Not exact matches
Wheelhouse represents
commercial and literary fiction in the general areas of inspirational, historical,
contemporary, military, as well as biography / memoir, sports, political, current events and pop
culture non-fiction — all with a values - friendly approach.
Most commentators agree that the speed of
contemporary arts investment / change within China is unlike anything we have ever witnessed — the building of vast futuristic
culture castles across China, the scale of growth in the
commercial gallery sector and the growing numbers studying art and design — suggest that an ongoing cultural engagement between Greater Manchester and China during this present period of growth is essential.
Influenced by the happenings staged by Allan Kaprow, George Segal, Claes Oldenburg, and others, which incorporated everyday objects and popular
culture, Lichtenstein turned to an entirely new imagery culled from the
contemporary world of advertisements and comic books and adopted the graphic techniques of
commercial illustration.
Mar excavates the ritual narratives inherent in secondhand stores, science fiction, celebrity,
commercial design, and social media to create abstract and anthropomorphic barometers of
contemporary culture.
Walker Art Center, Minneapolis, MN January 29 - May 8, 2011
Contemporary Arts Museum Houston, Houston, TX July 23 - September 18, 2011 Montclair Art Museum, Montclair, NJ October 8, 2011 - January 1, 2012 Ackland Art Museum, Chapel Hill, NC January 14 - March 18, 2012 Inspired by artist Mike Kelley's observation that «the mass art of today is the folk art of tomorrow,» The Spectacular of Vernacular embraces the rustic, the folkloric, and the humbly homemade as well as the crass clash of street spectacle and
commercial culture.
His interdisciplinary practice combines painting, sculpture, and performance, and merges disparate fields and influences, from interior and stage design to film and comics, exploring desire, memory, and estrangement in
contemporary domestic and
commercial culture.
Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors,
commercial,
contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe
contemporary art, creativity,
culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney
Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe
Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinshi
Like Roe Ethridge and Elad Lassry, who were also included in that exhibition, Ms. Prager explores Hollywood, fashion and
commercial imagery to riff on
contemporary culture.
Bourque - LaFrance's interdisciplinary practice combines painting, sculpture, and performance, and merges disparate fields and influences, from interior and stage design to film and comics, exploring desire, memory, and estrangement in
contemporary domestic and
commercial culture.
ANNKA KULTYS is a
commercial art gallery supporting
contemporary artists and
culture.
Annka Kultys is a
commercial art gallery supporting
contemporary artists and
culture.
Through
commercial images of fashion, merchandise, and advertisements, in addition to moments from his daily life, Ethridge's works reveal the fine line between the generic and the personal, combining art historical themes with
contemporary culture.
While her works often directly relate to conventions of
commercial and artistic photography, they also exceed these limits through a larger frame of inquiry that questions how things are — or are not — made visible within
contemporary culture.
The bright colour schemes also enabled this form of avant - garde art to emphasise certain elements in
contemporary culture, and helped to narrow the divide between the
commercial arts and the fine arts.
Kessler turns to
contemporary visual
culture, and specifically Apple Inc., to examine the impact of popular and
commercial imagery and products on society's desires and collective psyche.
Works by such Pop artists as the Americans Roy Lichtenstein, Andy Warhol, Claes Oldenburg, Tom Wesselman, James Rosenquist, and Robert Indiana and the Britons David Hockney and Peter Blake, among others, were characterized by their portrayal of any and all aspects of popular
culture that had a powerful impact on
contemporary life; their iconography — taken from television, comic books, movie magazines, and all forms of advertising — was presented emphatically and objectively, without praise or condemnation but with overwhelming immediacy, and by means of the precise
commercial techniques used by the media from which the iconography itself was borrowed.