Often revisions of the canons of older art respond to and thus reveal significant
contemporary cultural transformations.
Not exact matches
Description: Internationally, many societies are experiencing a
cultural transformation of fatherhood towards the
contemporary ideal of the involved nurturing father with the expectation of men's involvement across the reproductive trajectory from reproductive planning to equal co-parenting.
Contemporary Art from China, Qatar Museum, Doha (2016); Bentu, Chinese artists at a time of turbulence and
transformation, Fondation Louis Vuitton, Paris (2016); La vie Moderne, La Biennale de Lyon (2015); 28 Chinese, Asian Art Museum, San Francisco (2015), San Antonio Museum of Art, TX (2015), Rubell Family Collection, Miami (2013); Re: emerge: Towards a New
Cultural Cartography, Sharjah Biennial 11 (2013); 4th Guangzhou Triennial, China (2012), Rehearsal, Shanghai Biennale (2010); Expenditure, Busan Biennale, South Korea (2008); and the 51st Venice Biennale (2005).
Since the late 1980s, London has undergone a rapid
cultural transformation, largely driven by an increasingly widespread interest in
contemporary art.
Highlights of Broad MSU exhibitions in 2014 include: Future Returns:
Contemporary Art from China — an exhibition featuring the response of over 20 contemporary Chinese artists to the country's rapid development and cultural transformation; Land Grant: The Flatbread Society, a commissioned site - specific work and series of public programs to explore food production, distribution, and farming methods; and the continuation of Broad MSU's Global Focus exhibition series — an initiative showcasing international emerging and mid-car
Contemporary Art from China — an exhibition featuring the response of over 20
contemporary Chinese artists to the country's rapid development and cultural transformation; Land Grant: The Flatbread Society, a commissioned site - specific work and series of public programs to explore food production, distribution, and farming methods; and the continuation of Broad MSU's Global Focus exhibition series — an initiative showcasing international emerging and mid-car
contemporary Chinese artists to the country's rapid development and
cultural transformation; Land Grant: The Flatbread Society, a commissioned site - specific work and series of public programs to explore food production, distribution, and farming methods; and the continuation of Broad MSU's Global Focus exhibition series — an initiative showcasing international emerging and mid-career artists.
2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a
cultural exploration of Delhi as a landscape for creativity and
transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society
Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!
Opening May 6 Vita Vitale: Brings together
contemporary artists from Austria, Canada, France, Italy, The Netherlands, Pakistan, Romania, Switzerland, UK, USA, Uzbekistan, and Azerbaijan — a presentation spanning the borders of language,
cultural heritage, and geography — to raise awareness about our environment and the global
transformation of the planet through human activity.
Notable group exhibitions include «The Importance of Being», Museo de Arte Contemporáneo, Buenos Aires, Brazil (2015); «
Contemporary Art in Dokolo Collection Sindika - You Love Me, You Love Me Not», Almeida Garrett Municipal Library, Porto, Portugal (2015); «The Divine Comedy: Heaven, Hell, Purgatory revisited by
Contemporary African Artists», Frankfurt MMK, Frankfurt, Germany; touring to SCAD Museum of Art, Georgia, USA; Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2015 - 2014); «Slow Future», Centrum Sztuki Współczesnej Zamek, Poland (2014); «INSERT 2014: a
cultural exploration of Delhi as a landscape for creativity and
transformation», Indira Gandhi National Centre for the Arts, India (2014); «Ruffneck Constructivists», ICA, Philadelphia, Pennsylvania, USA (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by
Contemporary African Artists», curated by Simon Njami, Frankfurt MMK, Frankfurt, Germany; travels to Smithsonian National Museum of African Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «My Joburg», La Maison Rouge, Paris, France (2013); «Artificial Amsterdam», de Appel Arts Centre, Amsterdam, The Netherlands (2013); «Sex, Money and Power», Maison Particulière, Brussels, Belgium (2013); «The Progress of Love», The Menil Collection, Texas, USA (2013 - 2012); «Mexico: Expected / Unexpected», Katzen Arts Centre, Washington D.C., USA (2012); «No Government No Cry», a project by Kendell Geers, CIAP Actuele Kunst, Hasselt, Belgium (2011); «Contemplating the Void», Guggenheim Museum, New York, USA (2010) and «Wall Rockets:
Contemporary Artists and Ed Ruscha», The FLAG Art Foundation, New York, USA (2008).
In the exhibition, titled «Parallel Realms», Siti takes on the fast social
transformation and the obscurity of the future by reproducing the Kurdish
cultural figures that shaped his visual vocabulary in a complex and
contemporary structure.
Russian
contemporary artist Fyodor Pavlov - Andreevich creates provocative performances and site - specific installations as an alternative public space for the discussion of
cultural transformations, social and global processes.
This new model of self - curation redefined
contemporary art and moved the
contemporary art gallery scene from Manhattan's Midtown and Upper East Side to downtown, a
transformation that led to the re-establishment of the city's
cultural geography, a legacy that remains to this day.
Ward, who transforms discarded or familiar materials into formal innovations that address society's most urgent questions, underscores the Park's mission of integrating
contemporary art into daily life and as a space for
cultural exchange and
transformation.
Cultural traditions and values of every country strive to find new
contemporary language to keep pace with the
transformation of artistic expression.
This idiom takes on special meaning when applied to the West's preoccupation with certain stereotypes in
contemporary Chinese art — images of the Red Guards, Mao Zedong and panda bears — as well as to the fetishized mass - consumption of
cultural objects that satisfy its imagination of a new China in
transformation.
David Adjaye's photographs of African capitals and an examination of
contemporary African art centers further contextualize the continent's recent
cultural transformations.
Emerging from divergent
contemporary trajectories across the globe, their work explores notions of destruction, construction and
transformation, as forces of cyclical renewal to define the connections to, or away from, their own
cultural past.
CAM Raleigh is the non-collecting
contemporary art museum that provides an environment for
transformation through educational programs,
cultural experiences, and bold, non-traditional exhibitions by living artists.
This exhibition was a monumental breakthrough in Chinese
cultural expression, defining the individual as creator, and inaugurating the
transformation of a new Chinese
contemporary art.