Sentences with phrase «contemporary exhibition plan»

Not exact matches

Alexandra Terry is Associate Curator at the Museum of Contemporary Art Santa Barbara (MCASB), where she is responsible for planning, organizing, and implementing exhibitions.

«A couple of years ago, Mari Carmen Ramirez and Michael Wellen told me about an exhibition they were planning titled Contingent Beauty: Contemporary Art from Latin America, which featured Tania's work,» recalls Farber.

Featuring historical and contemporary work, the exhibition includes several experimental positions that draw from city planning, architecture, choreography, advertising, and oral history.

For the occasion, he has also planned a contemporary art exhibition, which is rare for the Villa.

NGA to Renovate — In (so far) unrelated news, the National Gallery has also announced a $ 30 million renovation to their East Building — which houses the museum's Modern and contemporary art collection — with galleries to begin closing in July in preparation for the planned construction, which will add a rooftop sculpture garden and more than 12,000 square feet of exhibition space.

A letter to the artist from the British Council dated 16 May 1947 sets out the plans for the exhibition of roughly 50 paintings by contemporary British artists «for exhibition in France, Czechoslovakia, Greece and Austria».

An upcoming solo exhibition is planned for the spring of 2016 at the Yarat Contemporary Art Centre in Baku, Azerbaijan.

Plus: New York City Cultural Plan focuses on underserved communities Neil MacGregor to remain at Humboldt Forum until it opens artworks vandalised at Domme contemporary exhibition

Recent exhibitions include Harlem: Found Ways, Cooper Gallery at Hutchins Center, Harvard University, Cambridge, MA (2017); Urban Planning: Contemporary Art and the City 1967 - 2017, Contemporary Art Museum St. Louis, MO (2017); Only When It's Dark Enough Can You See The Stars, The Contemporary, Baltimore (2016); Puddle, pothole, portal, SculptureCenter, Queens (2014); Outside the Lines, Contemporary Arts Museum Houston (2014); Fore (2012), The Studio Museum in Harlem, New York, NY (2012); Future Generation Art Prize, the Pinchuk Art Centre, Kiev, Ukraine (2012); and The Ungovernables, New Museum, New York, NY (2012), among others.

Selected group exhibitions include Museum on the Seam, Jerusalem (2006, 2010), «Open Plan Living» (2008), curated by Andrew Renton at the Helena Rubinstein Pavilion, Tel Aviv, «Lush Life» (2010), curated by Franklin Evans and Omar Lopez - Chahoud at Invisible Exports, NYC, «Unnatural» (2012), curated by Tami Ketz Freiman at the Bass Museum of Art, Miami, «Magic Lantern: Recent Acquisitions in Contemporary Art» (2012) at the Israel Museum, Jerusalem, and «The Compromised Land» (2013), curated by Lilly Wei and Helaine Posner at the Neuberger Museum, NY.

Ghenie is also the co-founder of Galeria Plan B, a production and exhibition space for contemporary art with locations in Berlin and Cluj.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans, and critical texts from the time, as well as an expansive account of recent exhibition history.

This seems to be a breakout year for digital fabrication in art: a number of inexpensive 3D printers have hit the retail market; the 3D Printshow — a fair founded in London in 2012 showcasing the commercial and creative applications of this technology — held its first event in New York this past February (with plans for other venues around the world); and «Out of Hand: Materializing the Postdigital» — touted as the «first in - depth exhibition exploring digital fabrication in contemporary art» — is on view at the Museum of Arts and Design (MAD) in New York through June 1.

Group Exhibitions 2012 — March Group Exhibition, Hada Contemporary, London 2011 — Salon Art Prize, Matt Roberts Arts, London Open Painting Competition, Motorcade / FlashParade, Bristol 2007 - Jerwood Contemporary Painters, Jerwood Space, London, Bayart, Cardiff, The Lowry, Salford Salon 07, Seven Seven Contemporary Art, London Martin Kippenburger with Fries & a Shake, plan 9, Spike Island, Bristol 2005 — 2D open, Surface Gallery, Nottingham

