Sentences with phrase «contemporary drawings at»

An illustrated catalogue with an essay by Rachel Federman, Assistant Curator of Modern and Contemporary Drawings at the Morgan Library & Museum and former Assistant Curator of Painting and Sculpture at the San Francisco Museum of Modern Art.

DUBUFFET DRAWINGS, 1935 - 1962 was organized by Isabelle Dervaux, Acquavella Curator of Modern and Contemporary Drawings at the Morgan Library & Museum.

Isabelle Dervaux, the curator of modern and contemporary drawings at the Morgan Library & Museum, has gathered these works together for the first time in «Dan Flavin: Drawing,» an exhibition that will be at the Morgan from Feb. 17 through July 1.

Richard Diebenkorn: Works on paper, 1955 - 1967, is accompanied by a fully illustrated exhibition catalog, with an introductory essay by Rachel Federman, Assistant Curator of Modern and Contemporary Drawings at The Morgan Library & Museum.

Drawing Now, published to accompany the first major survey of contemporary drawings at The Museum of Modern Art, New York, in 15 years, contains more than 100 color reproductions of work by 26 international artists, both well - known and emerging, that demonstrate the fascinating variety of methods and approaches, mediums and scales, apparent in this old - again, new - again art.

Dan Flavin: Drawing is organized by Isabelle Dervaux, the Acquavella Curator of Modern and Contemporary Drawings at The Morgan Library & Museum.

The exhibition is curated by Isabelle Dervaux, Acquavella Curator of Modern and Contemporary Drawings at the Morgan Library & Museum.

In The Brooklyn Rail, Isabelle Dervaux, the curator of modern and contemporary drawing at the Morgan, and Dorothea Rockburne talked with publisher Phong Bui as the exhibition was being installed.

16 Jul 2008 Exhibition of Contemporary Drawing at the Irish Museum of Modern Art An exhibition of some 250 works on paper by more than 80 leading international artists opens to the public at the Irish Museum of Modern Art on Friday 25 July 2008.

Not exact matches

And Amazon's streaming station, despite being set in a fictional 1960s, draws at least a few explicit connections to contemporary politics.

An award - winning poet who teaches at Virginia Commonwealth University, Graber has drawn her poetic inspiration from Mark Doty, Charles Wright and Stephen Dunn, among other contemporary writers.

But this task of drawing all men to Himself the divine purpose to «sum up all things in Christ», will not be effected till the end of history; and the fellowship of love which it is the divine plan to establish can not come into being in its completeness within history at all, for it must be more than a fellowship of contemporaries.

Aimed at an international audience of practitioners and policymakers, it tackles contemporary themes in early childhood, with contributions from both foundation - supported projects and outside experts drawn from the fields of practice, policy, and academia.

Clean - cut shapes and minimalism are at Equipment's core, and today, under the guidance of Serge Azria, the line continues to draw on this heritage along with a contemporary perspective and feeling of casual cool.

As directed by my generational contemporary Len Wiseman, Live Free or Die Hard shows at least a superficial understanding of what makes Willis» most fiscally successful films tick: a hissable bad guy (Timothy Olyphant as cyber-terrorist Thomas Gabriel), armies of henchmen (and in this case, a henchwoman), and NYPD cop McClane, reluctantly drawn into bruising fistfights and games of chicken with large vehicles and machinery.

Following Mailer's text — or at least drawing from its imagery — more faithfully than expected, it finally proved a masterclass in adapting the seemingly unfilmable, fusing the scope and swagger of its source material to a meta, contemporary framing device; all filtered through a singular artistic vision, unique not just to a week's festival viewing, but to cinema itself.

Aside from a few mentions of political buzzword terms such as «Supreme Leader», the script by Abrams and Lawrence Kasdan largely abstains from drawing parallels to contemporary geopolitical history, which should be music to the ears of those who found the Jihadist parable at the centre of Star Trek Into Darkness to be supremely distasteful.

Following a bug hunt and an afternoon looking at and handling stick insects, a praying mantis, snails, tarantulas and scorpions the students studied the depiction of insects in arts from earliest Egyptian to contemporary drawings, before producing their own studies, which were exhibited at a local gallery.

Judge: Award winning Children's author Peter Johnson Best artwork / painting / drawing Judge: Toby Ray — British Contemporary Artist & British Contemporary Visual Artist Yvonne Coomber Best wildlife / animal painting / drawing Judge: Svetlana Dragayeva, Film producer and creator of BAFTA winning independent children's app VIRRY Best wildlife / nature photograph (We want to encourage you to go on a nice walk together somewhere and snap away with a camera) Judge: Debbie Bird, Director at What's On 4 and board of the Children's Activities Association.

After exploring degrees in museum studies and the like, she focused on drawing more connections between education and contemporary art communities at the Ed School.

