Sentences with phrase «contemporary dance group»

Marking this intersection, contemporary dance group Bryn Cohn + Artists performed a one - time dance inspired by the art and choreographed to the original music sample used in Cesarine's video.

Not exact matches

The group, since its inception about a three years ago, has thrilled diverse audiences in the country and beyond with its own variations of traditional music and dance, as well as contemporary dance pieces.

Alternating vocal and instrumental numbers with solo and group dance numbers, Zikrayat's mission is to highlight the diversity of Arab culture for mainstream Western audiences in an authentic yet entertaining contemporary representation.

As a musician, Dr. Scripp has composed many works in the past for musical theater, modern dance, film, and children's animation, and directed a variety of community orchestras and contemporary performing groups in the Boston area.

Featuring traditional and contemporary dance with solo and group events, the 16th annual Heiva I Kauai Iorana Tahiti is fun for everyone.

Featuring traditional and contemporary dance with solo and group events, the 15th annual Heiva I Kauai Iorana Tahiti is fun for all ages.

Confirmed artists to date include Amy Shore - Obra, a soprano from the Metropolitan Opera and Samantha Malk a South African mezzo - soprano who has worked with the Tel Aviv Opera, Mark Morris Dance Group, and the International Contemporary Ensemble.

Lizzi Bougatsos (born Queens, New York, 1974) has exhibited widely in the United States and internationally, including solo exhibitions at The Breeder, Athens, Greece (2009); and James Fuentes, New York (2007, 2009), two - person exhibitions at Paramount Ranch with Ooga Booga / Sadie Laska (2015), Home Alone 2 with Rita Ackerman (2014), James Fuentes with Thornton Dial (2013), Home Alone with Rob Pruitt (2012) Reena Spaulings with Kim Gordon (2005), American Fine Arts Co. with Jess Holzworth (2000), group exhibitions at Andrea Rosen, New York (2012), Garage Center for Contemporary Culture, Moscow (2011), The 29th Sao Paulo Biennial, Brazil (2011), The Whitney Biennial New York (2008) with Gang Gang Dance, The Astrup Fearnly Museet for Moderne Kunst, Oslo (2008), Museo d'arte Contemporanea di Roma, Milan (2007), Kunst - Werke, Berlin (2007), and P.S. 1 Institute of Contemporary Art, New York (1999).

Upcoming for the artist are the group showFighting, Kissing, Dancing, curated by Carlos Rigau, at the Fabric Workshop and Museum, Philadelphia, opens May 2011, and a solo project in December 2011, Fanimaltastic at the de la Cruz Collection Contemporary Art Space, Miami.

Dixon Place En Garde Arts Essential Music Exit Art Exquisite Corpse Molissa Fenley / Momenta Foundation Lisa Fox Frankin Furnace Archive Ruth Happel Harvestworks Robin Hastings Ariel S. Herrera Jeannie Hutchins The Knitting Factory Alan Kryszak Linda Lindroth & Craig D. Newick Lynx Susan Marshall & Company Mabou Mines MELA Foundation Raphael Mostel Movement Research Jalalu - Kalvert Nelson New Museum of Contemporary Art Nuyorican Poets Cafe The Orchestra of the S.E.M. Ensemble Hank Pellissier (a.k.a. Hank Hyena) Penguin Rep Performance Space 122 The Poetry Project Eliane Radigue Real Art Ways Dana Reitz Michael Richardson Ron Rocco The Rachel Rosenthal Company Roulette Ton Simons / Third Street Dance Company The Squat Theatre Richard L. Teitelbaum Telluride Institute James Turrell / Skystone Foundation Doug Varone and Dancers Stefan Wolpe Society The Wooster Group Fred Worden Bill Young and Dancers

Whitney's works featured in a major solo exhibition «Dance the Orange», at the Studio Museum in Harlem, New York, USA (2015), and he has been included in many prominent group shows such as Documenta 14 in Athens, Greece and Kassel, Germany (2017), «Nero su Bianco» at the American Academy in Rome, Italy (2015); «Outside the Lines: Black in the Abstract», Contemporary Art Museum of Houston, USA (2014); «Reinventing Abstraction: New York Painting in the 1980s», Cheim & Read, New York (2013) and «Utopia Station» at the 50th Venice Biennale (2003).

