Sentences with phrase «contemporary cultural moment»

This new body of work marks our contemporary cultural moment; the genesis of a traumatic event and its aftershocks.

Not exact matches

It is worth stepping back for a moment to consider briefly the larger cultural context within which the vagaries of contemporary moral education are worked out.

This has much in common with Steve James's award - winning documentary Hoop Dreams as it pursues and records the moment - to - moment responses of young people struggling to improve their lot, and in doing so reveals a penetrating socio - cultural study of contemporary America through a competition described by one parent as «a form of child abuse».

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

2013 Black Hair: Black Identity, Iona College Chapman Gallery, New Rochelle, New York, USA Singular Masses: An Examination of Racial Identity, Memphis College of Art, Hyde Gallery, Memphis, Tennessee The Moment for Ink, Chinese Cultural Center, San Francisco, USA Ballpoint Pen Drawing Since 1950, Aldrich Contemporary Art Museum, Ridgefield, Connecticut, USA Seven Sisters, Jenkins Johnson Gallery, San Francisco, USA

Established in 1932, the Biennial has long been a site for critical discussions about contemporary art, while providing an opportunity for deep thinking and reflection on the broader cultural concerns of a given historical moment.

Robert Mapplethorpe: The Perfect Moment opened on April 7, 1990, at the Contemporary Arts Center in Cincinnati in a climate of national cultural unrest.

In a larger cultural moment where direct funding opportunities for artists continues to be at risk, this year's important projects demonstrate the vibrancy of contemporary practice throughout the state,» said Executive Director Kelsey Halliday Johnson.

Every night at 11.57 pm all the billboards are taken over by Midnight Moment — a screening of innovative and contemporary performance and visual art, showcasing new talent each month, opening the public eye to different styles and encouraging the discovery of new cultural events.

The Cincinnati presentation of «Robert Mapplethorpe: The Perfect Moment» opened on April 7, 1990 at the Contemporary Arts Center Cincinnati in a climate of national cultural unrest.

15 November, 2011 - The Power Plant opens two major exhibitions: a new project by renowned Canadian artist Stan Douglas; and an international group exhibition of work by younger artists — both reflect on poignant moments in cultural history and their enduring effects on our contemporary experience.

Taking its name from the fictional artist Bruce High Quality, who supposedly perished on September 11, 2001, the Foundation views 9/11 as a seminal moment in contemporary history; the ensuing wars and economic and cultural shifts are recurring concerns.

Each of these series investigates particular regions or precise moments in our recent history with an aim to answer the artist's social and cultural questions and contemporary geopolitical scenario.

In Tear Sheets, Silano creates composite images that represent often forgotten cultural moments by re-contextualizing pages from old magazines, tackling discarded histories of LGBTQ community and its impact on contemporary gay identity.

Grouping Beuys, Flavin, and Judd in a new exhibition from the Walker's collection provides «a snapshot of a vital moment in postwar cultural production,» says assistant curator Yasmil Raymond, and allows viewers to trace the influence of their ideas in contemporary art.

In dialogue with the conventions of both trompe l'oeil and contemporary art, these works speak to the vertigo of our cultural moment.

It will map out aesthetic and cultural hybridity in modern and contemporary art that has arisen from the dispersal of peoples of Black African descent, and will also present key moments within the cultural politics of the Black Atlantic.

The assembled materials provide a rich jumping off point for art history students, artists, and general audiences to plunge into the international contemporary art scene of 1972, to see what this particularly fertile cultural moment produced.

The initial essay summarised some of the issues associated with the vast cultural organism that is Abstract Expressionism, but a show of actual Abstract Expressionist works in the contemporary moment is likely to present different challenges.

Every image is rooted in a specific moment of attention, and while her work is contemporary in terms of its fragmentation and cultural references, it is perhaps more traditional in its commitment to the most fundamental aspects of picturemaking: drawing, colour, and texture.

Through varied media and diverse approaches, they chronicle the present moment and their work often questions dominant cultural narratives and addresses important contemporary issues.