SELECTED GROUP EXHIBITIONS 2017 Glut Data, ASC Chaplin Centre, London 2017 ESTELLE THOMPSON & ERNESTO CÁNOVAS: In Colours where we Meet, Ambachar Contemporary, Munich 2017 Pelé: Art Life Football, National Football Museum, Manchester 2017 Clouded Lands, Fundación Caja Burgos (CAB), Burgos, Spain 2016 Summer Exhibition, Halcyon Gallery, London 2016 Colectiva Monopatin 3, Museo de Arte de Puerto Rico (Part of the Puerto Rico Triennale 2016), Puerto Rico, USA 2016 Le Dessous des Recits, Galerie Gourvennec Ogor, Marseille, France 2016 Non-Profit Observations, Kir Royal, Valencia, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 The Art of Creating, Halcyon Gallery, London 2014 From Cocoanut Grove to Soho Nights, Paul Smith, London 2014 Summer Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,Exhibition, Halcyon Gallery, London 2016 Colectiva Monopatin 3, Museo de Arte de Puerto Rico (Part of the Puerto Rico Triennale 2016), Puerto Rico, USA 2016 Le Dessous des Recits, Galerie Gourvennec Ogor, Marseille, France 2016 Non-Profit Observations, Kir Royal, Valencia, Spain 2015 Pelé: Art, Life, Football, Halcyon Gallery, London 2015 The Art of Creating, Halcyon Gallery, London 2014 From Cocoanut Grove to Soho Nights, Paul Smith, London 2014 Summer Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,Exhibition, Royal Academy, London 2014 Landshapes, Gallery Kir Royal Valencia, Spain 2014 Open Dialogues — Generation 14, Royal Academy, Edinburgh, Scotland 2013 Threadneedle Prize, Mall Galleries, London 2013 Summer Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,Exhibition, Halcyon Gallery, London 2013 Essence of Things, Ambacher Contemporary, Munich, Germany 2012 Transfigurative, Pariothall Gallery, Edinburgh 2012 Choice White Space, McClure Art, Edinburgh 2012 (De) Constructions, Rollo Gallery, London 2012 The Open West Prize 2012 exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,exhibition, Gloucester, UK 2011 New Sensations Prize 2011, Saatchi Gallery and Channel 4, Victoria House, London 2011 Bloomberg New Contemporaries, shortlisted, London — 2011 Slade Postgraduate Research 2011, Slade Research Centre, London 2011 Plan B, Two Windows Project, Berlin 2010 New Contemporaries, Royal Scottish Academy, Edinburgh 2010 Different Light Here, Le Garage Gallery, London 2010 Slade Interim Show, Slade Research Centre, University College London 2010 Fine Art exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek,exhibition, Candid Gallery, London 2010 Please Be There Tomorrow, Le Garage Gallery, London 2010 Boxers & Fighters, Two Windows Project, Berlin 2010 KunstVlaai / Art Pie, Westergasfabriek, Amsterdam

Galerie Frank Elbaz, a contemporary space in Paris, is planning a show, and «Semina Culture,» a traveling exhibition organized in part by Ms. McKenna from 2005 to 2007, was well received.

Recent exhibitions / projects / events; Kunstraum Bernsteiner, Vienna, Austria; Marianne Boesky Gallery, New York, USA; Hybrid So + Ba Gallery, Tokyo, Japan; BOICE Planning, Tokyo; Japan, Ǻrhus Kunstbygning, Center for Contemporary Art, Ǻrhus, Denmark; Gallery Roentgenwerke, Tokyo, Japan; Thailand 3rd New Media Arts Festival, Bangkok, Thailand; Nicolaj Copenhagen Contemporary Art Center, Denmark; Künstlerhaus Wien, Austria; Suntory Hall, Tokyo, Japan; Fuchu Art Museum, Tokyo, Japan; etc..

A major exhibition is currently being planned at the Museum of Contemporary Art, Buenos Aires in 2017.

2001OPEN PLAN P3 — The Marathon, Alphadelta Gallery & Artio Gallery, Athens Tirana Biennale, Albania, UK Section Sages, Scientists and Madmen, One in the Other, London Just History, Tal Esther Gallery, Tel Aviv Hemorrhaging of States, Tent, Rotterdam Beck's Futures 2, (touring exhibition), Institute of Contemporary Art, London.

Direct Expenditures U.S. Biennial (the organization that produces Prospect New Orleans) and the Contemporary Arts Center (a key exhibition venue) reported a combined $ 2,847,497 million in exhibition expenditures in New Orleans, including payments to permanent and temporary staff, contracts with both New Orleans and New York companies for design, promotional services, construction, and event planning.

Through creative and strategic collection building, exhibition planning, and innovative programming, contemporary art can provide an exciting and experimental platform in which to energize other collections, from Antiquities to 18th and 19th Century American Art, and can beautifully illustrate man's need to create and connect to others, whether in the spiritual or physical realms.

Christian Rattemeyer is the Harvey S. Shipley Miller Associate Curator of Drawings at the Museum of Modern Art, New York, where his recent exhibitions include Alighiero Boetti: Game Plan (2012), Projects 95: Runa Islam (2011), and Compass in Hand: Selections from the Judith Rothschild Foundation Contemporary Drawings Collection (2009).

«The exhibitions planned for 2016 reflect the museum's role as an important resource for contemporary art in the Miami region and its critical voice in advancing new scholarship on under - recognized contemporary artists.»

He currently has artwork featured in an exhibition at 401 Contemporary here in Berlin, and is planning his first large solo museum show to open in Switzerland in October.

