Saxelby creates participatory installations that investigate
contemporary cultural relationships to women and feminine identity through ritual practices and sacred spaces.
Not exact matches
San Francisco, Calif., February 14, 2017 — On view at CCA Wattis Institute for
Contemporary Arts from March 16 through May 14, 2017, the exhibition Black Light converts the gallery space into a forum for conversation with a series of free public events that address the
relationship between
cultural institutions and black artists.
From their Parisian studio, M / M has worked and developed strong
relationships with musicians (Bjoerk, Madonna, Benjamin Biolay, Jean - Louis Murat...);
contemporary artists (Philippe Parreno, Pierre Huygue, Liam Gilick, Sarah Morris, Francois Curlet, Dominique Gonzales - Foerster...); fashion designers (Yohji Yamamoto, Jil Sander, Balenciaga, Givenchy, Stella McCartney...); and magazines (Vogue Paris, i - D, Purple Fashion, Arena Homme +, Interview, Frog, eDEN, Documents sur l'art); and with
cultural institutions (Palais de Tokyo, Musee d'Art Moderne and Centre Pompidou in Paris, Le Consortium in Dijon, The Desde Foundation in Athens, the Serpentine Gallery in London...).
This gallery will provide visitors with a rare glimpse into the historical and
cultural development of
contemporary Chinese art by revealing its parallel and conflicting
relationship with mainstream Chinese culture.
The mission of the museum includes «weaving a continuous exchange between its own historical works and today's
cultural debate, and setting a close
relationship for its exhibition program between
contemporary and historical collections.»
Quinn's sculpture, paintings and drawings often deal with the distanced
relationship we have with our bodies, highlighting how the conflict between the «natural» and «
cultural» has a grip on the
contemporary psyche.
The department provides a platform for innovative artists for the production of their work, and a forum for the larger community to examine the most recent developments in
contemporary art and their
relationships to broader
cultural contexts.
The audience is presented with not only a new way of experiencing
contemporary cultural production but with a new framework for seeing artifacts from our social and historical narratives and resignifying our
relationship to them.
Together, the works help illuminate the
relationship between
contemporary art and China's
cultural heritage.
In creating new forms in this ancient medium, Liu brings into question the
contemporary Chinese artists»
relationship with
cultural antecedents.
Interested in transformative possibilities Dennis merges various movements throughout the western art historical canon with modern tropes in order to create clever, provocative and symbolic
contemporary paintings that play on our psychological,
cultural and spiritual
relationships.
Mona Hatoum's work is both deeply personal and quietly political, investigating her individual and
cultural relationships with
contemporary social injustices.
As always, the symposium takes as its starting point the
relationship between art and new media with a series of events examining the «current state of
contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.
His works center around the
relationship between form and content: often using several layers of paint, resin, glitter, collage elements, and occasionally, elephant dung, Ofili enlists sexual,
cultural, historical, and religious references to create uniquely aesthetic and physical works that expose the darker undercurrents of society, while also celebrating
contemporary black culture.
Exhibitions • Capturing critical and audience acclaim, our art exhibitions and Day With (out) Art programs contemplate the deep
cultural history of AIDS activism and examine the
relationship between HIV and
contemporary culture.
Mutual
cultural interactions and
relationships is the theme of Eagles and Doves, an exhibition of works by
contemporary Slovak and German artists.
This push - pull
relationship between audio and raw materials references
contemporary experiences of displacement in connection to the instability of current global political, social, economic, and
cultural climates.
Her projects focus on human
relationships,
cultural codes and their impacts on
contemporary society.
Her work is focused on examining the
relationship between art infrastructure and artistic production, urbanity,
cultural politics of food and art, and
contemporary art from the Middle East and Southeast Asia.
Starting from the idea that abstracted knowledge is stored in
cultural goods and artefacts, Vulsma's works reflect the interaction of historical
relationships - such as India's leading role in the history of textile production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own production - and the
contemporary hierarchies in an unequal global distribution of labour.
Art and Black Los Angeles 1960 — 1980, this full - day symposium explores the
relationship and parallels between the African American artistic communities in Los Angeles and New York through examining the social and
cultural atmosphere of the 1970s in both cities, the significance of the Just Above Midtown artist space to the New York community, and the influences these artists have on their
contemporaries.
For his project «A work in situ», at REDCAT, John Knight revisits this
relationship between two cohabiting institutions (Roy and Edna Disney CalArts Theater and Walt Disney Concert Hall), in today's highly developed «
cultural corridor» of downtown Los Angeles, considering the
relationship between space, architecture,
contemporary arts and real estate.Since the late «60s, John Knight has pioneered the practices of site - specificity and institutional critique, always interested in interrogating the underlying geopolitical and economic systems implicit in everyday convention.
Spelman College Museum of Fine Art's exhibition, Africa Forecast: Fashioning
Contemporary Life, on view through December 3, documents Black women's
relationship with fashion — the
cultural tendency to not simply think of it as a way of dress, but a determinant of a way of life.
Contemporary sculpture has opened the
relationship between painting and sculpture considerably, and it has expanded beyond the formal issues expounded by Judd to include political, social, and
cultural content.
Her research interests are in interdisciplinary
relationships of
contemporary art and in
cultural phenomena with regard to historical, economic, and political contexts.
-- Stuart Hall's work on culture and representation — Artistic and / or curatorial practice — Filmmaking and media analysis —
Cultural histories — local and diasporic — Literary Studies including criticism and theory — Researching visual archives — The relationship between contemporary visual art and cultural
Cultural histories — local and diasporic — Literary Studies including criticism and theory — Researching visual archives — The
relationship between
contemporary visual art and
cultural cultural politics
In new sculpture and installation work, the artist continues to evoke specific
cultural traditions while exposing complex
relationships with
contemporary global commerce.
Previous works have looked to the
contemporary media sphere and its
relationship to the visceral body, the degenerative aspects of pervasive new technologies, to
cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror, the defamiliarisation of the human body and cartoon abjection.
To serve an audience that is multicultural, young and old, general and specialized, the museum presents programs that recognize the variety and complexity of
cultural experience and explore the
relationship between traditional expression and
contemporary practice.
Shirin Neshat is a
contemporary Iranian artist best known for films such as Rapture (1999), which explore the
relationship between women and the religious and
cultural value systems of Islam.
If Scotland votes yes to their independence from the United Kingdom — each will split ending a 307 - year - old union — a separation that could also include the re-appraisal of
cultural and artistic
relationships which could change the face of the
contemporary art scene in Britain and -LSB-...]
Stephen Prina's The Second Sentence of Everything I Read Is You: Mourning Sex (2005 — 7) has all the markings of a work of institutional critique, that loosely defined genre of
contemporary art that seeks to evaluate and question the position of art in
relationship to various
cultural and political contexts.4 Looking beyond the frame of the artwork itself, works of institutional critique recognize that art exists within a discursive field and grapple with the concentric or overlapping circles of spatial, temporal,
cultural, social, economic, and political structures — or «institutions» — that «frame» the work in other ways.
Their conversation will consider Koons's complex
relationship with art history and
contemporary art and his current
cultural relevance.
Explore the
cultural shifts that are shaping
relationships today and master new approaches for working effectively with
contemporary couples.