Sentences with phrase «contemporary craft exhibitions»

Craft Forms is internationally recognized as one of the premiere contemporary craft exhibitions.

We are a non-profit art center offering contemporary craft exhibitions, classes, free community programs, and a gallery shop featuring the work of national and regional artists.

Mesa Contemporary Arts, call for artists: 33rs Annual Contemporary Crafts Exhibition Mesa Contemporary Art's 33rd juried exhibition highlights the finest in contemporary crafts from around the country.

Right: Installation view of 19th Contemporary Crafts Exhibition, 1975.

Artspace invites artists working in a variety of craft media to enter the Fine Contemporary Craft Exhibition, a biennial national juried exhibition.

Not exact matches

I'm also sending some work for an exhibition at the Houston Center for Contemporary Craft next year, and I'm very excited about that!

One of the UK's leading modern and contemporary art and craft galleries, the Middlesbrough Institute of Modern Art offers a number of exhibitions showcasing art from all over the world.

He has been included in numerous significant group exhibitions including Display — between art and arts & crafts, Applied Arts Pavilion, the 57th Biennale di Venezia (2017); Okoyama Art Summit (2016), Viehof Collection: International Contemporary Art, Deichtorhallen, Hamburg (2016); You've Got to Know the Rules... to Break Them, de la Cruz Collection, Miami (2015); Beyond the Supersquare, The Bronx Museum of Arts, New York, US (2014); KölnSkulptur # 7, Skulpturenpark Köln, Cologne (2013); Print / Out, MoMA Museum of Modern Art, New York (2012); Art of Communication: Anri Sala, Yang Ah Ham, Philippe Parreno, Jorge Pardo, National Museum of Art, Deoksugung (2011); The Jewel Thief, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, (2010); theanyspacewhatever, Solomon R. Guggenheim Museum, New York (2008); Index.

An all female exhibition showcases artists working with traditional craft media such as ceramics, yarn, clay or wood in current and contemporary ways.

LOS ANGELES — The Craft & Folk Art Museum (CAFAM) presents Paperworks, an exhibition that examines the range of work by fifteen contemporary artists with strong ties to Los Angeles who use paper as their primary medium.

This juried exhibition will provide a rare opportunity for PNCA and the broader Portland cultural community to see the scope of contemporary art, craft, and design by alumni from PNCA's Bachelor of Fine Arts, Master of Fine Arts, and Continuing Education certificate programs.

2013 Art Public: Only One Like You, curated by Nicolas Baume, Art Basel Miami Beach, Miami Beach, FL Pataphysics (A Theoretical Exhibition), Sean Kelly Gallery, New York, NY Body is Present, Berrie Center for Performing and Visual Arts, Ramapo College, NJ Hold on Her, (performance), Cleveland Museum of Art, Cleveland, OH All Good Things, SOMA Arts, San Francisco, CA Remainder, curated by Lauren Ross, Philbrook Museum of Art, Tulsa, Oklahoma The Lobby Project, City Center, New York, NY Sisyphus: Heroism of the Absurd, Arte Actual, Quito, Ecuador If Color, then also Dimension; If Flatness, then Texture, etc., LMCC at Governor's Island, New York, NY Object Focus: The Bowl, Museum of Contemporary Craft, Portland, OR Paint Things: Beyond the Stretcher, Decordova Sculpture Park and Museum, Lincoln, MA In Praise of Chance and Failure, Family Business, New York, NY There Is No Place Like Home, Paul Robeson Galleries, Rutgers, Newark, NJ Only as Signal Show, Southern Exposure, San Francisco, CA No Sun Without Shadow, Lu Magnus, New York, NY Unfolding Tales: Selections from the Contemporary Collection, Brooklyn Museum, Brooklyn, NY

Museum exhibition venues include IKON Gallery, Birmingham, UK; Savannah College of Art And Design, GA; Prospect New Orleans, LA; Museum of Craft and Folk Art, San Francisco, CA; the Rose Art Museum, Brandeis University, Waltham, MA; Museum of Contemporary Art, Chicago; and the Institute of Contemporary Art, Philadelphia, PA..

