Sentences with phrase «contemporary digital culture»

D. workshop EXCESSIVE RESEARCH relates to the announcement of transmediale 2016 Conversation Piece which examines some of the compulsive activities of contemporary digital culture...

Czetwertynski reformulates familiar objects of contemporary digital culture — TVs, projectors, power strips, cables — to shine light on the primordial role of light itself.

Not exact matches

Digital culture is absolutely crucial in our contemporary society - it is a digital culture - everything abDigital culture is absolutely crucial in our contemporary society - it is a digital culture - everything abdigital culture - everything about it.

Maybe if we can discern the right questions, we can begin to unravel the digital complexities of contemporary culture.

Early Child Development and Care Early Childhood Education Journal Early Education and Development Early Years: An International Journal of Research and Development Education Education & Training Education 3 - 13 Education and Culture Education and Information Technologies Education and Society Education and Training in Autism and Developmental Disabilities Education and Treatment of Children Education and Urban Society Education as Change Education Economics Education Finance and Policy Education for Information Education Leadership Review Education Leadership Review of Doctoral Research Education Libraries Education Next Education Policy Analysis Archives Education Research and Perspectives Education Sciences Education, Citizenship and Social Justice Educational Action Research Educational Administration Quarterly Educational and Developmental Psychologist Educational and Psychological Measurement Educational Assessment Educational Assessment, Evaluation and Accountability Educational Considerations Educational Evaluation and Policy Analysis Educational Forum Educational Foundations Educational Gerontology Educational Leadership Educational Leadership and Administration: Teaching and Program Development Educational Management Administration & Leadership Educational Measurement: Issues and Practice Educational Media International Educational Perspectives Educational Philosophy and Theory Educational Policy Educational Policy Analysis and Strategic Research Educational Practice and Theory Educational Psychologist Educational Psychology Educational Psychology in Practice Educational Psychology Review Educational Research Educational Research and Evaluation Educational Research and Reviews Educational Research for Policy and Practice Educational Research Quarterly Educational Researcher Educational Review Educational Sciences: Theory and Practice Educational Studies Educational Studies in Japan: International Yearbook Educational Studies in Mathematics Educational Studies: Journal of the American Educational Studies Association Educational Technology Educational Technology & Society Educational Technology Research and Development Educational Theory eJEP: eJournal of Education Policy e-Journal of Business Education and Scholarship of Teaching E-Learning and Digital Media Electronic Journal of e-Learning Electronic Journal of Research in Educational Psychology Elementary School Journal ELT Journal Emotional & Behavioural Difficulties Engineering Design Graphics Journal English Education English in Australia English in Education English in Texas English Journal English Language Teaching English Teaching Forum Environmental Education Research Equity & Excellence in Education Ethics and Education Ethnography and Education ETS Research Report Series Eurasian Journal of Educational Research European Early Childhood Education Research Journal European Education European Educational Research Journal European Journal of Contemporary Education European Journal of Education European Journal of Educational Research European Journal of Engineering Education European Journal of Higher Education European Journal of Open, Distance and E-Learning European Journal of Physics Education European Journal of Psychology of Education European Journal of Science and Mathematics Education European Journal of Special Needs Education European Journal of STEM Education European Journal of Teacher Education European Journal of Training and Development European Physical Education Review Evidence & Policy: A Journal of Research, Debate and Practice Exceptional Children Exceptionality Exceptionality Education International

Wolfson pulls intuitively from contemporary technology, advertising, and digital culture to produce ambitious and enigmatic narratives that often feature animated characters.

Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbecontemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare MbeContemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinshi

Former West: Art and the Contemporary After 1989, edited by Maria Hlavajova and Simon Sheikh Contemporary Art and Digital Culture, by Melissa Gronlund Ghachar Ghochar, by Vivek Shanbhag The Polaroid Project: At the Intersection of Art and Technology, edited by William A. Ewing

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

Bringing together three painters with distinct oeuvres — that have been, at times, linked to the legacy of German painting, or even of Albert Oehlen himself — the panel will consider abstract painting in relation to other contemporary manifestations of abstraction in economics (market speculation), philosophy (anti-essentialist thought, questions around the structure of time, semiotics), digital culture (sampling, rendering), and aesthetics more generally (considerations of form, the notion of style).