From 2010 — 2014 she was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one - person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and the group exhibitions Leap Before You Look: Black Mountain College 1933 — 1957, Dance / Draw, and This Will Have Been: Art, Love & Politics in the 1980s.

Judson Memorial Church John Kelly and Company The Kitchen Petr Kotik La MaMa Experimental Theatre Club Shelley Lee Dance Company William LePage Linda Lindroth & Craig D. Newick Lynx Mabou Mines Bunita Marcus Marzena Performance Ensemble Mel Mercier Meredith Monk / House Foundation for the Arts Raphael Mostel Conlon Nancarrow New Museum of Contemporary Art Nuyorican Poets Cafe Dora Ohrenstein Pauline Oliveros Foundation Performance Space 122 The Poetry Project Quartet: Iréne Hultman, Joseph Lennon, Dennis O'Connor & Ann Papoulis Real Art Ways The Rachel Rosenthal Company Roulette Ton Simons / Third Street Dance Company Elizabeth Streb / Ringside Telluride Institute Volunteer Lawyers for the Arts The Wooster Group Bill Young and Dancers Paul Zukofsky

Enveloping the buildings of historic Bergamot Station Art Center in light, shadows, and video projections, Johnson transforms the art campus into a single art installation in collaboration with site - specific contemporary dance by Pennington Dance Group and light installation art by Greg Chrdance by Pennington Dance Group and light installation art by Greg ChrDance Group and light installation art by Greg Christy.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Stefanie Nelson is the Artistic Director of Stefanie Nelson dancegroup, a New York City based contemporary movement based performance group, and the Founder and Director of DANCE ITALIA, an internationally renowned summer dance intensive for contemporary dancers in Lucca, IDANCE ITALIA, an internationally renowned summer dance intensive for contemporary dancers in Lucca, Idance intensive for contemporary dancers in Lucca, Italy.

The East Contemporary Visual Arts Network (ECVAN) has launched New Geographies, a three - year partnership between nine arts organisations in the East of England, many local Outreach partners and three Dutch partners; Casco: Office for Art, Design & Theory, De Rijksakademie van beeldende kunsten and the curatorial group «If I Can't Dance, I Don't Want to be Part of Your Revolution».

In this international group exhibition, scores and notation are considered as a starting point to explore the current cross-disciplinary trend in contemporary art, which has seen dance, music and vocal performance increasingly incorporated into visual artworks.

Selected group exhibitions include Dance Your Life, Centre Pompidou, Paris (2011); A Slowdown at the Museum, Extra City Kunsthal, Antwerp (2011); Momentum 2011 — 6th Nordic Biennial for Contemporary Art, Moss, Norway (2011).

Selected Group Exhibitions 2017 «Simultaneous Eidos,» Guangzhou Image Triennial 2017, Guangdong Museum of Art, Guangzhou, China «After Party: Collective Dance and Individual Gymnastics,» Blindspot Gallery, Wong Chuk Hang, Hong Kong Art Basel Hong Kong, Hong Kong Convention & Exhibition Centre, Wan Chai, Hong Kong 2016 Shanghai Art Fair, Shanghai World Expo Exhibition and Convention Center, Shanghai, China «Sullivan's Attic,» MOUart Art Space, Beijing, China «The Suggestive Wheel: An Era of Metaphors,» Boxes Art Space, Shenzhen, China «New voices: a dslcollection story,» Klein Sun Gallery, New York, NY «We - A Community of Chinese Contemporary Artists,» chi K11 Art Museum, Shanghai, China

