Sentences with phrase «contemporary cultural perspectives»
(SEPT)[By WeistSiréPC] ™ represents a complex examination of the invisible and visible forces that shape our contemporary cultural perspectives.
http://www.queensmuseum.org/ Not exact matches
For he can help us to get some spiritual distance on our cultural situation; he can increase our awareness of those aspects of our modern consciousness which cut the heart out of our Christian experience, and so help to free us from them; he can help engender in us a sense of humor about ourselves which comes from taking a less contemporary and more eternal perspective — a perspective in which our love of God, our gratefulness to Christ and our concern for our neighbor will have a chance to grow.
Yet inasmuch as it seems bereft of any consistently reasoned and integrative perspective on its subject matter, Romanticism is unlikely to satisfy the demand for critical demystification of past cultural formations that has long been prevalent in the contemporary academy.
A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.
The exhibition highlights the power and complexity of contemporary Indigenous photography, and the way in which Indigenous artists draw upon a rich mixture of history, personal experience, blak humour, as well as postmodern and postcolonial theories, in order to generate new perspectives and understandings of the social, political and cultural conditions faced by Indigenous and non-Indigenous Australians.
1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)
Staring Back at the Sun: Video Art from Israel, 1970 - 2012, traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond.
This year's theme is Digital Immersions, presenting artists, writers, curators, and scholars who consider contemporary issues at the intersection of aesthetic expression, emerging technologies, and cultural history from a critical perspective.
They will learn about the rise of new methodologies of cultural self - representation; consider how museum collections are built; and learn how contemporary presentations and interpretations can add layers or reveal new perspectives.
Group exhibitions include «Sappers and Shrapnel», Art Gallery of South Australia, Adelaide, 2016; «So far», Ten Cubed, Melbourne; «Percy Grainger: In the Company of Strangers», The Gallery at Bayside Arts & Cultural Centre, Melbourne, 2015; «Five Perspectives», The Young, Wellington; In Free Circulation, Mothers Tankstation, Dublin, 2014; «Melbourne Now», National Gallery of Victoria, Melbourne; «Future Primitive», Heide Museum, Melbourne; «Theatre of the World», La Maison Rouge, Paris; Murray White Room at Art Basel, Hong Kong, 2013; «The Theatre of the World», Museum of Old and New Art (MONA), Hobart, 2012; «Monanism», MONA, Hobart; «The Five Obstructions», Margaret Lawrence Gallery, Melbourne, 2011; «Primavera», Museum of Contemporary Art, Sydney; and «Freehand: Recent Australian Drawing», Heide Museum, Melbourne, 2010.
Staring Back at the Sun: Video Art from Israel, 1970 - 2012 is a two - night video exhibition that traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective toward the cultural and political landscape in Israel and beyond.
The following comments on Vaulting Limits — a group show seen last month at the Tenri Cultural Institute in the West Village — may offer a slightly different perspective than what some of my colleagues have chosen to see as important in contemporary Chinese art today.
The exhibition «Pleated Blinds» offers an international perspective on the status of photography and the intricate nature of representation in the contemporary cultural sphere.
A two - night program that traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond.
Ballroom (Marfa) is a dynamic, contemporary cultural arts space that provides a lively intellectual environment where varied perspectives and issues are explored through visual arts, film, music and performance.
Esopus is a twice - yearly arts magazine featuring fresh, unmediated perspectives on the contemporary cultural landscape from artists, writers, filmmakers, playwrights, photographers, architects, designers, musicians, and other creative professionals.
In 2011, Independent Curators International (ICI) created the Sourcebook Series, dedicated to contemporary artists» personal perspectives on social, political, and cultural issues.
To take a leadership role in the interface between artists and community, and foster dialogue between contemporary artists from diverse cultural / political perspectives
Nicole Killian's work uses graphic design, publishing, video, objects and installation to investigate how the structures of the internet, mobile messaging, and shared online platforms affect contemporary interaction and shape cultural identity from a queer perspective.
SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.
The gallery's curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.
The Sourcebook series is dedicated to contemporary artists» personal perspectives on social, political, and cultural issues.
As part of FORUM London 2016, this film programme explores a selection of contributions by contemporary African perspectives pioneering interdisciplinary artistic and cultural practices.
Rooted in research and community engagement and shaped by contemporary dance and physical theatre techniques, we're committed to exploring current social topics from an anthropological perspective in order to break down and unleash cultural discoveries.
The Independent Curators International (ICI) Sourcebook series is dedicated to contemporary artists» personal perspectives on social, political, and cultural issues.
As former director of the Centro Cultural de España of Guatemala, Cazali will discuss current trends in contemporary art from her personal perspective.
