Sentences with phrase «contemporary craft artists»

This elegant showcase featuring the nation's top contemporary craft artists, offering their latest celebrated works in a comfortable, indoor setting.

Visions and Revisions celebrates the work of four contemporary craft artists — Steven Young Lee, Kristen Morgin, Jennifer Trask, and Norwood Viviano.

The Geoffrey A. Wolpert Gallery is a foyer gallery focused on exhibiting solo and small group exhibitions by emerging and established contemporary craft artists.

Thanks to the support of Soluna Living, 25 of the finest contemporary craft artists from Korea will participate in our Guest Artist Program.

A global enterprise that connects leading Asian artists, Soluna Living brought 25 of the finest contemporary craft artists from Korea, each showcasing a unique perspective, variety of materials, styles, and disciplines.

Not exact matches

Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.

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Browse the local arts and crafts markets, catch an exhibit by contemporary African artists or a performance by local musicians, pick up vibrant...

Applications are now invited from contemporary craft designer - makers and artists working in ceramics, jewellery, interior textiles, fashion design, print - making, wood, lighting, furniture and product design, glass, metal and basket - making, before the 18th April 2017.

The textile arts, including materials and methods often associated with craft and women's work, appear in myriad ways in the works of contemporary artists.

An all female exhibition showcases artists working with traditional craft media such as ceramics, yarn, clay or wood in current and contemporary ways.

It explores the role of vernacular forms in some 40 works by more than two dozen contemporary artists, which run the aesthetic gamut: the hand - crafted work of Aaron Spangler juxtaposes with Lari Pittman's carnivalesque day - glo paintings; Marc Swanson's glittering trophy heads with Rachel Harrison's urban relics.

This newly opened space is run by artists Kendra Bulgrin and Jimmy Eddings and has a goal of presenting contemporary works of art and craft.

LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium.

Offering the best in contemporary clothing, jewelry and crafts by American artists, Imagine Artwear carries several handbags from the «Opera» line.

2017 Talking Pictures: Camera Phone Conversations Between Artists, The Metropolitan Museum of Art, New York, NY Person of the Crowd: The Contemporary Art of Flânerie, The Barnes Foundation, Philadelphia, PA DRAW / Boston, MassArt, Boston, MA Southern Accent: Seeking the American South in Contemporary Art, Speed Art Museum, Louisville, KY Uptown, The Wallach Art Gallery at Columbia University, New York, NY Maker, Maker, Children's Museum of the Arts, New York, NY No burden as heavy, David Castillo Gallery, Miami Beach, FL Jacob Lawrence: Lines of Influence, SCAD Museum of Art, Savannah, GA The Legacy of Lynching: Confronting Racial Terror in America, Brooklyn Museum, New York, NY Victory over the Sun: The Poetics and Politics of Eclipse, Kentucky Museum of Art and Craft, Louisville, KY Detroit 67: Perspectives, Detroit Historical Society, Detroit, MI ProjectArt Presents: My Kid Could Do That, Kimpton Eventi Hotel, New York, NY

Arlene Shechet is featured in the article Uncommon Clay: Contemporary Ceramic Artists Combine Craft Tradition with Boundary - Pushing Creativity.

For the two - part work, the artist meticulously crafted and inserted into the Contemporary Wing's architecture aluminum and reflective glass that allows you to see unexpected views of fellow visitors, art works, and galleries above, below, and across from you.

SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.

In a series of meticulously and often obsessively hand - crafted sculptures and installations, Bird explores the position of the artist and the individual in contemporary South Africa.

Bailey has been artist - in - residence at Pittsburgh's Society for Contemporary Craft, at the Studio Museum in Harlem, and the Marie Walsh Sharpe Art Foundation in New York City.

Presented in conjunction with CraftNOW — a citywide exhibition examining the fluid boundaries that exist around art, design and craft — this show considers how contemporary revivals of sewing, weaving and embroidery reflect the continuing feminist interest in historical technique and play a crucial role in helping these artists understand the past while addressing identity in the present and future.

There, together with a team of Moroccan master craftsmen, the African born Belgian artist has initiated a consistent sculptural interrogation of the role of craft within the field of contemporary art.

This juxtaposition of historic and contemporary work brings into critical focus the tremendous role Schapiro's femmages played in the reframing of craft and decoration, while shining a light on the way artists today, both distinguished and emerging, continue to approach the decorative as a language of abstraction tied to the personal and the political.

