Sentences with phrase «contemporary global culture»

«If you stick with the work long enough you become yourself, which is no small accomplishment in a contemporary global culture that tends to atomize and disburse ontological centeredness.»

The Galleries ultimately strive to produce projects by artists and intellectuals who demonstrate how and why creative practitioners are vital forces in promoting diversity and shaping contemporary global culture.

Not exact matches

And will we eventually find ourselves indigenized into quaintly cultivated preserves» the contemporary equivalents of the old mission compound» while the new syncretic but dynamic global culture leaves us far behind?

About Blog ConcordiaTheology.org is a space where theology happens, where theological thinking intersects current events, contemporary cultures, and global society.

Built as an iconic landmark showcasing Arabian culture and hospitality at its finest, Emirates Palace has created an enviable niche in luxury hospitality, welcoming world leaders, celebrities, global business travelers and leisure guests with a truly memorable and unique experience, luxurious contemporary facilities and amenities in comfortable and traditional Arabian surroundings with personalized world - class service.

In Jaipur, the traditional and the contemporary culture have intermingled in such a way that it has become one of the best tourist destinations to the global nomads.

Built as an iconic landmark showcasing Arabian culture and hospitality at its finest, Emirates Palace, managed by Kempinski, has created an enviable niche in luxury hospitality, welcoming world leaders, celebrities, global business travellers and leisure guests with a truly memorable and unique experience, luxurious contemporary facilities and amenities in comfortable and traditional Arabian surroundings with personalized world class service.

About Blog ConcordiaTheology.org is a space where theology happens, where theological thinking intersects current events, contemporary cultures, and global society.

Opening in June 2017, major Barbican exhibition Into the Unknown: A Journey through Science Fiction is a genre - defining exploration of one of popular culture's most celebrated realms encompassing literature, contemporary art, film, music, comic books and video games to present a new, global perspective on Science Fiction.

Aboudia's energized portrayal of the street culture of urban Africa takes full flight in «African Dawn», creating a powerful synthesis of historic and current events and propelling Aboudia to the forefront of global contemporary art.

Artnet The Online Marketplace And Magazines's Clique, from left: Ben Davis, national art critic, Artnet News; Christie Chu, assistant managing editor, Artnet News; Ben Genocchio, editor in chief, Artnet News; Cait Munro, culture reporter, Artnet News; Thierry Dumoulin, vice president, marketing; Jessica Zhang, regional manager of greater China; Mops (the dog), mascot; Sophie Neuendorf, global director of partnerships; Jacob Pabst, CEO; Calvin Sharpe, office manager; Gracie Mansion, senior specialist, contemporary and modern art; Gamliel Beyderman, director, business intelligence / data science; Bree Hughes, specialist, photographs.

His work addresses a wide range of themes, including the ongoing impacts of colonialism, humanity's fraught relationship with the natural environment, contemporary consumptive cultures and the complex dynamics of the global political economy.

Allison Schulnik, Arin Rungjang, art fair, artist studio, Australian Centre for the Moving Image, Boyd Webb, Callum Innes, Charles Lim, collectors, commercial, contemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbecontemporary art, creativity, culture, Digital Art, discussions, exhibition, fair, Future Perfect, Galeria AFA, galleries, gender, Gene Sherman, global, Google Creative Lab, Ian Hamilton Finlay, Ingleby Gallery, installation, Joachim Bandau, Joana Vasconcelos, Jonathan Owen, Josh Azzarella, Katie Paterson, Mark Moore Gallery, Moving Image, Pearl Lam Galleries, performance, Peter Liversidge, post internet, public program, Qin Yufen, Richard Forster, Sandra Vasquez de la Horra, studio visits, Su Xiaobai, Sydney Art Week, Sydney Contemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare MbeContemporary, Tim Etchells, Two Rooms, video art, Yinka Shonibare Mbe, Zhu Jinshi

Over the past few decades, German artist Thomas Bayrle has quietly laid the seeds for much of what fascinates us about contemporary art's engagement with the worlds of popular culture, standardisation and global culture today.

His work as an educator has usually intersected his interest as an artist, making his work often reflects on issues of interpretation, dialogue, and the role of contemporary culture in a global reality.

