Sentences with phrase «contemporary curatorial practice»

Bracey is currently Programme Leader of MA Fine Art and MA Contemporary Curatorial Practice at The University of Lincoln, England.

As moderator Alexandra Munroe, Samsung Senior Curator of Asian Art at the Guggenheim Museum, says in her introductory speech, the conference aimed not to deliver final thoughts but to open up new questions: to allow curators working at the edge of contemporary curatorial practice to share their personal experiences, doubts and reflections.

Developed by Independent Curators International (ICI) in collaboration with the Bag Factory Artists» Studios, the Curatorial Intensive: Contemporary Curatorial Practice will examine the pragmatics of organizing exhibitions, while addressing the specificities of curating in the African context.

CALL FOR APPLICATIONS: New York Summer 2012: Contemporary Curatorial Practice Application Deadline: April 6 Program Dates: July 8 — 17

The Curatorial Intensive: Contemporary Curatorial Practice at the Bag Factory Artists» Studios is generously funded by Arts Collaboratory through the Triangle Network, with additional support by Africalia through the Visual Arts Network of South Africa (VANSA), the South African National Lottery Distribution Trust Fund, Everard Read Gallery, Sam Nhlengethwa, and the Goethe Institute.

A significant proportion of this is taken from the gallery's own impressive collection of folk and self - taught art, offering a fascinating insight into the increasing importance of peripheral work in contemporary curatorial practice.

Education: Doctor of Philosophy (Ph.D) Art History, 2017 Complutense University of Madrid (Madrid, Spain); International Curator Course (Summer 2012) Gwangju Biennale Foundation (Gwangju, South Korea); Contemporary Curatorial Practice (Summer 2012) ICI - Independent Curators International (New York, USA).

The program provides participants an introduction to the field of contemporary curatorial practice today, and the opportunity to set up a foundation for future curatorial work.

This program, co-produced with the Mohile Parikh Center in Mumbai, examined an evolving definition of contemporary curatorial practice, shaped by institutional professionals, independent curators, and artists.

But it also makes a good case for the role contemporary curatorial practice can play in bringing verve to that often mausoleum - like of institutions, the monographic museum.

Activate the exhibition space through creative public programs and events on contemporary curatorial practice

Project Curate provides a class of advanced art students from Juan Morel Campos High School an opportunity to experience contemporary curatorial practices by working closely with a professional curator for the whole school year, culminating with an exhibition at NURTUREart Gallery.

This public symposium is a day - long conversation on contemporary curatorial practices in India and abroad, produced in cojunction with the Mumbai Curatorial Intensive, developed and implemented by ICI in collaboration with the Mohile Parikh Center (MPC), Mumbai.

To Be or Not to Be: The Selection Process Join Danielle Fox (SLATE Contemporary Gallery,) and Conrad Myers (Aggregate Space Gallery,) for a lively discussion on the topic of the social and cultural dimensions of contemporary curatorial practices and their implications for the artistic process.

Join Danielle Fox (SLATE Contemporary Gallery,) and Conrad Myers (Aggregate Space Gallery,) for a lively discussion on the topic of the social and cultural dimensions of contemporary curatorial practices and their implications for the artistic process.

Not exact matches

Join ICI's Annual Benefit & Auction on Wednesday, October 25, 2017 as we reaffirm our commitment to curatorial practice and contemporary art.

Chang Tsong - Zung (Johnson Chang) is a gallerist, independent curator and co-founder of «Asia Art Archive» in Hong Kong, who began to bring Chinese contemporary artists into a global context in the early 1990s, and has striven to open up Chinese art practices through innovative curatorial projects.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

The exhibition is curated by students from the MLitt Curatorial Practice (Contemporary Art) programme, established jointly between the University of Glasgow and Glasgow School of Art.

Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial practice as well as an informed understanding of public galleries and the contemporary visual arts.

Monash University Museum of Art MUMA is committed to innovative, experimental and research - based contemporary art and curatorial practice.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

His curatorial projects have addressed issues of collaboration, experimentation, social justice, and archival practices in contemporary art.

Hunt graduated from the Curatorial Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002, including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.

Rejoicing in the constantly evolving landscape of today's art industry and with a considerable knack for finding the gems, Bray maintains her curatorial practice at Mercer Contemporary while contributing regularly to several publications, including this one.

Previously she was the inaugural international curator at the Ullens Center for Contemporary Art in Beijing (2007 - 08) and chair of the Master's Program in Curatorial Practice, which she co-founded in 2002 for California College of the Arts in San Francisco.

She has a career - long interest in alternative narratives of modernism and has pursued curatorial projects that expand our understanding of the global diversity of contemporary practice.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

The Bass seeks a creative museum leader with expertise in contemporary art with a minimum of 10 years of active curatorial practice and management - level museum experience.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

Burns and Lundh will examine the notion of institution building and development as a curatorial act, and how it relates to the curatorial turn in contemporary cultural practice and discourse.

The Wattis serves as a forum for the presentation and discussion of international contemporary art and curatorial practice.

By actively acquiring, preserving, and providing access to the archives and manuscripts of significant curators, innovative commercial art galleries, not for profit art spaces, arts collectives and initiatives, the Archives & Manuscripts Collection seeks to document the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s, representing a broad range of contemporary discourses and curatorial practices.

BICI is dedicated to advancing curatorial practice with an emphasis on contemporary art and culture.

The Visitor Talks — Dialogues... further develops issues raised in the Fall 2013 — Spring 2014 series of The Visitor Talks: Pre-Ambulation and Retrospection, reflecting upon overarching issues pertaining to the conundrum of research within contemporary art, curatorial practice, and their attendant discourses.

The main collection includes extensive holdings of international exhibition catalogs, artists» monographs, and over 60 current subscriptions to international art journals and periodicals covering the contemporary arts and curatorial practices.

She has been a visiting lecturer and critic at numerous art schools and other institutions throughout the country, and taught seminars on curatorial practice and contemporary art at Art Center College of Design in Pasadena and the Rhode Island School of Design.

The residencies aim to support contemporary visual art practices (including performance and curatorial proposals) promoting exchange, debate, experimentation and collaborative work.

The graduate program at the Center for Curatorial Studies at Bard College (CCS Bard) is an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition - making, and the theory and criticism of the visual arts since the 1960s.

The library contains over 25,000 volumes focusing on post-1960s contemporary art and curatorial practices.

The Library contains over 30,000 volumes focusing on post-1960s contemporary art and curatorial practices.

Walter Phillips Gallery is exclusively committed to the production, presentation, collection and analysis of contemporary art and curatorial practice.

CVs aller ReferentInnenMarcel Duchamp «s curatorial practice: his work, contemporary exhibitions, museums, private collections and publications

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

The Mumbai Art Room is registered public charitable trust that exhibits contemporary art, design, and visual culture from India and foreign countries, this organization provides a non-commercial platform for artistic and curatorial practice, one that is experimental, educational, and as accessible as possible to all audiences.

The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang's artistic practice; a look at the artist's recent work by Gao Shiming; and a text by Wang on contemporary Chinese art.