Sentences with phrase «contemporary economic challenges»

Although the renewed emphasis on competition law as a solution to contemporary economic challenges, Margaret Sanderson of Charles River Associates indicated that Canada provided a pertinent counter-example to the Hipster Antitrust rhetoric.

There's a growing sense that inflation targeting is no longer adequate to tackle contemporary economic challenges.

Not exact matches

In this connection, I have been particularly struck by Gustavo Gutiérrez's observation that, whereas much contemporary theology seeks to respond to the challenge of the «nonbeliever» who questions our «religious world» as Christians, in a continent like Latin America the primary challenge comes to us rather from the «nonperson» who questions us about our «economic, social, political and cultural world.»

Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self - determination with the broader public sphere.

The exhibition considers these questions along contemporary political, economic, technological, and social challenges, including the alarming surfacing of fascisms in public life.

The DIWO (Do It With Others) campaign for emancipatory, networked art practices was instigated by Furtherfield in 2006 and it is informing an artistic engagement with new blockchain technologies; to organise, cooperate, p2p and at scale to transform approaches to contemporary economic and social challenges.

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

«We embrace the challenge of making these two worlds connect and hopefully continue to elaborate possibilities of coexistence,» Mones Cazón says «Contemporary art has become a strong weapon of interaction in the world economic order.

Artists Space has changed the institutional and economic landscape for contemporary art by lending support to emerging artists and emerging ideas alike, often critically challenging and controversially contributing to the intellectual and artistic status quo in New York City and beyond.