2010 Size Does Matter, FLAG Art Foundation, New York, USA Passion Fruits, Collectors Room, Berlin, Germany The Global Africa Project Exhibition, Museum of Arts and Design, New York, USA Personal Identities: Contemporary Portraits, Sonoma State University Art Gallery, Sonoma, USA Pattern ID, Akron Art Museum, Akron, Ohio, USA Wild Thing, Roberts & Tilton, Culver City, USA Summer Surprises, Pennsylvania Academy of the Fine Arts, Philadelphia, USA Individual to Icon: Portraits of the Famous and Almost Famous from Folk Art to Facebook, Plains Art Museum, Fargo, USA The Library of Babel / In and Out of Place, 176 Zabludowicz Collection, London, England Searching for the Heart of Black Identity: Art and the Contemporary African American Experience, Kentucky Museum of Art and Craft, Louisville, USA The Gleaners: Contemporary Art from the Collection of Sarah and Jim Taylor, Victoria H. Myhren Gallery, Denver, USA From Then to Now: Masterworks Contemporary African American Art, Curated by Margo Ann Crutchfield, Museum of Contemporary Art, Cleveland, USA

Antonia has a particular interest in contemporary craft, a specialism reflected in her work on previous exhibitions, including The Fabric of Myth in 2008.

Kate has exhibited extensively in solo and group exhibitions across Australia including at Daine Singer, Craft Victoria, Gertrude Contemporary, West Space, Conical, Centre for Contemporary Photography, Melbourne Art Fair, Silvershot, Contemporary Art Space of Tasmania, Chalk Horse Gallery, Nellie Castan Gallery, First Draft, MOP, Perth Institute of Contemporary Art, and Canberra Contemporary Art Space.

Sherman's paintings have been included in solo and group exhibitions at DC Moore Gallery, New York; Kavi Gupta Gallery, Chicago; Houldsworth Gallery, London; DCKT, New York; Aurobora, San Francisco; Hof and Huyser Gallery, Amsterdam; the Contemporary Jewish Museum, San Francisco; Gallery Seomi, Seoul; The New Gallery, Austria; the Neuberger Museum of Art, Purchase, N.Y.; and the Kentucky Museum of Art and Craft, Louisville.

Presented in conjunction with CraftNOW — a citywide exhibition examining the fluid boundaries that exist around art, design and craft — this show considers how contemporary revivals of sewing, weaving and embroidery reflect the continuing feminist interest in historical technique and play a crucial role in helping these artists understand the past while addressing identity in the present and future.

[iv] In 1962, these woven forms were featured in a solo exhibition at the Art Institute of Chicago, and the following year, the Museum of Contemporary Crafts (later the American Craft Museum and now the Museum of Arts and Design) used her phrase for the title of a traveling exhibition, that included work by Tawney, Dorian Zachai, Claire Zeisler, Sheila Hicks, and Alice Adams.

Juried by Kate Lydon, director of exhibitions at the Society for Contemporary Craft.

Next month, Houston Center for Contemporary Craft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made contempContemporary Craft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made contemporary cCraft (HCCC) presents CraftTexas 2012, the seventh in a series of biennial juried exhibitions showcasing the best in Texas - made contemporarycontemporary craftcraft.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

The CraftTexas series, which is hugely popular with visitors, provides artists the unique opportunity to have their work seen by three established jurors and included in an exhibition that seeks to broaden the understanding of contemporary craft.

The exhibition incorporates contemporary artworks, informed by earlier generations of women, which take a variety of forms — quilts, assemblage, hangings, embroidery on cloth and paper, among others — and that consciously blurs the art versus craft distinction.

Chris Natrop's hand - cut paper forest at the Craft & Folk Art Museum is part of the exhibition «Paperworks,» which features sculptures, collages and large - scale installations by 15 contemporary artists working in unusual ways with paper.

