Invested in issues of the political, social and the media, Richter has nonetheless remained a single figure in
the contemporary field of painting.
Not exact matches
(The flickering
fields of Reinhardt's European
contemporaries can be traced back to the beech forests
painted around 1900 by artists like Gustav Klimt and Kazimir Malevich.)
The origins
of Color
Field — one
of the more intriguing forms
of contemporary abstract
painting — seem to lie in 19th - century Romanticism, particularly in a few radically reductive...
O'Neal's drawings and
paintings have been shown at The Drawing Center, New York; BRIC, Brooklyn; P.S. 122, New York; Johnson Museum
of Art, Ithaca, NY; Woodruff Arts Center, Atlanta; Tennessee Arts Commission, Nashville; Mississippi Museum
of Art, Jackson, MS; Centre d'Art des Pénitents Noirs, Aubagne, France;
Contemporary Arts Center, New Orleans; Chicago Cultural Center; Ecomuseu, Valls d'Aneu, Spain; Amory Arts Center, West Palm Beach, FL; Huntsville Museum
of Art, AL; Rockefeller Art Center, SUNY Fredonia; ART LA;
Field Projects, New York; and Linda Warren Projects, Chicago.
The
Contemporary art collection encompasses works created from 1945 to the present with strong examples
of Abstract Expressionism, Color
Field painting, Pop art, Conceptual art, and recent movements in
painting, sculpture, photography, and video.
Ward overlays this
contemporary monetary reference with cowry shells, an earlier form
of currency found in many cultures, and gives the
paintings a distinct patina by pouring and rubbing white rum flecked with gold and silver powder in a ritualistic fashion, producing an ethereal aura much like a Color
Field painting.
[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation
of Fluxus, Abstract Expressionism, Color
Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through th
Painting, Hard - edge
painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through th
painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries
of Contemporary Art in the mid-1960s through the 1970s.
Most notably, the DMA has become a major player in the
field of contemporary art, as evidenced by the November acquisition
of Leaf (1970), a major «Drape»
painting by Sam Gilliam, a figure in postwar American abstraction.
The Mitchell - Innes & Nash exhibition poses that this idea, and others explored in Color
Field painting, are critically relevant to developments in
contemporary art: the notion
of a
painting rooted in process and material rather than gesture and reference.
Still & Art begins with Still's acknowledgment
of Old Masters he admired (among them Leonardo da Vinci, Rembrandt, J.M.W. Turner, and Vincent van Gogh); progresses to his interrogation
of near -
contemporaries such as Max Ernst and Pablo Picasso; and concludes with epic canvases, pastels, and photographs that reveal the artist meditating on his own past production as well as the spirit
of color -
field painting, minimalism, and comparable avant - garde movements
of the 1960s and»70s.
In her own words, Summer Wheat makes artworks — one
of which is currently included in the show «Expanding the
Field of Painting» at Boston's Institute
of Contemporary Arts — that are «ugly but beautiful.»
Clay Ketter is an American
contemporary artist born in 1961, active in the
fields of photography and
painting.
Drawn from the
fields of photography,
painting, performance, installation, video, film, and public art, the works featured here combine to create a bigger picture
of the state
of contemporary art today.
In response to the 1972 documentary Painters
Painting, the Women Painting exhibition and documentary video assert the relevance and history of women in the field of contemporary p
Painting, the Women
Painting exhibition and documentary video assert the relevance and history of women in the field of contemporary p
Painting exhibition and documentary video assert the relevance and history
of women in the
field of contemporary paintingpainting.
Original Large Abstract
Painting Modern
Contemporary Canvas Art Oil
Painting Abstract Wall Art
FIELDS of GOLD Floral Textured by J.LEIGH
-- Positions
of Color
Field Painting ``, Kunsthalle Baden - Baden; Thermocline —
Contemporary Asian Art at the ZKM; Erwin Wurm, Deichtorhallen Hamburg.
[1] To that end, this exhibition explores the expanded
field of painting through a wide range
of works in a variety
of media (i.e., installation, video, sculpture, and
painting) that provide fertile territory for examining the legacy and meaning
of painting and painterly practices in
contemporary art today.
