Sentences with phrase «contemporary exhibition called»

Marking the occasion is a new contemporary exhibition called «Ellsworth Kelly: Sculpture on the Wall» (through September 2) that includes Kelly's landmark work, Sculpture for a Large Wall (pictured here).

We currently have a modern and contemporary exhibition called Wales: Visitation, followed by a show about the work of JD Innes beginning in April and a major exhibition marking the 300th anniversary of Richard Wilson this summer.

Not exact matches

The agreement also calls for the establishment of an exhibition space, the Contemporary Art Collection of the Americas, to display works from the collection in Madrid.

China Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of Contemporary Art Shanghai, China (2016); 4th Jakarta Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin, Madison, WI (2015); China 8 - Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The Human Figure in Contemporary Chinese Art, Chazen Museum of Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of Arts and Design, Germany (2013); CAFAM Future, CAFA Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth Art Centre, Wales, UK (2010); Mahjong: Contemporary Chinese Art from the Sigg Collection, University of California, Berkeley Art Museum and Pacific Film Archive, CA (2008), and The Chinese Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).

Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries in Abstract Painting, Nohra Haime Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos Gallery, Philadeiphia, PA 1984 Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984 Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art, Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert Gallery, New York, NY 1983 Hundreds of Drawings, Artists Space, New York, NY 1983 A More Store, Jack Tilton Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler Gallery, New York, NY 1983 Artists for Nuclear Disarmament, Colburn Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A. Gallery, New York, NY 1982 Group Exhibition, Roy Boyd Gallery Chicago, Merwin Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..

2013 Radical Presence Part II, Studio Museum in Harlem, New York, NY Radical Presence Part I, Grey Art Gallery, NYU, New York, NY Nu Age Hustle, Momenta Art, Brooklyn, NY Inaugural Group Exhibition, Monya Rowe Gallery, New York, NY Toonskin, Curated by Kenya Robinson, ArtSpace Connecticut, New Haven, CT Aboveground Animation, MOCATV screening and online exhibition, Museum of Contemporary Art, Los Angeles, CA Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA Bronx Calling, 2nd AIM Biennial, Bronx Museum, New York, NY Trans Technology, Rutgers University, Exhibition, Monya Rowe Gallery, New York, NY Toonskin, Curated by Kenya Robinson, ArtSpace Connecticut, New Haven, CT Aboveground Animation, MOCATV screening and online exhibition, Museum of Contemporary Art, Los Angeles, CA Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA Bronx Calling, 2nd AIM Biennial, Bronx Museum, New York, NY Trans Technology, Rutgers University, exhibition, Museum of Contemporary Art, Los Angeles, CA Approximately Infinite Universe, Museum of Contemporary Art San Diego, San Diego, CA Bronx Calling, 2nd AIM Biennial, Bronx Museum, New York, NY Trans Technology, Rutgers University, Newark, NJ

Saturday October 6, 2012 One - Day Open Call exhibition of South Florida artists at Girls» Club to energize Downtown Fort Lauderdale Contemporary Art Scene.

«Bemis Center for Contemporary Arts Open Call 2018 Main Gologorska Gallery «United» exhibition call for artists.&raCall 2018 Main Gologorska Gallery «United» exhibition call for artists.&racall for artists.»

In 2014, Trockel's pieces were included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germany.

He was curator at the Institute of Contemporary Arts (ICA), London from 2007 to 2010, where he curated and organized exhibitions and events including Nought to Sixty, Talk Show (with Will Holder), Calling Out Of Context (with Jamie Eastman), Cosey Complex (with Maria Fusco), Billy Childish — Unknowable But Certain (with Matthew Higgs) and Chto Delat?

Rockport and the surrounding area were a continuing source of inspiration for Chaet's paintings of He first gained recognition for what he calls his «dumb» paintings, when Marcia Tucker, founding director of the New Museum of Contemporary Art, included his work in her groundbreaking exhibition, «Bad Painting» (1978) abstract interiors, still lifes and seascapes.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

Contemporary Photography Talent Call - 1 OPEN CALL 2 ARTISTS SELECTED 1 EXHIBITION 1 RESIDENCY IN ROME Deadline: October 15, 2017 Application fee: 20 ECall - 1 OPEN CALL 2 ARTISTS SELECTED 1 EXHIBITION 1 RESIDENCY IN ROME Deadline: October 15, 2017 Application fee: 20 ECALL 2 ARTISTS SELECTED 1 EXHIBITION 1 RESIDENCY IN ROME Deadline: October 15, 2017 Application fee: 20 Euros

A large group exhibition this summer called «Blue Black» at the Pulitzer Arts Foundation, mere steps from the contemporary museum, is entirely about color, and might have seemed ripe for controversy.

He exhibited regularly at the prestigious Willard Gallery in New York from 1949 to 1965, and he was included in numerous museum exhibitions during his lifetime, among them the «Pittsburgh International Exhibition of Contemporary Painting» (now called the «Carnegie «International») in 1955, and received the Popularity Prize for a 1953 painting called «Migrating Birds.»

