Sentences with phrase «contemporary cultural impact»
Why would I think that asking questions about that would be an interesting topic considering the historic and contemporary cultural impact on the world?
http://religion.blogs.cnn.com/ Not exact matches
Le Méridien arrival experience consists of four elements: large - scale artwork in high impact areas; the sensory experience, illustrated through the brand's signature scent, sound and use of light; Unlock Art programme, featuring artist designed key card collections that offer access to Le Méridien affiliated contemporary cultural centers in the city; and a 24 - hour curated soundtrack.
The exhibition will be expanded by an artist panel discussion on April 24 at the Marfa Theatre Building, examining the role of optimism in contemporary culture: how it impacts politics, economics, democracy, and cultural development.
His work explores intersections between the personal and the political, examining the impact of ethnicity, gender and desire on the contemporary social and cultural dynamic.
MIDTOWN & UPTOWN & HARLEM The Summer Show / DM Contemporary / 39 East 29 # 2B / thru 9/19 By the Book; Anthony McCall / Kelly / 475 Tenth Avenue @ 36 / thru 7/31 Gina Beavers; Brock Enright / Dieu Donne / 315 W 36 / thru 7/18 Bring in the Reality / No Longer Empty @ Cummings Foundation / 475 Tenth Ave. @ 36 / thru 9/11 Spencer Finch thru 8/23; Emmet Gowin thru 9/20; Etc. / Morgan Library / 225 Madison @ 36 Susan Bee / NYPL Mid-Manhattan / 455 Fifth Ave. — floor 3 / thru 8/20 Animal Impact / Fountain / 702 Ninth Ave. @ 48 / thru 8/12 Display of the Centuries: Frederick Kiesler and Contemporary Art / Austrian Cultural Forum / 11 E 52 / thru 7/27 Aperture Photographs / 1285 6th Avenue @ 52 / thru 9/18 Opening 6/29 Yoko Ono thru 9/7; Zoe Leonard thru 8/30; Jacob Lawrence thru 9/7; Etc. / MoMA / 11 W 53 Dorothy Robinson / 527 Madison (enter 54) / thru 9/11 Summerset / Findlay / 724 Fifth Ave. @ 57 — floor 8 / thru 8/23 John Ashbery; Guy Maddin; Richard Baker / de Nagy / 724 Fifth Ave. @ 57 — floor 12 / thru 7/31 Peter Reginato / Adelson / 730 Fifth Ave. — floor 7 / thru 8/21 Tara Donovan / Pace / 32 E 57 / thru 8/21 (extended) Joan Witek / McCoy / 41 E 57 / thru 7/31 Past & Present / Naumann — floor 3 / 24 W 57 / thru 7/17 Niele Toroni / Goodman / 24 W 57 — floor 3 / thru 7/30 Summer: S.LeWitt; J.McCracken; M.Nordman; G.Richter; F.Sandback; A.Truitt; L.Weiner / Goodman / 24 W 57 — floor 4 / thru 7/24 Jay Batlle / Ierimonti / 24 W 57 — floor 5 / thru 9/15 What's New is New Again: Dan Flavin; Louise Lawler; Sherrie Levine / Jancou / 24 W 57 — floor 6 / thru 7/11 Viewer Discretion....
Lyle Ashton Harris's work explores intersections between the personal and the political, examining the impact of ethnicity, gender, and desire on the contemporary social and cultural dynamic.
We strongly believe that continuity and knowledge transfer will have a positive impact in both supporting artistic practice that is forging new terrain in contemporary visual arts, and revitalizing traditional cultural knowledge and practices in Native communities.
His work explores intersections between the personal and the political, examining the impact of ethnicity, gender, fame, and desire on the contemporary social and cultural dynamic.
Our programs are made possible with funds from New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature, the National Endowment for the Arts, the NYC Dept. of Cultural Affairs, Aaron Copland Fund for Music, The Andy Warhol Foundation for the Visual Arts, New Music USA's NYC New Music Impact Fund made possible by the Scherman Foundation's Katharine S and Axel G Rosin Fund, Foundation for Contemporary Arts, Materials for the Arts, Jerome Foundation, the Edwards Foundation Arts Fund, Bloomberg Philanthropies and the Friends of Harvestworks.
