Sentences with phrase «contemporary digital works»

Essential Experiments takes place every month and screens a wide variety of work form the full range of artist's moving image practice from avant garde classics to contemporary digital works in order to provide the audiences with the context in which the works were made and way of understanding them.

California - based artist Kota Ezawa takes over The Box, our first - floor space dedicated to contemporary digital works of art.

Not exact matches

According to Elofusim, Bitcoin was created on an experimental level and therefore has flaws that more contemporary cryptocurrencies like Litecoin and OneCoin have successfully worked on to remove: ``... there are many digital monies.

About Blog A blog that includes Sculpture, Works on Paper, Digital Prints, Wood Sculpture, Photograhy, Contemporary Art, Writing, Political and Social Commentary.

About Blog A blog that includes Sculpture, Works on Paper, Digital Prints, Wood Sculpture, Photograhy, Contemporary Art, Writing, Political and Social Commentary.

Watch this influential work of DIY cinema now in a new digital transfer on the Criterion Channel on FilmStruck, accompanied by a new, in - depth conversation between Bronstein and one of his New York film contemporaries, Josh Safdie.

In «The Intern» the focus is on the contemporary iteration of life - work balance — whether the relentless, competitive demands of the digital - age work environment can leave room for anything else.

Because digital can keep books «alive» in perpetuity — which seems a great thing, of course — that does mean that contemporary writers» work comes up against an ever expanding field of never - out - of - print content.

Hipsters working at Digital October, one of the city's most successful start - up incubators, hang out here, and you can join them for a contemporary art exhibition at Red October Gallery or the Lumiere Brothers Centre for Photography.

As a cerebral painter, this body of work continues his interest in systems, minimalism, and Op Art from the 1960s and 70s; with the computer as a drawing tool, his images also explore contemporary graphic design, digital technology and the history of hard - edged abstract, geometric painting.

In Winters's new work, the spaces of the digital age are mediated by the human gesture, creating hybrid images, at once contemporary and archaic.

The off - site public program engages the city's long legacy with public art, including IN / SITU Outside, siting works by major contemporary artists throughout Chicago Park District locations for up to one year, and OVERRIDE A Billboard Project, presenting a curated selection of digital art on the citywide network.

PAUSE is an innovative public art program that transforms different digital surfaces into large - scale canvases by showcasing work from leaders in the contemporary art world.

Select group exhibitions and biennials featuring her work include Virtual Views: Digital Art from the Thoma Foundation, Knoxville Museum of Art, Knoxville, TN (2017, forthcoming); Nature Morte: contemporary artists reinvigorate the still - life tradition, Bohusläns Museum, Uddevalla, Sweden (2016); Momentum: An Experiment in the Unexpected, San Jose Museum of Art, San Jose, CA (2014); Turning Inside Out: Video Art by Nam June Paik, Joan Jonas, and Jennifer Steinkamp, Sheldon Museum of Art, Lincoln, NE (2012); Blink!

The Atlantic Wire quoted recent digital arts graduate Ben Fino - Radin, a self described «media archeologist, archivist, and conservator of born - digital works of contemporary art,» in an article on a New Museum project and exhibition titled...

A rising figure in the contemporary art world, Wade Guyton uses accessible technology to create paintings, drawings, and sculptures that address his viewer's evolving relationship to the digital and the ways in which mechanized images become physical works.

Wǒmen (我们): Contemporary Chinese Art showcases work by a selection of contemporary Chinese women artists who engage with issues of identity formation in a globalized society marked by rapid urbanization and the incursion of digital technologiContemporary Chinese Art showcases work by a selection of contemporary Chinese women artists who engage with issues of identity formation in a globalized society marked by rapid urbanization and the incursion of digital technologicontemporary Chinese women artists who engage with issues of identity formation in a globalized society marked by rapid urbanization and the incursion of digital technologies in China.

This travelling show from Anchorage Museum in Alaska, highlights work by eleven, contemporary Indigenous artists of various tribal affiliations whose works include ink drawings, video, digital photography, multi-media installation and textiles.

Nothing is quite what it seems in Sophia Contemporary Gallery's Im / material: Painting in the Digital Age, a closely curated show including twenty works by eight artists working at the intersection between the immaterial realm of 1s and 0s and the material facts of canvas, ink and paint.

She is a regular contributor to online art journals and co-directs SPUR, a commissioning organisation which produces new works by contemporary artists nationally and internationally including digital, video and writing.

For him, the vast contemporary digital toolkit begins with his laptop: their integration is fundamental to the subverting of video art and its installation that goes on within his work.

Her work has been exhibited at SIGGRAPH, MIT, ISEA (Canada), LAPSody (Finland), ONCE Foundation Contemporary Art Biennial (Spain), NODE Forum for Digital Arts Biennial (Germany), and is part of the Rhizome ArtBase.

