Sentences with phrase «contemporary cultural history»

This is the First Great Paradox of Contemporary Cultural History.»

Behind these personal dramas Saatchi changed contemporary cultural history, three times.

BLT mobilizes a democratic rewriting of contemporary cultural history by animating discourse around and among the people living it.

The provocative writing of Aldous Huxley (Brave New World) would have a major influence on contemporary cultural history.

Not exact matches

To me, this approach is the touchstone for assessing the difference between fact and fiction in history The core question is: Does the description of ancient people's behavior ring true when we compare it to the way contemporary people behave in a similar cultural area?

As Swarthmore College psychologist Barry Schwartz wrote in a 2000 article in American Psychologist, «I think it is only a slight exaggeration to say that for the first time in human history, in the contemporary United States large numbers of people can live exactly the kind of lives they want, unconstrained by material, economic, or cultural limitations.»

This documentary contextualizes Eric Clapton's role in contemporary music and cultural history.

Cooper also manages ARRAY @ The Broad, an on - going film series featuring classic and contemporary films curated with an eye toward the intersection of art, history, and cultural identity.

K - 4.3 The History of the United States: Democratic Principles and Values and the People from Many Cultures Who Contributed to Its Cultural, Economic, and Political Heritage GRADES 5 - 12 NSS - USH.5 - 12.1 Era 1: Three Worlds Meet (Beginnings to 1620) NSS - USH.5 - 12.2 Era 2: Colonization and Settlement (1585 - 1763) NSS - USH.5 - 12.3 Era 3: Revolution and the New Nation (1754 - 1820s) NSS - USH.5 - 12.4 Era 4: Expansion and Reform (1801 - 1861) NSS - USH.5 - 12.5 Era 5: Civil War and Reconstruction (1850 - 1877) NSS - USH.5 - 12.6 Era 6: The Development of the Industrial United States (1870 - 1900) NSS - USH.5 - 12.7 Era 7: The Emergence of Modern America (1890 - 1930) NSS - USH.5 - 12.8 Era 8: The Great Depression and World War II (1929 - 1945) NSS - USH.5 - 12.9 Era 9: Postwar United States (1945 to early 1970s) NSS - USH.5 - 12.10 Era 10: Contemporary United States (1968 to the Present)

With experience of undertaking modules in a diverse range of subjects, she has acquired exceptional knowledge of contemporary and classical theories which include philosophy, history, cultural studies, film and literature.

Overflowing with cultural and architectural detail, the tapestries contain a social history of Essex and modern Britain that reflects Firstsite's year - long focus on contemporary identity.

Group exhibitions include the Institute of Contemporary Art, Boston (2012), Museum of Contemporary Art, Chicago (2009), Chicago Cultural Centre (2008) and Tokoname Museum of Ceramic History, Japan (2005).

EXHIBITIONS 2014 — Bourque, Bondgren and bourbon (Two - Person Collaborative Exhibition with Loretta Bourque), Linda Warren Projects, Chicago 2014 - Diverse Expressions, Human Thread Gallery, Chicago, IL 2014 - Gaze, Azimuth Projects, Chicago, IL (two - person exhibition with Ivan Lozano) 2013 - Gay Straight Alliance LGBT History Month Exhibit, Governors State University, University Park, IL 2012 - The Great Refusal: Taking on New Queer Aesthetics, SAIC Sullivan Galleries, Chicago, IL 2011 — All That Glitters, Linda Warren Gallery, Chicago, IL (solo) 2010 — Glimmer, Peregrine Program, Chicago, IL (solo) 2009 — The Cockamamie Show, North Lakeside Cultural Center, Chicago, IL 2008 — Made Flesh, Center on Halsted, Chicago, IL (solo) 2008 — summergroup08, Estudiotres, Chicago, IL 2008 — 21st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, Toronto, Canada.

Recent solo exhibitions include the Centro Cultural Banco do Brasil, São Paulo, Rio de Janeiro and Brasilia (2012); Deichtorhallen, Hamburg (2012); State Hermitage Museum, St. Petersburg (2011); Kunsthaus Bregenz, Austria (2010); the major touring exhibition Between You and Me (Kunsthal Rotterdam, Musée d'Art Moderne De Saint - Etienne and Artium, Vitoria, Spain, 2008 — 2009); MARCO, Monterrey, Mexico (2008); the Hayward Gallery, London (2007); MADRE, Naples (2006); the Calouste Gulbenkian Foundation, Lisbon (2004); the Baltic Centre for Contemporary Art, Gateshead (2003) and the National History Museum, Beijing (2003).

This course explores developments in visual cultural and photographic technology in contemporary culture across the World and surveys photography's role in shaping world histories, cultures, and identities.

This project has unfolded over the space of a year in different locations including the print room in the School of Art, Design & Fashion at the University of Central Lancashire (UCLan) where Lubaina Himid is Professor of Contemporary Art, leading the Making Histories Visible Project — an exploration of the contribution of black visual arts to the cultural landscape.

