Examining
the contemporary economic landscape for corporations, non profit organisations, governments and community ventures, the panel explores where the «sharing economy» will lead us in the future; the political repercussions of open data ideals; and how the principles of collaborative consumption have been and may be deployed in the art economy.
Women now account for quite the spending power in
our contemporary economic landscape.
Not exact matches
Textural and textual, Mark Bradford's Ghost Money is a stratified map of
contemporary experience, a penetrating excavation into the gritty
economic and cultural
landscape of the artist's native Los Angeles.
In recent years, we have exposed various paradigms of
contemporary art to the litmus test of a local Bronx community and the cultural,
economic, and social
landscape that defines it.
Founded in 1972, Artists Space has successfully contributed to changing the institutional and
economic landscape for
contemporary art in New York City — lending support to emerging ideas and emerging artists alike.
Founded in 1972 in downtown Manhattan, Artists Space has successfully contributed to changing the institutional and
economic landscape for
contemporary art, by lending support to emerging artists and...
With it, Bradford presents a work that not only explores the vital tension between abstraction and representation in
contemporary art, but crucially invites us to confront some of the most pressing issues that we must continue to reckon with in today's socio - political
landscape characterised by flares of racism, sexism and global
economic suffering of the disenfranchised.
She links the history of
contemporary art and its museums with the
economic and nationalist mythologies of the American
landscape, drawing upon a suite of lumber industry publicity photographs that a Walker - family company commissioned from Berenice Abbott in the 1940s.
Artists Space has changed the institutional and
economic landscape for
contemporary art by lending support to emerging artists and emerging ideas alike, often critically challenging and controversially contributing to the intellectual and artistic status quo in New York City and beyond.
A particular highlight this year will be the ongoing examination into the social, political and
economic landscape that shaped ROSC and its subsequent impact on
contemporary art developments in Ireland, which will culminate in a major symposium in November 2017, our ongoing provision of programmes for people living with dementia through the AZURE initiative and the launch of a new digital digest that will develop new content about our programmes, giving people new ways to find out more about the work, and to personally connect with art and artists at IMMA.