For almost three decades Lyle Ashton Harris has cultivated a diverse artistic practice, ranging from photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the contemporary social and cultural dynamic.
Philanthropically, Rachel is a past board member of the Jewish music and cultural nonprofit, JDub Records and currently is a board member for Asylum Arts, a nonprofit that supports contemporary Jewish culture and empowers artists and cultural organizations to create experiences to broaden the impact of Jewish culture.
We will consider how older media have been adapted to incorporate new media technologies and strategies, how video games and the Internet have changed our expectations of media experiences, the impact of new media on artistic practice, the important of new media in contemporary cultural economy, and related topics.
The Biennial will showcase more than 40 contemporary Arab artists using photography and related visual media to address a broad range of aesthetic and cultural values impacting Arab culture.
Looking at the impact of the Cuban Revolution and the U.S. Embargo on Cuba's social, cultural, and economic development, the student work reflects contemporary life in Havana.
As we strive to be a site for thought - provoking contexts for artistic engagement, we now enter a phase of evaluation, asking how we - as a non-profit contemporary art space in Manhattan - can create the most considerate and compelling cultural impact.
She has presented publicly in lectures, keynote addresses and hosted a number of community forums around topics of «Indigenous Self - Determination through Art» and the «Environmental Responsibility and Sustainability in Contemporary Indigenous Art Practices», «The History and Impacts of Economics on The Indigenous Object» as well as «Renegotiating Conservation: Revisiting the Roles and Responsibilities of Cultural Institutions in Canada regarding Indigenous Made Objects.
Her projects focus on human relationships, cultural codes and their impacts on contemporary society.
Power Youth aims to help youth gain a better understanding of contemporary art practices and awareness of cultural resources, while giving them an opportunity to discuss the issues impacting their lives.
In Tear Sheets, Silano creates composite images that represent often forgotten cultural moments by re-contextualizing pages from old magazines, tackling discarded histories of LGBTQ community and its impact on contemporary gay identity.
His work explores intersections between the personal and the political, examining the impact of ethnicity, gender, and desire on contemporary social and cultural dynamics.
Coming up is the museum's first major exhibition of a contemporary Chinese artist, a show featuring three O`ahu - based artists who express the impact of the Chinese Cultural Revolution on their lives, a collaboration with the University of Hawai`i that presents contemporary Japanese artists using traditional techniques, a history - tracing exhibition by Los Angeles — based textile artist Karen Hampton, a look at First Hawaiian Bank's collection, and the debut of a newly restored volcano painting by Charles Furneaux.
With Of Africa, the curators will present and promote historical and contemporary cultural and artistic production in Africa and its Diasporas to highlight issues that impact the present and evoke the potential of an infinite future.
Carrying forward the discourses that have shaped the social and cultural impact of HIV / AIDS in New Zealand, this reprise of that exhibition powerfully comingles historical documents, a selection of work by artists included in the original show, and additional work by contemporary New Zealand artists offering deliberations on desire and loss.
Esther alludes to a cultural history impacted, and likely forgotten, by contemporary society.
The APICHATPONG WEERASETHAKUL SOURCEBOOK: The Serenity of Madness is the third in a publication series by Independent Curators International (ICI) that offers a contemporary perspective on social, political, and cultural issues that impact and inspire artists today.
The Apichatpong Weerasethakul Sourcebook: The Serenity of Madness is the third in a publication series by Independent Curators International that offers a contemporary perspective on social, political, and cultural issues that impact and inspire artists today.
Her current research interests include historic and contemporary systemic and structural impacts on the development of early childhood programs and services in Canada; social determinants of health with particular emphasis on colonization and children's rights; children's cultural identity formation and the exploration and articulation of Indigenous epistemologies and ontologies.