Sentences with phrase «contemporary glass object»

The acquisition furthers the museums ambitions to collect across a range of different media and Nose and Tail Form is the first significant contemporary glass object to enter the collection.

Not exact matches

A selection of 21st - century objects, such as Richard Lee's Sinking and Burning (2005), a cabinet with reverse glass painting, also reveals unexpected links between historic and contemporary American art.

Saar utilizes manipulated materials such as glass and tar and found objects such as sugar sacks, mops, and raw cotton to merge the historical past with contemporary bodies.

• South African artist Larita Engelbrecht's collage - on - glass work «African Mask Mash - up 1» (2014) combines coffee - table book images of traditional African masks with images of contemporary everyday objects.

Plastic bottles and iPods are stuck into clay; potatoes grow from abstract structures; glass and body parts and pieces of cutlery fuse to form hybrid constructions such that even we, as contemporaries of these objects, lose sense of their original purpose.

COLLECT, the international art fair for contemporary objects, will returns to the Saatchi Gallery, London, from 11 to 14 May 2012 Launched in London in 2004, COLLECT has become the leading international art fair for museum - quality contemporary craft, showcasing the very best ceramic, glass, jewellery, textiles, wood, furniture, silver and fine metalwork by both new -LSB-...]

The exhibition to be held at Palazzo Cavalli Franchetti (seat of the Istituto Veneto di Scienze Lettere ed Acti) and the Berengo Centre for Contemporary Act and Glass will include sculptures, installations and design objects.

Comparing the opinions of various curators, Glasstress addresses this issue through glass sculptures specially made by major artists on the contemporary scene and through objects and sculptures made by designers, whose research was influenced by the formal aspect of the use of the object.

Evocative of both Marcel Duchamp's Large Glass and later Minimalist sculptures, Beshty's glass boxes acquire additional cracks each time they are exhibited, thereby providing a visual trace of their physical movements, and, more broadly, of the trafficking of contemporary art objGlass and later Minimalist sculptures, Beshty's glass boxes acquire additional cracks each time they are exhibited, thereby providing a visual trace of their physical movements, and, more broadly, of the trafficking of contemporary art objglass boxes acquire additional cracks each time they are exhibited, thereby providing a visual trace of their physical movements, and, more broadly, of the trafficking of contemporary art objects.

«An Artist Has a Past (Puffy Clouds and Strong Cocktails)» at Dallas Contemporary (161 Glass Street in the Dallas Design District) features 15 large - scale paintings from the past decade that incorporate discovered objects and images.

This is visible in The Future is Present (2011), a work that combines historically artisanal glass beads and quartz with more contemporary, urban objects like barbed wire.

After making his mark in the 2008 Whitney Biennial with an assortment of shatterproof glass cubes made to the standards of FedEx shipping boxes — a gesture that pointed toward the illusion of autonomy in minimalist sculpture, and to the systems of corporate transport and capital that tend to cover over and regulate the processes that deliver objects to your doorstep — Beshty has continued to find ways to acknowledge and create representations of the repression of materiality in contemporary aesthetic production.

Comprising a selection of around sixty painted objects in a wide variety of materials (canvas, wood, glass, vellum, ceramics, silk, and more), the show includes work by masters of the Northern Renaissance, such as Jan van Eyck and Albrecht Dürer, as well as major modern and contemporary figures like Jackson Pollock and Gerhard Richter.

A wide range of art acquisitions — including a rare post-World War II modernist painting, important Native American objects, a collaborative work by two contemporary African American artists, and a site - specific glass installation — led VMFA's year - end acquisitions.

Traveled to Grazer Kunstverein, Austria and The Studio Museum, New York Tenth Anniversary Exhibition, 100 Drawings and Photographs, Matthew Marks Gallery, New York (catalogue) 2000 Made in California: Art, Image and Identity, 1900 - 2000, Section 5, 1980 - 2000, Los Angeles County Museum of Art (catalogue) 1999 Through the Looking Glass, Newhouse Center for Contemporary Art, Snug Harbor Cultural Center, NY 1995 In a Different Light, (co-curator), University of California, Berkeley Art Museum (catalogue) Into a New Museum - Recent Gifts and Acquisitions of Contemporary Art, San Francisco Museum of Modern Art 1994 Body and Soul, (with Cindy Sherman, General Idea and Ronald Jones), Baltimore Museum of Art Outside the Frame: Performance and the Object, Cleveland Center for Contemporary Art Don't Leave Me This Way: Art in the Age of AIDS, National Gallery of Australia, Canberra (catalogue) Black Male, Whitney Museum of American Art, New York (catalogue) 1993 Building a Collection: The Department of Contemporary Art, Museum of Fine Arts, Boston I Love You More Than My Own Death, Venice Biennale 1992 Translation, Center for Contemporary Art, Ujazdowski Castle, Warsaw California: North and South, Aspen Art Museum, CO Recent Narrative Sculpture, Milwaukee Art Museum, WI Facing the Finish, Art Center College of Design, Pasadena, CA (catalogue) Nayland Blake, Richmond Burton, Peter Cain, Gary Hume, Matthew Marks Gallery, New York Effected Desire, Carnegie Museum of Art, Pittsburgh Dissent, Difference and the Body Politic, Portland Art Museum, OR The Auto Erotic Object, Hunter College Art Gallery, New York 1991 Third Newport Biennial: Mapping Histories, Newport Harbor Art Museum, CA (catalogue) Facing the Finish, San Francisco Museum of Modern Art Louder, Gallery 400, University of Illinois, Chicago The Interrupted Life: On Death and Dying, New Museum of Contemporary Art, New York Anni Novanta, Galleria Comunale d'Arte Moderna, Bologna.