A 2010 McKinney Avenue Contemporary exhibition of Sedrick Huckaby's painting suite called A Love Supreme was as close to a popular sensation as the local art scene has experienced in some time.

The award came in the midst of what what friends had been calling Glovinski's «miracle year» — she is one of just 16 New England artists whose work is being featured in the deCordova Biennial at the deCordova Museum and Sculpture Park in Lincoln, MA (now through March of 2017); she is being featured in the Center for Maine Contemporary Art's biennial exhibition in Rockland, Maine starting in November; and has a solo show in January at the prestigious Carroll and Sons gallery in Boston.

EDUCATION 1988 - 90 MFA, Tulane University 1985 - 86 BM Loyola University 1970 - 72 Berklee College of Music EMPLOYMENT HISTORY 1990 - present Profeessor of Saxophone Loyola University 1987 - 90 Instructor of Music Theory Tulane University 1987 - 88 Instructor of Saxophone Loyola University SELECTED SOLO EXHIBITIONS 2018 Books Transposed, Jonathan Ferrara Gallery, New Orleans, LA 2017 Open Call, Contemporary Arts Center, New Orleans, LA 2017 Art of the Book, Seager / Gray Gallery, Mill Valley, CA 2017 Codex Book Fair & Symposium, Craneway Pavilion, Richmond CA

P.S. 1 Contemporary Art Center presents B Hotel, an exhibition of single - channel video works by twenty - three emerging artists, selected from an open call by a committee of curators and artist - advisors.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

The Contemporary Arts Center is holding an exhibition by the Internationally - acclaimed French Street Artist JR, featuring what he calls «Pervasive Art,» which has been displayed in public spaces throughout the world.

Currently, the Evans Center features an exhibition called Pose / Re-Pose: Figurative Works Then and Now, which showcases works by acclaimed African American artists of the late 19th and early 20th centuries in dialogue with contemporary artists who utilize the body as a primary focus.

Drawing on contemporary sociology, neuroscience and of course art the Irish Museum of Modern Art's exhibition «What We Call Love» explores how the notion of love has evolved within the 20th century.

The current exhibition at the Contemporary Arts Center is called Buildering: Misbehaving the City, and as Curator Steven Matijcio tells Jane Durrell, this multi-artist collection spotlights the unsanctioned use of architecture — fusing the words «building» and «bouldering» into a rapidly growing movement that reformulates how we live our cities.

Mwangi Hutter's Neger Don't Call Me (2000) is one of the 10 video pieces in NMWA's Total Art: Contemporary Video exhibition.

MacConnel's work has been shown in solo exhibitions in Los Angeles, New York, Madrid, Tijuana and Cologne; the Museum of Contemporary Art, San Diego held a retrospective of his work called Collection Applied Design in 2010.

A joyously crowded exhibition aiming to mingle contemporary artists with so - called «outsiders,» this show also includes pieces that aren't strictly art at all — like a 19th - century Japanese futon cover hung next to (and partially under) a dyed - textile painting by Cheryl Donegan.

The CPPC has generated a number of publications about Latin American art, including exhibition catalogues and a series of bilingual, sustained dialogues between contemporary artists and critics and art historians, called Conversaciones / Conversations.

She has recently participated in the exhibitions Surround Audience: New Museum Triennial 2015, New Museum, New York; Draped Down, Studio Museum in Harlem, New York (2014); Sound Vision, Nasher Museum of Art, Duke University, Durham, NC (2014); Meeting in Brooklyn, curated by Monica Lenaers, Landcommandery of Alden - Biesen, Bilzen, Belgium (2014); Shaktiat, Brand New Gallery, Milan (2014); I Always Face You, Even When It Seems Otherwise, Tiwani Contemporary, London (2013); Domestic Experiences, Foreign Interiors, Sensei Exchange, New York; I Still Face You, Franklin Art Works, Minneapolis (2013); New Works, Gallery Zidoun, Luxembourg; Jump Cut, Marianne Boesky Gallery, New York (2013); Housewarming, BRIC, New York (2013); Bronx Calling: The Second AIM Biennial, Bronx Museum of the Arts, Bronx, NY (2013); Primary Sources, Studio Museum in Harlem (2012); and Lost and Found: Belief and Doubt in Contemporary Pictures, Museum of New Art, Detroit (2012).

The Contemporary Art Museum also hosts a bi-annual competition called the Great Rivers Biennial which awards three artists a solo exhibition and a $ 20,000 award.

Before the Museum of Contemporary Art, even before the L.A. County Museum of Art, large art exhibitions in this city were held at what was then called the Museum of Natural Science...

When SITE Santa Fe's multimillion - dollar renovation and expansion project concludes this October, the contemporary museum space will debut an exhibition called Future Shock.

From 2000 - 2004 he was Director of the Rooseum Center for Contemporary Art, Malmö where he made solo exhibitions with Surasi Kusolwong, Nedko Solakov and Superflex a.o. and group shows including «Baltic Babel» and «Intentional Communities» From 1998 - 2002 he organised the international art academic research project called «protoacademy» at Edinburgh College of Art.

