Sentences with phrase «contemporary exhibition making»

Her research focuses on contemporary practices inbetween art and architecture and the recent developments and debates around contemporary exhibition making.

Through this unique hands - on experience and professional development program, Artist Residents develop valuable insight and experience in contemporary exhibition making.

Not exact matches

The building's second floor will go to Contemporary Art Collection of the Americas, while the rest of the Tabacalera will be made available for exhibitions of emerging artists and as a satellite space for the nearby Reina Sofia Museum.

Emyr Williams reviews the exhibition Making Painting: Helen Frankenthaler and JMW Turner at Turner Contemporary, Margate writing: «The two artists are represented by paintings and watercolours.

There's an image in the exhibition of Neel in her seventies, standing outside the Whitney Museum, picketing the institution — just three years before it would give her a solo retrospective — for failing to involve people of color in the making of its exhibition «Contemporary Black Artists in America.»

EXHIBITIONS GROUP SHOWS «Contact» Casa dei Tre Oci, Venice September 11, 2015 - January 10, 2016 «Vukani / Rise» Open Eye Gallery, Liverpool September 18 - November 29 «Making Africa, A Continent of Contemporary Design» Guggenheim, Bilbao October 23, 2015 - February 21, 2016

The exhibition is made possible by The Alexander Bodini Foundation, Mrs. Terry Allen Kramer, Enzo Viscusi, and The International Council of The Museum of Modern Art with additional support from The Contemporary Arts Council of The Museum of Modern Art, Gilberto and Rosa Sandretto, Patricia Phelps de Cisneros, Il Gattopardo, The Italian Cultural Institute of New York, and DARC - Directorate - General for Contemporary Architecture and Art of the Italian Ministry for Cultural Heritage and Activities.

Exhibitions at MoMA PS1 are made possible by the Annual Exhibition Fund with support from Volkswagen of America, MoMA's Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, Jerry I. Speyer, Bloomberg Philanthropies, Philip and Shelley Aarons, Agnes Gund, Peter Norton, Beth Swofford, Susan Hayden, Angela A. Chao and Jim Breyer, Sheikha Hoor Al - Qasimi, Sarah Arison, Adriana Cisneros de Griffin, Wendy Fisher, Adam Kimmel, Julia Stoschek, Svetlana Uspenskaya, Maja Oeri, Jennifer McSweeney, Simon Mordant, Dana Farouki, Richard Menschel, Robert Menschel, Michael Werner Inc., Dorothy Lichtenstein, Linyao Kiki Liu, The Contemporary Arts Council of The Museum of Modern Art, Sydie Lansing, John Comfort, Dayana Tamendarova, Mimi Haas, Marlene Hess and Jim Zirin, Donald B. Marron, Prada USA Corp. / Miuccia, Rob and Anne - Cecilie Speyer, Michael Ovitz, Michele Gerber Klein / Liberman Fdn, Anne & Joel Ehrenkranz, Enzo Viscusi, MoMA International Council, Lise Stolt - Nielsen, Union Beer Distributors, Ace Hotel New York, CANADA LLC, The Junior Associates of The Museum of Modern Art, Bill & Ellen Taubman, Foundation Galeries Lafayette, Susan and David Rockefeller, Philip Munger, Flanders House, with additional funding from The Director's Circle of MoMA PS1, and The Contemporary Circle of MoMA PS1.

As a contemporary art exhibition, «Viva Arte Viva» almost exclusively features works made by individuals for display rather than collective use, but it's permeated by an impulse to integrate art into the social fabric.

Select Group Exhibitions 2017 Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Artists in the Path of the Butterfly, Bemis Center for Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Omaha, NE 2017 Buffalo in the American Living Room, Plains Art Museum, Fargo, ND 2017 All That Glitters, work on display in contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, contemporary galleries at St. Louis Art Museum 2017 Now is the Time: Investigating Native Histories and Visions of the Future, IAIA Museum of Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2016 Culture Shift, Art Mür, Montreal, Canada 2016 From the Belly of Our Being: art by and about Native creation, Oklahoma State University Museum of Art, Stillwater, OK 2016 Back Where They Came From, Sherry Leedy Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary, Kansas City, MO 2016 - 15 Woven Together, Regional Studies Museum Yekaterinburg, Orenburg Museum, Surgut Museum, Chelyabinsk State Regional Studies Museum, Izhevsk Municipal Exhibition Center Gallery, Glazov, Udmurt Republic, Yamal - Nenets Museum and Exhibition Center Salekhard, Orenburg Oblast, Russia 2015 Arriving at Fresh Water, Minneapolis Institute of Arts, Minneapolis, MN, Plains Art Museum, Fargo, ND 2015 superusted: the 4th Midwest Biennial, Soap Factory, Minnneapolis, MN, Urban Institute for Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Art, Grand Rapids, MI 2014 Minnesota Biennial, Minnesota Museum of American Art, Minneapolis, MN 2014 McKnight Visual Artists Fellowship Exhibition, Minneapolis College of Art and Design, Minneapolis, MN 2013 Air, Land, Seed, 516 Arts, Albuquerque, NM and University of Venice, Ca» Foscari, Italy 2013 Dyani White Hawk and Philip Vigil, Shiprock Santa Fe Gallery, Santa Fe, NM 2012 Encoded, Tweed Museum of Art, Duluth, MN 2011 Soul Sister: Reimagining Kateri Tekakwitha, Museum of Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Contemporary Native Arts, Santa Fe, NM 2008 Playing, Remembering, Making: Art in Native Women's Lives, Museum of Indian Arts and Culture with School for Advanced Research Santa Fe, NM 2007 War Paint, Institute of American Indian Arts Museum, Santa Fe, NM

