Sentences with phrase «contemporary collection made»

Visible Women brings together work from Norwich Castle's modern and contemporary collection made by women in order to celebrate their work and open up conversations about the under - representation of female artists in public collections.

The unveiling of the work at the museum coincides with the WOW — Women of the World festival in Norwich, 27 — 29 April 2018, and will be the centrepiece of the exhibition Visible Women (opens 14 April 2018), which brings together work from the museum's modern and contemporary collection made by women.

Not exact matches

A collection of essays published over the past 20 years in which Borgmann makes explicit connections between his critique of the technological character of contemporary life and Christianity.

The blend of dense black and micro pattern hazy grey make STONE a contemporary and sophisticated collection to fit a modern lifestyle.

Chic and elegant articulated drop earrings in cascading hues of transparent topaz to citrine, from the WW collection, a contemporary limited edition, hand made in Paris.

Since then amongst her love of vintage, Charlie grew the collection to include a capsule bridal offering of made to order gowns, using details and accents of decades gone by as inspiration for a contemporary take on vintage glamour.

Boho chic princess Lindsay Lohan has launched a beautiful 16 - piece collection in collab with one of my favourite high - street brands, Lavish Alice, and this is my very favourite set!Lavish Alice's minimal, contemporary, quality clothes for affordable prices make them one of the best online retailers...

As a woman - owned and New York - made contemporary collection, anjé is full of timeless, high - quality pieces that you'll treasure for years to come.

Making a slick addition to your accessory collection, the Richard pure suede belt has been woven in a plait design and finished with a silver buckle for a vintage but contemporary feel.

After all, Ace & Jig founders Cary Vaughan and Jenna Wilson, longtime colleagues and friends who launched their first collection in the fall of 2010, were not there to simply sell their beautifully made, contemporary - priced clothes.

Racing in the early 1950s — Another collection of evocative contemporary photographs by Alan Smith / 1928 Morris Oxford Flatnose — Zoe Harrison describes a superbly restored example of the doctor's coupe model / The Essen Show — An illustrated report by Dick Serjeantson of what is now probably the biggest show of its kind in Europe / The Russo - Baltique — Surviving examples of this little - known make are preserved in a museum visited by Dennis Harrison / Frederick Simm's archway workshop — Did the British motor industry start under a railway arch in Fulham?

A delightful collections of traditional wood - frame corridors that have been made to create contemporary comfort in idyllic natural surrounding with 68 The Rooms, 26 The suite, 2 Penthouses, and 11 The Villas with private pool on the charming lush tropical garden

Hues of dark mocha and grey suede create a calming space made even more inviting with floor - to - ceiling windows and contemporary art pieces from the world - renowned Demsa collection.

It was widely anticipated that billionaire businessman and philanthropist Eli Broad, who is on ARTnews» list of the Top 200 Collectors, would make an outright gift of his highly prized modern and contemporary art collection to one or more fortunate museums.

The work is called «Jack Lemmon,» and it was made last year by Rachel Harrison, a brilliant artist in her mid-40s who lives and works in Brooklyn, N.Y.. It's on display in the permanent collection galleries at the Institute of Contemporary Art, on long - term loan from the benefactor Barbara Lee.

The Deer Shelter was the Art Fund's first ever commission, made in response to the underrepresentation of international contemporary art in British public collections.

Presided over by Willy Merz, the Fondazione makes use of the collaboration of a scientific committee comprising Frances Morris (Head of Collections, International Art, Tate Modern, London), Beatrice Merz (Director Castello di Rivoli, Museo d'Arte Contemporanea, Torino), Richard Flood (Director of Special Projects & Curator at Large of the New Museum of Contemporary Art, New York) and Vicente Todolí (Artistic Advisor HangarBicocca, Milan).

The atmospheric townhouse was designed by Soane himself, and houses an impressive collection of Egyptian, Greek, and Roman antiquities — ancient works, yes, but ones that have proven an inspiration to contemporary artists like Fiona Tan, who made a haunting recent film about the museum, and others.

