Sentences with phrase «contemporary fiber works»

Mixed Bag Gallery: Beyond the Stitch, contemporary fiber works.

Not exact matches

Contemporary and innovative works created with fiber as the primary medium or concept are welcome.

One of Yeiser Art Center's most engaging and innovative international exhibitions, FANTASTIC FIBERS seeks to showcase a wide range of outstanding contemporary works related to the fiber medium.

The artist presented the multi-disciplinary performance work red, yellow, lime, pink, lavender, green, scarlet, lavender, scarlet, green, lavender as part of The Magazine Sessions 2016 at the Serpentine Galleries, London, and has participated in group exhibitions including Chromaphilia & Chromaphobia, Kansas City Art Institute (2016); Terra Provocata, Fondazione del Monte and Museo Civico Medievale, Bologna (2016); From The Ruins..., 601Artspace, New York (2015); Hangzhou Triennial of Fiber Art, Hangzhou, China (2013); Paper, Saatchi Gallery, London (2013); Aquatopia, Nottingham Contemporary, Nottingham, touring to Tate St Ives (2013); Graphite, Indianapolis Museum of Art (2013); The Air We Breathe, San Francisco Museum of Modern Art (2011); Coming After, The Power Plant, Toronto (2011); Compilation IV, Kunsthalle, Dusseldorf (2009) and Compass in Hand: Selections from the Judith Rothschild Collection, Museum of Modern Art, New York (2009).

Cho's work has been reviewed and featured in numerous publications, among them Textile Fibre Forum (Australia); Fiberarts; Surface Design Journal; American Craft; Monthly CRART (South Korea); Fiber Art Today (Schiffer Publishing, Ltd.); Masters: Art Quilts (Lark Book); Quilt National 2003: The Best of Contemporary Quilts (Lark Books); Contemporary Quilt: Quilt National 1997 (Lark Books); No: Nouvel Object (Design House, South Korea); Art & Craft (South Korea); Fiberarts Design Book IV, VI & VII (Lark Books); and Art Textiles of the World: USA (Telos Art Publishing, England), among others.

Observing what they consider a trend in contemporary art, they conceived this exhibition to pose the questions: «Who is making work with fiber and textiles or work that suggests fiber and textiles?»

Asawa's work comes out of a practice — fiber art — that was long lumped in with craft but is now understood, in the context of so much contemporary use of alternative materials, as a serious endeavor.

Erik Bergrin is a sculptor who fuses indigenous and contemporary fiber techniques in works which deconstruct human psychology.

Crocheted Environment is an important installation in the ICA's collection of fiber works, including pieces by artists such as Eva Hesse, Françoise Grossen, and Sheila Hicks, and marks the museum's commitment to examining the relationships between craft - based media and contemporary art.

An exhibition that explores the emergence of fiber arts as a fine art and showcases the contemporary fine art textile and fabric movement with works by internationally celebrated masters, top North American artists, and promising newcomers.

Margo Wolowiec included in The Wall Street Journal's piece about the revival of fiber - based work in contemporary art.

The University Art Gallery (UAG) is proud to present the exhibition, Fugitive Fibers, a group show displaying work by four artists who utilize fiber in their practice to speak about contemporary binaries within the contexts of found and created environments.

2015 Mobile M +: Live Art, M +, Hong Kong, China The Malady of Death: Écrire and Lire, commissioned by M + for Mobile M +: Live Art, Hong Kong, China The Eighth Asia Pacific Triennial of Contemporary Art (APT8), Queensland Art Gallery, Brisbane, Australia Office Space, Yerba Buena Center for the Arts, San Francisco, USA Paradox of Place: Contemporary Korean Art, Seattle Asian Art Museum, Seattle, USA Remember Lidice, Edition Block, Berlin La vie moderne, 13th Biennale de Lyon, Lyon, France J'adore, Kunsthalle Lingen, Lingen, Germany Future Light, MAK — Austrian Museum for Applied Arts / Contemporary Art, Vienna, Austria Passing Leap, Hauser & Wirth, New York Scenes for a New Heritage: Contemporary Art from the collection, MoMA, New York, USA As We Never Imagined: 50 Years of Art Making, STPI gallery, Singapore After Babel, Moderna Museet, Stockholm, Sweden Absolute Collection Guideline, Sifang Art Museum, Nanjing, China Storylines: Contemporary Art at the Guggenheim, Guggenheim Museum, New York, USA Works on Paper, Greene Naftali, New York, USA Fiber: Sculpture 1960 - present, Des Moines Art Center, Iowa, USA Temporary Permanent, Galerie Wien Lukatsch, Berlin, Germany Feminismen, Nordsternturm Videoart Center, Gelsenkirchen, Germany Suppleness and Rigidity — The Art of the Fold, Kunstraum Alexander Bürkle, Freiburg, Germany The past, the present, the possible, Sharjah Biennale 12, Sharjah, UAE Scenes for a New Heritage: Contemporary Art from the Collection, MoMA, New York, USA Man in the Mirror, Vanhaerents Art Collection, Brussels, Belgium 360 °: Die Rückkehr der Sammlung, Stiftung Kunstmuseum Stuttgart, Stuttgart, Germany

The exhibition pays tribute to the vision and work of Professor Maryn Varbanov (1932 - 1989), a Bulgarian artist who started the Varbanov Tapestry Research Center in the Zhejiang Academy of Fine Arts in 1986, the first contemporary fiber art research center in China, which later led to the founding of the Fiber and Space Art Stfiber art research center in China, which later led to the founding of the Fiber and Space Art StFiber and Space Art Studio.