With À la Lumière des Deux Mondes (At the Light of Both Worlds, 2005), a site - specific work created for the Louvre's glass pyramid — the first time a contemporary artist had exhibited in the institution — Tunga used one of the building's columns as a pivot on which various symbolically charged objects were balanced: gold and black skulls and a giant walking stick intertwined with braided hair on one side; a chain of skulls caught in a dark net falling towards a floor littered with golden and black reproductions of heads from the Louvre's classical sculptures on the other.

mixed media installation (found objects, cut photograph, Xylene transfer, glass, ink, printed Mylar and archival tape on paper), 28 × 43 cm each, installation view at BALTIC Centre for Contemporary Art, Gateshead Courtesy of the artist, Photo by Colin Davison

HOUSTON CENTER FOR CONTEMPORARY CRAFT: Myth, Object and the Animal, featuring works by glass artist William Morris, through Sunday.

The exhibition presents a modern and contemporary selection of paintings, drawings, sculptures, and photographs, while embracing objects that involve weaving, glass, furniture design, and wallpaper.

The Tunnel 269 11th Avenue New York City October 26 - 29, 2017 Kiki Smith: Mortal Dallas Contemporary 161 Glass Street Dallas Texas 75207 September 29 - December 17, 2017 Nicole Eisenman: Dark Light Secession Friedrichstraße 12 1010 Vienna, Austria September 14 - November 5, 2017 Kiki Smith: From the Creek Thomas Cole National Historic Site 218 Spring Street Catskill, NY August 12 - October 29, 2017 Skulptur Projekte Münster 2017 Included Sketch for a Fountain [Skizze für einen Brunnen] by Nicole Eisenman Münster, Germany June 10 — October 1, 2017 Nicole Eisenman Faces: Painted Reliefs Anton Kern Gallery 16 East 55th Street New York City June 1 - July 7, 2017 Richard Artschwager Martin Kippenberger: Objects and Drawings David Nolan Gallery 527 West 29th Street New York City May 11 - June 17, 2017 AMERICAN INTERIOR included t, w, m, d, r, b, 2003 by Richard Artschwager, printed and published by Harlan & Weaver Carriage Trade 277 Grand Street, 2nd Fl New York City April 27 - June 3, 2017 Joanne Greenbaum: Everything is Perfect in All Ways VAN HORN Ackerstraße 99 Düsseldorf, Germany March 18 - May 12, 2017 Kiki Smith: Portraits, Celestial Bodies and Fairy Tales (Prints from 1990 through now) Mary Ryan Gallery 515 West 26th Street New York City February 23 - April 8, 2017 Steve DiBenedetto: Novelty Mapping Picnic Cherry and Martin, 2732 Space 2712 S. La Cienega Boulevard Los Angeles, CA January 24 - March 4, 2017 (Article) Thickly Layered Paintings that Glow with Their Own Light by Daniel Gerwin on Hyperallergic Bound by Paper Included hand - made books by Joanne Greenbaum LMAK Gallery 298 Grand Street New York City January 19 - March 5, 2017

HOUSTON CENTER FOR CONTEMPORARY CRAFT: Myth, Object and the Animal, featuring works by glass artist William Morris, Saturday - June 2.

1966 — 2017 110 found - object sculptures; stone, shells, glass, wood, plastic, thread, net, seeds, paper, cloth, detritus, sand dimensions variable Installation view, Cecilia Vicuña: About to Happen, Contemporary Arts Center, New Orleans, 2017.

Contemporary Craft's Artist Residency is for artist working in craft mediums including, fiber, clay, metal, glass, found objects and wood (no photography, painting or prints).

One generation after the other, the Seguso family keeps alive the art of making glass contemporary chandeliers & murano blown glass pieces; an art performed in extreme conditions, the contrary of the decadent elegance you admire in a glass object.