Sentences with phrase «contemporary cultural production»

We are interested in works produced in a range of visual and time - based disciplines that engage with the social dimension of contemporary cultural production.

It is important to me that the viewer gets an idea of the rich diversity of contemporary cultural production.

While each iteration has its own curatorial team and vision, what remains constant is the central aim of highlighting and contextualizing the artistic vibrancy of the borough through contemporary cultural productions in all media.

The allusion is one of many in Huffman's exhibition that indicate his fixation with the popular nodes that drive contemporary cultural production, particularly, the profundity and cultural insistence of hip - hop in a world that often refuses to acknowledge the omnipresence of racism and anti-Blackness.

While each iteration has had its own curatorial team and vision, what remains constant is the central aim of highlighting and contextualizing the artistic vibrancy of the borough through contemporary cultural productions in all media.

The jabbering, edgeless context of the Internet inevitably hovers over such work, as it does contemporary cultural production as a whole.

The audience is presented with not only a new way of experiencing contemporary cultural production but with a new framework for seeing artifacts from our social and historical narratives and resignifying our relationship to them.

Carrie Mae Weems LIVE: Past Tense / Future Perfect In conjunction with Carrie Mae Weems: Three Decades of Photography and Video, on view at the museum through May 14, join Carrie Mae Weems as she hosts an all - star cast on April 25 — 27 for a weekend of programs focusing on contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art.

Import Projects is a nonprofit curatorial initiative providing an experimental platform for contemporary cultural production and debate, primarily exploring the intersection of technology, personal identity and community.

The allusion is one of many in Huffman's exhibition that indicate his fixation with the popular nodes that drive contemporary cultural production, particularly, the profundity and cultural insistence of hip - hop in a world that often refuses -LSB-.....]

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

While Mike Kelley took this up in the 1980s, and artists such as Sheila Pepe, Sheila Hicks, and Josh Faught have plotted other trajectories of textile in the expanded field, Susan Cianciolo's work reopens these questions surrounding the matriarch, the amateur, artisanship, and collectivity in the context of the accelerated speed of contemporary cultural production.

It's a collaboration between the DESTE Foundation and the Museum of Cycladic Art and forms part of the latter's «Young Views» program that aims to engage a younger audience, bring the public up - to - date with developments in contemporary cultural production, and provide a dynamic platform for the exchange of ideas on contemporary artistic creation.

This panel will reflect on critical issues in urban development with regard to contemporary cultural production.

This collaboration between the DESTE Foundation and the Museum of Cycladic Art is part of the latter's «Young Views» program, which aims at launching a dialogue with a younger generation, keeping the public up to date with the latest developments in contemporary cultural production, and ensuring the dynamic presence of a space for the exchange of ideas.

What Arcangel has done with each of these texts focuses our attention not on the replaceability of contemporary cultural production, but on its adaptability, fertility, and resilience.