This idea of an artist - driven museum (reinforced by Kerry James Marshall's succinct speech, at the opening, about all art coming from other art) also connects to Met's digital strategy via its web video series «The Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational works.

The Moving Image Fund is designed to help museums and galleries across the UK collect and share with audiences the work of contemporary artists working with digital media, video and film.

Visitors will discover a breadth of Modern and contemporary works including paintings, drawings, sculpture, installations, prints, photography, video and digital art by more than 4,000 artists.

With fifty years of experience in the New York gallery world, his interests and expertise extend from established post-war artists through the most contemporary emerging careers and ranges through all media from painting, works on paper, sculpture and installation to photography and digital media.

2000 Luci in Galleria, da Warhol al 2000, Galleria Gian Enzo Sperone, Turin, Italy Grant Selwyn Fine Art, New York Peter Halley / Alex Katz / Sherrie Levine, Galerie Wilma Tolksdorf, Frankfurt am Main Glee: Painting Now, Palm Beach Institute of Contemporary Art, Lake Worth, FL; Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) Around 1984: A Look at Art in the Eighties, MoMA P.S. 1, Long Island City, NY (catalogue) New Prints 2000, International Print Center, New York Flights of the Málaga Collection, Fundacion la Caixa, Málaga, Spain Hard Pressed: 600 Years of Prints and Process, AXA Gallery, New York (catalogue) Universal Abstraction 2000, Jan Weiner Gallery, Kansas City, MO Perfidy: Surviving Modernism, Kettle's Yard, Cambridge, UK Wall Works, Edition Schellmann, Munich From Albers to Paik: Works of the DaimlerChrysler Collection, Kunst Zürich, Zurich Age of Influence: Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago Collectors: The Collection of Fondation Cartier for Contemporary Art, Palazzo Delle Papesse, Siena, Italy Bit by Bit: Painting & Digital Culture, Numark Gallery, Washington, DC American Art: The Last Decade, Loggetta Lombardesca, Ravenna, Italy (catalogue) Out of Order: Mapping Social Space, CU Art Galleries, University of Colorado at Boulder, Boulder, CO; travelled to Carleton College Art Gallery, Northfield, MN; Pittsburgh Center for the Arts, PA; Atlanta Contemporary Art Center, GA; Santa Barbara Contemporary Art Forum, CA (catalogue) Inka Essenhigh / Peter Halley, Mary Boone Gallery, New York Architecture & Memory, Lawrence Rubin, Greenberg Van Doren Fine Art, New York Sandra Gering Gallery, New York

The exhibition presents contemporary work in dialogue with historical objects from the collections of the Seattle Art Museum and the Brooklyn Museum within an immersive and lively installation of video, digital, sound, and installation art, as well as photography and sculpture.

PPAC understand's that contemporary photography takes many forms, we are open to all photography, digital imaging, film / video, and lens - based installation work.

Everything is going to be alright, Elizabeth Cherry Gallery, curated by Bob Nickas, Tucson, Arizona, USA Fresh: Recent Acquisitions, Albright - Knox Art Gallery, Buffalo, New York, USA Works on Paper From Acconci to Zittel, Victoria Miro Gallery, London, England Next Wave Prints v. 2.0, Elias Fine Art, Allston, Massachusetts, USA New Paintings, Wayne Gonzales, Jacqueline Humphries, Jonathan Lasker, Blake Rayne, Dan Walsh, Kevin Bruk Gallery, Miami, USA 2000 Drawings & Photographs, Matthew Marks Gallery, New York, USA What's So Funny About Color, Elias Fine Art, Boston, USA Glee: Painting Now, The Aldrich Museum of Contemporary Art, Ridgefield, CT Palm Beach Institute of Contemporary Art, Organized by Amy Cappellazzo and Jessica Hough), Florida, USA PICT: Digital Image Painting, Banff Centre for the Arts, curated by Yvonne Force and Carmen Zita) Alberta, Canada Paula Cooper Gallery, New York, with R. Grosvenor, R. Lichtenstein, R. McBride and D. Walsh, Tomio Koyama Gallery, Tokyo, Japan Hex Enduction Hour, Team Gallery, New York, USA (Curated by Bob Nickas)(212), Gary Tatintsian Gallery, New York (Organized by Irena Popiashvili, catalogue with essay by Christine Kim) Bit By Bit: Painting & Digital Culture, Numark Gallery, Washington, USA 1999 Sweet & Sour, Galerie Art & Public, Geneva, Switzerland Digital Sites, Numark Gallery, Washington, USA 1998 Brite Magic, Islip Art Museum, East Islip, New York, USA (Curated by Carolanna Parlatto) 1997 Diamond Dogs, Team Gallery, New York, USA Super Body, Tomio Koyama Gallery, Tokyo, Japan 1996 Face and Figure in Contemporary Art, Museum of Fine Arts, Boston, USA AbFab, Feature, New York, USA Mutate / Loving the New Flesh, Lauren Wittels Gallery, New York, USA (Curated by Michael Cohen) Supastore de Luxe, UP & Co., New York, USA (Curated by Sarah Staton)

