Sentences with phrase «contemporary collections not»

Highlights include a day at the Guggenheim Museum Bilbao to view our Still paintings on exhibition there; stops at private modern and contemporary collections not open to the public; and curator - led tours of Barcelona's top galleries.

Not exact matches

Evolution and the Fall is a collection of essays from a multi-disciplinary and ecumenical group of authors, which sets out to address «a set of problems that arise from the encounter of traditional biblical views of human origins with contemporary scientific theories» (p. xv)-- not, one might add, in general, to answer them.

Christianity is not simply a collection of ideas, or a moral system, as I tried to explain recently to a friend who, riding a certain contemporary wave among the bien - pensant, had raised the question of whether the faith might not be more popular if all that embarrassing supernatural stuff were stripped away.

This is a spunky collection of contemporary recipes including famous Notting Hill Brownies, Lawsuit Muffins and famed Tango Cookies and the best Lemon Square recipe in the world (I think).

Our collection of luxury alpaca clothing for babies brings you colourful, stylish and contemporary designed garments which have been teamed with alpaca and the numerous qualities it possesses resulting in a range that is not only truly unique, but one that will stand the test of time.

According to Fashion Designer Ritambhara Paliya — With the blend of modern trend, my collection of Ruffles N Chains add life to the contemporary Indo western outfits that are sure to add sensuous appeal to every lady's natural beauty.

I swear I'm not totally cray, but while perusing Nordstrom's contemporary collection I came across a graphic tee that reads, «AC / DC 1981 tour.»

After all, Ace & Jig founders Cary Vaughan and Jenna Wilson, longtime colleagues and friends who launched their first collection in the fall of 2010, were not there to simply sell their beautifully made, contemporary - priced clothes.

Warren Buckland, by contrast, picks up exactly these aspects which do not fit and argues that these films do indeed represent something new, something that is not classical at all; his edited collection, Puzzle Films: Complex Storytelling in Contemporary Cinema, offers a number of interesting perspectives on just what is new about these films (2).

Still, every now and again a contemporary collection will sneak through and provide the acceptance podium with its flashiest duds of the evening — namely, when Lizzy Gardiner and Tim Chappel managed to upstage even The Adventures of Priscilla, Queen of the Desert's feather boas and ping - pong balls with Gardiner's «don't leave home without it» AmEx gown.

are compact and useful, not to mention contemporary and fun, and will be great additions to my travel book collection.

In a beautiful, contemporary collection of paintings and free - verse poetry, 140 Texas artists and poets convey their love of Texas as a «state of mind,» not just a place.

Six popular and bestselling authors of contemporary Christian romance have teamed up to create an entire world exploring food, friends, and family.This is not your usual collection of novellas!

There are plenty of art galleries too (70 at the last count) but don't miss the contemporary art of the Rubell Family collection with works by Andy Warhol and Keith Haring.

Bliss Surfer Hotel is a fun and colourful 4 star hotel on Jalan Sriwijaya in Legian, an approximate 20 - minute transfer from the Ngurah Rai International Airport in Tuban.Although not a beachfront hotel, the coast of Kuta and Legian are an easy 10 - minute transfer west.Bliss Wayan promotes surfer - chic throughout its contemporary designed property, featuring a colourful collage of used surfboards as its faà § ade, and the interiors of its lobby, dining outlets and rooms all feature designs and murals depicting the art and soul of surfing.Bliss Surfer Hotel offers a collection of rooms and suites, each approximately 27sqm in size, with Deluxe Rooms featuring a private balcony, with king or twin bed configurations, and a 32 - inch LCD Smart TV.

Barcelona's Joan Miró Foundation has managed to become a major point of reference in the world art scene and offers its visitors not only the greatest and most complete single collection of Miró's work but also a pioneering exhibition space named Espai 13, which stimulates research and experimentation among young artists and offers impressive exhibitions of contemporary experimental and avant - garde artists.

The Gangsa Private Villa offers five - star luxury villa accommodation deep within the Sanur outskirts on Jalan Tirta Akasa.The resort is within an approximate half - hour transfer east from the Ngurah Rai International Airport in Tuban, and although not a beachfront resort, the Sanur coast is only within 15 minutes east.One of the exclusive havens of the Kayumanis Private Villa group, the resort comprises a secluded location on a side street off Sanurs end of the main Jalan Bypass Ngurah Rai, with the provincial capital of Denpasar only 25 minutes drive away.The Gangsa Private Villa comprises a collection of villas that each feature contemporary decor with subtle Balinese touches designed by the same team that created the stylish look for the Kayumanis villa properties in Ubud, Nusa Dua and Jimbaran.

I'm resistant in calling this collection of games a «genre» like survival horror, but more like a movement (purposeful or not) akin to Dogme 95 in cinema or Stuckism in contemporary art.

MOCA (formally the Contemporary Art Center of Virginia) publications serve as academic record for our institution which, unlike many other Museums, does not have a permanent collection to document its institutional growth.