He has also exhibited in group shows including After Party: Collective Dance and Individual Gymnastics, Blindspot Gallery, Hong Kong (2017); New voices: a dslcollection story, Klein Sun Gallery, New York, NY (2016); We - A Community of Chinese Contemporary Artists, K11 Art Museum, Shanghai, China (2016); 28 ° 00 ′ N 120 ° 42 ′ E, How Art Museum, Wenzhou, China (2015); The System of Objects, Mingsheng Art Museum, Shanghai, China (2015); Cinematheque, K11 Art Museum, Shanghai, China (2015); Performance and Imagination: Chinese Photography 1911 - 2014, Stavanger Art Museum, Stavanger, Norway (2014); My Generation: Young Chinese Artists, Tampa Museum of Art & Museum of Fine arts, St. Petersburg, FL (2014); 28 Chinese, Rubell Family Collection / Contemporary Arts Foundation, Miami, FL (2013); Rising Dragon: Contemporary Chinese Photography, San Jose Museum of Art, San Jose, CA (2013); ON / OFF: China's Young Artists in Concept & Practice, Ullens Center for Contemporary Art, Beijing, China (2013); The First «CAFAM Future» exhibition, CAFA Art Museum, Beijing, China (2012); and Reflection of Mind: MoCA Shanghai Envisage III, Museum of Contemporary Art, Shanghai, China (2010).

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Sydney Biennale, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

The Cullen Performance Hall is a 1,544 seat proscenium theater which offers a variety of events sponsored by departments and organizations at the university in addition to contemporary music concerts, opera, modern dance, and theatrical performances put on by groups in and outside the Houston area.

He commissioned Pierre Jansen to produce a score for the 1978 film Acera or The Witches» Dance which will be performed live by the Birmingham Contemporary Music Group during the screening of the film as part of the Flatpack Film Festival.

Notable participants include: choreographer and dancer Kyle Abraham; poet Elizabeth Alexander; performer Eric Berryman; performance and installation artist Tania Bruguera; urban revitalization strategist Majora Carter; innovator James Burling Chase; actress and playwright Eisa Davis; architect Elizabeth Diller; The Met's Kimberly Drew; photographer John Edmonds; juvenile justice reformer Adam Foss; writer and performance artist Malik Gaines; social practice artist Theaster Gates; filmmaker Tony Gerber; FLEXN dance pioneer Reggie (Regg Roc) Gray; trombonist, painter, and composer Dick Griffin; dancer and choreographer Francesca Harper; trombonist Craig Harris; vocalist Nona Hendryx; playwright Branden Jacobs - Jenkins; cinematographer Arthur Jafa; artist and cultural worker Shani Jamila; trumpeter JAWWAAD; gaming pioneers Navid and Vassiliki Khonsari; NYU Professor and musician Jason King; philosopher Gregg Lambert; composer and Bang on the Can co-founder David Lang; novelist, filmmaker, and curator Ernie Larsen; Wooster Group founding member and director Liz LeCompte; Harvard Professor Sarah Lewis; journalist Seamus McGraw; poet Aja Monet; jazz pianist and composer Jason Moran; performance studies professor Fred Moten; visual artist Shirin Neshat; playwright Lynn Nottage; professor of contemporary rhetorical theory Kendall Phillips; doctor Jeremy Richman; poet Carl Hancock Rux; performance artist Alexandro Segade; writer and activist Tanya Selvaratnam; guitarist and composer Marvin Sewell; playwright and actress Anna Deavere Smith; conceptual artist Hank Willis Thomas; performance artist Carmelita Tropicana; puppeteer Basil Twist; theater director Roberta Uno; vocalist and composer Imani Uzuri; and Wooster Group founding member and actress Kate Valk, among others.

BRIC, Mark Morris Dance Group (MMDG), The Museum of Contemporary African Diasporan Arts (MoCADA) and Theatre for a New Audience (TFANA) are pleased to announce the launch of the Downtown Brooklyn Arts Management Fellowship, a new program whose aim is to build long - term equity and diversity in the field of arts management.

Downtown Brooklyn Arts Management Fellowship Is Conceived in Partnership by BRIC, Mark Morris Dance Group (MMDG), The Museum of Contemporary African Diasporan Arts (MoCADA) and Theatre for a New Audience (TFANA) Following 2016 Diversity Study by the New York City Department of Cultural Affairs

Helen Molesworth is the Barbara Lee Chief Curator at the Institute of Contemporary Art, Boston, where she has organized one - person exhibitions of artists Catherine Opie (2011) and Josiah McElheny (2012), as well as group exhibitions such as Dance / Draw (2011).

Group exhibitions and biennials featuring her work include Documenta 14, Athens, Greece and Kassel, Germany (2017); Radical Women: Latin American Art 1960 - 1985, Hammer Museum, Los Angeles (2017); 18th Biennale of Sydney, Australia (2012); DANCE / DRAW, the Institute of Contemporary Art, Boston (2011); ONLINE, Drawing Through the Twentieth Century, Museum of Modern Art, New York (2010); WACK!