«But the first show
of Indian
contemporary art in the fair's history, from newcomer Sundaram Tagore
of New York, also reflects heightened interest in that
field Tagore has meditative
paintings on paper by Sohan Qadri..»
The Letter
Paintings, by incorporating the names
of mainly male and female African - American musicians, undermined prevailing aesthetic categories by conflating many
contemporary movements including Conceptual Art, Color
Field, Pattern and Decoration, diary entry and social commentary.
Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum
of Fine Arts, «Subversion
of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago,
Field Museum, «Lucy's Legacy: the Hidden Treasures
of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu,
Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010,
Contemporary Art Museum, «Japan Fantastic» (11
contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010,
contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum
of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum
of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010,
Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum
of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum
of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum
of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute
of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum
of Art, «Donald Saff and the Art
of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian
contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010,
contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum
of Art, «The Kingdom
of Aragon» (15th - century Spanish
painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery
of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery
of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``
The same year, he participated in the exhibition Post-Painterly Abstraction curated by Clement Greenberg at the Los Angeles County Museum
of Art, which subsequently travelled to the Walker Art Center and the Art Gallery
of Toronto and helped to firmly establish Color
Field painting as an influential new movement in the
contemporary art
of the 1960s.
LARGE
PAINTINGS: In the 1980s and»90s, Kusama produced very large - scale polyptychs that pursue the idea of repetition, paintings that suggest an endless expansion of the visual field (Yellow Trees, 1994, Forever Museum of Contemporary Art, Akita; Flame, 1992, private col
PAINTINGS: In the 1980s and»90s, Kusama produced very large - scale polyptychs that pursue the idea
of repetition,
paintings that suggest an endless expansion of the visual field (Yellow Trees, 1994, Forever Museum of Contemporary Art, Akita; Flame, 1992, private col
paintings that suggest an endless expansion
of the visual
field (Yellow Trees, 1994, Forever Museum
of Contemporary Art, Akita; Flame, 1992, private collection).
Her ideas about surface, scale, and color are not only daring; they presaged the work
of artists as varied as Barnett Newman, Milton Avery, Mark Rothko, Morris Louis, and Mary Heilmann, as well as Color
Field painting, Lyrical Abstraction, and
contemporary postmodern abstraction.
Check out our list
of leading artists in the
field of contemporary painting
«Judd and Adkins have each made an indelible mark on
contemporary art that is critical to understanding its evolution, while Bannard's influence on Color
Field painting and Alÿs» work addressing issues
of geopolitical and social conflict in urban environments both merit renewed attention.
2008 Text / Messages: Books by Artists - Walker Art Center, Minneapolis, MN Inspired by Literature: Art and Fine Books - Jane Voorhees Zimmerli Art Museum, New Brunswick, NJ PEGGY GUGGENHEIM E LA NUOVA PITTURA AMERICANA - Peggy Guggenheim Collection, Venice Collector's Eye - Gana Art Gallery, Seoul Blake to Kahlo to Warhol: Masterworks from the Harry Ransom Center - El Paso Museum
of Art (EPMA), El Paso, TX 1945 - 1949 Repartir à zéro, comme si la peinture n'avait jamais existé - Musée des Beaux - Arts de Lyon, Lyon Action / Abstraction - Saint Louis Art Museum, Saint Louis, MO
Contemporary Masters: Print Selections - Amy Simon Fine Art, Westport, CT REFLECTIONS ON LIGHT - 30 years Galerie Bernd - Galerie Klüser, Munich Tilted Balance - Collectors
Contemporary, Singapore From Abstract Expressionism to Pop Art: Johns, Rauschenberg and the Aesthetic
of Indifference — Sonoma Valley Museum
of Art, Sonoma Nuances
of Printmaking - Koehnline Museum
of Art, Des Plaines (IL) The sight
of music - Mississippi Museum
of Art MMA, Jackson, MS Abstraction: Summer 2008 - Thomas McCormick Gallery, Chicago, IL Philadelphia Collects: Works on Paper - Delaware Center for
Contemporary Arts - DCCA, Wilmington, DE Ganz schön ART - ig - LECKERBISSEN III - Fischerplatz Galerie, Ulm Paper Trail II: Passing Through Clouds - The Rose Art Museum, Waltham, MA Modern and
Contemporary Prints - Osborne Samuel, London, United Kingdom Action / Abstraction: Pollock, de Kooning, and American Art, 1940 - 1976 - The Jewish Museum
of New York, New York City, NY Blood on Paper - the Art
of the Book - Victoria & Albert Museum - V&A, London, United Kingdom Die Hände der Kunst - MARTa Herford, Herford Side By Side Docents» Choice: Works On Paper - Mount Holyoke College Art Museum, South Hadley, MA Color as
Field - American
Painting, 1950 — 1975 - Smithsonian American Art Museum, Washington, DC Far Out!