On view June 28, 2017 — March 18, 2018, the installation brings together Kara Walker's Salvation, one of the most significant works in the BMA's contemporary collection, and Hank Willis Thomas» And I Can't Run, a recent promised gift to the museum.

After leaving the walls for new perspectives in display cases, the exhibition ends somewhere in the next room, with the Met's contemporary collection, but I could not say where.

Her most recent museum solo exhibitions include Kate Shepherd: Lineaments, Charlotte and Philip Hanes Art Gallery, Wake Forest University, North Carolina, and Intersections: Relation to and yet not (homage to Mondrian) by Kate Shepherd, Phillips Collection, Washington, D.C. Shepherd's work is featured in numerous museum collections including the Albright - Knox Art Gallery, New York; Baltimore Museum of Art, Maryland; Eli and Edythe Broad Art Museum, Michigan; Des Moines Art Center, Iowa; Indianapolis Museum of Art, Indiana; Los Angeles County Museum of Art, California; Museum of Fine Arts Boston, Massachusetts; Phillips Collection, Washington, D.C.; Scottsdale Museum of Contemporary Art, Arizona; and Seattle Art Museum, Washington.

Recent shows include: «The end of magic» at Outpost, Amsterdam 2012 (solo); «Women's lines» at Pantocrátor gallery, Barcelona 2012; «Sphinx» at Fake Space, Beijing 2011 (solo), «This joke ain't funny anymore» at Zina Athanassiadou gallery, Thessaloniki 2009 (solo); The Beautiful is just the first degree of the Terrible» at the State Museum of Contemporary Art, Thessaloniki 2009; «Women only» - Leonidas Beltsios collection at Margaris Art Foundation, Amfilochia 2008 and the 13.

(He also excoriated P.S. 1 for a show, «Not for Sale,» that largely sticks to contemporary artists who have made it into museum collections.)

Baselitz is not alone as a collector among today's artists, especially now that many are able to command prices for their own work that give them the funds to compete for top lots — it's no coincidence that two of the symbols of contemporary art's recent boom, Damien Hirst and Jeff Koons, have notable collections.

It is a touchstone for contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art internationally, plays a central role in London's cultural landscape and is pivotal to the continued growth of the world's most vibrant contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — contemporary art quarter.The Whitechapel Gallery does not own a Collection, but has a dedicated gallery for opening up public and private collections, including five displays from the British Council Collection from April 2009 — May 2010; four displays from The D. Daskalopoulos Collection, Greece, from June 2010 — May 2011; five displays from the Government Art Collection, from June 2011 — September 2012; four displays from the Collection Sandretto Re Rebaudengo from September 2012 — September 2013; four displays drawn from member museums of the Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — Contemporary Art Society from September 2013 — August 2014 and four displays of works from the V - A-C Foundation collection from September 2014 — August 2015.

, curated by Andrea Salerno and Carmen Zita, Salvatore Ferragamo Gallery, NYC 20th Anniversary, Galerie Gabrielle Maubrie, Paris, France 2005 Faith, Real Art Ways, Hartford, CT Kiss: When a Kiss isn't just a Kiss, Contemporary Art Galleries, University of Connecticut, Storrs, CT Superfat, curated by Joshua Altman, Brooklyn Fire Proof, New York Frontier, Roberts & Tilton, Los Angeles, CA Bodies of Evidence, The RISD Museum, Providence, RI History of Disappearance: Live Art from New York 1975 — Present, Works selected from the Archives of Franklin Furnace, Baltic Centre for Contemporary Art, Gateshead, United Kingdom Springtide, Institute of Contemporary Art, Philadelphia, PA Fear Gear, curated by Euridice Arratia and Elizabeth Beer, Roebling Hall, New York 2004 The Realm of the Senses, James Cohan Gallery, New York, NY The Print Show, Exit Art, New York, NY Dimension: Folly, curated by Roberto Pinto, Galleria Civica di Arte Contemporanea, Trento, Italy (performance) Camera / Action, Museum of Contemporary Photography, Columbia College, Chicago, IL Sympathetic Nerve, Capsule Gallery, New York Self - Evidence: Identity in Contemporary Art, DeCordova Museum, Lincoln, MA Videoplayground, Galerie Alain Gutharc, Paris, France 2003 Occurrences: The Performative Space of Video, The School of the Art Institute of Chicago, Betty Rymer Gallery, Chicago, IL Only Skin Deep: Changing Visions of the American Self, International Center of Photography, NY, NY (catalogue) Im Balance: Video Works by Janine Antoni and Patty Chang, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY Moving Pictures: Contemporary Photography and Video from the Guggenheim Museum Collections, Guggenheim Museum Bilbao, Spain (catalogue) Black Belt, curated by Christine Kim, The Studio Museum in Harlem, NY, NY (catalogue) traveling to: Santa Monica Museum of Art, Santa Monica, CA, 2004/2005 10 Year Anniversary Exhibition, Yerba Beuna Center for the Arts, San Francisco, CA Paradigms, curated by Louky Keijsers, Longwood Arts Center, Bronx, NY Coup de Coeur (A Sentimental Choice), CRAC ALSACE, Altkirch, France Skowhegan 2002/2003, Institute of Contemporary Art at Maine College of Art, Portland, Maine (catalogue) Still Waters, Roberts & Tilton.