It covers the following National Curriculum learning objectives: - develop pleasure in reading, motivation to read, vocabulary and understanding by: listening to, discussing and expressing views about a wide range of contemporary and classic poetry, stories and non-fiction at a level beyond that at which they can read independently - becoming increasingly familiar with and retelling a wider range of stories, fairy stories and traditional tales - drawing on what they already know or on background information and vocabulary provided by the teacher - making inferences on the basis of what is being said and done - answering and asking questions - predicting what might happen on the basis of what has been read so far - using dictionaries to check the meaning of words that they have read - checking that the text makes sense to them, discussing their understanding, and explaining the meaning of words in context

Though her two previous novels have been historical, here Gilmore (a former publicity director at Harcourt) takes on the very contemporary subject of infertility and adoption in a story drawn in part from personal experience.

My favorite, which was released recently is Archaeology, Anthropology and Interstellar Communication and edited by SETI Director of Interstellar Message Composition Douglas Vakoch, the document draws on «issues at the core of contemporary archaeology and anthropology» to prepare us «for contact with an extraterrestrial civilization, should that day ever come.»

The village that once drew artists like Calder and Chagall still features many of their pieces at modern and contemporary art museum Fondation Maeght.

Twelve at Hengshan collaborated with some of the world's leading architects and designers on this iconic property, which draws inspiration from the area's rich history and traditional Chinese hospitality, updated with romantic flourishes and contemporary amenities.

Now Play This, part of the annual London Games Festival, has to appeal to casual fans and people drawn to an event billed as culturally significant and held at the capital's Somerset House contemporary arts center.

Featuring an all new re-imagined contemporary art style, hand - drawn and presented in 1080p, complete voice over by members of the original Monkey Island ™ franchise cast, a re-mastered musical score using live instruments, plus scene - for scene - hot swap to seamlessly transition between Special Edition and Classic modes at anytime.

Today's show: «Splitting, Cutting, Writing, Drawing, Eating... Gordon Matta - Clark» is on view at the Serralves Museum of Contemporary Art in Porto, Portugal, through Sunday, September 3.

The portraits at the Frick varied widely in formality and speed of execution, ranging from quick and expressive drawings and oil sketches to full - length canvases made in Van Dyck's capacity as court painter to Charles I. Works in the first category can look unnervingly contemporary, particularly the sensitive and precocious self - portraits that appeal, anachronistically, to our obsession with «authenticity.»

His solo exhibitions include The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

The exhibition which opened on Sunday at Shanghai's contemporary art museum features over 300 paintings, photographs, screen prints, drawings, 3 - D installations and sculptures including iconic works such -LSB-...]

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

In The Thrum and The Thrall, writing desks, drawings, taxidermy dogs, hatboxes, glass heads, and other sundry artworks crowd the viewing room at Marlborough Contemporary.

Murillo's huge and physically enveloping canvases (seen at Art Basel 20135), echo familiar threads through contemporary fine art painting practice — the energetic gestures and scribblings of Cy Twombly, the haptic scruffs and mixing of materials of Antoni Tàpies and Anselm Kiefer, the calling out (in script) of Colin McCahon6 and the drawing, foodstuffs and performances of Joseph Beuys and William Pope.L.7

At Fourteen30 Contemporary, Rafferty, a participant in this year's Whitney Biennial, presents new work concerning language and the body, a connection bridged through the concept of «figure drawing,» which applies both to the classical practice of artists observing and representing a model as well as using the innate elasticity of words to suggest multiple, sometimes contradictory meanings.

1998 Selections, Winter 1998, The Drawing Center, New York, NY catalogue Crossings, AT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino KAT Kearney Corporate Offices, San Francisco, CA At Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino KAt Home and Abroad: Twenty Contemporary Filipino Artists, Asian Art Museum, San Francisco, CA; Contemporary Art Museum, Houston, TX; University of Honolulu, HI; Metropolitan Museum, Manila, Philipines Catalogue SF Babaylan: An Exhibition of Contemporary Art from Eight San Francisco, Bay Area Women Artists, Museo Ng maynil, Manila, Philippines catalogue Landscape and Memory, Haines Gallery, San Francisco, CA Drawings, Haines Gallery, San Francisco, CA Sino Ka?

Other major exhibitions at Nielsen Gallery included «Jackson Pollock: Forty Four Psychoanalytic Drawings, 1939 - 41; and The Self - Reliant Spirit, featuring a comparison of four contemporary artists with Albert Pinkam Ryder, Ralph Albert Blakelock, Arthur Dove, Marsden Hartley.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Her work has been exhibited around the country, most notably at the 2017 LBIF Annual Drawing Exhibition, juried by the Whitney Museum's Jane Panetta; the Allentown Museum of Art, PA; Delaware Art Museum, DE; and the Center for Contemporary Art in Santa Fe, NM.