The Fondazione Merz, founded on April 2005, holds the collection of works by Mario Merz, a heritage of inestimable historic worth, with the aim of conserving and safeguarding it and making it accessible and comprehensible to the public; moreover supports the research on contemporary art and promotes cultural initiatives.

The exhibition will feature over 100 contemporary artworks made by women artists and will represent the art collections of seven prominent female art collectors from London, Europe and North America.

(He also excoriated P.S. 1 for a show, «Not for Sale,» that largely sticks to contemporary artists who have made it into museum collections.)

Cornell made his own obsessive collections of inexpensive contemporary objects, which became inventory for his constructions.

He is currently involved in the creation of the first Italian museum devoted to contemporary art made of glass, the Berengo Center for Contemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by internatiocontemporary art made of glass, the Berengo Center for Contemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by internatioContemporary Art and Glass, based in Murano, which boasts one of the most important collection of works made of glass by international artists.

Significant donors include Dr. and Mrs. Harold L. Tonkin, who bequeathed a large portion of their collection of Asian ceramics and decorative arts along with numerous European paintings with Asian themes; Dr. William E. Harkins, who has donated more than 150 Japanese prints to the museum since the mid-1970s; Mary Jane Harris and her late husband, Morton, who have given several Italian Baroque paintings with a number more promised; Joseph and Janet Shein, who have donated more than two dozen contemporary paintings and sculptures since 2000; and, of course, Barbara Palmer and her late husband, James, who have not only made great contributions to the museum's collection of American art but also gave $ 2 million in 1986 to initiate the campaign to expand the museum.

With her demonstrated imagination and skill, she envisions new ways to connect the Brooklyn Museum's historical collections with contemporary ideas and practices, such as experimenting with how to make the permanent collection and gallery spaces into more dynamic experiences.

Making Home: Contemporary Works from the DIA presents a range of works by artists from the DIA's collections of Prints, Drawings and Photographs and Contemporary art that are concerned with idealistic representations of home.

''... not simply an excellent historical survey of artistic and curatorial identifications with and resistances to capitalist and post-productivist worlds of work; [Work] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age.»

The Hall Art Foundation was founded in 2007 and makes available postwar and contemporary art works from its own collection and that of Andrew and Christine Hall for the enjoyment and education of the public.

Faenza is also home to the International Museum of Ceramics, the largest and most important collection of ceramics in the world where Hart will have the opportunity to discover both ancient and contemporary ceramic making techniques.

Tour - goers will learn that this reaction only made Mrs. Whitney more determined to succeed in her own work and in her support of other artists, showing small exhibitions of their work, hosting art competitions and amassing a collection of more than 600 works of contemporary American art.

Matthew Deleget's collection of used art books would have made a fine course in contemporary art the year of Battock's still unsolved murder, in 1980.

A growing collection reflects the foundation's support of contemporary artists in the realisation of new work, and its recognition of the contributions made by pioneering modern artists from the region and around the world.

By her acts of remaking, she thought through the processes and experiences of the artists who made these works before her, demystifying «genius» into a collection of styles and techniques; a catalog of contemporary practices that mirrored the distance and intellect of her own.

C1S — Coated on one side (paper or print) C2S — Coated on two sides (paper or print) CA2M — Centro de Arte Dos de Mayo (Madrid) CAA — College Art Association CalArts — California Institute for the Arts CACT — Thessaloniki Center of Contemporary Art CAFA — China Central Academy of Fine Arts (Beijing) CAPC — Contemporary Art Museum (Bordeaux) C.G.A.C. — Centro Galego de Arte Contemporanea (Santiago de Compostela) CIFO — Cisneros Fontanals Art Foundation (Miami) CIMAN — International Committee for Museums and Collections of Modern Art CMYK — Cyan, magenta, yellow, and key (black), which are the primary printing colors CNAP — Centre National des Arts Plastiques (Paris) CoBrA — Copenhagen (Co), Brussels (Br), and Amsterdam (A), a free - spirited Marxist avant - garde movement lasting from 1948 to 1951 featuring the artists Asger Jorn, Christian Dotremont, and Constant, whose countries of origins make up the group's name CoCA — Centre of Contemporary Art Znaki Czasu (Torun) CPIF — Centre Photographique d'Ile - de-France CPLY — The name American artist William N. Copley went by as a painter CP — Cancellation proof (the proof made after an edition is finished as evidence that the artist has defaced the plate) C - Print — Chromogenic color print CR — Catalogue raisonné CTP — Computer to plate, digital printing process

