Sentences with phrase «contemporary classical works»

On Sunday, March 18, 2018, at 3 p.m., Ensemble Échappé will play contemporary classical works by the winners of the 2017 Arts and Letters Awards in Music in the Academy's Library.

Not exact matches

The development of a new philosophy of science which radically questions the earlier mechanical - materialistic world - view within which classical modern science worked and also the search for a new philosophy of technological development and struggle for social justice which takes seriously the concern for ecological justice, are very much part of the contemporary situation.

(ENTIRE BOOK) Prof. Oden offers a critique of contemporary pastoral counseling that notes the advantages of modern clinical psychotherapy while pointing out its limitations for pastoral counseling which he asserts has all but ignored the classical Christian pastoral tradition exemplified in the work of Gregory of Nazianzus.

'» Contemporary republican thought adopts the classical proviso that one needs all of these parts working together or the entire project fails.

Style-wise, rugs work well with virtually every design theme including classical, modern and contemporary styles.

Since then, with detours for movies and especially television, he's worked steadily in the theater, playing a slew of classical roles in regional theater, and working on contemporary fare by writers such as Lanford Wilson, Terrence McNally, Edward Albee, and David Mamet.

This group are already legends within the classical music community for their crystal - pure, otherworldly voices and their immense artistic range, with a songbook that ranges from medieval European devotional music to American shape - note hymns to works by contemporary American and English composers; and in the first half of this concert, they shared some of that range.

wax painting The resource includes: Examples of architectural artists Examples of a student work collages of architecture Resource sheets of architectural photographs of churches to use for studies Resource sheets of different buildings ornamentations to use in collage Learning Objectives To develop a Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and Classical Greek and Roman element in one's work of art at KS3, KS 4 - GCSE Art and A-level Art To study various examples of how artists have used these classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and classical architectural elements in their works of Art A look at various contemporary artists and how they have used the Classical elements and architectural features To develop a collage combining photographs, painting and Classical elements and architectural features To develop a collage combining photographs, painting and pen work.

Arguably one of the most unique events in the world, this eye - popping pageant presents tableaux vivants («living pictures»), ultra-detailed recreations of classical and contemporary works of art,...

The contemporary interior pays homage to the former printing works, with its classical typewriters, glass ink pots and large paper rolls.

At Fourteen30 Contemporary, Rafferty, a participant in this year's Whitney Biennial, presents new work concerning language and the body, a connection bridged through the concept of «figure drawing,» which applies both to the classical practice of artists observing and representing a model as well as using the innate elasticity of words to suggest multiple, sometimes contradictory meanings.

Her work addresses how the historical can be used as a material to address contemporary conditions such as loss, the swipe, the flatness and limitations of an image, emotions in classical sculpture, the use of models, muscle aches from using a computer, color as a language, and the democracy of materials such as clay.

The building, with one classical and one contemporary façade, stands adjacent to the Palazzo degli Atellani of the Castellini family, who have granted the use of their extensive gardens for the exhibition of sculptural works.

These works take the classical mediums of painting and dance and present them with the inner emotion and knowledge of a dancer as well as a fresh contemporary eye of an artist.

Simultaneously classical and contemporary in scope, it contains roughly 300 images, how - to diagrams, and information about figurative art movements of the past as well as profiles of some of the greatest practitioners working today... featuring examples of Zeller's own work and also some of his best contemporary peers, who collectively bring the figurative tradition forward into a new era.»

Gallery artist Danny McCaw's work was including in Converge: Where Classical & Contemporary Art Collide 2012 — a group exhibition at 25CPW Gallery in New York City curated by Allison Malafronte.

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

Working in a style similar to the meticulous precision of nineteenth century encyclopedic illustrations by the likes of Audubon or Ernst Haeckel, Don Nice refreshes a classical approach with representations of contemporary Americana (and some more traditional animals and objects).

Mapplethorpe's photographs exemplify classical ideals of form and proportion reminiscent of the work of Edward Weston, with their controlled relationships between light and shadow, balance and asymmetry, beauty and obscenity, whilst at the same time clearly presaging a more contemporary interest with the body and self - obsession.

Other leading contemporary artists to have built upon the historic and the classical to create something wholly new include Jeff Koons at Almine Rech Gallery, and, more recently, Mat Collishaw at Robiland + Voenna, with four mirror works that engage with paintings by Caravaggio in the Galleria Borghesa's permanent collection in Rome.

Ged Quinn specializes in allegorical paintings that include contemporary images in idyllic scenes based on classical paintings such as the pastoral works of Claude Lorrain and Caspar David Friedrich.

Working in ceramic, wood, and steel, Staros — who was born in Nashville and now lives in Los Angeles — updates classical Greco - Roman sculpture with a contemporary spin and precisely au courant humor.

Karole Armitage was trained in classical ballet and is known for contemporary works that blend dance, music, science, and art to engage in philosophical questions.

Highlights include small - scale sculptures by modern masters like Auguste Rodin, Jacques Lipchitz, and Henry Moore; ancient Chinese mingqi tomb figures and Buddhist devotional statues; European bronzes of princes, putti, and classical heroes; and boundary - breaking work by contemporary artists including Magdalena Abakanowicz, John Chamberlain, Robert Irwin, and H. C. Westermann.

with a contemporary interpretation of classical sculptural tenets, the forms and the materials in wurm's work yield results that both examine and push the boundaries of the medium, ranging from extremes of permanence and transience.