They were selected by Dr. Roger Ward, the Museum's Deputy Director and Chief Curator, to illustrate the trajectory
of Wardlaw's artistic development from his roots in Abstract Expressionism through the era
of Color
Field painting, Pop Art, and Minimalism to the individualistic and personally expressive character
of his
contemporary work.
The experience
of his compositions and the multitude
of techniques he uses to create them — such as collage, monotype, relief printing, paper marbling, and decalcomania — intensifies the complexity
of his unique visual universe while provoking closer contemplation
of the continuing role
of painting as a vital
field of contemporary research.
Born in the 1960s, psychedelic art is thriving in the capable hands
of contemporary artists who have been inspired and influenced by a variety
of mid-20th century art styles, including Op Art (Optical Art) and Color
Field paintings.
Altered States looks at
contemporary artists who explore psychedelia (mostly
painting and some constructions with a mix
of figuration, geometric and Op imagery) against a back drop
of 1960s Op Art, figurative and Color
Field paintings, as well as original rock posters from concerts at the Fillmore West, Avalon Ballroom and other San Francisco venues to set the stage and create the mood.
Recent group exhibitions featuring Wheat's work include Paint Things: Beyond the Stretcher (2013) at the deCordova Sculpture Park + Museum and ICA Collection: Expanding the
Field of Painting (2013 - 2014) at the Institute
of Contemporary Art, Boston.
NORTH ADAMS, MASSACHUSETTS — In the Abstract brings together a mix
of multi-generational artists whose works represent a potent and muscular approach to
contemporary abstraction that adopts and adapts various formal strategies
of painting — from hard - edge geometries and dense color blocks to gauzy color
fields and expressionist marks — with that
of sculpture, photography, digital processes, and video.
«We want everyone who attends to experience this wonderful new exhibition where we have literally bared our walls to show murals and
paintings created by some
of the top international
contemporary artists working in their
field.»
An idyllic
painting by Sir William Nicholson from 1917
of a patchwork
of English
fields from on high at first resonates with
contemporary artist Carol Rhodes's aerial view
painting Airport, until the viewer notices the urbanisation in the later work.
The most significant
of the often loosely defined movements
of early
contemporary art included pop art, characterized by commonplace imagery placed in new aesthetic contexts, as in the work
of such figures as Andy Warhol and Roy Lichtenstein; the optical shimmerings
of the international op art movement in the
paintings of Bridget Riley, Richard Anusziewicz, and others; the cool abstract images
of color -
field painting in the work
of artists such as Ellsworth Kelly and Frank Stella (with his shaped - canvas innovations); the lofty intellectual intentions and stark abstraction
of conceptual art by Sol LeWitt and others; the hard - edged hyperreality
of photorealism in works by Richard Estes and others; the spontaneity and multimedia components
of happenings; and the monumentality and environmental consciousness
of land art by artists such as Robert Smithson.
By the 1960s Newman's stature in the
field of contemporary painting became increasingly apparent to a wider audience.