2007 Re - Make / Re-Model, Sorcha Dallas, Glasgow, Scotland Issabella Bortolozzi, Berlin, Germany Love Me Tender, Works from the Tate collection, Tate Britain, London Linn Luhn, Cologne, Germany Harry Smith Anthology Remixed, Alt.Gallery, Newcastle Sympathy for the Devil: Art and Rock and Roll since 1967, Museum of Contemporary Art Chicago, IL, USA What We Do Is Secret, Blancpain Art Contemporain, Geneva, Switzerland The Secret Public: The last days of the British Underground 1978 — 1988, ICA, London Panic Attack!

So a collection of expressive baubles by 15 contemporary greats — namely, Louise Bourgeois, John Baldessari, Phyllida Barlow, Stefan Brüggemann, Subodh Gupta, Mary Heilmann, Andy Hope 1930, Cristina Iglesias, Matthew Day Jackson, Bharti Kher, Nate Lowman, Paul McCarthy, Caro Niederer, Michele Oka Doner, and Pipilotti Rist — is likely to make major waves among the few with the cash to afford them and the panache to pull them off.

And Other Essays expands Rachel Harrison's exploration of exhibition - making by inviting a number of colleagues from different generations — Nayland Blake, Tomm Burr, Harry Dodge, Alix Lambert, Allen Ruppersberg, and Andrea Zittel — to select and rehang the center's contemporary art collection.

«Figure Study II is one of the greatest acquisitions the Contemporary Art Society has ever made and the first painting by Francis Bacon to enter a public collection in this country... Its display with Figure Study I offers a rare opportunity to understand the artist's thinking across two works from a critical moment of Bacon's career».

The Joyner Giuffrida Collection of Abstract Art is widely recognized as one of the most significant collections of modern and contemporary work by African and African Diasporan artists, and Four Generations draws upon the collection's unparalleled holdings to explore the critical contributions made by black artists to the evolution of visual art in the 20th and 21st centuries.

Led by teaching artist Tym Davis, discover the art of pewter casting and make your own contemporary interpretations of pewter pendants and small tiles found in the BMA's Wedgwood collection.

At Girls» Club, annual exhibitions from the collection of Francie Bishop Good and David Horvitz explore various topics, themes and media with in the 700 + collection made of mostly female contemporary artists.

ARTIST ROOMS On Tour is an inspired partnership with independent art charity the Art Fund, and the Scottish Government, making available the ARTIST ROOMS collection of international contemporary art to galleries throughout the UK.

Greenwich and nearby communities in Fairfield and Westchester counties are home to a number of the finest contemporary collections, and thus to some of the most exciting art being made today.

«Artists like Nina Chanel Abney and Titus Kaphar address contemporary issues and allow visitors to make connections with other works in our collection.»

Together, Smith and Knox were known to make the rounds at contemporary artist studios in hopes of purchasing some truly cutting - edge artworks for the Gallery's collection.

This exhibition has been made possible through the generosity of Barbara and Eric Ottervik, whose passion for collecting contemporary Japanese prints is reflected in multiple gifts to the Lehigh University Art Galleries / Teaching Museum collection.

Since earning her degree, Sanditz's work has made its way into the permanent collections of The Fogg Art Museum, Harvard University, the Kemper Museum of Contemporary Art, Kansas City, the Dallas Museum of Art, the St. Louis Art Museum, the Herbert Johnson Museum of Art, Cornell University, and several other institutions.

