Sentences with phrase «contemporary cultural practice»

Burns and Lundh will examine the notion of institution building and development as a curatorial act, and how it relates to the curatorial turn in contemporary cultural practice and discourse.

Issues that can be addressed through agreements consistent with human rights principles include meaningful acknowledgement of Indigenous interest in the relevant area, recognition and protection of contemporary cultural practices, allowing (and where necessary, assisting) the involvement of all native title holders who may be affected by outcomes of any framework agreement, and ensuring a cooperative approach to implementing any agreement.

Not exact matches

The role of research integrity in the very structure of contemporary science, addressing cultural practices in its publication system, current ethical challenges in peer review and its consequences regarding the reliability of the research record.

CALICO Journal Cambridge Journal of Education Canadian Journal for the Scholarship of Teaching and Learning Canadian Journal of Action Research Canadian Journal of Applied Linguistics - Revue canadienne de linguistique appliquee Canadian Journal of Education Canadian Journal of Educational Administration and Policy Canadian Journal of Environmental Education Canadian Journal of Higher Education Canadian Journal of Learning and Technology Canadian Journal of School Psychology Canadian Journal of Science, Mathematics and Technology Education Canadian Modern Language Review Canadian Social Studies Career and Technical Education Research Career Development and Transition for Exceptional Individuals CATESOL Journal CBE - Life Sciences Education CEA Forum Center for Educational Policy Studies Journal Change: The Magazine of Higher Learning Changing English: Studies in Culture and Education Chemical Engineering Education Chemistry Education Research and Practice Child & Youth Care Forum Child Care in Practice Child Development Child Language Teaching and Therapy Childhood Education Children & Schools Children's Literature in Education Chinese Education and Society Christian Higher Education Citizenship, Social and Economics Education Classroom Discourse Clearing House: A Journal of Educational Strategies, Issues and Ideas Cogent Education Cognition and Instruction Cognitive Science Collected Essays on Learning and Teaching College & Research Libraries College and University College Composition and Communication College Quarterly College Student Affairs Journal College Student Journal College Teaching Communicar: Media Education Research Journal Communication Disorders Quarterly Communication Education Communication Teacher Communications in Information Literacy Communique Community & Junior College Libraries Community College Enterprise Community College Journal Community College Journal of Research and Practice Community College Review Community Literacy Journal Comparative Education Comparative Education Review Comparative Professional Pedagogy Compare: A Journal of Comparative and International Education Complicity: An International Journal of Complexity and Education Composition Forum Composition Studies Computer Assisted Language Learning Computer Science Education Computers in the Schools Contemporary Education Dialogue Contemporary Educational Technology Contemporary Issues in Early Childhood Contemporary Issues in Education Research Contemporary Issues in Technology and Teacher Education (CITE Journal) Contemporary School Psychology Contributions to Music Education Counselor Education and Supervision Creativity Research Journal Creighton Journal of Interdisciplinary Leadership Critical Inquiry in Language Studies Critical Questions in Education Critical Studies in Education Cultural Studies of Science Education Current Issues in Comparative Education Current Issues in Education Current Issues in Language Planning Current Issues in Middle Level Education Curriculum and Teaching Curriculum Inquiry Curriculum Journal Curriculum Studies in Health and Physical Education Cypriot Journal of Educational Sciences

Jin's book first provides a brief genealogy of Chinese Web literature and Chinese popular romance, and then investigates how large socio - cultural forces have shaped new writing and reading practices and created new subgenres of popular romance in contemporary China.

His cultural practice takes on contemporary art production, research and cultural management.

Recognizing the Bronx's cultural contributions — including the birth of artistic movements such as hip hop, graffiti art and Latin Jazz, that served as inspiration to many contemporary artists — in 1999 the Museum expanded its collecting practice to include works by artists for whom the Bronx has been critical to their artistic practice and development.

We strongly believe that continuity and knowledge transfer will have a positive impact in both supporting artistic practice that is forging new terrain in contemporary visual arts, and revitalizing traditional cultural knowledge and practices in Native communities.

Stuart Comer (formerly Curator: Film at Tate Modern, London, now Chief Curator of Media and Performance Art at MoMA) commented that his section of the Biennial «acknowledges the complexity of contemporary art practice by including many types of cultural producers: editorial collectives, artist - curators, activists, musicians, poets, dancers, filmmakers, painters, sculptors and photographers.

We have high editorial standards — including a strict conflict of interest policy (below)-- and our team is made up of artists, curators, and art historians who thoughtfully examine contemporary arts and art practices where they overlap with cultural and social issues.

threewalls is a 501 (c) 3 organization dedicated to increasing Chicago's cultural capital by cultivating contemporary art practice and discourse.

His practice is hinged on the sampling and the re-contextualizing, of contemporary cultural elements in traditional frameworks.

V - A-C Foundation is a not - for - profit private institution founded in Moscow in 2009, committed to the international presentation, production and development of Russian contemporary art and cultural practice.

His unique combination of global cultural influences come together in a multidisciplinary practice that intermingles elements of traditional Native American art with contemporary artistic references.

