Sentences with phrase «contemporary curatorial work»
Delving into four main topics — Publications, Biennials, Art Museums Today, and New Media — the book documents contemporary curatorial work beyond the boundaries of traditional curatorial practice.
https://www.banffcentre.ca/ Not exact matches
Panel: «Panel Discussion on CCA Lagos» at International Studio & Curatorial Program For its annual institution - in - residence program, the International Studio & Curatorial Program invited the Center for Contemporary Art, Lagos in Nigeria to show work in Brooklyn.
A year later, as their country descends into war again, some of those artists are selling and showing their work on their own as contemporary art from the Middle East attracts new curatorial and critical interest.
Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary Africancuratorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary AfricanCuratorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.
Prior to joining IMA, Freiman worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens and served in the curatorial department of the Institute of Contemporary Art, Boston.
Artists» Proof has been established to provide curatorial support for contemporary artists to develop new work and ambitious projects.
SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.
Supported by an Art Fund Jonathan Ruffer curatorial grant, the exhibition brings together work by more than 70 artists working from 1850 to the present, and highlights the many connections between the author, her contemporaries and those who share an affinity with her work.
The curatorial team, led by Paul M. Farber and Ken Lum, works closely with artists from Philadelphia and around the world to channel historical memory into civically - engaged contemporary public works.
With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.
Her role will also consist in devising and leading innovative curatorial projects which investigate how museums and collections can work collaboratively with contemporary artists to address diverse audiences for visual art in Britain.
In addition to the CCS Bard Galleries and the newly inaugurated Hessel Museum of Art, CCS Bard houses the Marieluise Hessel Collection of more than 2,000 contemporary works, as well as an extensive library and curatorial archive that are accessible to the general public.
Does this, as some critics may suggest, somehow make Harrison's work extraneous to the curatorial responsibilities of Atlanta Contemporary?
Lilia Kudelia is the Assistant Curator at Dallas Contemporary, and has previously worked as a curatorial assistant at the Corcoran Gallery of Art, Washington DC.
Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial practice as well as an informed understanding of public galleries and the contemporary visual arts.
Koyo Kouoh is an exhibition maker and cultural producer whose curatorial work revolves around the redefinition of the contemporary African persona.
This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.
thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.
Exquisite Corpse: Moving Image in Latin American and Asian Art embodies the exquisite corpse model as a curatorial framework between three institutions — Asia Society Museum, Mana Contemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable coContemporary, and Smack Mellon — using video and new media work by contemporary artists who represent perspectives from across Latin America and Asia as the variable cocontemporary artists who represent perspectives from across Latin America and Asia as the variable contributions.
Her curatorial work and research focuses on contemporary art and modern and contemporary art of the Americas.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert, Curatorial Assistant, Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art in America
Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum of Art, Center for Curatorial Studies, Bard College, «Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «Other Scenes», Los Angeles CA
Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).
His curatorial projects focus on contemporary art, with a special emphasis on the exploration of identity, technology, photo - based work, and urban culture.
Hunt graduated from the Curatorial Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002, including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.
''... not simply an excellent historical survey of artistic and curatorial identifications with and resistances to capitalist and post-productivist worlds of work; [Work] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age.&rawork; [Work] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age.&raWork] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age.»
From 2011 - 2013, He worked as curatorial assistant in the department of modern and contemporary art at the High Museum of Art.
The owners, Christine Berry and Martha Campbell, share a curatorial vision of bringing new attention to the works of a selection of postwar and contemporary artists and revealing how these artists have advanced ideas and lessons in powerful and new directions.
The group show takes Candida Höfer's photogaphies and puts them in dialogue with the work of different contemporary artists and antiques to generate an experimantal curatorial discourse.
Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South, including the Blackness in Abstraction exhibition and catalogue for Pace Gallery and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.
From citywide curatorial projects like Elmgreen & Dragset's A Place Called Public in Munich, to Sam Durant's investigation of historical narratives and their contemporary communities, and Katharina Grosse's numerous site - specific outdoor commissions, considerations of place and people are always paramount to working in the public realm.
The curatorial premise brings artists together whose work concerns «automated empathy, new age philosophy, digital death and the rise of artificial intelligence in contemporary society.»
ANNANDALE - ON - HUDSON, N.Y. — This spring, CCS Bard presents a series of nine exhibitions at the CCS Galleries, curated by second - year students in its graduate program in curatorial studies, including work by 46 internationally known contemporary artists.