The product of months of careful planning by curator Cynthia Burlingham, exhibition designer Peter Gould, and colorist Scott Flax, along with a dedicated team of Hammer staff, the new installation situates this diverse selection of works within galleries that seamlessly combine contemporary and historical elements.

A contemporary restaging plan will be developed to showcase the Philadelphia City Planning Commission's 1947 Better Philadelphia Exhibition — a pivotal historic project that helped define the future of urban redevelopment.

The Ashmolean Museum is eager to expand on its current commitment to contemporary art, from October 2013 the museum will begin a series of exhibitions of contemporary art in a refurbished gallery on the upper floor and a permanent gallery for contemporary art is included in plans for the next phase of the building programme.

Michael Rooks, the High's curator of modern and contemporary art, first began planning the exhibition 13 years ago in hopes of reestablishing understanding of Taylor as «an artist's artist,» a crucial influence on his elders, his contemporaries and successive generations.

The museum also plans to borrow a work by contemporary artist Sanford Biggers, whose solo exhibition «Subjective Cosmology» was recently presented at another museum in the city, the Museum of Contemporary contemporary artist Sanford Biggers, whose solo exhibition «Subjective Cosmology» was recently presented at another museum in the city, the Museum of Contemporary Contemporary Art Detroit.

A plan for the contemporary arts center began to emerge that would include a large gallery and exhibition space, a multidisciplinary artist residency program, and shared art - making facilities amid other programs and events.

Curator Nina Folkersma nailed it with her Amsterdam exhibition «Babies & Bambies» (1993), from the notice: «Babies, cuddly toys, teddy bears... slowly edged into contemporary art... as if they have been concocting a plan to invade the art world.»

Previous solo exhibitions include: Centro de Arte Contemporáneo Málaga (2015); Golems, Pace Gallery, London (2014); On the Road to... Tarascon, Plan B, Berlin (2013, with Navid Nuur); Pie - Fights and Pathos, Museum for Contemporary Art, Denver (2012); S.M.A.K. Museum, Ghent (2010); and The National Museum of Contemporary Art, Bucharest (2009).

The news came in August, months after the museum announced plans to transform a local industrial plant into an expansive exhibition space for contemporary art.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.

Biennials and Beyond is the first book to position a range of contemporary exhibitions in the context of art history, providing installation photographs, exhibition floor plans and critical texts from the time, as well as an expansive account of recent exhibition history by Bruce Altshuler.

«My colleagues (past and present) and I continually think about the relationship between the contemporary and historical parts of the museum's collection and exhibitions, and how they relate to the city of Baltimore,» said Kristen Hileman, the BMA's Senior Contemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and peopcontemporary and historical parts of the museum's collection and exhibitions, and how they relate to the city of Baltimore,» said Kristen Hileman, the BMA's Senior Contemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and peopContemporary Curator since 2009, who curated Crosby's solo exhibition — a show planned years in advance of the museum's recent series of shows by women and people of color.

New Shelter Plan is a new contemporary, non-profit exhibition space situated in the old Carlsberg district in Copenhagen.

Tom Sachs, acclaimed for his sculptures and installations that consider popular culture, design, work, and consumerism, speaks about his artistic practice, current projects, and plans for his 2015 exhibition at The Contemporary Austin.

Based in Berlin, Thomas Scheibitz's recent notable exhibitions include ONE - Time Pad originating at MMK, Museum für Modern Kunst, Frankfurt Am Main and traveled to Baltic Center for Contemporary Art, 2012 - 2013 (solo); Thomas Scheibitz: Lineage ONE / Stilleben & Statistics, Jarla Partilager, Berlin, 2011 - 2012 (solo); Thomas Scheibitz: Il flume e le sue fonti / The River and its Source, Collezione Maramotti, Reggio Emilia, Italy, 2011 (solo); Surveyor: An exhibition of human exploration, observation, and construction of the landscape, organized by Curator Heather Pesanti, Albright - Knox Art Gallery, Buffalo, NY, 2011 (group); If Not in This Period Of Time - Contemporary German Painting1998 - 2010, Museu de Arte de São Paulo, Brazil, 2010 - 2011 (group); A moving plan B - chapter ONE, Selected by Thomas Scheibitz, The Drawing Room, London, 2010 (group); Der ungefegte Raum, Galerie im Taxispalais, Innsbruck, Austria, 2010 (solo); among others.

She has received grants from the Puffin Foundation, Brooklyn Arts Council, and Brooklyn Historical Society for her original Brooklyn Utopias (BU) exhibition and programming series inviting contemporary artists to respond to urban planning issues.

Plan B functions as a production and exhibition space for contemporary art; at the same time it is a research...