Various movements, themes, and styles are represented, including Abstract Expressionism, Color
Field painting, Pop art, and Minimalism, as well as aspects of New Image Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital
painting, Pop art, and Minimalism, as well as aspects
of New Image
Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and contemporary movements in photography, video, and digital
Painting from the 1970s and beyond, recent developments in abstraction and figurative sculpture, and
contemporary movements in photography, video, and digital imagery.
2007 An Atlas
of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History
of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved
Field, The National Museum
of Art, Architecture and Design, Oslo, Norway
Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years
of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum
of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum
of Contemporary Art, Bucharest, Romania Uncertain States
of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for
Contemporary Art, Zanek, Ujazdowski, Warsaw For the People
of Paris, Sutton Lane — Paris, Paris, France
Raised in a religious household, he considers aspects
of spirituality as it relates to Minimalist and Color
Field painting then applies this perspective to negotiate the constant distraction
of contemporary culture.
The Museum
of Contemporary Art Chicago aims to canonise the Color
Field painter Howardena Pindell as an activist artist dedicated to her era's social and political causes while equally committed to the serious art
of abstract
painting.
At this event in Berlin, the Daimler Art Collection (which concentrates on abstract avant - garde movements and reduced conceptual tendencies from Bauhaus to current
contemporary art) presents mainly new acquisitions in the
field of international
contemporary art for the first time.The presentation
of our Ampersand exhibition includes site - specific installations and video art as well as
paintings, drawings and photography.
These groundbreaking early works, often folded and crumpled while the
paint was still wet, stand apart from the typical output
of Gilliam's Color
Field contemporaries, utilizing canvases with beveled edges that break the 2 - D plane.
Group Exhibitions 2016 Regrouping, Edward Thorp Gallery, New York, NY Spaced, Edward Thorp Gallery, New York, NY Philadelphia Painters, Kutztown University, Kutztown PA 2015 Summer Group Exhibition, Edward Thorp Gallery, New York, NY Haunted Summer, One Mile Gallery, Kingston, NY The Nothing That Is: Chapter 1 DDDRRRAAAWWWIIINNNGGG, CAM Raleigh, Raleigh, NC (Curated by Bill Thelen and Jason Polan)
Paintings in Trees, The People's Garden, Brooklyn, NY 2014 Mark DeLong and Sarah Gamble, Edward Thorp Gallery, New York, NY Katherine Bradford and Sarah Gamble, Adams / Ollman Gallery, Portland, OR Listening In: Philly Artists Speak, Abington Art Center, Philadelphia, PA (with Grizzly Grizzly) Begin Where You Are, Crane Arts, Icebox Project Space, Philadelphia, PA Love's Industrial Park, Salena Gallery, Long Island University, Brooklyn Campus, Brooklyn, NY Between Matter and Experience, Presidents Gallery, University
of the Arts, Philadelphia, PA Underdonk Selects, Underdonk Gallery, Brooklyn, NY 2013 Reprefantasion: Abstracting Reality / Representing Fantasy, Fleisher / Ollman Gallery, Philadelphia, PA Drawing Down the Moon, Vox Populi Gallery, Philadelphia, PA Group Show:
Paintings and Drawings, Edward Thorp Gallery, New York, NY Love's Industrial Park, Grizzly Grizzly, Philadelphia, PA Psychedelphia, Pageant Soloveev Gallery, Philadelphia, PA Season Review: Selected Artists, Edward Thorp Gallery, New York, NY 2012 Assembly 2012, Edward Thorp Gallery, New York, NY First Contact,
Field Projects Gallery, New York, NY Peep, A Curious Look Into
Painting, Little Berlin Gallery, Philadelphia, PA 2011 Free Range:
Painting at the University
of Pennsylvania, University