Like their minimalist contemporaries, artists working with fiber exploited the gridded structure of warp and weft, a logic that is also reflected in a large group of drawings and prints featuring gridded, woven, or lace - like lines.

August 10, 2010 - Fort Lauderdale, FL - Opening Tuesday, November 30, 2010, Girls» Club presents its first solo exhibition, Frances Trombly: Paintings, new works by the contemporary fiber - based Miami artist Frances Trombly.

New Blue and White explores the ways in which contemporary makers, working in ceramics as well as other media ranging from fiber to... Read More

SELECTED GROUP SHOWS: 2018 Open SpacesKansas City, MO 2018 Color of the Year Presented by Pantone and X-RiteUrban Institute for Contemporary Art, Grand Rapids, MI 2017 Solar Flair: Celestial Bodies in MotionAlbrecht Kemper Museum of Art, St. Joseph, MO 2017Light and ShadowMildred M. Cox Gallery Kemper Center for the Arts William Woods University, Fulton, MO 2017The 19th Annual National Juried Competition,: «Works of Paper» 2017Long Beach Foundation of the Arts & Sciences, Long Beach Island, NJ 2017 - 2018 Teardrops That Wound: the Absurdity of War, George Tsutakawa Art Gallery, Wing Luke Museum of the Asian and Pacific American Experience, Commission Work «Break Into Blossom», In collaboration with Phong Nguyen and Justin Shaw 2016 Vision: An Artist's Perspective, Gutfeund Cornett Art Kaleid Gallery San Jose, CA 2016 Novus Conceptum, Hannah Bacol Busch Gallery Bellaire, TX 2015 Generations: Forty Hues Between Black and White, OCCCA (Orange County Center for Contemporary Art), Santa Ana, CA 2015 Somewhere Between Black and White, Fiber Art Network, Arizona State University, Tempe, AZ 2015 Old Enough To Know Better, Cranes Art Gallery 105, Philadelphia, PA 2014 The 2nd Annual Juried Artist's Book Exhibition, WoCA Projects, Fort Worth, Texas 2014 The Living Mark Verum Ultimum Art Gallery, Portland OR 2014 Subconscious, Flow Art Gallery, St Louis MO 2014 A Dream and a Memory, St. Louis Artist Guild, St. Louis MO 2013 Missouri 50, Fine Art Building Sedalia, MO 2013 Art / Identity, Gallery 263, Cambridge, MA 2013 26th Annual Women's Work, Old Court House, Woodstock, IL 2012 Contemporary Women Artists XVI, Saint Louis University Art Museum, St. Louis MO 2012 UCM Faculty Show, UCM Gallery of Art and Design, Warrensburg, MO 2012 Color!

Fiber Arts Network serves as a collective of ASU students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding area, providing an outlet for experimentation, critique, workshops, and dialogue pertaining to current issues in fFiber Arts Network serves as a collective of ASU students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding area, providing an outlet for experimentation, critique, workshops, and dialogue pertaining to current issues in ffiber artists living and working in the surrounding area, providing an outlet for experimentation, critique, workshops, and dialogue pertaining to current issues in fiberfiber.

, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.

Dark Fiber will be showing alongside some incredible Chicago artists as part of The Works at Contemporary Art Brussels curated by Dieter Roelstrade, Abigail Winograd and Eléonore de Sadeleer.

Fiber Arts Network serves as a collective of Arizona State University students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding Fiber Arts Network serves as a collective of Arizona State University students, faculty, and alumni who all seek a stronger sense of community and support for contemporary fiber artists living and working in the surrounding fiber artists living and working in the surrounding area.

When initially conceiving of this exhibition, we wanted to highlight the expanded field of contemporary fiber practices, where the influence of the of the textile can be seen in a number of ways, from the structure or aesthetic, to the historical and cultural traditions employed in the works.

Within Somewhere Between Black and White, all of the works have ties to the fiber arts, whether it is the materiality or the methodologies, while proposing new directions and hybrids that represent the interdisciplinary nature of a contemporary craft practice.

Installation shots are from EXPO Chicago (September 2015), Dark Fiber at the Chicago Artists» Coalition (March 2015), and the The Works: Artists In and From Chicago at Contemporary Art Brussels (April 2015).

Centered around the idea of «aha — individual strands of fiber that are braided together in a series of knots to create a whole cord — the biennial will showcase contemporary works that reflect on themes of history, indigenous knowledge, decolonizing spirits, female empowerment, mythologies and non-Western technologies of land use.