1985 Drawings 1975 — 1985, Barbara Toll Fine Arts, New York, USA Great American Prints, Dolan Maxwell Gallery, Philadelphia, USA Fabrications, Gallery 400, College of Architecture, Art and Urban Planning, University of Illinois at Chicago, USA A New Beginning: 1968 — 1978, Hudson River Museum, Yonkers, USA With an Eye to Nature, Jeffrey Hoffeld & Co, New York, USA New York Now: Correspondences, Laforet Museum, Tokyo, Japan, traveled to Tochigi Prefectural Museum of Fine Arts, Japan; Tasaki Hall, Espace Media, Kobe, Japan Eighth Anniversary Exhibition1977 — 1985, McIntosh / Drysdale Gallery, Washington, USA New Work on Paper 3, Museum of Modern Art, New York, USA Ten Gallery Artists, Nina Freudenheim Gallery, Buffalo, New York, USA Appropriations: Black and White, Vanguard Gallery, Philadelphia, USA Nine Printmakers and the Working Process, Whitney Museum of American Art, New York (Exhibition traveled to Munich, Germany, Process und Konstruktion) From Organism to Architecture, New York Studio School, USA Jonathan Borofsky, Douglas Huebler, William Leavitt, Pat Steir, William Wegman Drawings, Richard Kuhlenschmidt Gallery, Los Angeles, USA New Expressive Landscape, Sordoni Art Gallery, Wilkes College, Wilkes — Barre, USA Doppelganger, organized by Paul Groot, Aorta, Amsterdam, Netherlands Promenades, Centre d'art Contemporain, Geneva, Switzerland New Art Modernism, San Francisco, USA Contemporary American Prints: Louis Comfort Tiffany Foundation Purchases, Brooklyn Museum, Brooklyn, New York, USA Harry de Jur Playhouse, Henry Street Settlement, New York, The Second Hurricane (Music by Aaron Copeland, Libretto by Edwin Denby, Back drop contributed by Pat Steir) Large Drawings, Bass Museum of Art, City of Miami Beach, USA, traveled to Madison Art Center, Madison, WI; Winnipeg Art Gallery, Winnipeg, Manitoba, Canada; Norman MacKenzie Art Gallery, University of Regina, Regina, Saskatchewan, Canada; Anchorage Historical and Fine Arts Museum, Anchorage, Arkansas; Santa Barbara Museum of Art, Santa Barbara, USA (Exhibition organized and circulated by Independent Curators Incorporated, New York) The Success of Failure, Diane Brown Gallery, New York, USA

Plans are in motion for a retrospective of Faith Ringgold, an exhibition of 20th century painting, including Lee Bontecou, Hilma af Klint, Lee Krasner, Agnes Martin and others, and an expansive show of female photographers from Julia Margaret Cameron to contemporary artists like Rineke Dijkstra.

Sachs speaks about his artistic practice and plans for new projects, including his 2015 exhibition Tom Sachs: Boombox Retrospective 1999 — 2015 at The Contemporary Austin.

Etienne Wynants (Art historian, managing editor of art publication the Witte Raaf, and business coordinator of the Etablissement d'en face in Brussels) Hans Theys (Art critic and curator, author of more than 30 books on Contemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on WillContemporary art, lecturer at the Royal Academy of Art in Antwerp and Ghent) Sam Steverlynck (Art critic for publications such as De Standaard, H ART, Damn magazine, and Artsland; curator of the exhibition «A Simple Plan» in a private villa designed by Stéphane Beel) Liesbeth Huybrechts (Author, researcher on topics such as digital media, lecturer for various academic art institutes such as LUCA and Mondriaan Foundation) Hans De Wolf (Art historian, professor, author of numerous publications on contemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willcontemporary art, distinguished specialist on Marchel Duchamp) Pierre - Yves Desaive (Art historian and critic specializing in contemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willcontemporary art, curator at the Musuem of Royal Arts, Brussels) Eric Rinckhout (Art, architecture, and literature writer for De Morgen; author of three books on Willem Elsschot)

While the other regional exhibitions (The Point Is... 2.0: Black Panther Party 50th Exhibit at Joyce Gordon Gallery, 50 Years Later: The Art Show at SoleSpace, and ICONIC: Black Panther at American Steel Studios) pay homage to the Party's rich visual legacy through specific aspects of the Party's history — including women's participation and influence throughout the Party or the Ten - Point Plan — All Power to the People provides both a thorough historical overview and contemporary meditations by artists Carrie Mae Weems, David Huffman, Hank Willis Thomas, Sadie Barnette, Trevor Paglen, and William Cordova.

Eric Firestone Loft is set in a historic live / work building on Great Jones Street and plans to offer contemporary and historic modern exhibitions connecting to the neighborhood's artist history.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

«In response to the growing demand from our clients to transact continuously — not just in the traditional sales seasons — we plan to host five selling exhibitions per year,» Cheyenne Westphal, Sotheby's European head of contemporary art, said in the statement.