That makes the most personal, and therefore most important concept in
contemporary color theory the idea that together certain colors can seem harmonious.
Not exact matches
Lesley Heller Workspace, New York, NY Claxons (four - person exhibition, curated by Walter Robinson), Haunch of Venison, New York, NY Grey Area, New York, NY The Queen's Feathers (one - person exhibition), John Tevis Gallery, Paris France 2011 Peacocks and Bottles (one - person exhibition) Organized by Nana Kipiani in conjunction with Artisterium, National Gallery of Georgia, Tbilisi, Georgia Forever and Never, One More Time (two - person exhibition), Season, Seattle, WA
Color Theory, Storefront, Brooklyn, NY 2010 Birdbaths and Birdhouses (one person exhibition), Le Petit Versailles, New York, NY The Visible Vagina, Francis M. Naumann Fine Art & David Nolan Gallery, New York, NY 2009 Modern &
Contemporary Ceramics, A.M. Richard Fine Art, Brooklyn, NY Bazvalon (one person exhibition), Rose Burlingham Living Room Gallery, New York, NY 2007 Momenta Art (one person exhibition), Brooklyn, NY French Kiss, organized by Rob Wynne, JGM Galerie, Paris The Demoiselles Revisited, Francis M. Naumann Fine Art, New York, NY NADA Art Fair, Miami, FL (Momenta Art booth) 2006 The Studio Visit, Exit Art, New York, NY 2005 Picture Window, (site specific, city organized), Baltimore, Maryland 2004 Hall of Portraits, Pinkard Gallery, Maryland College Institute of Art, Baltimore, MD 2003 The Recurrent, Haunting Ghost, Francis M. Naumann Fine Art, New York, NY Sleight of Hand, Salena Gallery, Brooklyn Campus, Long Island University, Brooklyn, NY 2002 Kismet, The Work Space, New York, NY 2001 Bad Touch, Lump gallery / projects, Raleigh, NC (also traveled to Keith Talent Gallery, London, Rose Museum, Brandeis University, Boston, Space (1026, Philidelphia & UIMA, Chicago) Beautiful You, curated by Larry Krone, Mark Pasek Gallery, New York, NY Your Humble Servant the Genius (two person exhibition with Rob Wynne), Rupert Goldsworthy Gallery, New York, NY Nijinsky, Rupert Goldsworthy Gallery, New York, NY 1999 The Fin - de-Siécle Salon, curated by J. A. Poisson, P.S. 122, New York, NY 1998 Re: Duchamp (organized by Mike Bidlo), Abraham Lubelski Gallery, New York, NY Bowie, Rupert Goldsworthy Gallery, New York, NY 1997 Galerie du Tableau, Marseille, France (one person exhibition) The Whole World in a Small Painting, Trans Hudson Gallery, New York, NY 1996 Cadmium Cathode, Sauce, Brooklyn, NY
The gallery will present the works of
contemporary artists focusing on
Color Theory, Minimalism, Glyphs, Buddha Mind, Fluxus, History, Humor, Psychedelia, Ephemera, Science, Math and Music.
As a
contemporary answer to the Bauhaus's combination of the fine and applied arts, Aalto's faculty also includes lecturers in drawing,
color theory, printmaking, design history,
theory, and aesthetics.
La Historia Del Mssa — Museo de la Solidaridad Salvador Allende, Santiago
Contemporary Masters — The Kirk Varnedoe Collection — Telfair Academy of Arts & Sciences, Savannah, GA Double Negative: From Painting To Object — Museo Tamayo, Mexico City Transatlantic — UpDown Gallery, Ramsgate
Contemporary Masters — Zane Bennett
Contemporary Art, Santa Fe, NM Nichts Ist Kunst — Galerie Eugen Lendl, Graz Black White — Mnuchin Gallery, New York City, NY
Color:
Theories and Structures — The Gund Gallery at Kenyon College, Gambier, OH Carte Blanche — Nextex, St. Gallen
Drawing + Painting Anatomical Figure Drawing Beginning Water - based Media
Color Theory for Painters + Designers
Color Theory for the Painter
Contemporary Figuration
Contemporary Techniques for Figurative Painting Continuing the Indirect Method of Oil Painting Creating Innovative Comics Drawing + Painting the Figure Drawing for Comics Drawing Fundamentals Drawing in
Color Drawing Outside in RVA Drawing with Ink, Charcoal + Wax Resist Exploring Water - based Media Figure Drawing Intensive Impressionism, Mark - making + Your Sketchbook Intermediate Classical Drawing Intermediate Drawing Intermediate Pastel Drawing Intermediate to Advanced Watercolor Introduction to Acrylic Painting Introduction to Children's Book Illustration Introduction to Classical Drawing Introduction to Oil Painting Introduction to Painting with Gouache Introduction to Pastel Drawing Introduction to the Figure Introduction to Watercolor Mixed - Media Drawing + Painting Mixed - Media Image Transfers Painting the Still Life + Figure in Oil Pen + Ink Drawing The Expressive Figure The Portrait in Oil The Traveling Sketchbook Value Into
Color Visual Storytelling Through Illustration Watercolor + the Figure
Raised in a religious household, the artist carefully considers aspects of spirituality as it relates to Rothko and
Color Field
Theory, then applies this perspective to mediate the constant distraction of
contemporary culture.
