Not exact matches
Sloppy writing gives savvy movie - cum - music fans the impression that this demographically challenged
film doesn't know the difference between Nashville and Austin, or in other words, the schism which divides
contemporary country music into its inimical sides: mainstream and alternative, just like rock, or any number
of musical
genres.
The
genre is arguably one
of the riskier for filmmakers to tackle because the
film must not only make the audience believe in a world or setting that is seemingly ambitious, but the filmmaker must also convey a
contemporary message
of some kind.
This identity disorder — Sofia is one
of contemporary cinema's most
filmed cities, yet rarely plays itself — is personified by the lead character (Elika Portnoy), a Bulgarian woman with multiple personalities, each one belonging to a different
genre: a bespectacled, blonde educator with a controlling husband (domestic drama), a redheaded belly dancer (romance à la Zalman King), and jet - black - haired professional assassin (thriller).
A sensitive and astute consideration
of a
film working in the seemingly popular
contemporary genre of the multiple, interlocking narrative.
The
film is set in
contemporary Los Angeles with familiar
genre nods to the past, anywhere from the thirties to eighties, and a watchful eye on fashions
of the future.
It's a
contemporary prequel to the
genre - defining
film, Psycho, and will give us an intimate portrayal
of Norman Bates» teenage years.
From the dichotomous twin poles
of the Lumière Brothers and Georges Méliès to the perceived new nouvelles vagues
of Olivier Assayas and Christophe Honoré, a majority
of the country's greatest
films and filmmakers have belonged (however broadly) to one school or another; or, at the very least (as in the case
of, say, Jean - Pierre Melville or, more recently, Danièle Thompson, Mathieu Kassovitz or Pierre Salvadori), they have worked within a
genre that has had
contemporary currency and visibility.
by Walter Chaw Lyrical, dislocated, and grim in the fashion
of a Derek Jarman
film (and director John Maybury served as editor on Jarman's The Last
of England), The Jacket, like Altered States, Miracle Mile, Jacob's Ladder, and 12 Monkeys before it, is the sort
of doom - filled
genre romance that's regularly underestimated in popular
contemporary conversation.
Great Directors on TCM: Akira Kurosawa Between his flawless translations
of American
genre films (especially crime
films and westerns) to Japanese settings both
contemporary and medieval, his groundbreaking experiments with cinematic point
of view and narrative reliability, and his brilliant juxtapositions
of Shakespeare with Japanese tradition, Akira Kurosawa can easily claim to be one
of the greatest and most influential directors
of all time.
Steeped in Australia's brutal colonialist past and evoking other
contemporary classics such as The Proposition and The Tracker, Sweet Country continually defies and undermines
genre expectations with its masterful command
of film style and its confronting tale
of racism and injustice.
At the
film's recent press day in Los Angeles, MoviesOnline sat down at a roundtable interview with Chazelle who discussed how he looked for ways to bring a
contemporary language that was musical, visual and emotional to a
genre that runs the risk
of nostalgia.
Michael Almereyda is an interesting and ambitious filmmaker (his 1994 vampire
film «Nadja» is one
of the better
contemporary riffs on the
genre) who doesn't work as often as he should.
Along with the
contemporary films of Anthony Mann, The Searchers marks a point in the Western
genre where we can no longer necessarily accept the motives
of the good guys to be pure, and in fact, are forced to question if the good guys are actually good — perhaps the beginning
of the revisionist western.
But just as older
genre film fans might look back in wonder at the summer
of ’82 (featuring E.T., Star Trek II: The Wrath Of Khan, Poltergeist, The Road Warrior, and Blade Runner) or the summer of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
of ’82 (featuring E.T., Star Trek II: The Wrath
Of Khan, Poltergeist, The Road Warrior, and Blade Runner) or the summer of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of Khan, Poltergeist, The Road Warrior, and Blade Runner) or the summer
of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
of ’84 (Ghostbusters, Gremlins, Indiana Jones And The Temple
Of Doom), there have been some contemporary summers with robust, varied lineups of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of Doom), there have been some
contemporary summers with robust, varied lineups
of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
of very good movies, like 2008 (Iron Man, The Dark Knight, Wall - E, Step Brothers, and cult favorite Speed Racer) and even the otherwise sequel - saturated 2011 (Rise
Of The Planet Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of The Planet
Of The Apes, Super 8, X-Men: First Class, the first Captain America
Of The Apes, Super 8, X-Men: First Class, the first Captain America).
Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a
genre - defining exploration
of one
of popular culture's most celebrated realms encompassing literature,
contemporary art,
film, music, comic books and video games to present a new, global perspective on Science Fiction.
Performa: New Visual Art Performance presents an authoritative introduction to the
genre, many forms including radio broadcast, dance, live installation, new technologies,
film and video, music, historic reconstructions and lecture - as - performance, and provides a vivid tour through the world
of contemporary performance, featuring inventive documentation
of works by some
of the most significant artists
of our time, including Jesper Just, Francis Alys, Christian Marclay, Laurie Simmons, Tamy Ben - Tor, Melik Ohanian, Michael Smith, Christian Holstad, and Gelitin.
A pivotal figure in
contemporary art from the early 1970s until his untimely death in 2013, Sekula continuously questioned the function
of the documentary
genre and the consequences
of global capitalism through his critical writings, photographic installations, videos, and
films.
Unique in its scope and
genre and presently in its 5th edition, the FotoFilmic annual traveling exhibition aims at bringing the entire world community
of photographers attached to
film and preceding historical processes closer together in an effort to both promote emerging talent and help redefine the artistic significance
of the medium's
contemporary practices.
In 1964, inspired by both the long history
of art and by imagery he found on
contemporary printed postcards, Roy Lichtenstein began to explore the
genre of land and seascapes, using paint, plastic, enamel, drawings, collage, print, and even
film to realize his various works.
Program Exhibitions /
film screenings / manga library / performances / talk events / workshops / guided tours etc. — Brings together a total
of approximately 120 works selected from 4,347 entries from 84 countries and regions — Presents a cross-section
of contemporary artworks from diverse
genres — Offers new perspectives on emerging styles
of filmic expression through an extensive
film program — Holds a program
of approximately 40 talk events, workshops, performances etc. throughout the entire duration
of the festival — Presents an experience
of new cultural forms and ideas made possible by evolving technology