Hou Hanru's prolific curatorial work addresses contemporary practice and the conditions of artists living in the diaspora from the perspective of cultural hybridity.
Sara Ouhaddou strikes a precarious balance between traditional Moroccan art forms and the conventions of contemporary art, aiming to place artistic creation's forgotten cultural continuities into perspective and lend them visibility.
/ performances 2017 Audible Edge Festival, Tone List and Tura New Music, Perth 2016 Everyday Machines, curated by Tom Smith, Alaska Projects, Sydney 2016 NOW now series, 107 Projects, Sydney 2016 Pretty Gritty series, 107 Projects, Sydney 2016 Electrofringe: New Terrains, Top Floor at Wellington, Sydney 2014 perspectives [temporal], solo audio - visual concert, Perth Institute of Contemporary Arts 2014 Club Zho 111, The Bakery, Perth 2014 NOW now Festival of Arts, Sydney (as Té with Andrew Brooks) 2012 - 14 multiplicity - large - scale, dual - screen audio - visual work presented at: Perth Cultural Centre Screen Program, 2014; Test Tone, SuperDeluxe, Tokyo, Japan, 2013; Channels Video Art Festival, Melbourne, 2013; fractal shale, Perth Institute of Contemporary Arts Performance Space, 2012; NOW now festival program launch, Sydney, 2012; fractal shale, Tape Projects, Melbourne, 2012 2014 Cinematic Scores, live soundtrack to Laszlo Moholy - Nagy's Lichtspiel Schwarz Weiss Grau, Perth Fringe Festival, Packenham Street Art Space, Perth 2013 International Computer Music Festival, Western Australian Museum (as Té with Andrew Brooks) 2012 - 13 consciousness - large - scale audio - visual work presented at: Nu Things, Osaka, 2013; Tape Projects, Melbourne, 2012; AV Union, Sydney, 2012; Terrace Bar, Newcastle, 2012; The Bakery, Perth, 2012 2013 Japan tour, solo audio - visual performances and as Té with Andrew Brooks, Osaka, Kyoto, Tokyo 2011 Improvised performance with Philip Zoubek and Andrew Brooks, The Loft, Cologne, Germany 2011 split mirror planes - for four instruments and four audio / visual sources, commissioned by Decibel new music ensemble — premiered at Perth Institute of Contemporary Arts 2010 Japan tour, solo performances, Osaka, Kyoto, Tokyo 2010 lucidity - major composition for electroacoustic ensemble: acoustic instruments, computer processing, sound synthesis and video projections performed at The Bakery, Perth
The Chinese and international artworks featured in this exhibition span multiple periods, mediums and forms, presenting the expanding dimensions and imaginational space for contemporary art through the intersection of «Myth» and «History,» while also interpreting the character and cultural environment of the city of Shanghai through multiple perspectives.
The Ng Teng Fong Roof Garden Commission series invites one leading international artist each year to present a site - specific work that is inspired by Southeast Asia's rich cultural heritage and complex histories from a contemporary perspective.
Program Exhibitions / film screenings / manga library / performances / talk events / workshops / guided tours etc. — Brings together a total of approximately 120 works selected from 4,347 entries from 84 countries and regions — Presents a cross-section of contemporary artworks from diverse genres — Offers new perspectives on emerging styles of filmic expression through an extensive film program — Holds a program of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving technology
In the Beginning: Artists Respond to Genesis, will be the first in a series of CJM exhibitions that examines the contemporary relevance of Jewish texts from a variety of artistic, cultural, and literary perspectives.
The APICHATPONG WEERASETHAKUL SOURCEBOOK: The Serenity of Madness is the third in a publication series by Independent Curators International (ICI) that offers a contemporary perspective on social, political, and cultural issues that impact and inspire artists today.
The Apichatpong Weerasethakul Sourcebook: The Serenity of Madness is the third in a publication series by Independent Curators International that offers a contemporary perspective on social, political, and cultural issues that impact and inspire artists today.
What separates us — a group exhibition by four crucial contemporary Brazilian artists, Tonico Lemos Auad, Adriano Costa, Rodrigo Matheus and Matheus Rocha Pitta - examines value systems and exchange mechanisms from a cultural, social and economic perspective.
Field Guide, the inaugural exhibition at the new Remai Modern art museum, rethinks the idea of «modern» from multiple cultural, geographic, historic and contemporary perspectives.
Target Gallery, contemporary exhibition space of the Torpedo Factory Art Center, presents this group exhibition that explores the lasting effects migration has on cultural identity from the perspective of immigrants and immigrant families from across the global diaspora.
«This is a wonderful opportunity to showcase these striking objects which explore key cultural practices in the Torres Strait from both historical and contemporary perspectives,» Nation Museum director, Dr Mathew Trinca said.