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

It is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

Milk's culture lives across physical and digital spaces in the form of a contemporary gallery and an editorial platform.

2017 Past Skin, MoMA PS1, The Museum of Modern Art, New York, NY Invisible Cities, The Wallach Art Gallery at Columbia University, NY Mundos Alternos: Art and Science Fiction in the Americas, «Pacific Standard Time», UCR / California Museum of Photography, Riverside, CA COMM ALT SHIFT, Aljira A Center for Contemporary Art, Newark, NJ Biennale of Moving Images, Faena Bazaar and Faena Hotel, Miami Beach, FL Biennale of Moving Images, Faena Art Center Buenos Aires, Argentina Digital Bodies, Eli and Edythe Broad Art Museum, East Lansing, MI Vision All Together, Durango Arts Center, Durango, COSouth Florida Consortium Exhibition, Museum of Contemporary Art, North Miami, FL South Florida Consortium Exhibition, Museum of Contemporary Art, North Miami, FL Prospect 4: The Lotus in Spite of the Swamp, New Orleans Biennial, New Orleans, LA No burden as heavy, David Castillo Gallery, Miami Beach, FL Change Agents, Art and Culture Center of Hollywood, Hollywood, FL

The palpable humor of the works on view, alternatingly mischievous and dark, suggests ambivalence toward contemporary culture, its feigned invocations of morality and the cookie - cutter mentality of digital reproductions.

A deconstructive approach to the moving image seemed to be video art's trajectory from the 1990s into the early 21st century, incorporating new developments of photo processing, digital editing and image layering in contemporary visual culture.

Fu has exhibited her work nationally and internationally including Hong Kong Arts Center, Yellow Peril Gallery, Expo Chicago, Digital Culture Center in Mexico City, Zhou B Art Center in Chicago, Chicago Artist Coalition, Chicago Filmmakers, Kunsthalle Detroit Museum of Contemporary Art, MoMA PopRally Online Screening, NURTUREart Gallery in Brooklyn NY, TEMP Art Space in New York, The Gallery C Space in Beijing, Prak - Sis New Media Festival in Chicago, Currents: Santa Fe International New Media Festival, Gene Siskel Film Center in Chicago, West Village Art Gallery in Chengdu China, SIMULTAN Festival in Romania, and 9:16 Film Festival in Australia.

Digital collage from transmission switchover advertising Remote Control surveys the enormous impact that television has had upon contemporary culture through a range of artistic engagement with the medium and offers a look at how the next generation are responding to digital conveDigital collage from transmission switchover advertising Remote Control surveys the enormous impact that television has had upon contemporary culture through a range of artistic engagement with the medium and offers a look at how the next generation are responding to digital convedigital convergence.

Her current book project provisionally titled, Pattern Recognition: Durational Conditions of Contemporary Art asks what happens when the processes of standardization, modularization and the clustering effects of digital culture, which have come to condition viewers» expectations for time - based media art, are not considered as neutral technologies, but as powerful social markers.

CTM is a prominent international festival dedicated to contemporary electronic, digital and experimental music, as well as the diverse range of artistic activities in the context of sound and club cultures.

Drawing from both contemporary and historical intersections between science and the occult, Gómez - Egaña's work also explores the relationship between technology and mysticism, and the emotional and spiritual undertones of digital culture.

Mass digital culture and an examination of the post-human world will be at the core of next year's programme at the Institute of Contemporary Arts.

Fiona Rae, a Jackson Pollock for the digital age, is about to descend upon Leeds, bringing her vibrant spins on contemporary culture to the city.

«Analyzing the vast field of digital data, American contemporary artist Jason Salavon contributes to the exploration of modern culture, obsessions and mannerisms through the display of his latest work.