Through an annual open call, we seek exhibitions featuring the work of emerging and underrepresented contemporary artists and the curators who seek to exhibit these artistsʼ work in a clear and concise context.

A contemporary art exhibition at the Old Stone House & Washington Park, curated by Katherine Gressel Exhibition Opening: Wednesday, August 17, 6 - 9 p.m. Exhibition dates: August 17 - October 8, 2016 Hours: Fridays 3 - 7 p.m.; or by appointment Call 718-768-3195 or email info@theoldstonexhibition at the Old Stone House & Washington Park, curated by Katherine Gressel Exhibition Opening: Wednesday, August 17, 6 - 9 p.m. Exhibition dates: August 17 - October 8, 2016 Hours: Fridays 3 - 7 p.m.; or by appointment Call 718-768-3195 or email info@theoldstonExhibition Opening: Wednesday, August 17, 6 - 9 p.m. Exhibition dates: August 17 - October 8, 2016 Hours: Fridays 3 - 7 p.m.; or by appointment Call 718-768-3195 or email info@theoldstonExhibition dates: August 17 - October 8, 2016 Hours: Fridays 3 - 7 p.m.; or by appointment Call 718-768-3195 or email [email protected]

With Western galleries continuing to open in Greater China (by and large in Hong Kong) and Western museums attempting to introduce audiences to the development of contemporary art in the region (witness the Guggenheim Museum's current exhibition), it's no surprise that Helbling, who has been promoting contemporary art in China since he set up Shanghart in 1996, is the first port of call for advice and information.

I had an appointment to meet Kahlil Joseph and see a video that two of my Museum of Contemporary Art colleagues — Emma Reeves and Bennett Simpson — had urged me to see in an exhibition organized by Noah Davis called «The Oracle.»

The exhibition continues a conversation about how the Internet has changed contemporary art, a matter most recently articulated in an exhibition called» Free» at the New Museum in New York (2010 — 2011) that was curated by Lauren Cornell.

(Now called the Museum of Contemporary Art, the La Jolla museum is currently presenting an exhibition titled «Dimensions of Black,» in collaboration with the San Diego African American Museum of Fine Art through April 30, 2017.

Dallas Contemporary was staging an exhibition called Seven which was curated by, you might have guessed, seven galleries that included BravinLee programs, P.P.O.W. and Postmasters.

[9] Rubins collaborated with husband Chris Burden on a number of projects, including an installation called A Monument to Megalopolises Past and Future at Los Angeles Contemporary Exhibitions (LACE) in 1987.

Recent notable group exhibitions include Ron Arad's Curtain Call, The Roundhouse, London (2011); Rude Britannia, Tate Britain, London (2010); Laughing in a Foreign Language, Hayward Gallery, London, UK (2008); Momentary Momentum, Parasol Unit foundation for contemporary art, London; touring to Kettle's Yard, Cambridge, UK (2007 - 2008); The Compulsive Line: Etching 1900 to Now, The Museum of Modern Art, New York, NY (2006) and State of Play, Serpentine Gallery, London (2003).

Suggestions for Art That Could Be Called Red is the new exhibition by the Museum of Contemporary Cuts (MoCC), curated by Senior Curators Lanfranco Aceti and Susanne Jaschko.

The Chrysler Museum Glass Studio, Norfolk • The Baron and Ellin Gordon Galleries at Old Dominion University, Norfolk • The Moses Myers House, Norfolk • The Selden Arcade, Norfolk • The Virginia Arts Festival, Norfolk • The Willoughby - Baylor House, Norfolk • The Visual Arts Center Galleries at Tidewater Community College, Portsmouth • The Suffolk Center for Cultural Arts, Suffolk • The Virginia Museum of Contemporary Art, Virginia Beach • Galleries, Schools, Community Groups Throughout the Seven Cities • Community Festivals and Mobile Glass Studio Appearances For exhibitions, programming and special events, visit chrysler.org or call 757-664-6200.

The Ogden Museum of Southern Art is calling for Louisiana - based artists to submit works of art for its annual «Louisiana Contemporary Presented by The Helis Foundation» exhibition.

At the same time, over 200 artists and curators have signed an open letter calling for the restructure of documenta's supervisory structure, which, according to their claim, had reduced the German contemporary art exhibition to «a commercial enterprise».

His current exhibition at Steve Turner Contemporary (which closes tomorrow and is worth the last - minute dash) is called Group Shows and the plural — «shows» and not «show» — matters.

The exhibition also explores how contemporary artists use what is called the ground as a beginning place from which to establish a field.

In particular, this exhibition is part of collaboration between the Nubuke Foundation and SMBA, Amsterdam and is part of a larger 2 year programme conceptualised by SMBA called project 1975 which is an exploration of the relationship between contemporary art and post-colonialism.

Its best - known event, Bushwick Open Studios is thereby also now a decade old, and in the spirit of reflection and a focus on the life of the world to come, has cast the title and theme of this year's annual open call exhibition, held at DAVID&SCHWEITZER Contemporary, «Seeking Space: Making the Future,» curated by Michael David and Julie Torres.