Sentences with phrase «contemporary cultural conditions»

CPI's Public Interface: LaTableRonde format brings together 30 participants (some invited, some not) to engage in a public discussion concerning contemporary cultural conditions.

Not exact matches

Cultural differences block the communication between the traditional and the contemporary; or, the church is still emotionally related to the nineteenth - century conditions while the world is involved in the explorations and tensions of the twentieth century.

So, the term «extended breastfeeding» assumes that the specific cultural and material conditions that middle - and upper - class contemporary Westerners experience — widespread misunderstanding and stigma surrounding women's breasts and children's biology; widespread availability of commercial formula; clean water to prepare it with; the time and space to wash, sterilize, and store bottles, and so forth — are «normal,» while literally everything that has ever existed outside of this limited cultural experience and relatively short, unique period in time is somehow abnormal.

Curated by Laura Kruger, 70 international artists explore the meaning of home and the loss of home in works reflecting personal experience, historical and contemporary events, cultural diversity, and the universal human condition.

The exhibition highlights the power and complexity of contemporary Indigenous photography, and the way in which Indigenous artists draw upon a rich mixture of history, personal experience, blak humour, as well as postmodern and postcolonial theories, in order to generate new perspectives and understandings of the social, political and cultural conditions faced by Indigenous and non-Indigenous Australians.

Since the 1970s, Muntadas has given attention to «media landscapes» (mass media, symbols, images and slogans) that allow him to investigate contemporary phenomena associated with political, cultural and educational dynamics, revealing and denouncing its instrinsic mechanisms and opening up a broader scrutiny of the human condition in an age of advanced capitalism.

In his new publication Jens Hoffmann reflects on the spaces of contemporary art — the gallery, the institution, the biennial — and ultimately positions the discipline of curating in the context of a larger cultural sphere shaped by the political, social, and economic conditions of its time, while demanding new attitudes and new thinking.

Writing on the occasion of a program she organized at Hallwalls Contemporary Arts Center in 1988, the artist and writer Coco Fusco argued, «The newly established workshops provided the infrastructure that, combined with racially sensitive cultural polices, created conditions -LSB-...] to explore and question theoretical issues.»

The exhibition's catalog and accompanying texts go to great lengths in describing the show, instead, as «a broad overview of a groundbreaking aspect of contemporary art practice» — «a recognizable cultural phenomenon... that also addressed universal aspects of the human condition.»

In this exhibition, Mr. Dob continues Murakami's interest in playing with the signifying conditions of contemporary Japanese culture caught between tradition and a Western cultural postmodernism wrought Read More»

Contemporary artists are particularly effective at igniting discussion, stimulating debate, and grappling with rapidly shifting cultural conditions.

Neshat's works tackles social, cultural and religious codes of the Muslim societies and the female condition in contemporary Islamic societies.

ICA Associates: PAN present Aleksandra Domanović & M.E.S.H., Ville Haimala & Jenna Sutela, Harm van den Dorpel and HELM x Embassy for the Displaced.Since 2008, multi-disciplinary label PAN has been building a network of international artists with an emphasis on adaption to the rapidly changing cultural and material conditions of contemporary musicians and sound artists today.

Katja Novitskova and Timur Si - Qin Artists: Katja Novitskova and Timur Si - Qin Curated by Agatha Wara Adopting the language of global advertising and offering acute reflections on what it means to live under today's historical conditions, Katja Novitskova and Timur Si - Qin present images, objects, and texts that address our contemporary state of conflation: the value transitions between the biological and the cultural, from information into matter.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Published to coincide with a major exhibition at London's Hayward Gallery, this book explores the political, social and cultural conditions shaping contemporary Chinese sculpture.

Hou Hanru's prolific curatorial work addresses contemporary practice and the conditions of artists living in the diaspora from the perspective of cultural hybridity.

Officials at the Ministry of Culture understood the connections, and under the condition «to seek common ground while reserving differences», they held many contemporary art exhibitions mainly in the form of new media art as international cultural exchange projects.

Employing the traditional tools of drawing such as graphite and ink on paper, the featured artists react to contemporary conditions, as well as the histories — social, economic, environmental and cultural — that shape today's global politics.

The panel will look at the strenghts and limitations of cultural infrastructure in the empowerment of intellectuals and social groups in the development and dissemination of culure, in organising effective and efficient roles for them in their own societies to make sense of history, map and influence contemporary forces at play and steer the particularities on local historical conditions in confronting globalisation.

The exhibition will offer U.S. students, scholars, artists, travelers, members of the New York community, and Bronxites the opportunity to view the breadth of contemporary art from Cuba, providing a rare look at the range of artists who have responded to Cuba's unique political, economic, social, and cultural conditions since the 1960s.