Significant donors include Dr. and Mrs. Harold L. Tonkin, who bequeathed a large portion of their collection of Asian ceramics and decorative arts along with numerous European paintings with Asian themes; Dr. William E. Harkins, who has donated more than 150 Japanese prints to the museum since the mid-1970s; Mary Jane Harris and her late husband, Morton, who have given several Italian Baroque paintings with a number more promised; Joseph and Janet Shein, who have donated more than two dozen contemporary paintings and sculptures since 2000; and, of course, Barbara Palmer and her late husband, James, who have not only made great contributions to the museum's collection of American art but also gave $ 2 million in 1986 to initiate the campaign to expand the museum.

In the permanent collection of contemporary art (post 1880 I think was their definition) I saw a Robyn Denny that I haven't seen for ages.

''... not simply an excellent historical survey of artistic and curatorial identifications with and resistances to capitalist and post-productivist worlds of work; [Work] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age.»

Pace put on a museum - quality booth that wouldn't have looked out of place as a collection show surveying postwar and contemporary art.

Phyllida Barlow is a central figure in the development of Contemporary British Sculpture; she has not only had major exhibitions throughout the UK but through her extensive teaching career, at Slade School of Fine Art, has guided and influenced many younger artists yet, until now, none of her work has been acquired for public collections in this country.

The gallery is not only a treasure trove of modern Scottish art, but also home to a growing collection of international contemporary works.

A chronological hang of its permanent collection instead of the once so modish thematic one, a show devoted entirely to contemporary painting, which was not at all modish until quite recently — things are definitely astir at Tate Britain.

Characteristic of the collection is its focus on undiscovered young artists, and guests will not only gain a rare glimpse into an otherwise closed world, but also an opportunity to see young, internationally - acclaimed contemporary artists whose works have not yet found their way into Danish museums.

The collection consists of over 800 works of art from mostly - but not exclusively - contemporary female artists.

The Hayward does not display a permanent collection, instead hosting a selection of rotating contemporary art exhibitions throughout the year.

With rebirth and renewal in mind, the exhibition exploits the coincidence of one birth and two anniversaries — the inauguration of OGR, the 25th anniversary of the Fondazione Sandretto Re Rebaudengo's collection of contemporary art and the 60th anniversary of founding of the Situationist International following a meeting in Alba, not far from Turin.

Irish Museum of Modern Art & Hennessy establish acquisition fund The Irish Museum of Modern Art and Hennessy Ireland have gone into partnership to create a $ 50,000 annual fund to acquire new works of contemporary art, specifically by artists not already represented in IMMA's collection.

Awarded the 5th annual Middlebrook Prize for Young Canadian Curators, Yasmin Nurming - Por's exhibition My curiosities are not your curios examines the idea of collections and their institutional and colonial histories through the work of contemporary artists for whom the act of collecting is both a creative and critical practice.

This is still the case, but in recent years there has been an increasing desire among private collectors to build and establish their own museums that can rival not only other private collections but also public museums in terms of acquisitions, exhibition making and the knowledge production around contemporary art in general.

With the summer drawn to a close we are busy working on the delivery of our Autumn programme - packed full of artist's talks, curator - led gallery visits, private collection visits and our new education courses - but we aren't too busy to bring you our brand new initiative... Contemporary Art Society Recommends.

Any works not appropriate for gifting to these primary museums will be sold to benefit the Contemporary Art Society's Acquisitions scheme or will be gifted to other public collections in the UK.

In a Norwegian context, Kagge's collection is distinctive in its unique combination of international contemporary artists, many of whom are either not represented in other collections or, in many cases, do not exhibit often in Norway.

Although Hodgkin's celebrated collection of Mughal - period Indian paintings and drawings has not been included in the sale, a number of Ottoman, Indian and Islamic tiles, textiles and rugs will be auctioned, alongside an eclectic range of objects spanning Italian pietra dura marbles and contemporary artworks by Patrick Caulfield, Bhupen Khakhar, and Peter Blake.

This exceptional collection does not aspire to present an encyclopaedic overview of international contemporary art.

So I went to the bar, in the garden of this baroque Schloß - cum — modern art museum, one of the first in Germany to show contemporary exhibitions after the War, a venue that just a week before had been saved from selling its collection to front costs in the city's municipal budget ---- a neoliberal misinterpretation of the institution's role not uncommon among midsize cities with large deficits that house many of the small, regional museums in the Rhineland.

The presence of the Morandi collection not only highlights the great influence of the artist on contemporary art, but also establishes a connection with Bologna artistic facts, with the museum history and with the reasons behind its creation, creating a strong link with the Permanent Collection.

Culled from the museum's collection of contemporary art, Unfinished Conversations is MoMA's response to the prevalent social and political unrest that has gained serious momentum not only in the United States, but all over the globe in recent years.

It's a contemporary art collection, not a modern art collection.