«Clicking In - Digital Cinema - Infinite Reality,» Mediasalon «Theatralitaet - Medialitaet» Jun 3 - 8, Bayerisches Staatschauspiel, Munich, Germany «Clicking In: Hot Links to a Digital Culture,» Museum of Contemporary Art, Los Angeles, California, Jun «John Cassavetes and Shadows.»

Considered a prophet of the digital age, video artist Ryan Trecartin transforms contemporary culture's addiction to the internet and obsession with technological devices into a violently exuberant visual orgy.

His interests include network theory, copyright and aura in the age of digital reproduction, and the unpredictable revisions of historical technologies within contemporary visual culture and social politics.

Artist and curator Gretta Louw, will discuss postcolonial digital arts practice in relation to the exhibition and event series that brings together concepts and experiences of remoteness and marginalised cultures, with art - making in contemporary society.

Networking the Unseen, which is currently on view at Furtherfield gallery, is the first exhibition of its kind to focus on the intersection of indigenous cultures and zeitgeist digital practices in contemporary art.

She is the author of Contemporary Art and Digital Culture (Routledge, 2016) and writes about art for The National, Artforum, Art Agenda and other venues.

Currently a PhD candidate in Comparative Literature at New York University, her academic research addresses contemporary internet - based art practice and network culture, digital technology and perception, and the materiality of media.

Culture Lab, Newcastle University announces RENDER 10; an exhibition featuring creative digital media works from the Culture Lab research community.RENDER 10 presents the forwardlooking scenarios of contemporary audiovisual practitioners from the Digital Media Masters of Research course, as well as members ofthe Culture Lab research comdigital media works from the Culture Lab research community.RENDER 10 presents the forwardlooking scenarios of contemporary audiovisual practitioners from the Digital Media Masters of Research course, as well as members ofthe Culture Lab research comDigital Media Masters of Research course, as well as members ofthe Culture Lab research community.

Conceived in dialogue with the exhibition The Shadows Took Shape, this panel discussion will be moderated by Nettrice Gaskins, Ph.D. candidate and researcher at Georgia Tech's Experimental Games Lab (EGL)(part of the Digital Media program at the School of Literature, Communication and Culture), and feature artists Coco Fusco, Jacolby Satterwhite and Saya Woolfalk, whose works are included in the two exhibitions currently on view at the Studio Museum, The Shadows Took Shape and Radical Presence: Black Performance in Contemporary Art.

Reitmaier's work in arts and culture spans over 20 years, having held curatorial and leadership roles with the Vancouver Art Gallery and the Tate, London, alongside roles in education (Institute of Contemporary Arts, London), broadcasting (BBC), digital marketing (Eyestorm.com) and publishing (Women's Art Magazine, Women's Art Library).

Opening: «Carla Gannis: A Subject Self - Defined» at Transfer A digital artist who's known for her videos and photographs that mix contemporary culture with Old Master paintings, Carla Gannis presents new work that deals with issues of identity and branding.

2014 Instagram as an Artistic Medium, Art Basel, Salon: Digital Talk, Miami, US Life - Representation, Visibility Online and the Self, Foam, Keizersgracht, Amsterdam, NL E-Performance «Real Self», Post Digital Cultures Symposium, Lausanne, CH NeoImpressionism Workshop, Swiss Institute Contemporary Arts, New York, US 89 + Marathon of the Americas, Fundación JUMEX, Mexico City, MX

Awards and Residencies Bemis Center for Contemporary Arts, Omaha NE, 2011 Harpo Foundation Grant, Los Angeles Cisneros Fontanals Art Foundation Grants Program, Miami National Fund for the Arts and Culture (FONCA), Programa Jóvenes Creadores, Mexico City 2005 and 2007 Best of Show Arlene Mc Kinon Award, University of Texas at El Paso, 2005, 2003, & 2002 Juried Student Art Show Best Photograph / Digital Image, University of Texas at El Paso, 2005 Juried Student Art Show The Skowhegan School of Painting and Sculpture, 2004 Summer Residency Program Serie Print Project XI, Coronado Studios Residency, Austin 2004 Outstanding Student Achievement in Contemporary Sculpture Award 2003, International Sculpture Center Best Sculpture Award University of Texas at El Paso, 2003 Juried Student Art Show

Kader Attia, installation view (left to right): The Debt, 2013, 2 - channel digital video, projection, colour, based on the original 2 - channel slide presentation; The Culture of Fear: An Invention of Evil, 2013, metal shelves, antique magazines, books, metal screws; Kader Attia, Museum of Contemporary Art Australia, Sydney, 2017, courtesy the artist, Galerie Nagel Draxler, Berlin / Cologne, Lehmann Maupin, New York and Hong Kong and Galleria Continua, San Gimignano, Les Moulins, Beijing, Habana.