With a focus on
color theory, minimalism, glyphs, science, math, music and other subjects, Odetta's exhibitions concentrate on the playful and the innovative while pushing the boundaries of
contemporary art.
«AIDS, A Community in Crisis,» Jamaica Arts Center, Jamaica, NY, 1991 «Language: Body and Dream,» PS 122, New York, NY, 1991 «1991 Biennial Exhibition,» Whitney Museum of American Art, New York, NY, 1991; catalogue «We Interrupt Your Regularly Scheduled Programming,» White Columns, New York, NY, 1991 «Interrogating Identity, Grey Art Gallery and Study Center,» New York, NY 1991; traveled to the Museum of Fine Arts, Boston, MA; Walker Art Center, Minneapolis, MN; Madison Art Center, WI; Center for the Fine Arts, Miami, FL; Allen Memorial Art Museum, Oberlin College, Oberlin, OH; catalogue «Positions of Authority,» Art in General, New York, NY, 1991 «
Color Theory,» Amelie A Wallace Gallery, State University of New York at Old Westbury, Old Westbury, NY, 1991 «Text Out of Context,» SoHo Center, New York, NY, 1991 «New Work,» PS 122, New York, NY, 1991 «Spent: Currency, Security and Art on Deposit,» The New Museum of
Contemporary Art at Marine Midland Bank, New York, NY, 1991 «Works on Paper,» Selena Art Gallery,» Long Island University, Brooklyn, NY, 1991 «Rutgers National «90: Works on Paper, Stedman Art Gallery,» Camden, NJ, 1991; brochure «Art of Resistance,» El Bohio, New York Public Mirror, Art against Racism, The Clocktower Gallery, New York, NY, 1991
The gallery exhibits the works of
contemporary artists focusing on
Color Theory, Minimalism, Glyphs, Buddha Mind, Fluxus, History, Humor, Psychedelia, Ephemera, Science, Math and Music.
Amanda Williams, a visual artist and architect, is well known for her series,
Color (ed)
Theory and her work is currently on view as part of the Chicago Works series at the Museum of
Contemporary Art Chicago.
The guide and space will center around
color theory and
contemporary art.
On first glance, pieces look very
contemporary, with glimpses of video games and screen savers, but you are also candid about your interest in the
color theory of a high modernist like Josef Albers or mid-century Color Field painter Morris L
color theory of a high modernist like Josef Albers or mid-century
Color Field painter Morris L
Color Field painter Morris Louis.
But one sees equally in Mitchell's art the impact of
contemporaries l ike the German E.W. Nay, who promulgated the
theory that «to paint is to form the picture from
color.»
UPCOMING OPENINGS Wild Land: Thomas Cole and the Birth of American Landscape Painting & Urban Transformations: The
Contemporary Landscape University Art Gallery, LaCorte Hall A-107 California State University, Dominguez Hills, 1000 E. Victoria St., Carson, Ca Opening Feb 3rd 530 - 730 pm On view through March 14th https://www.facebook.com/events/180479485645824/ Newton to Albers:
Color Theory to Creative Practice...
Elements of Balzer's work run parallel to
contemporary influences on graphic, industrial, and architectural design, the flatness of the vibrantly
colored foils create a
contemporary twist on the
theories of non-representational neoplasticism, cubist sculpture and the Japanese Superflat movement.