Hicks's work has been widely exhibited in major group exhibitions including Threadlines, The Drawing Center, New York (2014); The Whitney Biennial, Whitney Museum of American Art, New York (2014); and Fiber: Sculpture 1969 — Present at the Institute of Contemporary Art, Boston (traveling to the Wexner Center for the Arts, Columbus, Ohio, and the Des Moines Art Center, Des Moines, Iowa)(2014 — 15).

Maverick textile artists such as Sheila Hicks and Lenore Tawney banged through the doors of modernism with bold three - dimensional work in the 1960s, setting the stage for today's contemporary fiber artists.

Ms. Laskey's handwoven panels resemble Ellsworth Kelly's work or Sol LeWitt's fragmented abstractions, and Mr. Faught's virtuosic weavings include funny texts that reference new technology and social media — retorts, essentially, to contemporary criticism of fiber art.

Contemporary artists manifest broad and sometimes ambivalent responses to technology; in this exhibition diverse works by Anne Wilson, Milos Manetas and others address a fundamental question of modern life, probing Information - Age content through traditional media such as painting and fiber arts.

Over 30 contemporary artists, working in media including silkscreen, watercolor, fiber arts, and video, explore feminism's impact and potential, and create an opportunity to represent more diverse and inclusive feminisms.

The gallery is pleased to host Shifting Landscapes, a show that explores traditional and contemporary interpretations of place by artists, designers and makers working with or inspired by fiber or textile materials and techniques.

This series presents an exploration of the expressive possibilities of fiber through the work of 27 contemporary artists, while engaging the viewer in broader considerations of the medium's emotional meanings, its connections with ordinary experiences, and its capacity for critique and social commentary.

Society for Contemporary Craft (PA), International Call for Entries: 2018 Lydon Emerging Artist Program (LEAP) Deadline: September 30th, 2017 Artists must work in craft media: Ceramics, wood, metal / jewelry, glass, found materials, mixed media, fiber or a combination of these materials.

Because of textiles» potent reference to the domestic sphere, contemporary artists often incorporate fibers to sharpen the visual and emotional impact of their conceptual works.

The couple's early focus was on contemporary ceramics; today the collection also encompasses fiber art, furniture, glass, jewelry and works on paper dating from the 1940s to the present.

Even the market has taken notice, with Sotheby's London location opening its Autumn 2014 season with Stitched Up, an exhibition of contemporary textiles, and fiber - based work by Alighiero Boetti, Gerhard Richter, and Trockel beating auction estimates over the past year.

Locke's works have been included in The Folkestone Triennial (2011), the 54th and 55th Venice Biennale (2011, 2013), Deptford X (2012, participating artist curator), Prospect New Orleans Contemporary Art Biennial, New Orleans, LA, USA (2014) and Hangzhou Triennial of Fiber Art (2016).

The finest works of ceramics, wood, fiber, metal, glass, mixed medium and 3D printing are featured, supporting the Center's mission of expanding the public's awareness of fine contemporary crafts.

Currently his work is in the group exhibition, Fiber: Sculpture 1960 - Present at the Institute of Contemporary Art / Boston, which will travel to the Wexner Center for the Arts, Columbus, Ohio and Des Moines Art Center, Iowa.

The concert will take place in the context of the «Handmade: Women Reshaping Contemporary Art» exhibition at the Westport Arts Center, featuring the works of over 15 female artists with a focus on fiber and textile arts.

Society for Contemporary Craft (PA), International / National Call for Entries: 2013 Lydon Emerging Artist Program (LEAP) Deadline: October 1st, 2013 Artists must work in craft media: Ceramics, wood, metal / jewelry, glass, found materials, mixed media, fiber or a combination of these materials.

Building upon the exhibition Voulkos: The Breakthrough Years, which celebrates the work of an artist known for drastically changing the way clay is categorized as an art material and discipline, the MAD Transformations exhibitions consider fiber, clay, and jewelry and metals — disciplines (along with glass and wood) that compose the bedrock of the Museum of Arts and Design's founding mission and collection, and continue to morph in the hands of contemporary artists today.

Contemporary Craft's Artist Residency is for artist working in craft mediums including, fiber, clay, metal, glass, found objects and wood (no photography, painting or prints).

Nepomuceno's work has featured in group exhibitions at venues including Kunsthal KAdE, Amersfoort (2016); Auckland Art Gallery (2016); Museum of Fine Arts, Boston (2015); the International Biennial of Contemporary Art of Cartagena de Indias, Colombia (2014); Wexner Arts Centre, Ohio (2014); Schirn Kunsthalle, Frankfurt (2013 - 2014); Hangzhou Triennial of Fiber Art (2013); IFA Institut, Berlin (2010); Lehmann Maupin Gallery, New York (2010); Toyota Museum of Contemporary Art, Nagoya (2008); Galeria Luisa Strina, San Paulo (2007); Museu de Arte Contemporânea do Paraná (2007) and Paço Imperial, Rio de Janeiro (2007).