Initiating the beginning of the international fall art season each September, EXPO CHICAGO takes place at historic Navy Pier, whose vast vaulted architecture hosts leading international exhibitors presented alongside one of the highest quality platforms for global contemporary art and culture.

Having grown up in China during a phase of unprecedented technological advances, global commercialization and popular culture assimilation, and later traveling and living between China, the U.S. and Europe, Liu adapted and cultivated an innate sensibility unique to the contemporary Chinese diaspora.

Having grown up in China during a phase of unprecedented technological advances, global commercialization and popular culture assimilation, and later traveling and living between etween China, the U.S. and Europe, Liu adapted and cultivated an innate sensibility unique to the contemporary Chinese diaspora.

Officially launching in 2016, the Biennial will present groundbreaking international contemporary art, in addition to highlighting Hawaii's notable, but under - recognized contributions by its communities and individuals to global arts and culture on the international stage.

At the same time, her work also politically shifts art discourse to show that such topics are not peripheral but central, that they profoundly shape global culture and contemporary art.

The Andy Warhol Museum will be a global destination for scholarship and learning about Warhol's life, art, and relevance to contemporary culture.

21c Museum Hotel Lexington features solo and group exhibitions that reflect the global nature of contemporary culture.

The historic Hill Building has been re-imagined to showcase more than 10,500 square feet of exhibition space where curated exhibitions and site - specific installations reflect the global nature of contemporary culture.

Five 19th - century warehouses live on as more than 9,000 square feet of exhibition space where curated exhibitions and site - specific installations reflect the global nature of contemporary culture.

The San Francisco Art Institute invites the public to engage with global leaders of contemporary art and culture through lectures and exhibitions during spring 2014.

Edge of Arabia, a pioneering travelling exhibition that has shed new light on the largely unknown contemporary art culture of Saudi Arabia, is coming to Dubai this March during the Sharjah Biennial and in partnership with Art Dubai, and under the global tour sponsorship of ALJ Community Initiatives.

In 2016, she launched The Gallery at Calabar in Harlem focused on contemporary African Artists and African Diaspora artists globally whose work is inspired and influenced by black and global African culture globally investigating dynamic ideas about art, culture and society.

With the entire world watching the recent Fukushima events and the rising of radiation levels, reported mutations and increasing numbers of cancer patients (Kudo himself died of cancer) his oeuvre can be regarded as a valid political statement of contemporary culture on a global scale.

In this series, contemporary imagery from popular culture and the global market, such as the well - known plaid of Burberry's signature scarf, is applied to cut away sections of statuary heads so that the «new» China appears to be blooming out of «old» Chinese sculptures.

Guided by its mission, the Orange County Museum of Art's collection strives to link the historical and the contemporary; bridge local and global art and culture; and enlighten, inspire, and engage visitors.

Through the use of drawing, printmaking, sculpture and installation, he seeks to refigure the power dynamics, binary and structures resulting from neoliberal global and contemporary culture.

Samuel Fosso @ The Walther Collection, Project Space Sept. 12 — Jan. 17, 2015 One of the most highly regarded contemporary artists working in Africa, Cameroon - born Samuel Fosso has been working as a professional photographer since the age of 13, exploring global themes, contemporary West African culture and, most significantly, turning the camera on himself.