One of the more experimental pieces at this year's Whitney Biennial, a colossal exhibition of contemporary American art, is an installation made from 2,755 slices of bologna pinned to the wall.

During the exhibition preview, much was made of the artist's fully contemporary approach to painting, and it's hard to argue this point.

He has been included in numerous group exhibitions, including Blues for Smoke, Museum of Contemporary Art, Los Angeles and Whitney Museum of American Art, New York; Made in LA, Los Angeles Municipal Art Gallery, Los Angeles; Human Nature: Contemporary Art from the Collection, Los Angeles County Museum of Art, Los Angeles; and 30 Americans, Rubell Family Collection, Miami, FL and North Carolina Museum of Art, Raleigh, NC.

We aim to make Chinese contemporary art and visual culture accessible to everyone through our exhibitions, events, shop, artist residencies, festivals, engagement programmes and research forums.

Major museum exhibitions include «Paintings 1975 — 1995,» Modern Art Museum of Fort Worth, Texas (opened 1995 at the Metropolitan Museum of Art, New York, traveled to the Modern Art Museum of Fort Worth, Kunstverein Düsseldorf, and Hayward Gallery, London in 1996); Irish Museum of Modern Art, Dublin, (2006, traveled to Tate Britain and Museo Nacional Centro de Arte Reina Sofia, Madrid); «Paintings: 1992 — 2007,» Yale Center for British Art, New Haven (2007, traveled to the Fitzwilliam Museum, Cambridge); «Time and Place, 2001 — 2010,» Museum of Modern Art Oxford (2010, traveled to De Pont Museum of Contemporary Art, Tilburg, The Netherlands, and San Diego Museum of Art, 2010 — 11); «Howard Hodgkin,» Fondation Bemberg, Toulouse, France (2013); and «Made in Mumbai,» Curator's Gallery at Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai (2016).

Mark Mothersbaugh joins exhibition curator Adam Lerner, Director, Museum of Contemporary Art Denver, in this wide - ranging conversation focusing on the artist's career in both music and visual art, from his early, pre-DEVO decals to his recent music - making machines.

Pride of Place: The Making of Contemporary Art in New Orleans, exhibition catalogue (New Orleans: New Orleans Museum of Art, 2017), 51.

Mr. Sanders has made his mark with exhibitions of postwar and contemporary dance, video and new media, but he's got a deft hand, too, for these works of core Modernism, which look rejuvenated in this riverfront aerie.

In 2008, Dior presented «Dior and the Chinese Artists,» an ambitious exhibition at the Ullens Center for Contemporary Art, in Beijing, featuring specially commissioned works by 20 artists, among them Liu, who made a series of abstract sculptures based on a Dior dress pattern from 1948.

Jeffrey Gibson: Like a Hammer is the first exhibition to focus on the art that one of the brightest stars working in the contemporary art world today has made since 2011, a creative turning point for him.

«Revolution in the Making» also has an institutional precedent: Hauser Wirth & Schimmel is just walking distance from the Museum of Contemporary Art's first building of the early 1980s, the Geffen Contemporary at MoCA, and its proximity prompts visceral memories of the 2007 exhibition «WACK!

Following discussion and close looking in the exhibition Modigliani Unmasked, learn printing and stamp - making techniques to create an edition of cards in this intensive one day workshop taught by contemporary artist Timothy Hull.