The «Paperworks» exhibition at the Craft and Folk Art Museum features sculptures, collages and large - scale installations by 15 contemporary artists working with paper in unusual ways.

He participated in the recent Stop Asking: We Exist exhibition of African - American craft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforcecraft art at the Society for Contemporary Crafts in Pittsburgh and curated the popular and groundbreaking exhibition Uncommon Beauty in Common Objects: The Legacy of African American Craft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in WilberforceCraft Art that toured the United States in the mid-1990's organized by the National Afro - American Museum & Cultural Center in Wilberforce, OH.

Traveled to: Renwick Gallery, National Collection of Fine Arts, Smithsonian Institute, Washington, D.C.; Cooper - Hewitt Museum, New York, 1979 - 1980 «Art from Corporate Collections,» Union Carbide Corporation Gallery, New York, May 9 - 30 «Selections from the Collection of Mr. and Mrs. Eugene Schwartz,» Knoedler Gallery, October 31 - November 28 «Color Abstractions: Selections from the Museum of Fine Arts, Boston,» Federal Reserve Bank Display Area, November 2 - January 31, 1980 1980 «L'Amerique aux Independents,» 91e Exposition, Societe des Artistes, Grand Palais, Paris, March 13 - April 13 «The Washington Color School Revisited: The Sixties,» Fendrick Gallery, Washington, D.C., September 9 - October 4 «Washington Color Painters,» Milwaukee Art Center, September 1 - December 1981 «Paintings from the United States from the Museums of Washington, D.C.,» Institute of Fine Arts, Mexico City, November 18, 1980 - January 4 1982 «A Private Vision: Contemporary Art from the Graham Gund Collection,» Museum of Fine Arts, Boston, February 7 - April 4 «Papermaking U.S.A.: History, Process, Art,» American Craft Museum, New York, May 20 - September 26 «Out of the South: An Exhibition of Work by Artists Born in the South,» Heath Gallery, Atlanta, Georgia, October 1982 1983 «Early Works by Contemporary Masters: Caro, Francis, Frankenthaler, Gottlieb, Held, Louis, Noland, Olitski,» Andre Emmerich Gallery, New York, September 6 - October 8 «Tapestries: Contemporary Masters,» Malcolm Brown Gallery, Shaker Heights, Ohio, October 21 - November 30; New York, February 25 - March 7 «American Post-War Purism,» Marilyn Pearl Gallery, New York, May 31 «Recent Paintings by Kenneth Noland and Darby Bannard,» Douglas Drake Gallery, Kansas City, Missouri, June 1 - 30 «Arte Contemporaneo Norteamericans, Collection David Mirvish,» American Embassy in Madrid, January 1985 «Recent Acquisitions,» Museum of Modern Art, New York, February 16 - March 17 «Grand Compositions: Selections from the Collection of David Mirvish,» The Fort Worth Art Museum, Texas, May 1 «Contemporary Monotypes,» Edith C. Blum Art Institute, Bard College, Annandale - on - Hudson, May 8 - July 10 «Selections from the William J. Hokin Collection,» Museum of Contemporary Art, Chicago, April 20 - June 16 «American Abstract Painting,» Margo Leavin Gallery, Los Angeles, California, June 19 - August 24

Presented in conjunction with CraftNow, a citywide exhibition devoted to expanding the boundaries of craft, art, and design, «Narrative Horizons» is a group show by three female artists who use craft techniques — or, depending on your perspective, craft artists who employ contemporary - art strategies.

2018 Pageant of Inconceivables, Woodstock Byrdcliffe Guild Kleinert / James Center for the Arts, Woodstock, NY (forthcoming) Objects Like Us, part of the exhibition series The Domestic Plane: Tabletop Objects from Art and Craft, curated by Amy Smith - Stewart, the Aldrich Contemporary Art Museum, Ridgefield, CT 2017

2013 NCECA Biennial Exhibition Houston Center for Contemporary Craft January 26 — May 5 Reception Thursday, March 21, 2013 from 5:30 - 9:00 pm

In 1937, the Delphic Gallery, New York held her first solo exhibition and subsequent group exhibitions followed including «Contemporary Decorative Art», The Toledo Museum of Art, (1939), «Miscellaneous Textiles», Addison Gallery of American Art, Andover, MA (1948) and «Wall Hangings and Rugs», The Museum of Contemporary Crafts, New York (1957).

