Sentences with phrase «contemporary cultural forms»

They are appropriating contemporary cultural forms and creating a new genre of worship music.

Not exact matches

He says «watch more TV,» as a way to highlight his case that the long - form series, such as with GIRLS, MAD MEN, BIG LOVE, and FRIDAY NIGHT LIGHTS, has risen to level where its quality and contemporary cultural importance has eclipsed that of cinema.

I have argued in a forthcoming work, The Realities of Faith and The Revolution in Cultural Forms, that the dimension of depth which has appeared in contemporary theology under the discussion of eschatology, has affinities with this new vision of science, if in fact it is not of apiece with it.

About Blog FORM Dance Projects is a unique, innovative cultural service provider that aims to foster and develop contemporary dance culture in Western Sydney.

This is the heart of Weerasethakul's work; taking old forms that have been suppressed or forgotten (as in the animist folk tales of Thailand) and re-forming them into narratives that speak with renewed urgency to the contemporary cultural climate.

Among the multiple lines of critical and cultural discourse surrounding the film, however, one particularly stands out: the notion of There Will Be Blood — with its central conflict between cutthroat oil prospector Daniel Plainview (Daniel Day - Lewis) and zealous small - town preacher Eli Sunday (Paul Dano) in 1911 California — as a kind of demonic origin tale for the state of contemporary American political culture, with narrow - minded religious fervor and bald - faced capitalistic excesses forming two sides of the same tarnished coin.

This has much in common with Steve James's award - winning documentary Hoop Dreams as it pursues and records the moment - to - moment responses of young people struggling to improve their lot, and in doing so reveals a penetrating socio - cultural study of contemporary America through a competition described by one parent as «a form of child abuse».

Through interpreting and analysing authors» ideas and positions represented in traditional and contemporary texts in a range of media, in English or translated forms, students learn to question stated and unstated cultural beliefs and assumptions, and appreciate issues of intercultural meaning and sensitivity.

Bold and powerful forms and proportions are, upon closer inspection, contrasted with aspects of traditional Japanese craftsmanship expressed in a contemporary way,» said Alfonso Albaisa, senior vice president of global design at Nissan Motor Co., Ltd. «The exterior's combination of western and eastern concepts continues inside the Xmotion, where advanced connectivity and autonomous technologies mix with modern Japanese digital art and cultural craftsmanship.

I realize contemporary writers like Karen Russell and Haruki Murakami have put their own spin on the magical realism form, but I'm still concerned that because my writing has a more cultural, historical - flashback, language - oriented feel to it, it might not be well received by readers looking for something more current to read.

The dramatic sculptural forms of the towers compliment the sophisticated and contemporary interior design, with a cultural edge.

NOT PLAYING BY THE RULES GAMEHOTEL director, and host of the show, Bruno Beusch, kicked off the soirée with a vibrant appeal in favor of the long overdue recognition of video games as a profoundly contemporary form of expression with this statement: «GAMEHOTEL puts video games where they belong: right on top of the cultural, economic, and social agenda of the 21 century.»

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

Comics in Art, Weserburg, Museum für moderne Kunst, Bremen, Germany Every Day Matters, Faurschou Foundation, Copenhagen, Denmark Forms of Weather, Frankfurter Kunstverein, Frankfurt, Germany Le Pas Funambule, Piano Nobile, Geneva, Switzerland America Latina 1963 - 2013, Fondation Cartier, Paris, France ELLES: Mulheres Artistas na Coleção do Centro Pompidou, Centro Cultural Banco do Brasil, Rio de Janeiro, Brazil Homebodies, Museum of Contemporary Art Chicago, Chicago, USA Nooite Azul Electrico, Galeria Mendes Wood DM, Sao Paulo

works with different forms of folklore as linguistic and visual «cultural psychoanalysis» to contemporary reality.

V - A-C is committed to the international presentation, production and development of Russian contemporary art and cultural practise — across a multitude of forms and within the framework of an invigorated and informed exhibition, educational and publishing programme.

The objects he creates are an attempt to form a physical manifestation of memory and reckon with ideas of personal history, cultural traditions, and belief systems in the contemporary world.

The exhibition looks at various modes of cultural indoctrination found within contemporary video gaming and mainstream music, and also looks at the rise of nostalgia for older forms of entertainment, like A / V and VHS.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

In his practice Licari explores the socio - economical, cultural and political processes that intervene on, and alter the form of contemporary natural landscapes.

In creating new forms in this ancient medium, Liu brings into question the contemporary Chinese artists» relationship with cultural antecedents.