2006 USA Today, Royal Academy of Arts, London, UK Youth of Today, Schirn Kunsthalle, Frankfurt, Germany Constant Disturbance, Centro Cultural Español, Curated by Gean Moreno, Miami, FL Bring it on, Monique Meloche Gallery, Chicago, IL Transformer, Traveling exhibition of contemporary artworks from the West Collection, Main Line Art Center, Haverford, PA Nominally Figured, Recent Acquisitions in Contemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, Ncontemporary artworks from the West Collection, Main Line Art Center, Haverford, PA Nominally Figured, Recent Acquisitions in Contemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, NContemporary Art, Fogg Art Museum Harvard University, Boston, MA Making Do, Yale University School of Art, New Haven, CT

This exhibition explores connections between a range of modern and contemporary artworks that employ innovative materials and approaches to image - making.

«THE SQUARE» In Ruben Östlund's Palme d'Or - winning satire — perhaps the first movie to depict the world of contemporary art with true insight — a Swedish curator imagines that an exhibition can improve society, and ends up making everything worse.

During her talk, Fernández, a 2005 MacArthur Foundation Fellow and recipient of many prestigious works, will reflect on her new works, including her recent show at Massachusetts Museum of Contemporary Art, «As Above So Below,» a large - scale exhibition in which Fernandez combined graphite and gold to make a series of immersive, interconnected installations.

Rothko to Richter: Mark - Making in Abstract Painting from the Collection of Preston H. Haskell has been made possible by generous support from Susan and John Diekman, Class of 1965; the Bagley Wright, Class of 1946, Contemporary Art Fund; the Virginia and Bagley Wright, Class of 1946, Program Fund for Modern and Contemporary Art; the Andrew W. Mellon Foundation; the Allen R. Adler, Class of 1967, Exhibitions Fund; and the Judith and Anthony B. Evnin, Class of 1962, Exhibitions Fund, and an anonymous donor.

As part of the citywide In Focus / Enfoque: Contemporary Photography in Mexico exhibition, we wanted to make sure our members were aware that The New Gallery of Modern Art will be presenting Phyllis Galembo: Mexico this fall.

This exhibition will explore connections between a range of modern and contemporary artworks that employ innovative materials and approaches to image - making.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

EXHIBITIONS 2014 — Bourque, Bondgren and bourbon (Two - Person Collaborative Exhibition with Loretta Bourque), Linda Warren Projects, Chicago 2014 - Diverse Expressions, Human Thread Gallery, Chicago, IL 2014 - Gaze, Azimuth Projects, Chicago, IL (two - person exhibition with Ivan Lozano) 2013 - Gay Straight Alliance LGBT History Month Exhibit, Governors State University, University Park, IL 2012 - The Great Refusal: Taking on New Queer Aesthetics, SAIC Sullivan Galleries, Chicago, IL 2011 — All That Glitters, Linda Warren Gallery, Chicago, IL (solo) 2010 — Glimmer, Peregrine Program, Chicago, IL (solo) 2009 — The Cockamamie Show, North Lakeside Cultural Center, Chicago, IL 2008 — Made Flesh, Center on Halsted, Chicago, IL (solo) 2008 — summergroup08, Estudiotres, Chicago, IL 2008 — 21st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, TorontExhibition with Loretta Bourque), Linda Warren Projects, Chicago 2014 - Diverse Expressions, Human Thread Gallery, Chicago, IL 2014 - Gaze, Azimuth Projects, Chicago, IL (two - person exhibition with Ivan Lozano) 2013 - Gay Straight Alliance LGBT History Month Exhibit, Governors State University, University Park, IL 2012 - The Great Refusal: Taking on New Queer Aesthetics, SAIC Sullivan Galleries, Chicago, IL 2011 — All That Glitters, Linda Warren Gallery, Chicago, IL (solo) 2010 — Glimmer, Peregrine Program, Chicago, IL (solo) 2009 — The Cockamamie Show, North Lakeside Cultural Center, Chicago, IL 2008 — Made Flesh, Center on Halsted, Chicago, IL (solo) 2008 — summergroup08, Estudiotres, Chicago, IL 2008 — 21st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, Torontexhibition with Ivan Lozano) 2013 - Gay Straight Alliance LGBT History Month Exhibit, Governors State University, University Park, IL 2012 - The Great Refusal: Taking on New Queer Aesthetics, SAIC Sullivan Galleries, Chicago, IL 2011 — All That Glitters, Linda Warren Gallery, Chicago, IL (solo) 2010 — Glimmer, Peregrine Program, Chicago, IL (solo) 2009 — The Cockamamie Show, North Lakeside Cultural Center, Chicago, IL 2008 — Made Flesh, Center on Halsted, Chicago, IL (solo) 2008 — summergroup08, Estudiotres, Chicago, IL 2008 — 21st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, TorontExhibition, McNeese State University, Lake Charles, LA 2008 — Thaw, Estudiotres, Chicago, IL 2007 — Better Days Ahead, The Finch Gallery, Chicago, IL (solo) 2007 — Creative Convergence, Center on Halsted, Chicago, IL 2007 — Collection Show, Estudiotres, Chicago, IL 2007 — Salon 07, Energy Gallery at Lennox Contemporary, Toronto, Canada.

