Sentences with phrase «contemporary framed photographs»

Not exact matches

«There's Always Vanilla Film Locations» (11 mins., 1080p) has «Romero historian» Lawrence DeVincentz talking over a slideshow of contemporary photographs of locations used for scenes in the film (some of them featuring him or his buddy Spooky Daz Sargeant in the frame matching the pose of the original actors) with authentic production stills occasionally appearing in an inset.

That we have fallen into the imagistic approach to exhibitions (easily framed, photographed, and shared) makes an environment out of contemporary art that is perhaps even more hostile to ideas expressed through differences in aesthetics.

[35][34][36] The Lunder Center has five conservation laboratories and studios equipped to treat paintings, prints, drawings, photographs, sculptures, folk art objects, contemporary crafts, decorative arts, and frames.

The Hammer recently added Hirsch Perlman's 2007 photograph Operation Idiocracy, Roll 3, Frames 3/4, to the Hammer Contemporary Collection.

Picturing New York draws on one of the most important collections of modern and contemporary photography in the world to celebrate the long tradition of photographing New York, a tradition that continues to frame and influence our perception of the city to this day.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

2002 Ultra Baroque: Aspects of the Post-Latin American Art, Walker Art Center, Minneapolis, USA Límites de la percepción, Fundación Joan Miró, Barcelona, Spain Life Death Love Hate Pleasure Pain: A Spectrum of Contemporary Art at the MCA Chicago, Museum of Contemporary Art Chicago, Chicago, USA Moving Pictures, Solomon R. Guggenheim Museum, New York, USA time / frame, Jack S. Blanton Museum of Art, Austin, USA Tempo, Museum of Modern Art, New York, USA Gene (sis): Contemporary Art Explores Human Genomics, Henry Art Gallery, University of Washington, Seattle, USA Visions of America: Photographs from the Whitney Museum of Art 1940 - 2001, Whitney Museum of Art, New York, USA Lateral Thinking: Art of the 1990 «s, Museum of Contemporary Arts San Diego, La Jolla, USA Culture of Violence, University Gallery, University of Massachusetts, Amherst, USA A New World Trade Center, Max Protetch Gallery, New York, USA

This photograph — based on indivdual frames from a 35 mm print of the 1978 film Eyes of Laura Mars — was made to support Nottingham Contemporary, an exemplary contemporary art space in the UK, where Anne had a solo exhibitContemporary, an exemplary contemporary art space in the UK, where Anne had a solo exhibitcontemporary art space in the UK, where Anne had a solo exhibition in 2011.

Mariam suggests even going a step further: «If you have a contemporary medium like a photograph, frame it with something vintage.

A collection of modern pieces including vibrant art work, framed photographs and unusual accessories inject colour and character against a restful backdrop of white and grey in this contemporary living room.