As Switzerland's oldest and still most active institutions for contemporary art, Kunsthalle Basel forms a vital part of Basel's cultural centre and is located next to the city's theatre, opposite the concert house Stadtcasino, and in the same building as the famed Restaurant Kunsthalle.

Coinciding with the contemporary fair Frieze London, as well as the Frieze Sculpture Park, the two fairs form the heart of Frieze Week — an international cultural event in early October which includes special programmes mounted by galleries and museums across London.

Cannonball is a non-profit, 501 (c)(3), arts organization dedicated to supporting artists, innovative forms of cultural production, and education to advance critical discourse and understanding of contemporary art practice.

The CCCB is a cultural center and an exhibition venue in Barcelona, located in the Raval district, focused on the most innovative forms of contemporary art

Art Night is a mini-festival conceived and organised by Unlimited Productions who, each year, will invite a leading cultural institution and curator to work in a different area of London, exploring the history, culture and architecture.The first edition is curated by the Institute of Contemporary Arts (ICA), with curator Kathy Noble, who will present a series of artists» works and new commissions in unusual locations across Westminster, forming a trail running from Admiralty Arch to Temple.

Given the recent rise of a similarly trans - cultural phenomenon in the form of Gerhard Richter's abstract paintings, there's something to be said for Contemporary artists who find a way to make lage bodies of decorative work with few barriers to interpretation or assimilation.

Through each of these mediums the artist finds contemporary currency, personal symbol and cultural meaning of longing, seduction, desire and romance, while also revealing a highly personal vision, fusing and transforming sentiment, wisdom and emotional experience into visual - art forms.

Their works fuse traditional cultural knowledge with contemporary art forms, pose urgent political questions, and push the boundaries of how we think about art, history and culture more broadly.

His works center around the relationship between form and content: often using several layers of paint, resin, glitter, collage elements, and occasionally, elephant dung, Ofili enlists sexual, cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents of society, while also celebrating contemporary black culture.

Arts in Marrakech works to form cultural bridges and dialogues creating a forum for debate, free thinking and the exchange of ideas through contemporary Visual Art, Literature and Film.

«Contemporary African art has been present on the global art scene long enough for imaginary forms stemming from creative minds to be apprehended first and foremost through the intrinsic nature and the intricate relations between form, medium and space, before being loaded with the burden of history and cultural specificity.»

In terms of the West, this form of artistic style, which ultimately points towards non-western ideology, established the label and standard for Chinese contemporary art, and initiated the process of cultural understanding and sharing on these foundations.

Dreaming of the Dragon's Nation: Contemporary Art from China is the largest exhibition of Chinese art ever shown in Ireland and forms part of the China / Ireland Cultural Exchange, an intergovernmental project to promote cultural links between the two coCultural Exchange, an intergovernmental project to promote cultural links between the two cocultural links between the two countries.

Witte de With Center for Contemporary Art has distinguished itself with intrepid commentary on the shared cultural and political predicament through its curated exhibitions, which form the core of its program.

Major activities include Yuzi Paradise International Sculpture Project, Beijing Olympic Sculpture Project, NordArt China Pavilion for Chinese Cultural Year in Germany, Forms of the Formless: Chinese Contemporary Art, Passages: Sculpture by Zeng Chenggang, etc..

Starting from the idea that abstracted knowledge is stored in cultural goods and artefacts, Vulsma's works reflect the interaction of historical relationships - such as India's leading role in the history of textile production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own production - and the contemporary hierarchies in an unequal global distribution of labour.

Los Angeles - based artist Amy Bessone mines the cultural representation of female form in history, from Greco - Roman marble nudes and the odalisques of high modernism to contemporary thrift - store objects.

A couple of weeks ago opened A Major Minority, an amazing group show featuring the work of contemporary urban artists from around the world curated by graffiti artist and curator Poesia, who is also the editor of Graffuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

What does it mean to live in a country where traditional art forms lacking innovation struggle for contemporary relevance; where cultural curricula and public event lament the era before the Khmer Rouge wiped out intellectual life, or before Communist propaganda replaced one's right to freedom of speech?

Kheirkhah's multi - disciplinary art practice and her specific focus on decentralising the generalising cultural forms of categorization, explores the representations of the so called «Middle Eastern» female identities through a practice which is generated by the interplay of history, politics, media and visual arts within contemporary Western visual culture.

