «Disappearance,» Boudewijn Koole, Netherlands / Norway «Euthanizer,» Teemu Nikki, Finland «Félicité,» Alain Gomis, France / Senegal / Belgium / Germany / Lebanon «Good Favour,» Rebecca Daly, Ireland / Belgium / Denmark / Netherlands «Hannah,» Andrea Pallaoro, Italy / Belgium / France «Insyriated,» Philippe Van Leeuw, Belgium / France / Lebanon «Life and nothing more,» Antonio Méndez Esparza, Spain / USA «Longing,» Savi Gabizon, Israel «Looking for Oum Kulthum,» Shirin Neshat, Germany / Austria / Italy / Lebanon / Qatar «Marlina the Murderer in Four Acts,» Mouly Surya, Indonesia / France / Malaysia / Thailand «Miami,» Zaida Bergroth, Finland «Motorrad,» Vicente Amorim, Brazil «Nina,» Juraj Lehotsk • •, Slovakia / Czech Republic «On Body and Soul,» Ildikó Enyedi, Hungary «Samui Song,» Pen - ek Ratanaruang, Thailand / Germany / Norway «Sergio & Sergei,» Ernesto Daranas Serrano, Spain / Cuba «The Big Bad Fox & Other Tales,» Benjamin Renner, Patrick Imbert, France «The Insult,» Ziad Doueiri, France / Lebanon «The Journey,» Mohamed Jabarah Al - daradji, Iraq / United Kingdom / France / Qatar / Netherlands «The Lodgers,» Brian O'Malley, Ireland «The Number,» Khalo Matabane, South Africa «The Royal Hibiscus Hotel,» Ishaya Bako, Nigeria «The Summit,» Santiago Mitre, Argentina / Spain / France «Tulipani, Love, Honour and a Bicycle,» Mike van Diem, Netherlands / Italy / Canada «Under the Tree,» Hafsteinn Gunnar Sigur • sson, Iceland / Denmark / Poland / Germany «Veronica,» Paco Plaza, Spain «Wajib,» Annemarie Jacir, Palestine / France / Germany / Colombia / Norway / Qatar / United Arab Emirates «Western,» Valeska Grisebach, Germany / Bulgaria / Austria

The Senses of Cinema podcast is a monthly podcast that covers wide - ranging discussion of contemporary cinema, retrospectives on films and filmmakers, and includes lively, intelligent debate on the world of cinema and screen.

With only three feature - length films in his curriculum — Japón (2003), Batalla en el cielo (Battle in Heaven, 2005) and Stellet licht (Silent Light, 2007)-- Mexican filmmaker Carlos Reygadas has become one of the most prominent directors in contemporary world cinema.

Gráinne Humphreys, Festival Director, says, «This year's festival will again celebrate the best of contemporary world cinema, bringing the work of both the established and emerging filmmakers to Dublin over 11 glittering days and nights.

Elle (Paul Verhoeven, 2016), a French - language debut by one of the world's greatest living directors that should have happened years ago, stands in for the contemporary world cinema I still haven't been able to sample.

Blending old - world charm of a European city with contemporary cosmopolitan ideas, Wellington offers Lambton Quay for quality shopping (showcasing some of New Zealand's top designers), the Cuba Quarter for a taste of bohemia and Courtenay Place for the buzz of inner city entertainment, world - class performances, superlative dining, night - clubs, theatre, cinema and opera.

A contemporary shopper's paradise, housing a complete range of products from jewellery to homeware, along with the famous Museum of Style Icons — one of the most unique collections of fashion and cinema memorabilia in the world.

Francois Coorens is a Belgian contemporary artist, whose large - format Neo-Pop paintings portray a world filled with television, cinema and tabloids references.

For this special presentation, Aitken and Vergne discuss Aitken's uniquely immersive aesthetic; the work's relationship to 20th - century avant - garde art, cinema, and experimental music; the nature of creativity in the 21st century; the possibilities for artmaking within our ever - mobile, ever - changing, image - based contemporary world; and other ideas central to the artist and the exhibition.

Bringing together the worlds of contemporary art, experimental cinema, new media and documentary film, it looks to foster a dialogue among a wide range of artists and audiences.

Many contemporary artists are getting to show great interests in the cinema historically or technically, and many works referring to the films in the past have been produced in order to express their ways of understanding about the work or a perspective about the world as a whole.

«The Cinema Effect: Illusion, Reality and the Moving Image» is without a doubt an exhibition that will leave a lasting impression on the public because as Kerry Brougher notes, movies are indissolubly linked to contemporary man's daily reality: «Today, the cinema is everywhere, -LRB-...) The cinematic is in the way we perceive the world, in the way we speak, in the way we dream.

It was, according to Christovale, an encouraging entry point into the contemporary art world, and so the graduate of USC's School of Cinematic Arts curates cinema programs and non-traditional exhibitions on the topics of race, identity, citizenship, and sexuality.

The non competition section includes inter alia contemporary world cinema and films of great masters.