Requirements: Experience working in social media management, content creation and digital campaigns; astute knowledge of all digital and social media channels; interest in the creative sector; an understanding of contemporary African art; excellent writing, communication and research skills; great attention to detail; ability to generate innovative and strategic ideas for the brand's content.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

MPA will present an exhibition of works by three contemporary artists from the Mid-Atlantic region whose work explores how art, science and nature can be integrated or re-mixed through digital formats.

features international new media artists including Pratt faculty in an exhibition of contemporary digital art and installation based work.

Other highlights of the exhibition include Robot Bodies, Piper's 1988 seminal interactive digital work — updated and re-programmed for this exhibition — in which the robot, android and cyborg are examined as metaphorical carriers of contemporary anxieties around racial difference; and a series of mixed media works on un-stretched canvas, «future projected history paintings of the present», that reference 19th century history painting and have been commissioned by Bluecoat and Iniva.

As part of the festival, the Digital Arts Gallery exhibition Local Area Network will showcase contemporary digital arts in Brooklyn with work from American Medium, Eyebeam, Interstate Projects, Microscope Gallery, Transfer Gallery, and NURTUREArt — VideDigital Arts Gallery exhibition Local Area Network will showcase contemporary digital arts in Brooklyn with work from American Medium, Eyebeam, Interstate Projects, Microscope Gallery, Transfer Gallery, and NURTUREArt — Videdigital arts in Brooklyn with work from American Medium, Eyebeam, Interstate Projects, Microscope Gallery, Transfer Gallery, and NURTUREArt — Videorover.

The initiative aims to expand scholarship and access to works by contemporary artists of color in the Museum's collection by enhancing the digital archive, bringing visiting artists and scholars to Skidmore, and forging educational partnerships with other colleges and universities.

In a period in which material formalism, digital space and the artist as archivist have been the dominant tropes in contemporary art, from the shiny empty Minimalism of Jacob Kassay or Jordan Wolfson's miserable stripper robot, to Camille Henrot's hyper - decontextualisation of historic artefacts, then Kjartansson's interest in real - world interaction has given his work a dedicated following (and a Performa award to boot).

Alongside the work of Atkins's contemporaries, from Benedict Drew to Laure Prouvost, Us Dead Talk Love represents a new viscerality in digital filmmaking — not only in its abject subject matter, but also in the queasily direct sensory response provoked by its disjunctive montage of sound, image and word.

The type of «information painting» which many contemporary artists seem to be producing today has more than just a formal correspondence with the work of some of the pioneers of Azimuth and of the more obscure artists of the «Arte Programmata»; it is by analyzing the prehistory of the digital age that we can hope to understand better our present.

What does it mean to work in the studio now, as it increasingly cedes its privileged position as the exclusive laboratory for contemporary artistic practice to more mobile, itinerant, digital and global networks?

With more than 85 new works in diverse media, including painting, drawing, sculpture, photography, video, digital animation and mixed media, Frequency exemplifies the non-thematic, non-linear climate of contemporary art today.

The curatorial premise brings artists together whose work concerns «automated empathy, new age philosophy, digital death and the rise of artificial intelligence in contemporary society.»

together, they are especially interested in new modes of encounter and working, pritorizing the possibility of site - specific digital and net - based installation to increase audience engagement around emerging contemporary art.

The palpable humor of the works on view, alternatingly mischievous and dark, suggests ambivalence toward contemporary culture, its feigned invocations of morality and the cookie - cutter mentality of digital reproductions.

Mediengruppe Bitnik's tech - savvy co-opting of CCTV cameras and dark web sites, there's a large body of work by contemporary digital artists mining our complicated relationship with Big Brother.

Contemporary original 2D and 3D work in any medium including painting, print, drawings, video, photography, or digital images.

The exhibition also features new work from Yonlay Cabrera and Fidel García, two of Cuba's most exciting and internationally exhibited contemporary digital artists.

«The stark contrast between the old and the new brings out the digital qualities of the work even more and offers a very contemporary critical dialog to a crowd in the East end that is more acquainted with traditional art methods so we're trying to bring something new and unknown out there,» Vogt explains.

A new touring exhibition looks at contemporary African design with works by more than 120 artists including sculpture, prints, fashion, furniture, film, photography, apps, maps and digital comics.