Prints made in her studio have been acquired by many contemporary print collections including the Museum of Modern Art, New York Public Library, Whitney Museum, Houston Museum of Fine Art, Cleveland Museum of Art, Smith College, Tate Gallery, Pinakothek der Moderne, Munich, and the Yale University Art Gallery.

Radiant fold -LRB-... the Illuminating Gas) is a stunning addition to the collection and one that the Museum would like to thank both Cerith and the Contemporary Art Society for making possible.»

Photography from the Collections, Wadsworth Atheneum Museum of Art, Hartford, Connecticut Hand made in America, Sprovieri Gallery, London, England Collector's Choice, Exit Art, New York, USA (selected by Gregory Allen) Drawing, Stephen Friedman Gallery, London, England 1999 Waste Management, Art Gallery of Ontario, Canada On the Ball: The Sphere in Contemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Sculpture, DeCordova Museum and Sculpture Park, Lincoln, Massachusetts, USA Collectors Collect Contemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Art: 1990 - 1999, Institute of Contemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Art, Boston, USA (catalogue) Zero - G: When Gravity Becomes Form, Whitney Museum of American Art at Champion, Stamford, Connecticut, USA (catalogue) Ideas in Things, Irvine Fine Arts Center, Irvine, California, USA Holding Court, L & R Entwistle & Co Ltd, London, England Stuff, TBA Exhibition Space, Chicago, Illinois, USA 1998 More Pieces for the Puzzle: Recent Additions to the Collection, The Museum of Modern Art, New York, USA Hindsight: Recent Work from the Permanent Collection, Whitney Museum of Contemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Art, New York, NY Young Americans Part II, Saatchi Gallery, London, England Poussière (Dust Memories), Fonds Regional d'art Contemporain de Burgogne, Dijon, France; Fonds Regional d'Art Contemporain Bretagne, Galerie du Trib, Rennes, France (catalogue) Blunt Object, The David and Alfred Smart Museum of Art, The University of Chicago, Chicago, Illinois, USA Drawing the Question, Dorsky Gallery, New York, USA (brochure) Dust Breeding, Fraenkel gallery, San Francisco, CA; Luhring Augustine Gallery, New York, USA (catalogue) Transience and Sentimentality: Boston and Beyond, The Instate of Contemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Art, Boston, USA Humble County, D'Amelio Terras, New York, USA Pop Surrealism, Aldrich Museum of Contemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Art, Ridgefield, USA (catalogue) Word perfect, Gallery 400, University of Illinois at Chicago, Chicago, USA Bob and Wheel, dfn Gallery, New York, USA At the Threshold of the Visible: Minuscule and Small - Scale Art, 1964 - 1996, Johnson Museum of Art, Cornell University, Ithica NY; Meyerhof Galleries, Maryland Institute of Art, Baltimore, MD; Art Gallery of Ontario, Toronto, Ontario, Canada; Art Gallery of Windsor, Windsor, Ontario, Canada; Virginia Beach Centre for the Arts, Virginia Beach, VA; Santa Monica Museum of Modern Art, Santa Monica, CA; Edmonton Art Gallery, Edmonton, Alberta, Canada, (ICA travelling exhibition) 1997 A Lasting Legacy: Selections from the Lannan Foundation Gift, The Geffen Contemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary at MOCA, Los Angeles, USA New Work: Drawings Today, San Francisco Museum of Modern Art, San Francisco, USA (catalogue) Identity Crisis: Self - Portraiture at the End of the Century, Milwaukee Art Museum, Milwaukee, USA (catalogue) Inaugural installation of the new galleries of contemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, Loncontemporary art, The Art Institute of Chicago, USA Dane County Collects, Madison Art Centre, Madison, USA (brochure) Frankensteinian, Caren Golden Fine Art, New York, USA Lovecraft, Centre for Contemporary Art, Glasgow; Cabinet Gallery, LonContemporary Art, Glasgow; Cabinet Gallery, London, England