However, where Kelly's shapes are cold and solidly rooted in color field and minimalism, Valdez's paintings are the contemporary response, letting feminism and craft show through the artist hand.

Both contemporary artists JESS JONES and LILLIAN BLADES are highly informed by the traditions of Quilting and Craft.

Kasobane's insistence on using local materials in their art and «elevating» materials associated with craft is a strategy employed by many contemporary artists.

The CraftTexas series, which is hugely popular with visitors, provides artists the unique opportunity to have their work seen by three established jurors and included in an exhibition that seeks to broaden the understanding of contemporary craft.

More recently contemporary artists have engaged with craft as a way of engaging with the histories and economies of labor and the handcrafted and their various associations with gender and the domestic.

Dovecot Gallery, 31 July — 26 September 2015 The work of internationally renowned artist Kwang Young Chun illustrates how eastern philosophy and traditional craft making skills continue to inspire innovation in contemporary art.

As an important figure in the second generation of Southern California ceramicists to deny the boundaries of traditional crafts, Shire has led the way for a surge of interest in ceramics among younger contemporary artists.

Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.

Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15 contemporary artists working in unusual ways with paper.

Houston Center for Contemporary Craft: «In Residence - Work by 2013 Resident Artists,» through Nov. 9, 4848 Main; 713-529-4848, crafthouston.org.

The «Paperworks» exhibition at the Craft and Folk Art Museum features sculptures, collages and large - scale installations by 15 contemporary artists working with paper in unusual ways.

It was founded in 1965 by artists Edith R. Wyle (actor Noah Wyle's grandmother) and Bette Chase as a commercial gallery and cafe called the Egg & the Eye, showcasing contemporary crafts and ethnic folk art.

offers students the opportunity to deepen their exploration and creation of contemporary artists» books as grounded in the conceptual, theoretical, and craft foundations of the field.

In addition to teaching, Clara has been a resident artist at The Archie Bray Foundation and The Houston Center for Contemporary Craft; she has participated in a number of national shows; she has received grants from the Puffin Foundation and the Elizabeth Greenshields Foundation; and she plays a mean banjo.

A curator and scholar in contemporary art, craft and design her particular expertise lies in the work of African, Latino, Native and Asian American artists.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

She has been a resident artist at ART342, Vermont Studio Center, Anderson Ranch, PlatteForum, The Houston Center for Contemporary Craft, Caldera and The Oregon College of Art and Craft.

The Book Arts Minor offers students the opportunity to deepen their exploration and creation of contemporary artists» books as grounded in the conceptual, theoretical, and craft foundations of the field.

The show is nationally recognized from small beginnings in 1952 that to date attracts over 700 applications every year from artists around the country representing 13 fine art and contemporary craft mediums.

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

Houston Center for Contemporary Craft (HCCC) is pleased to present Treachery of Material: The Surrealist Impulse in Craft, featuring Michael Crowder and Julia Maria Künnap, two artists who use surrealist strategies and references in their work.

Opening April 3rd at EFA Project Space, Common J ive presents a spectrum of contemporary artists who summon up vernacular and traditional craft approaches in their art - making practice.

Examining themes of ritual and addiction, both artists set forth a dialog constructed through personal narrative and contemporary craft.

The group exhibition «Entangled: Threads & Making «at Turner Contemporary brings together 40 international female artists from different generations and cultures, who challenge established categories of craft, design and fine art.

In awards news: this year's BP Portrait Award has announced its shortlist, with artists Miriam Escofet, Felicia Forte, Ania Hobson and Zhu Tongyao in the running — the winner will be announced in June; LA's Mike Kelley Foundation has named recipients for its 2018 Artist Project Grants — the Craft & Folk Art Museum, Fulcrum Arts, Hammer Museum, JOAN, LA Freewaves, LAXART, the Museum of Contemporary Art, Los Angeles, Museum of Latin American Art, Self Help Graphics & Art and the Underground Museum will receive a total of USD$ 400,000 in support; ArtCenter / South Florida have announced a new USD$ 500,000 visual art awards called the Ellies, with first recipients anounced in October; and the official selection for the 71st Cannes film festival, which runs 8 — 19 May, is here, with Jean - Luc Godard, Spike Lee and Jia Zhangke in competition — only three out of 18 films competing for the Palme d'Or have female directors.