For almost three decades Lyle Ashton Harris has cultivated a diverse artistic practice, ranging from photographic media, collage, installation and performance, to explore the impact of desire, ethnicity, and gender in the contemporary social and cultural dynamic.

The talk unpicks themes within Kehinde Wiley's work, focusing on evolving notions of identity and cultural influence, globalisation and youth culture, as well as exploring his practice as a contemporary painter within portraiture and the wider international art scene.

His art practice addresses both the contemporary world around him and his cultural heritage, with Italian peasant traditions having provided a life - long source of inspiration for his practice.

Staring Back at the Sun: Video Art from Israel, 1970 - 2012, traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond.

It included some of the pioneers of current contemporary art practice on the world stage, and the opportunity to showcase their work in this major exhibition was a huge cultural coup for Wales.

The exhibition's catalog and accompanying texts go to great lengths in describing the show, instead, as «a broad overview of a groundbreaking aspect of contemporary art practice» — «a recognizable cultural phenomenon... that also addressed universal aspects of the human condition.»

This publicly accessible, cultural hub for contemporary art practice and research opened in April 2012 as a unique collaborative venture between Newcastle City Council, Arts Council England, BALTIC Centre for Contemporary Art and Northumbriacontemporary art practice and research opened in April 2012 as a unique collaborative venture between Newcastle City Council, Arts Council England, BALTIC Centre for Contemporary Art and NorthumbriaContemporary Art and Northumbria University.

Practicing as a sculptor for over thirty years, Saul (b. 1946, New York) has seen a recent resurgence in her career, participating in exhibitions at the Aldrich Contemporary Art Museum (Ridgefield, CT), Jack Hanley Gallery (New York, NY), Venus over Los Angeles (Los Angeles, CA), Underdonk (Brooklyn, NY), Canada Gallery (New York, NY), Zurcher Gallery (New York, NY), Columbus Cultural Arts Center (Columbus, OH).

These eight week residencies emphasize cross-cultural exchange and authentic dialogue and conversation surrounding international contemporary art practices, which stimulate Chicago's own cultural community by infusing a range of artists and cultural producers into the city.

We will consider how older media have been adapted to incorporate new media technologies and strategies, how video games and the Internet have changed our expectations of media experiences, the impact of new media on artistic practice, the important of new media in contemporary cultural economy, and related topics.

Building on the Hollywood Hills House history as the first private Los Angeles residency program, ltd los angeles continues to foster the opportunity for artists, writers and curators to interface with Los Angeles» diverse cultural landscape through the contemporary gallery system by collapsing the boundaries between local and global arts practices.

The artists included in the show represent different eras and cultural voices, from Native American artists, like the late Fritz Scholder, to contemporary performance artist Raul Baltazar (MFA Public Practice» 13).

Providence College — Galleries, with the support of the Department of Art & Art History at Providence College, present exhibitions and public programs focusing on contemporary art, innovative artistic practice and interdisciplinary cultural activity.

2014 Ayelet Danielle Aldouby, Curator & Co-Founder, Artea Projects Harutyun Alpetyan, Independent Curator, Armenia Marco Antonini, Executive Director & Curator, NURTUREart Rocio Aranda - Alvarado, Curator, El Museo del Bario Karen Archey, Independent Curator & Critic, NYC and Berlin Nova Benway, Assistant Curator, The Drawing Center Boshko Boskovic, Program Director, Residency Unlimited Marie Burns, Program Manager, apexart Ethan Cohen, President & CEO, Ethan Cohen Fine Arts Irina Danilova, Independent Curator Eva Diaz, Critic & Assistant Professor of Contemporary Art, Pratt Institute Erin Donnelly, Independent Curator & Programs Manager, Smack Mellon Juliana Driever, Independent Curator, Writer, and Educator Shlomit Dror, Independent Curator Jason Duval, Artist & Independent Curator Alessandro Facente, NARS Special Projects Curator Jane Farver, Independent Curator Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Carter Foster, Steven and Ann Ames Curator of Drawing, Whitney Museum of American Art Anna Frost, Independent Curator, Berlin andCopenhagen Asya Geisberg, Owner & Director, Asya Geisberg Gallery Jessica Gildea, Programs Director, CUE Art Foundation Jan Hanvik, Executive Director, Clemete Soto Velez Cultrual Center Larissa Harris, Curator, Queens Museum Eric Heist, Founder & Director, Momenta Naomi Hersson - Ringskog, Executive Director, No Longer Empty Felicity Hogan, Artist, Independent Curator & Senior Program Officer, New York Foundation for the Arts (NYFA) Learning Jin Young Hwang, Co-Founder, K&H Art Advisory Inc Tzu - chieh Jian, Independent Curator & Critic, Taiwan Paddy Johnson, Founding Editor, Art Fag City Rhiannon Kubicka, Co - Owner / Co-Director, Blackston Gallery Omar Lopez - Chahoud, Independent Curator & Artistic Director, UNTITLED Stephen Maine, Artist, Critic & Independent Curator Julie McKim, Director, Kunsthalle Galapagos John Moore, Independent Curator & Critic Isabelle Normand, Independent Curator, Paris & Los Angeles Isin Önol, Independent Curator, Vienna Douglas Paulson, Residency Director, Flux Factory Vittoria Pavesi, Independent Curator, Italy Laurel Ptak, Director, Triangle Arts Association Sara Reisman, Director, Percent for Art, NYC Department of Cultural Affairs David A. Ross, Independent Curator & Chair, MFA Program in Art Practice, School of Visual Arts Cindy Rucker, Owner & Director, Cindy Rucker Gallery Sebastien Sanz Santamaria, Director of Operations, Residency Unlimited Krista Saunders, Curator & Co-Founder, Ground Floor Gallery Keith Schweitzer, Co - Founder / Director, The Lodge Gallery and Director of Public Art, Fourth Arts Block Bernard Schutze, Independent Curator & Critic, Montreal Felipe Scovino, Independent Curator Eric Shiner, Director, Andy Warhol Museum Carolyn Sickles, Director of StudioLab, Abrons Arts Center Sarah Suco Tores, Independent Curator Yulia Tikhonova, Independent Curator Jodi Waynberg, Executive Director, Artists Alliance Inc..

