Sentences with phrase «contemporary curatorial perspectives»

* This lecture is part of Mercer Union's «Elsewhere: Curatorial Initiatives,» an international lecture series focusing on contemporary curatorial perspectives.

Not exact matches

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Exquisite Corpse: Moving Image in Latin American and Asian Art embodies the exquisite corpse model as a curatorial framework between three institutions — Asia Society Museum, Mana Contemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable coContemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable cocontemporary artists who represent perspectives from across Latin America and Asia as the variable contributions.

In response to Michelle Grabners» curatorial focus, five panelists Sharon Butler, Angela Dufresne, Shara Hughes, Chris Stiegler and Roger White will share a variety of perspectives and insights about contemporary painting and illuminate the role of genre as a ubiquitous frame of reference.

The group exhibition therefore showcases a broad curatorial perspective of international contemporary photography and offers the visitor a snap - shot of each artist.

With more than three decades of organizing acclaimed exhibitions of contemporary art throughout the US and abroad, Cameron's experience and perspective will strengthen the museum's curatorial program.

Lowry's major initiatives include the creation of a new curatorial department, Media and Performance Art; the establishment of the research program Contemporary and Modern Art Perspectives in a Global Age Initiative (C - MAP); and the merger of The Museum of Modern Art and PS1 Contemporary Art Center (now MoMA PS1).

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring international curators — Valerie Cassel Oliver (Senior Curator, Contemporary Arts Museum Houston) will present her current research interests and curatorial projects.

Organized by Kemper Museum of Contemporary Art, Garry Winogrand: Modern Perspectives is co-curated by Erin Dziedzic, director of curatorial affairs at Kemper Museum, and Taylor Carr - Howard, Kemper Museum 2017 — 2018 curatorial intern.

Situated in the coastal town of Llandudno, it is Wales» foremost contemporary gallery and visual arts centre, serving as a place to form and share new perspectives through artistic / curatorial practice and audience engagement.

The gallery's curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

Hou Hanru's prolific curatorial work addresses contemporary practice and the conditions of artists living in the diaspora from the perspective of cultural hybridity.

Prior to joining the museum, her most recent curatorial projects have included The Land Mark Show at the Center for Contemporary Arts, Santa Fe, looking at ecological perspectives by artists located in the Western United States; and Yesterday's Future at the Orange County Great Park Gallery, examining the City of Irvine's idealized master plan of a university and city encapsulated in architect William Pereira's design of UCI's campus.

As part of ICI's Curator's Perspective — an itinerant public discussion series featuring national and international curators — Joselina Cruz will speak about her recent curatorial projects, as well as the contemporary art scene in Manila.

The first of its kind on the West Coast, CCA's Graduate Program in Curatorial Practice operates within this trajectory and offers an expanded perspective on curating contemporary art and culture.