Sentences with phrase «contemporary film language»
The way in which audio and video are cut together in ads, TV shows, and online marketing these days has created a contemporary film language that's like shorthand to us.
http://www.scene-stealers.com/ Not exact matches
The dialect in which the characters speak (peppered with frequent profanity; this R - rated film has no nudity, no sexual depiction, no physical violence and is rated R solely on account of its language, and possibly its themes) presents an arguably contemporary portrait of what would conventionally be called a bad alliance / marriage.
At the film's recent press day in Los Angeles, MoviesOnline sat down at a roundtable interview with Chazelle who discussed how he looked for ways to bring a contemporary language that was musical, visual and emotional to a genre that runs the risk of nostalgia.
Malick's filmmaking language is unlike anything else in contemporary cinema and his latest film is a breathtakingly imaginative, visionary and beautiful achievement which took my breath away
Lincoln Speaks, a 15 - minute film, was originally produced to accompany the exhibition and features contemporary writers and scholars discussing the power of Lincoln's language and his enduring legacy in American political life.
IT»S LIKE EISENSTEIN PUTTING ONE THING NEXT TO ANOTHER AND CREATING A LANGUAGE THAT WAY, AND IT IS ALSO RELATED TO SURREALISM AND JUXTAPOSING DISPARATE IDEAS, OBJECTS AND IMAGES JJ: At the same time that I was looking at contemporary work and studying art history I was looking at film — going to Anthology Film Archives [in New York] and a lot of places that don't exist any more that were showing film in the 1960s and 70s.
David Claerbout's paintings on paper are fundamental to his film practice; Ilse D'Hollander's intimate canvases are sensual explorations of the physical act of painting; Jose Dávila interrogates how the modernist movement has been translated, appropriated, and reinvented; Laurent Grasso's meticulous appropriations of classical paintings integrate impossible phenomena, blurring the line between the historical and contemporary; Rebecca Horn's large - scale gestural paintings evoke her early performance work, their dimensions being determined by the artist's physical reach; Callum Innes» Exposed Paintings are concerned with both making and unmaking the work; Idris Khan utilizes language, melding thousands of lines of stamped text into singular abstract images; Hugo McCloud's work fuses industrial and fine art materials; Sam Moyer combines found textures into a fresh, expanded, artistic palette; and James White's oil paintings reimagine the still life as a chance freeze - frame.
AW: One curiosity about contemporary art is that there is a terrific interest in the old languages and devices of painting, but generally in the work of photographers and film - makers — or artists using photography and film — but contemporary painting itself sometimes looks back to the history and sometimes doesn't.
«Contemporary art is the new international language, unifying leading creators across art, music, fashion, film and design,» said MOCA Director and MOCA TV Channel Executive Jeffrey Deitch.
The intention is to breathe new life into the exhibition process with which «When Attitudes Become Form» was staged, so as to go beyond the necessity for photographs and films of the past event, and to be able to experience and analyze it literally, just as it was, even though it has been transported from the past to the present.The project has entailed the understanding that the language with which an exhibition is mounted and the relations between the works set out by its curator have become a founding element of the history of modern and contemporary art.
Sculpture, and the ideas that form it are also evident in many of the works — from the performative actions and films of Antti Laitinen to the language of Atkins many of the works on show probe at the problem of sculpture and our contemporary understanding of the medium.
Photographic and film mediums are an integral part of this show, exploring the translation of political propaganda into a contemporary visual language.