BOOKSHELF To further explore contemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary Decontemporary African art, consider recent volumes that document the field, such as «Contemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary DeContemporary African Art Since 1980,» which is co-edited by Okwui Enwezor and Chika Okeke - Agulu, «The Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary DeContemporary African Artists,» which accompanied a traveling exhibition, and «Making Africa: A Continent of Contemporary DeContemporary Design.»

Moving beyond this historic threshold, Gray's exhibition showcases his drive to further make contemporary the traditional material of marble.

The current exhibition includes more than 20 paintings and sculptures the artist made in Dresden during the 1960s and early 1970s, when the political circumstances in the then - German Democratic Republic «kept most contemporary works of art underground», says Gordon VeneKlasen, the director of the gallery who organised the show.

Tinney Contemporary is pleased to present «A Decade in the Making,» a two part exhibition commemorating the 10th Anniversary of the gallery.

The High Museum of Art will be the first venue in the United States to present «Making Africa: A Continent of Contemporary Design» (Oct. 15, 2017, through Jan. 7, 2018), a major touring exhibition organized by the Vitra Design Museum and Guggenheim Museum Bilbao.

Comprised of contemporary art acquired through SFMOMA's Campaign for Art, this exhibition highlights works in a variety of mediums that reflect the diversity of art being made since 1980.

Acknowledgements: This exhibition has been made possible through generous support from Etant donnés, the French - American Fund for Contemporary Art.

Mana Contemporary is pleased to present GLE at Mana, an exhibition of limited - edition prints selected from Lichtenstein's most recent collaborations made in his studio, Gary Lichtenstein Editions (GLE).

His work has been included in many group exhibitions, including It's Gon na Be Reverything, Paragraph Gallery, Kansas City, MO (2008); Palace Does Dallas, Road Agent, Dallas, TX (2008); Nexus Texas, Contemporary Arts Museum Houston, TX (2007); An Introduction to Mountain Making, Okay Mountain, Austin, TX (2007); Me Odio y Quiero Comprar, Galeria Enrique Guerrero, Mexico DF, Mexico (2007); and Making It Together, Creative Research Laboratory, Austin, TX (2006).

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

HangarBicocca, the contemporary art space in Milan supported by Pirelli, presents bau bau, Céline Condorelli's solo exhibition, comprising about twenty works made between 2008 and 2014, as well as a selection of the artist's writings.

The animating conceit of Telepathic Improvisation, a film by Pauline Boudry / Renate Lorenz and the centerpiece of their first U.S. solo museum exhibition of the same title at the Contemporary Arts Museum Houston, on view through Jan. 7, is that viewers are invited to «participate» retroactively in the making of the film.

Founded in 1986, Swiss Institute (SI) is an independent non-profit contemporary art institution dedicated to promoting forward - thinking and experimental art making through innovative exhibitions and programs.

She was a staff writer for Rhizome and her other writings on contemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery ancontemporary art and new media have appeared in a wide range of periodicals and other international publications including: The Believer, Art Lies, Cory Arcangel: A New Fiesta in the Making (exhibition catalog), Nam June Paik: Global Groove 2004 (exhibition catalog) and an upcoming edition of the Documents of Contemporary Art series published by Whitechapel Gallery anContemporary Art series published by Whitechapel Gallery and MIT Press.

He has participated in numerous exhibitions including Raze; Revert, Repeat, Pepin Moore Gallery, Los Angeles, 2012, Made in L.A., The Hammer Museum, The Los Angeles Municipal Art Gallery, LA, CA, 2012, Picture Industry (Goodbye to All That), organized by Walead Besthy, Regen Projects, 2010, Art Multiple 2008, Ke Center for Contemporary Arts, Shanghai China, 2008.

The work has gone on public display for the first time at the Saatchi Gallery in London, part of an exhibition bringing together 16 chess sets made over the past decade by contemporary artists, including Tracey Emin, Gavin Turk and Rachel Whiteread.

The exhibition will feature over 100 contemporary artworks made by women artists and will represent the art collections of seven prominent female art collectors from London, Europe and North America.

Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking in exhibitions at small make - shift art collective show spaces, artist studios and some more clearly identified art galleries like the Fuchs Project and Robert Henry Contemporary.

The works on display in this exhibition demonstrate how contemporary artists can question established assumptions about what a sculpture can be, what it is made of and how it should look and be displayed.