Recent solo exhibitions include 2TRAPS at The Pace Gallery, New York (2010), Robert Mapplethorpe / Sterling Ruby at Xavier Hufkens, Brussels (2009), The Masturbators at Foxy Production, New York (2009), Supermax 2008 at the Museum of Contemporary Art, Los Angeles (2008), CHRON at the Drawing Center, New York (2008) and Grid Ripper, Galleria d'arte Moderna e Contemporanea, Bergamo, Italy (2008).

Her work was included in Home at the Core Gallery, Deptford, London (2011) and in SKETCH at the Rabley Contemporary Drawing Gallery, Marlborough (2011).

On view exclusively at The Met Breuer, this major international loan exhibition of about 120 works draws on The Met's rich collections of European sculpture and modern and contemporary art, while also featuring a selection of important works from national and international museums and private collections.

O'Neal's drawings and paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S. 122, New York; Johnson Museum of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum of Art, Jackson, MS; Centre d'Art des Pénitents Noirs, Aubagne, France; Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach, FL; Huntsville Museum of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA; Field Projects, New York; and Linda Warren Projects, Chicago.

Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List», Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios Gallery, Charleston, SC 2010 — «Remnants», Fuse Gallery, New York, NY 2010 — «Highlights» Island Weiss Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «City Lights», George Billis Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson Gallery, New York, NY 2007 — «Small Works», Sarah Bain Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2006 — «AAF», shown by DFN Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «Small Works», Sarah Bain Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show, Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain Gallery, Brea, CA 2004 — «Still Life», Sarah Bain Gallery, Brea, CA 2004 — «27th Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank Gallery, New York, NY 2003 — «26th Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY

Gianna Commito (b. 1976, lives and works in Kent, Ohio) has exhibited her work at Rachel Uffner Gallery, Gavin Brown's Enterprise, Taxter and Spengemann, and The Drawing Center, all in New York, NY, as well as the Museum of Contemporary Art, Cleveland, OH, and others.

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

Her first museum retrospective, curated by Dan Byers at the Institute of Contemporary Art, Boston, will include fifteen sculptures and twelve drawings made between 1980 and 2014.

2017 Talking Pictures: Camera Phone Conversations Between Artists, The Metropolitan Museum of Art, New York, NY Person of the Crowd: The Contemporary Art of Flânerie, The Barnes Foundation, Philadelphia, PA DRAW / Boston, MassArt, Boston, MA Southern Accent: Seeking the American South in Contemporary Art, Speed Art Museum, Louisville, KY Uptown, The Wallach Art Gallery at Columbia University, New York, NY Maker, Maker, Children's Museum of the Arts, New York, NY No burden as heavy, David Castillo Gallery, Miami Beach, FL Jacob Lawrence: Lines of Influence, SCAD Museum of Art, Savannah, GA The Legacy of Lynching: Confronting Racial Terror in America, Brooklyn Museum, New York, NY Victory over the Sun: The Poetics and Politics of Eclipse, Kentucky Museum of Art and Craft, Louisville, KY Detroit 67: Perspectives, Detroit Historical Society, Detroit, MI ProjectArt Presents: My Kid Could Do That, Kimpton Eventi Hotel, New York, NY

Traveled to Worcester Art Museum, Worcester, Massachusetts (October 3 — November 25); Grey Art Gallery, New York University, New York (January 15 — February 23, 1985); Contemporary Arts Center, Cincinnati (March 14 — April 27, 1985); Albright - Knox Art Gallery, Buffalo (September 14 — November 3, 1985) and Archer M. Huntington Art Gallery, University of Texas at Austin (January 12 — February 23, 1986) Sur Invitation, Musée des Arts Décoratifs, Paris (June 6 — September 17) Olympic Arts Festival Los Angeles 1984, Newport Harbor Art Museum, Newport Harbor, California (June 1 — September 9) Selections from the Permanent Collection: Paintings and Sculpture, Museum of Modern Art, New York (opened May 17) Three Painters, Three Decades: Lee Krasner — Joan Mitchell — Pat Steir, Harcus Gallery, Boston (May 5 — June 20) XXIX Salon de Montrouge, Art Contemporain, Peinture — Sculpture — Dessin, Montrouge, France (May 2 — June 3) Aspects de la Peinture Contemporaine (1945 — 1983), Musée d'art moderne de Troyes, France (April 29 — June 18) Vent «anni d'arte in Francia, 1960 — 1980, Association Française d'Action Artistique, Galleria comunale d'arte moderna di Bologna (March — April) Master Drawings: 1928 — 1984, Janie C. Lee Gallery, Houston (March 7 — April) La Part des Femmes dans l'Art Contemporain, Galerie Municipale, Vitry - sur - Seine, France (March) American Women Artists, Part I: 20th Century Pioneers, Sidney Janis Gallery, New York (January12 — February 4)

Surveying two decades of painting and drawing from 1996 to present, it presents a comprehensive look at the career of one of the most critically recognized contemporary artists working today.