Curators: Janina Falkner, Contemporary Art Collection; and Marlies Wirth, Curator, Digital Culture and Design Collection, MAK

Woodberry is a digital illustration and mixed media artist who casts an invigoratingly surreal eye on the chaotic trove of popular culture and contemporary socio - political issues.

Armory Show's Focus sector: the body and technology - TAN Theo Downes - Le Guin joins Oregon Cultural Trust - The Oregonian 2018 Armory Show exhibitors - Art News Online exhibit spans 2 decades of the Internet - Willamette Week A Rose is a Rose is a --» — , — @ - Rhizome Pricing and Presenting Fine - Art Video Work - PDN Interview: Theo Downes - Le Guin: Upfor Gallery - Arte Fuse A trip to First Thursday and Upfor - KGW News Art Vultures (Maria Lux)- Willamette Week Wanderings: Art Escapes in Portland - Western Art & Architecture That Capitalist Vision of Thomas Kinkade - The Portland Mercury Best of 2015 - Daily Serving Objectifying Our Digital Lives - Hyperallergic Interview: Eyebeam in Objects - Temporary Art Review Portland Show Brings Tech - Focused Art into Foreground - Artsy The Great Debate About Art - Noise & Color PDX The Great Debate About Art - Daily Serving How to Start an Art Collection - Portland Monthly PADA welcomes newest member - The Oregonian 10 Best Art Galleries in Portland - Culture Trip UNTITLED announces 2014 lineup - New York Observer GIF art - OPB Arts & Life Self (ie) Portraits - Visual Arts Source Art fairs interview - OPB State of Wonder Digital art panel interview - KBOO Brenna Murphy interview - KBOO Portland's Best Contemporary Arts Galleries - The Culture Trip Gallery opening - The Oregonian Gallery opening - Portland Monthly

From individual narratives to universal concerns, the artworks comment on contemporary culture and explore themes such as globalisation, perceptions of space and alienation in the digital age.

With a background in color field painting, Vokoun uses digital tools to explore the effects of the Information Age on contemporary culture.

An international jury will select 50 outstanding photographers — from all cultures, all points of view, with no age limit.Awards will include a digital gallery exhibition at the International Center of Photography Museum in New York City, $ 20,000 in grants, opportunities for exposure at over 50 international photography festivals, inclusion in the upcoming photobook, The Best of LensCulture Today: 150 Contemporary Photographers, which will be distributed and sold worldwide and so much more.

www.todaysart.org www.vimeo.com/groups/todaysart www.facebook.com/todaysart www.twitter.com/todaysart TodaysArt is a network organization specialized in the presentation, research, development, production and promotion within the field of digital culture, contemporary arts and creativity.

«Dispersion»: Institute Contemporary Arts Artforum International; April 1, 2009; Gilligan, Melanie; 700 + words Curated by Polly Staple, «Dispersion» took its title from Seth Price's eponymous text of 2002, which discusses, among other things, the impact of digital technologies and distributed media on high culture.

Estabilished in 2005 Digicult is an online platform that examines the impact of digital technologies and applied sciences on art, design, culture and contemporary society.

IN 2002, SHIFTING HIS focus to the technologies so prevalent in contemporary culture, Guyton took up digital inkjet printing as his primary artistic medium, which provided countless new options for his image - making.

In these slyly complex images, Ethridge utilizes a hybrid of digital and analogue techniques to denude signification from its source and resituate assumed relations within an uncanny valley somewhere between art history and contemporary meme culture.