The exhibition highlights the power and complexity of contemporary Indigenous photography, and the way in which Indigenous artists draw upon a rich mixture of history, personal experience, blak humour, as well as postmodern and postcolonial theories, in order to generate new perspectives and understandings of the social, political and cultural conditions faced by Indigenous and non-Indigenous Australians.

From studies of the early Dutch colonial settlers to reports on contemporary art - market caprices, this new field of cultural history proves that our American taste for Dutch art stretches further back than Donna Tartt's trendy Pulitzer - winner or the cultural ubiquity of The Girl with the Pearl Earring.

1971 6th Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, USA Words and Image, Pinnar Gallery, Tokyo, Japan Chronicle of Post-War Art, The Museum of Modern Art Kamakura & Hayama, Japan Tokyo Gallery Exhibition 1971, Tokyo Gallery, Tokyo ／ Pinnar Gallery, Tokyo ／ Saikodo Gallery, Tokyo, Japan The 10th Contemporary Art Exhibition of Japan: Humans and Nature, Tokyo Metropolitan Art Museum, Japan Kyoto Municipal Museum of Art, Japan Aichi Cultural Hall, Japan Miyazaki Prefectural Museum of Nature and History, Japan Sasebo Central Citizens Hall, Nagasaki, Japan Fukuoka Prefectural Culture Hall, Japan Beaupin Exhibition, Pinnar Gallery, Tokyo, Japan The 1st Anniversary Exhibition & 100th Anniversary of Mainichi Shimbun, Today's 100 People, Hyogo Prefectural Museum of Art, Japan Contemporary Japanese Prints, Yokohama Civic Art Gallery, Kanagawa, Japan Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, Japan The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA Contemporary Japanese Art, Staempfi Gallery, New York, USA The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern Art, Tokyo, Japan The National Museum of Modern Art, Kyoto, February 20 － March 21 The 5th Japan Art Festival, Solomon R. Guggenheim Museum, New York, USA

Her current research focuses on a redefinition of contemporary art history through postcolonial theories and the genealogy of cultural displacement; she also works on feminist art and theory of the 1970s.

Senior Curator, American Indian Cultural Center & Museum, OKC, OK Rachel Cook, Artistic Director, On the Boards, Seattle, WA Rebecca Hart, Curator of Modern and Contemporary Art, Denver Art Museum, Denver, CO Orit Gat, Editor for art - agenda, London and NYC, NY Lauren Haynes, Curator of Contemporary Art, Crystal Bridges, Bentonville, AR Zoe Larkins, Assistant Curator, Museum of Contemporary Art, Denver, CO Sharon Louden, Artist, Advocate for Artists, and Editor, New York City, NY Michael W. Maizels, Assistant Professor of Art History University of Arkansas, Fayetteville, AR Kirsten Olds, Ph.D..

Contemporary artists Bethany Collins, Xaviera Simmons, and Carmen Winant address the often - overlooked histories — or gray areas — buried within our shared cultural narratives.

The objects he creates are an attempt to form a physical manifestation of memory and reckon with ideas of personal history, cultural traditions, and belief systems in the contemporary world.

Join us from July 12 — 15 for an exploration of world - class modern and contemporary art in a locale that overflows with natural beauty, cultural history, and a deep appreciation for the arts.

The museum today houses a national collection of both modern and contemporary art that is almost 150 years old and provides great insight in to the history of the country's cultural legacy.

«Mutu's work explores the contradictions of female and cultural identity and makes reference to colonial history, contemporary African politics and the international fashion industry.

This year's theme is Digital Immersions, presenting artists, writers, curators, and scholars who consider contemporary issues at the intersection of aesthetic expression, emerging technologies, and cultural history from a critical perspective.

Rather than simplistically linking revolutionary breakthroughs in the arts with larger social and cultural phenomenon, he writes a nuanced genealogy to help us appreciate contemporary art's engagement with history even when it seems apathetic or blind to current events.

Explore the cultural diversity and rich history of Africa's people through works made from ancient stone, clay, wood, and metal, as well as utilitarian objects, musical instruments, ceremonial costumes and contemporary paintings.

Capturing critical and audience acclaim, Visual AIDS» art exhibitions examine the deep cultural history of the AIDS crisis and contemporary issues around HIV / AIDS today.

Integrating new scholarship, documentary imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist's career in 20 years, an important contribution to American cultural and intellectual history and a necessary volume for anyone interested in contemporary art.

Contemporary Chinese Photography and the Cultural Revolution, Staatliche Museen Zu Berlin, Berlin, Germany (2017); Évidences du réel: La photographie face à ses facunes, Musée d'art de Pully, Pully, Switzerland (2017); Bizarreland, Exhibition of Chinese and Contemporary Photography, Nantong City Center Art Museum, Nantong, China (2017); Working on History.

Building on the Hollywood Hills House history as the first private Los Angeles residency program, ltd los angeles continues to foster the opportunity for artists, writers and curators to interface with Los Angeles» diverse cultural landscape through the contemporary gallery system by collapsing the boundaries between local and global arts practices.