The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices within current cultural production.

Utilizing drawings, paintings, collages, photography, sculpture and participatory installations, Darkeem's practice often incorporates a craftwork sensibility that combines traditional with contemporary aesthetics, while drawing upon cultural and historical memory.

In his practice Licari explores the socio - economical, cultural and political processes that intervene on, and alter the form of contemporary natural landscapes.

Staring Back at the Sun: Video Art from Israel, 1970 - 2012 is a two - night video exhibition that traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective toward the cultural and political landscape in Israel and beyond.

Biannually, nominations are requested from an anonymous roster of distinguished and celebrated artists, curators and cultural producers who have their fingers on the pulse of contemporary black artistic practice.

In his broader practice, the Dubai - born contemporary artist works with digital video, painting, sculptural installation, computer software programs, and print, to test the complexities of cultural identity.

The 2015 Armory Focus examined contemporary cultural and artistic practice from the Middle East, North Africa and the Mediterranean.

A two - night program that traces the development of contemporary video practice in Israel and highlights work by artists who take an incisive, critical perspective towards the cultural and political landscape in Israel and beyond.

It disrupts the traditional artistic mindset based on individual and emotional expressions while emphasizing on research and inquiry (in both cultural and technological terms) as the basis and prerequisite for contemporary artistic practice.

Cannonball is a non-profit, 501 (c)(3), arts organization dedicated to supporting artists, innovative forms of cultural production, and education to advance critical discourse and understanding of contemporary art practice.

In a larger cultural moment where direct funding opportunities for artists continues to be at risk, this year's important projects demonstrate the vibrancy of contemporary practice throughout the state,» said Executive Director Kelsey Halliday Johnson.

This event focued specifically on the role that contemporary Indigenous artistic practice can and does play in redefining cultural tradition, representation, and the relations between Settler and Indigenous peoples at sites of creativity, community, and dissent.

Contemporary African Spirituality envisions what cultural practices have been mixed, juxtaposed and collided with ideas, themes, materiality and techniques that are African and Modern.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Recent group exhibitions include Focus Beijing, De Heus - Zomer Collection, Museum Boijmans Van Beuningen, Rotterdam (2014); the groundbreaking show ON OFF: China's Young Artists in Concept and Practice, Ullens Center for Contemporary Art, Beijing (2013), a comprehensive survey of the generation of Chinese artists born at the end of the Cultural Revolution and at the dawn of the country's era of reform; as well as the 2013 California - Pacific Triennial, Orange County Museum of Art, Newport Beach, CA, showcasing the most innovative art produced throughout the Pacific rim.

At CCS Bard she will continue this research further, intertwining the artist's garden in a layered field of research including contemporary notions of ecology, the anthropocene, botany, practices of community - and radical gardening, as well as the more cultural historical tradition.

Either as a pop cultural reference point or the conceptual link between the speculative practices of contemporary art and science fiction, this trend has seen dozens, if not hundreds, of international and Australian artists creating sci - fi - inflected pieces, with exhibitions around the world surveying their work.

Saxelby creates participatory installations that investigate contemporary cultural relationships to women and feminine identity through ritual practices and sacred spaces.

When initially conceiving of this exhibition, we wanted to highlight the expanded field of contemporary fiber practices, where the influence of the of the textile can be seen in a number of ways, from the structure or aesthetic, to the historical and cultural traditions employed in the works.

Alongside the distinct formalism that underpins six decades of practice, Brisley has unflinchingly probed the contemporary political, cultural and social contexts in which we live.

It has since then organically evolved from an observant spectator concentrated on the most pertinent contemporary art practices, to become an operating and independent cultural agent.

The exhibition title is a call for further research, practice and the promotion of cross cultural, networking and greater experiential opportunities for contemporary tapestry at a time of global uncertainty, when the focus on the here and now and its legacy is more pertinent than ever.