Wilke has also participated in a large number of significant group exhibitions including the forthcoming exhibition Virginia Woolf: an exhibition based on her writing, Tate St Ives (2018); Delirious: Art at the Limits of Reason, 1950 - 1980, Met Breuer, New York (2017); Body Talk, Rose Art Museum, Waltham (2017); Feminist Avant - Garde of the 1970s, ZKM, Karlsruhe (2017), travelling to Stavanger Art Museum, Norway and The Brno House of Arts, Brno (2018); I Remember Not Remembering, Scottsdale Museum of Contemporary Art (2017); The Beguiling Siren is Thy Crest, Museum of Modern Art in Warsaw (2017); Performing for the Camera, Tate Modern, London (2016); Revolution in the Making: Abstract Sculpture by Women, 1947 - 2016, Hauser & Wirth & Schimmel, Los Angeles (2016); Americana: Formalizing Craft, Perez Art Museum, Miami (2013); Aquatopia: The Imaginary of the Ocean Deep, Nottingham Contemporary (2013); Human Nature, Los Angeles County Museum of Art (2012); Naked Before the Camera, Metropolitan Museum of Art, New York (2012); Elles: Women Artists from the Centre Pompidou, Seattle Art Museum (2012); The Body as Protest, Albertina Museum, Vienna (2012); Ourselves, Australian Centre for Contemporary Art, Melbourne (2012); The Original Copy: Photography of Sculpture, 1839 to Today, MoMA, New York and elles@centrepompidou, Centre Pompidou, Paris (2010).

The group exhibition «Entangled: Threads & Making «at Turner Contemporary brings together 40 international female artists from different generations and cultures, who challenge established categories of craft, design and fine art.

His work has been included in numerous group exhibitions at venues such as the Baltimore Museum of Art, 2004; Hyde Park Art Center, Chicago, 2007; Museum of Contemporary Craft, Portland, Oregon, 2009; Greg Kucera Gallery, Seattle, 2010; Lehmann College Art Gallery, New York, 2010; Tanya Bonakdar Gallery, New York, 2011; University Art Museum, Albany, 2011; Oakville Galleries, Ontario, 2013; 601 Artspace, New York, 2013; and Grazer Kunstverein, Graz, Austria, 2013.

La Luz Jesus Gallery in Los Angeles, Fergus Fernandez Gallery in Houston, and Milagros Contemporary Art, San Angel Gallery and the Southwest Crafts Center in San Antonio have mounted solo exhibitions of de Leon's work.

But the enthusiastic response to several recent high - profile exhibitions, at the Institute of Contemporary Art / Boston, the Fuller Craft Museum in Brockton, Massachusetts, and the Drawing Center in New York, suggests that interest in fiber art hasn't waned.

Selected exhibitions consist of Frances Trombly: Over and Under at Locust Projects, Miami (2013), included in Americana: Formalizing Craft, Perez Art Museum Miami (2013) and united states, The Aldrich Contemporary Art Museum, Ridgefield, CT (2012).

