Sentences with phrase «contemporary experiences mediated»
Running since September 18 and featuring work by Eloise Bonneviot, Emily Jones, Paul Kneale, Yuri Pattison, and Andrew Norman Wilson, the exhibition explores how the word «abjection» applies to specific circumstances and «poses the emergence of a new kind of abject lurking underneath contemporary experiences mediated by technology».
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Based on the mechanic system of View - Master stereoscopes and reels, in addition to the design features and function of baggage carousels, Memory, Market, and Migratory Transition explores the dominance of mediated experience in contemporary culture as seen through a journey into imagined and physical spaces.
In a contemporary context, the new «lenses» provided by digital technologies — from screens to optical devices and mediating surfaces — enable us to undertake perceptual journeys on which we explore spaces beyond our imagination, travel through time, experience time conjunction, and mediated representations of place.
New lenses of mediated screens and surfaces have challenged our perceptual experience in contemporary society, as we must constantly navigate between real and virtual dimensions, or accept that these are increasingly one and the same.»
A constant feature however has always been Dwyer's critical eye on contemporary mediated experience and society, often expressed with an acerbic wit and dark humor.
The work also pays particular attention to the relationship between contemporary art as a desire for the production of autonomous forms, and the various institutional frameworks that mediate its experience.
, at Artists Space in New York, these artists were concerned with how contemporary life is mediated and governed by pictures, specifically as we experience them in newspapers and magazines, on television, and in film.
First identified by curator Douglas Crimp in his 1977 exhibition Pictures, at Artists Space in New York, these artists were concerned with how contemporary life is mediated and governed by pictures, specifically as we experience them in newspapers and magazines, on television, and in film.