The Berlin Senate's cultural affairs department estimates that around 5,000 artists, 1,200 writers, 1,500 bands (pop, rock, and world music), 500 jazz musicians, 103 professional orchestras and music ensembles, 1,500 choirs, 300 theater groups, and 1,000 dancers and / or choreographers of contemporary dance live and work in Berlin.

From 2010 — 2014 she was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and the group exhibitions Leap Before You Look: Black Mountain College 1933 — 1957, Dance / Draw, and This Will Have Been: Art, Love & Politics in the 1980s.

2011 Nine Faces, Anton Kern Gallery, New York, NY Three to Five Faces, Shane Campbell, Chicago, IL Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles, CA Malevich and the American Legacy, Gagosian Gallery, New York, NY California Dreamin: Myths and Legends of Los Angeles, Galerie Almine Rech, Paris, France 2010 Kaikai Kiki Gallery, Tokyo, Japan Portland Art Museum, Portland, OR Seven Faces, Blum & Poe, Los Angeles, CA The Artist's Museum: Los Angeles Artists 1980 — 2010, Museum of Contemporary Art, Los Angeles, CA Group Show 2010, Galerie Emmanuel Perrotin, Paris, France Benches and Binoculars, Walker Art Center, Minneapolis, MN At Home / Not at Home: Works from the Collection of Martin and Rebecca Eisenberg, Hessel Museum of Art, Bard College, Annandale - on - Hudson, NY (curated by Matthew Higgs) Mark Grotjahn, Jonathan Lasker, Sol LeWitt, Allan McCollum, James Siena, James Welling, Bravin Lee Programs, New York, NY Skin Fruit: Selections from the Dakis Joannou Collection, New Museum, New York, NY (curated by Jeff Koons) Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY 2009 Gagosian Gallery, London, UK 2008 Dancing Black Butterflies, Gagosian Gallery, New York, NY 2007 Kunstmuseum Thun, Thun, Switzerland Blue Paintings Light to Dark One through Ten, Anton Kern Gallery, New York, NY 2006 Whitney Museum of American Art, New York, NY 2005 Blum & Poe, Los Angeles, CA Stephen Friedman Gallery, London, UK Mark Grotjahn: Drawings, Hammer Museum, Los Angeles, CA 2003 Anton Kern Gallery, New York, NY 2002 Mark Grotjahn: el gran burrito, Boom, Chicago, IL Blum & Poe, Santa Monica, CA 2000 Blum & Poe, Santa Monica, CA 1998 Blum & Poe, Santa Monica, CA Flowers in the Office, Brent Petersen Gallery, Los Angeles, CA

«In Motion,» the group exhibition currently on view at Starkwhite, Auckland, is a continuous dance of colors, with works from four contemporary artists from Australia and New Zealand — Rebecca Baumann, Brendan Van Hek, Grant Stevens, and Alicia Frankovich — and two historical artists: the Hungarian - American artist László Moholy - Nagy (1895 — 1946) and New Zealand - born Len -LSB-...]

«In Motion,» the group exhibition currently on view at Starkwhite, Auckland, is a continuous dance of colors, with works from four contemporary artists from Australia and New Zealand — Rebecca Baumann, Brendan Van Hek, Grant Stevens, and Alicia Frankovich — and two historical artists: the Hungarian - American artist László Moholy - Nagy (1895 — 1946) and New Zealand - born Len Lye (1901 — 1980).

From 2010 - 2014 she was the Barbara Lee Chief Curator at the Institute of Contemporary Art (ICA) Boston, where she assembled one person exhibitions of artists Steve Locke, Catherine Opie, Josiah McElheny, and Amy Sillman, and group exhibitions such as Dance / Draw and This Will Have Been: Art, Love & Politics in the 1980s.

This unique three - day course is designed to provide an overview of the historical foundations of the expressive arts therapy (art, music / sound, dance / movement, dramatic enactment, and play) and how these foundations inform contemporary practice — Focusing - Oriented Expressive Arts Therapy and Trauma - Informed Expressive Arts Therapy — with individuals, families and groups.