Selected & Group Exhibition 2017 Cheongiu International Craft Biennale (Cheongiu) 2016 14 +15 = 29 designers del gioiello contemporano (Cremona / Italy) 2015, 2016 Japan - Italy Contemporary Jewelry exchange exhibition - Dialogue -(Japan / Italy) 2015, 2013, 2009, 2004, 2005 Itami International Craft Exhibition — Jewelry 2013 Cheongju International Craft Biennale (Cheongju) 2014, 2012, 2008, 2004 Japan Jewelry Art Competition JCDA member's Exhibition (Paris) 2011 Taipei World Design Expo (Taipei) Solo Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels Exhibition 2017 Cheongiu International Craft Biennale (Cheongiu) 2016 14 +15 = 29 designers del gioiello contemporano (Cremona / Italy) 2015, 2016 Japan - Italy Contemporary Jewelry exchange exhibition - Dialogue -(Japan / Italy) 2015, 2013, 2009, 2004, 2005 Itami International Craft Exhibition — Jewelry 2013 Cheongju International Craft Biennale (Cheongju) 2014, 2012, 2008, 2004 Japan Jewelry Art Competition JCDA member's Exhibition (Paris) 2011 Taipei World Design Expo (Taipei) Solo Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels exhibition - Dialogue -(Japan / Italy) 2015, 2013, 2009, 2004, 2005 Itami International Craft Exhibition — Jewelry 2013 Cheongju International Craft Biennale (Cheongju) 2014, 2012, 2008, 2004 Japan Jewelry Art Competition JCDA member's Exhibition (Paris) 2011 Taipei World Design Expo (Taipei) Solo Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels Exhibition — Jewelry 2013 Cheongju International Craft Biennale (Cheongju) 2014, 2012, 2008, 2004 Japan Jewelry Art Competition JCDA member's Exhibition (Paris) 2011 Taipei World Design Expo (Taipei) Solo Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels Exhibition (Paris) 2011 Taipei World Design Expo (Taipei) Solo Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels Exhibition - Symbiotic -(HCMC) 2010 CCDO Design award (Nagoya) DIAMETRIC A two - persons exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels exhibition (Ho Chi Minh) 2009 JJDA Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels Exhibition Armory Art Center (Florida) 2006 Metal Element Beyond (Seoul / Korea) 2005 — Artists From Asia - Contemporary art center (Delaware) 2004 JJA Jewelry Design Competition (Tokyo) 2002 From The Rising Sun (Brussels / Belgium)

Her work has been included in publications and exhibitions including Studio Furniture: The Next Generation, Crafting A Continuum: Rethinking Contemporary Craft, and Why Wood at SOFA Chicago.

The exhibition explores the legacy of Mingei, a Japanese folk craft movement led by philosopher and critic Sōetsu Yanagi and questions the presence of craftsmanship in contemporary art.

His most recent exhibition, Material Information, spans three venues in Bergen (Norway), and looks for a renewed critical approach to the contemporary global distribution of labour from the perspective of arts and crafts.

A companion exhibition will be on view at the Society of Contemporary Craft in Pittsburg, PA from July 20 thru October 27, 2012.

Alfonse Borysewicz crafts contemporary religious paintings in his solo exhibition Beginning Comes Last.

The gallery shows Norwegian, Nordic and international contemporary art, art - historical exhibitions, as well as crafts, presented through the series Tendenser.

Stimac has shown in several museum exhibitions across the US; most recently at the Museum for Contemporary Photograpy, Chicago (2014) and at the Kentucky Museum of Art and Craft (2013).

The Holocaust and Contemporary Arts Museums, and the Center for Contemporary Craft, as well as many alternative art spaces and galleries focus on traveling exhibitions.

Her work has been in solo exhibitions at Smith College Museum of Art and Weatherspoon Art Museum; and in group exhibitions at the first Greater New York at PS1 / MoMA; «Hand + Made: The Performative Impulse in Art & Craft» at the Contemporary Art Museum Houston, Texas; and Queer Threads at the Leslie Lohman Museum of Lesbian and Gay Art in New York City.

Recent exhibitions include the Museum of Contemporary Art, Chicago, The Elmhurst Biennial, the Hyde Park Art Center, The Heilbronn Kunstverein in Germany, The Huguenot House in Kassel, Germany, The Portland Museum of Contemporary Craft, The Devos Art Museum in Michigan.

The sixteenth presentation in the ARTMATTERS series focused on contemporary art, this exhibition surveys a range of John Fraser's exquisitely crafted objects, drawn from the McNay's collection, the artist's studio, and select museum collections.