of Pennsylvania, Morgan Gallery, Philadelphia, PA 2010 Lee Arnold, Sarah Gamble, Andrew Gbur, Fleisher / Ollman Gallery, Philadelphia, PA Philadelphia Painters, The
Painting Center, New York, NY Places, Everyone, Cross McLeaf Gallery, Philadelphia, PA 2009 Art
of the State, Pennsylvania Museum
of Art, Harrisburg, PA Former AIR, Bemis Center for
Contemporary Art, Omaha, NE 2008 Philagrafika Invitational Portfolio, University
of the Arts, Philadelphia, PA Vision Quest, School 33 Gallery, Baltimore, MD 2007 Sarah Gamble and Terra Fuller, PS122 Gallery, New York, NY minty, VoxPopuli Gallery, Philadelphia, PA 2006 New Trends in
Painting, Concordia University, Seward, NE Omaha Hobo Showbo, Bemis Center for
Contemporary Art, Omaha, NE Wrote For Luck, Kouros Gallery, New York, NY 2004 Voxenniel, Vox Populi, Philadelphia, PA Bad Touch, Lump Gallery, Rose Museum at Brandeis, Rose Museum at Brandeis University 2003 The New Acropolis, Fleisher / Ollman Gallery, Philadelphia, PA
1982 Geometric Art at Vassar, Vassar College Art Gallery, Poughkeepsie, USA Flowers and Gardens in American
Paintings, DuBose Galleries, Houston, USA
Paintings, Fuller Goldeen Gallery, San Francisco, USA New American
Painting III, John C Stoller & Co, Minneapolis, USA New American Graphics 2 Shea Gordon, Pat Steir and Denise Green, Madison Art Center, Madison, USA Shea Gordon, Pat Steir and Denise Green, Mulvane Arts Center, Washburn University, Topeka, USA L'art Baroque, Musee d'art Contemporain, Paris, France Post Minimalisms, Aldrich Museum
of Contemporary Art, Ridgefield, USA Representing Reality: Fragments from the Image
Field — An Exhibition
of Etchings and Woodblocks Prints by Gunter Brus, Francesco Clemente, Joel Fisher, Robert Kushner, Pat Steir, and William T Wiley, Crown Point Press Gallery, Oakland, USA (Traveling exhibition) Currents — A New Mannerism, Jacksonville Art Museum, FL; the University
of South FL, Tampa, FL, USA
This exhibition explores the highly formulated and transitional status
of geometrical abstraction in the work
of women artists from three generations: beginning with (Neo) concrete works on paper from the 1950s by Lygia Pape, to Minimal and Color
Field paintings from the 1960s by Rosemarie Castoro and Gina Pane, the 1960 - 80s Pop Art influenced pattern
paintings by Barbro Östlihn, to post-Concretist installations, structural and systemic experiments and text pieces from the 1970s and 80s by Lydia Okumura, Lenora de Barros, Martha Araújo, Dóra Maurer and Samia Halaby, to the original
contemporary formulations
of this history by Paloma Bosquê.
After settling in New York, Kuwayama eschewed both traditional Japanese
painting and Abstract Expressionism, which dominated
contemporary art, and instead experimented with highly reductive
painting, producing canvases with brightly colored
fields of paint in horizontal and vertical compositions, such as Untitled: red and blue (1961).
Laura Owens undoubtedly takes a special position in the
field of young
contemporary painting, as her seemingly romantic and naïve pictorial language goes beyond the separation between abstract and figurative art.
Henry Art Gallery, University
of Washington, Seattle, WA (2017); Her work has been included in recent museum exhibitions, including ICA Collection: Expanding the
Field of Painting (2013 — 14), Institute
of Contemporary Art, Boston; Paint Things: Beyond the Stretcher (2013), deCordova Museum and Sculpture Park; and Paradox Maintenance Technicians: A Comprehensive Manual to
Contemporary Painting from Los Angeles and Beyond (2013), Torrance Art Museum, Torrance, CA.
In 1964, he was included in the exhibition Post-Painterly Abstraction curated by Clement Greenberg, [7] which traveled the country and helped to firmly establish Color
Field painting as an important new movement in the
contemporary art
of the 1960s.
Altered States looks at
contemporary artists who explore psychedelia (mostly
painting and some constructions with a mix
of figuration, geometric and Op imagery) against a back drop
of 1960s Op Art, figurative and Color
Field paintings, as well as original rock posters.