Art As Object 1958 - 1968, MOCA, Los Angeles, US Drift a Project of John Baldessari, Julião Sarmento, Lawrence Weiner commissioned by Delfim Sardo, Centro de Centro Cultural de Belém, PT Before the End (Sequence 2), Le Consortium, Dijon, FR White Columns 2004 Benefit Auction, White Columns, New York, US Tonight, Studio Voltaire, London, UK Bearings: Landscapes from the IMMA Collection, Irish Museum of Modern Art (IMMA), Dublin, IR Ulysses, Ineluctable Modality of the Visible, Austria Center for Contemporary Art, Österreichische Galerie Blevedere, Vienna, AT Beyond Posters a Visual History of Gallerie Susanne Ottesen, Copenhagen, DCA Gallery, New York, US Incommunicado, Cornerhouse, Manchester, UK D'Un Lieu L'Autre, Oeuvres de la Collection Daniel Bosser, Hommage Aux Collectionneurs, Centre D'Art de Lyon, FR Beyond Geometry: Experiments in Form, 1940's -1970's, The Modern and Contemporary Art Council of the Los Angeles County Museum of Art, Los Angeles, US; traveled to Miami Art Museum, Florida, US The Big Nothing, Arcadia University Art Gallery, Glenside, Pennsylvania, US Joyce in Art, Visual Art Inspired by James Joyce, an International Exhibition of Art from 1914 to 2004, Royal Hibernian Academy Gallagher Gallery, Dublin, IR Reflecting the Mirror, Marian Goodman Gallery, New York, US Not Done!

Selected Group Exhibitions: 2010 Starburst: Color Photography in America, 1970 - 1980 - Cincinnati Museum of Art Packer Collegiate Institute Princeton University Art Museum 2007 Tokyo Metropolitan Museum of Photography 2005 Art & Recovery Conference / Exhibition, Lower Manhattan Cultural Council at Borough of Manhattan Community College, New York Edward Thorp Gallery, New York Gulbenkian Cultural Center, Paris, and Gallery Chiado 8, Lisbon 2003 Defying Gravity, North Carolina Museum of Art Gallery Amelia, Tokyo Eugénio de Almeida Foundation, Evora, Portugal 2002 Tokyo Metropolitan Museum of Photography 2001 Metropolitan Museum of Art, New York (Photography Study Center) 2000 Picturing Media, Metropolitan Museum of Art, New York A Prova de Agua, Belem Cultural Center, Lisbon 1999 Cooley Art Gallery, Reed College, Portland, Oregon 1998 Stanford University Art Museum 1989 New Directors, New Films, Museum of Modern Art, New York 1986 - 1988 Laurence Miller Gallery, New York 1985 Krannert Art Museum, Univ. of Illinois 1984 Color in the Street, California Museum of Photography, Riverside Light Gallery, New York Recent Acquisitions, Museum of Modern Art, New York New York, Paris, Tokyo, Tsukuba Museum of Photography, Japan 1982 Color as Form, Corcoran Gallery of Art, Washington Arteder, Museum of Graphic Arts, Bilbao, Spain Lichtbildnisse, Rheinisches Landesmuseum, Bonn Recent Acquisitions, San Francisco Museum of Modern Art University of Rochester, NY 1981 Castelli Uptown Gallery, New York Robert Frank Forward, Fraenkel Gallery, San Francisco Institute of Contemporary Arts, London Int «l. Museum of Photography, Geo.

2008 Selective Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspencontemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, AspenContemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.

The key subject of the course is the Exhibition as Communicative Space and will include: discussions about criticism and analysis of comprehensive phenomenon of how contemporary art, design, architecture, sound and performance, and publications as dominant art forms of visual culture adapt, co-exist, and conflict with market system; the course will reflect upon creative responses to conflict and crisis versus problems of value judgment on today's market - led cultural phenomenon and cultural movement, and the role of curator as a cultural translator and mediator between the two; and exploration of alternatives for ecological health of increasingly globalized art and culture.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

This traditional oral form inspired the region's cinema at its origins, as well as other modern narrative genres, and intersects in their work with archival footage assembled to represent contemporary history and engender new cultural forms of post-colonialisation.

Following an independent, trans - disciplinary and collaborative approach, we aim to promote the production and understanding of contemporary art practices, expand the reach of cultural agency and experiment with new forms of examination, cooperation and distribution.

Sara Ouhaddou strikes a precarious balance between traditional Moroccan art forms and the conventions of contemporary art, aiming to place artistic creation's forgotten cultural continuities into perspective and lend them visibility.

Officials at the Ministry of Culture understood the connections, and under the condition «to seek common ground while reserving differences», they held many contemporary art exhibitions mainly in the form of new media art as international cultural exchange projects.