Thomas's work grows from a long study of art history, drawing inspiration from the classical genres of portraiture, landscape, and still life, as well as from contemporary popular culture, the imagery of which she uses to explore issues of identity and race, as well as beauty and the self.

This contemporary take on classical portraiture draws inspiration from Matisse, Romare Bearden, and contemporary Pop references, all of which have been constant influences in Mickalene Thomas's work.

It is home to an extraordinary collection featuring major works of classical modernism, pop art, Fluxus, minimal art, and concept art, as well as Vienna Actionism and contemporary art

Influenced by both Urban Art and Abstract Contemporary, we present works from a group of artists who merge the way between these styles focusing the energy and rawness of classical graffiti with abstract expressionism.

Anchoring the exhibition is the stunning Black Mat Oriole video, an ambitious work five years in the making, in which Kang has created an immersive narrative influenced by the flow and movement found within classical Korean poetry, calligraphy, and dance but is firmly rooted in the contemporary landscape.

The exhibition presents Chinese works from the classical, early modern, and contemporary periods.

The exhibition juxtaposes this contemporary work with studio portrait work from the Camera Club Archives, fostering a discussion about the relationship between classical idealized studio portraiture and contemporary critical portraiture.

«When you see photos of his apartment, you see that his furniture is quite classic and not particularly harmonious,» recounts Flavie, with a smile: «It's great because the paintings are super contemporary but in Louis XVI frames among very classical furniture... It showed potential clients with classical tastes that they could still buy contemporary works.»

Installation view of works by Don Voisine June 24 — September 24, 2007 P.S. 1 Contemporary Art Center presents the first of an ongoing series, Orpheus Selection, inspired by the museum's unique basement boiler room and the classical myth of Orpheus, the bard who attempted, unsuccessfully, to rescue his bride Eurydice from the underworld.

Whether through painting, drawing, sculpture, video, or other media, contemporary artists have drawn on the centuries - old tradition to create works of conceptual vivacity, beauty, and emotional poignancy in the present time.Structured according to the classical categories of the still - life tradition — Flora, Food, House and Home, Fauna, and Death, each chapter in Michael Petry's book explores how the timeless symbolic resonance of the memento mori, has been rediscovered for a new millennium.

He went to Paris for independent studies, where he was familiarized with contemporary art and the great classical works of the past.

Contemporary artists from our time are looking back to the art vault, borrowing and revamping classical techniques and styles.The exhibition includes works by Richard Aldrich, Joe Bradley, Kerstin Brätsch, Matt Connors, Michaela Eichwald, Nicole Eisenman, Mark Grotjahn, Charline von Heyl, Rashid Johnson, Julie Mehretu, Dianna Molzan, Oscar Murillo, Laura Owens, Amy Sillman, Josh Smith, Mary Weatherford, and Michael Williams.The artists whose works are represented throughout the exhibition created pieces that grasp the viewers in their own ways with the use of a range of styles and medium.Interactive is one of them, provided by Colombian artist Oscar Murillo.

The Opening Reception is from 7:30 p.m. to 10:30 p.m. Merritt's work is a blend of contemporary and classical subject matter and technique, resulting in the use of a myriad of mediums and textures to convey his vision of painting the human spirit.

David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.

Thanasi is a contemporary figurative sculptor whose work synthesizes classical forms with the conceptual experiential movement of the present through the placement of figurative and architectural pieces in dialogue with one another.

His unique expressions created by a classical technique of layering thick oil paint to depict contemporary imagined sceneries reminiscent of the work of Van Gogh, have received acclaim both internationally and within Japan.

Organised in collaboration with Rupert Wace Ancient Art, «CLASSICITY «will re-represent classical art through the lens of contemporary responses (by artists including Edward Allington, Rachel Kneebone, Sarah Lucas and Alexandre Singh), inviting us to see antiquities not as museum artefacts but as seductive, emotive and provocative works of art in their own right.

«China Then and Now» presents a range of work from the classical, early modern and contemporary periods from China.

Moving away from the classical chess period of kings, queens, and bishops, the works in this exhibition do not represent medieval warfare but strategies of decision - making around contemporary culture and politics.

The Classical Now Yves Klein's Blue Venus is the best thing in this interesting but inadequately worked - out and slightly superficial survey of how contemporary artists draw on the heritage of ancient Greece and Rome.

Since 1972, Neri has worked primarily with the same model, Mary Julia Klimenko, creating drawings and sculptures that merge contemporary sculptural concerns with classical forms.

Artist Statement As an artist of a generation that saw feminist art proliferate, my work is classical in method and contemporary in its political and social inquiry.

His first works were naïve paintings of remembered Greek scenes and episodes from classical myth, on display in his first show, at Contemporary Arts on 57th Street, in 1938.

Drawing Room, London Curated by Shanay Jhaveri This exhibition explores how Indian classical music has inspired modern and contemporary artists, traces a long history, from early Indian miniature paintings (Ragamalas) through to drawings, animations and video works from the present day.

Works on show in the six galleries comprise historical artefacts, as well as artworks by renowned classical and modern masters (such as Rembrandt, René Magritte and Henri Cartier - Bresson) and post-war and contemporary artists from all over the world.