Providence College — Galleries, with the support of the Department of Art & Art History at Providence College, present exhibitions and public programs focusing on contemporary art, innovative artistic practice and interdisciplinary cultural activity.

This course introduces key concepts, terms, and methodologies in modern and contemporary art history, analyzing discursive and cultural shifts while focusing on artworks, exhibitions, and presentation models.

But his willingness to call out what he saw as complacency within the contemporary art elite, his exacting knowledge of art history, and his witty approach to writing and speaking about art, marked him out, winning him a wide audience in an age obsessed with cultural criticism's supposed decline.

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

The work, which first premiered at the 2015 Venice Biennale and will have its first New York presentation at the New Museum, focuses on the ocean as an environmental, cultural, and historical force, connecting literature and poetry, the history of slavery, and contemporary issues of migration and climate change.

David Hammons, Untitled (Speakers)(1986), (acoustic speakers, bottle caps, wire): The sculpture and installation art of David Hammons speaks in poetic and provocative ways to aspects of African American cultural history and contemporary black experience.

The work alludes to centuries of cultural and social traditions, and it summarizes not only the history of the country but also the socio - cultural engagement of contemporary Brazilian artists.

They also draw on contemporary American art, the kind with too short a memory for art history or cultural anthropology.

Capturing critical and audience acclaim, our art exhibitions examine the deep cultural history of the AIDS crisis and contemporary issues around HIV / AIDS today.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

In this concentrated display, we see Green's keen ability to formally and conceptually collage several disparate histories and taxonomies in order to reveal overlapping cultural and social complexities — essentially her working methodology that would promptly be taken up by many others in the field of contemporary art.

«While contemporary kõgei remains rooted in centuries of cultural history, the work of the artists in this exhibition reflects a decisive and somewhat controversial shift from that of their peers.

2009 Beall, Dickson, SLAM for the holidays, West End World, 23 December Dawson, Jessica, Yinka Shonibare, skewing history with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, Africhistory with his images, The Washington Post, 20 November Judkis, Maura, Yinka Shonibare MBE: «As Artists, We are Liars», Washington City Paper, 13 November Geldard, Rebecca, Time Out, 6 November Lewis, Sarah, Yinka Shonibare: Brooklyn Museum, New York, Artforum, October Cole, Teju, Shonibare's fantasies of empowerment, 234 next.com, 10 July Hoffman, Barbara, Headless Bods, New York Post, 10 July Genocchio, Benjamin, The Rich Were Different (and Perhaps Still Are), The New York Times, 10 July Kazakine, Katya, Adam Smith, Ocelots Channel History in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, AfricHistory in Artist's Textile World, Bloomberg.com, 8 July Lacayo, Richard, Decaptivating, TIME Magazine, 6 July Rosenberg, Karen, Fashions of a Postcolonial Provocateur, The New York Times, 3 July McLaughlin, Mike, Show blows away art world, The Brooklyn Paper, 2 July Olowu, Duro, Style.com/Vogue, July McCartney, Alison, Class, Culture and Identity in Party Time, NJ.com, 26 June Tambay, Defining Blackness Series, Shadow and Act, 21 June Sontag, Deborah, Challenging cultural stereotypes, International Herald Tribune, 19 June Sontag, Deborah, Headless Bodies from Bottomless Imagination, The New York Times, 17 June Bergman, Amerie, Yinka Shonibare MBE @ Museum of Contemporary Art, White Hot, June Later, Paul, Postcolonial Hybrid fuses art and politics, Flavor Pill, Summer How schoolchildren shaped the new Trafalgar Square plinth, The Times, 22 May Knight, Yinka Shonibare at Santa Barbara Museum of Art, Christopher, The LA Times 6 April Hunter, Alice, Encountering Excess, Art of England, Issue 56, April Jeno, Heather, Hip, British - Born Artist's Show Ushers in a New Era at SBMA, The Santa Barbara Independent, 31 March Pote, Mariana, African Art?

Basquiat drew his subjects from his own Caribbean heritage — his father was Haitian and his mother of Puerto Rican descent — and a convergence of African - American, African, and Aztec cultural histories with Classical themes and contemporary heroes like athletes and musicians.

Art Night is a mini-festival conceived and organised by Unlimited Productions who, each year, will invite a leading cultural institution and curator to work in a different area of London, exploring the history, culture and architecture.The first edition is curated by the Institute of Contemporary Arts (ICA), with curator Kathy Noble, who will present a series of artists» works and new commissions in unusual locations across Westminster, forming a trail running from Admiralty Arch to Temple.

Jen Liu (USA, 1976) examines the contemporary cultural and political frontier through its collision with old and new pop models - music, icons, pop history, computer and print graphics.

These historically minded works are joined by a four - channel video installation by the young Chinese contemporary artist Sun Xun, who became known for mixing visualizations of his father's recollections of the Cultural Revolution with scenes from dioramas at the American Museum of Natural History in his surreal 2015 animation The Time Vivarium.