We were fortunate to have the support of our curatorial colleagues to situate contemporary works in various public spaces and new galleries on different floors in proximity to their exhibitions.
Presenters are Mark Dean Johnson, professor of art at San Francisco State University and director of the Martin Wong Foundation, who also moderates; Julia Bryan - Wilson, professor of modern and contemporary art and director of the Arts Research Center at UC Berkeley, whose Fray: Art and Textile Politics includes a chapter about the Cockettes and Wong's design work for them; Sergio Bessa, director of curatorial and education programs at the Bronx Museum of the Arts and scholar of concrete poetry; Marci Kwon, assistant professor in the Department of Art and Art History, Stanford University; and artist and filmmaker Charlie Ahearn, who introduces his 1998 film portrait of Wong, whom he knew personally.
She developed a particular interest in working for non-profit contemporary art institutions after interning at the Wattis Institute of Contemporary Art in San Francisco, as well as from experience as a curatorial research intecontemporary art institutions after interning at the Wattis Institute of Contemporary Art in San Francisco, as well as from experience as a curatorial research inteContemporary Art in San Francisco, as well as from experience as a curatorial research intern at Art21.
The Chief Curator and Director of Curatorial Affairs at The Contemporary Austin, where she has worked since 2013, Heather Pesanti has organized monographic exhibitions and outdoor commissions of work by John Bock, Anya Gallaccio, Lionel Maunz, Wangechi Mutu, Monika Sosnowska, Robert Therrien, and Marianne Vitale, as well as the current exhibition of work by Rodney McMillian and a forthcoming project by Abraham Cruzvillegas (2019).
2016 Artist in Residence, Artspace, Sydney Artist in Residence, The Young, Wellington 2015 Dr. David & Margery Edwards Trust Ian Potter Cultural Trust International Studio & Curatorial Program, Residency Program, New York Gertrude Contemporary Studio Residency, Melbourne 2013 Qantas SOYA Visual Art Award 2012 Art & Australia / Credit Suisse Private Banking Contemporary Art Award Artspace Residency, Sydney Australia Council New Work Grant Turner Galleries Art Angels Residency, Perth 2011 Veolia Primavera Acquisitive Award 2010 Melbourne City Council Arts Project Grant 2008 Melbourne City Council Young Artist Grant
The residencies aim to support contemporary visual art practices (including performance and curatorial proposals) promoting exchange, debate, experimentation and collaborative work.
Solo exhibitions of Muller's work have been held at Blum & Poe Gallery (1998, 2001, 2002, 2004, 2006, and 2009), St. Louis Art Museum (2001), Bard Center for Curatorial Studies in Annandale - on - Hudson (2002), San Francisco Museum of Modern Art (2004), and Institute of Contemporary Art in Boston (2008).
Her work has been published in Nymphoto Books: Conversation Volume 1 and Fotofest 2010 Contemporary U.S. Photography with a curatorial essay by Aaron Schuman.
Prior to joining the Indianapolis Museum of Art, Freiman worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens, and served in the curatorial department of the Institute of Contemporary Art, Boston.
As well as curatorial work of several screening series of independent film and contemporary art videos, lecturing in universities, participating in symposia and teaching workshops.
Voorhies examines recent artistic and curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.
Project Curate provides a class of advanced art students from Juan Morel Campos High School an opportunity to experience contemporary curatorial practices by working closely with a professional curator for the whole school year, culminating with an exhibition at NURTUREart Gallery.
Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.
CVs aller ReferentInnenMarcel Duchamp «s curatorial practice: his work, contemporary exhibitions, museums, private collections and publications
Guggenheim Ramps Up Its Focus on China — The New York museum will begin commissioning new work from artists in China, Hong Kong, Macau, and Taiwan and also create a new curatorial position devoted to contemporary Chinese art after receiving a $ 10 million grant from the Hong Kong - based Robert H. N. Ho Family Foundation, which was also the lead sponsor of the museum's 2008 Cai Guo - Qiang exhibition.
The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang's artistic practice; a look at the artist's recent work by Gao Shiming; and a text by Wang on contemporary Chinese art.
Working in association with the Whitechapel Gallery and the Contemporary Art Society, the advertised Curatorial Fellowship will be involved in all stages of the conceptualisation, planning and realisation of the inaugural display at the Whitechapel Gallery.