2009 Mayer, Sally, Straight Man, Wonderland, April - May Sculptor Shows his Own Poetry in Motion, The Southland Times, March Sherwin, Skye, Exhibitionist: The Best Art Shows to See this Week, The Guardian, 18 September De Wilde, Femke, Room With a Political View, Frame, March - April Lutticken, Sven, Taped Together: On The Bijlmer Spinoza Festival by Thomas Hirschhorn, Texte Zur Kunst, September Weiner, Emily, ArtForum (Review of show at Gladstone Gallery, NYC), March ArtForum (Review of show at Galerie Susanna Kulli), April Thomas Hirschhorn to Present his First Ever Solo Exhibition in a UK Public Art Gallery, Art Daily, 8 September Indepth Art News: Anschool by Thomas Hirschhorn, Absolute Arts, April 2008 Rappott, Mark, Strange Love, Art Review, June Stroh, Frank, Thomas Hirschhorn: Hotel Democracy, Creative Europe Online, June Thomas Hirschhorn's «Hotel Democracy» at Art Basel 2008, Designboom, June Art Basel Becomes More Global, Swissinfo.com, 5 June Basel Art Blow - Out, Artnet, 30 May Art 39 Basel: El Dorado of the International Art World Set to Open in Switzerland, Art Daily Online, June Art Basel Opening, Zimbio.com, June Bowes, Elena, Thomas Hirschhorn, Indagare, June Vogel, Carol, Hotel Democracy, New York Times, 21 March Crow, Kelly Culture Clash: Soccer Fans, Art Elite Butt Heads, The Wall Street Journal, 30 May Vogel, Carol, New York Times, 21 March Harris, Gareth, Art Basel, Financial Times, 24 May Reust, Hans Rudolf, Infinite Glass: The Arts Beyond the Discipline, Parkett, No. 84 2007 Demos, T. J., On the Ground - London, Artforum, December Nesbit, Molly, Le plan d'amitie entre art et philosophie, Le Monde Diplomatique, August Kultureflash.net, no. 124, 3 August Downey, Anthony, Thomas Hirschhorn, Flash Art, July - September, p. 134 Pennell, Arden, This is Your Brain on Reality, Whitehot magazine of contemporary art, Issue 3, May Icon, issue 046, April Sam, Serman, Thomas Hirschhorn, The Brooklyn Rail, April Kulture Flash, issue 198, 28 March Jones, Jonathan, How War Made Art Better Again, Guardian Unlimited Art Blog, 26 March Thomas Hirschhorn - Substitution 2 at Stephen Friedman Gallery, www.artvehicle.com, Issue 12, 23 March Coomer, Martin, Thomas Hirschhorn, Time Out London, 20 March Hubbard, Sue, This is the father of all battles, The Independent, 14 March Westcott, James, ArtReview: blog, 13 March Hirschhorn, Thomas, Eternal Flame, Artforum, Vol.

Helguera's work as an educator has usually intersected his interest as an artist, making his work often reflect on issues of interpretation, dialogue, and the role of contemporary culture in a global reality.

«Her critical insights into contemporary culture, examining histories of science fiction, feminism, and the global socio - political condition, feel more urgent now than ever.»

Nearly 900 artists - in - residence have called Bemis Center home, participating in global conversations at the forefront of contemporary culture.

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

From the caption outside, which welcomes visitors to the show by insisting that «empire» is «a highly provocative term», and that the «imperial narratives» examined in the exhibition have influenced «social structures, culture and the fault lines of contemporary global politics», this is a prissy and off - putting event.

Initiating the beginning of the international fall art season each September, EXPO CHICAGO, the International Exposition of Contemporary & Modern Art, takes place at historic Navy Pier, whose vast vaulted architecture hosts leading international exhibitors presented alongside one of the highest quality platforms for global contemporary art Contemporary & Modern Art, takes place at historic Navy Pier, whose vast vaulted architecture hosts leading international exhibitors presented alongside one of the highest quality platforms for global contemporary art contemporary art and culture.

There is no doubt that the continent has a long tradition of art making, thanks to the creative culture of various tribes throughout the countries of Africa and the impact of contemporary African art which dates back to a global boom experienced in the 60's.

Since its founding, NOON has sought to provide the global art community with a report on the diverse communication and research in contemporary visual culture, with particular emphasis on the relationship between theories and contexts of a wide variety of fields.

Notable group shows include participations in the 7th Beijing Biennale, 2017; Kochi - Muziris Biennale, India, 2016; Jameel Prize 4 Pera Museum Istanbul, Turkey and Asia Culture Centre, Gwangju, Korea; «Rebel, Jester, Mystic, Poet: Contemporary Persians», Museum of Fine Art, Houston and Aga Khan Museum, Toronto, Canada, 2017; «Iranian Voices, Recent Acquisitions of Works on Paper», British Museum, 2017; «For an Image, Faster Than Light», Yinchuan Museum of Contemporary Art, Yinchuan, China; «Global / Local 1960 - 2015: Six Artists From Iran», Grey Art Gallery, New York University, 2016; «Memory and Continuity: A Selection from the Huma Kabakci Collection», Pera Museum, Istanbul, Turkey, 2016; Kochi - Muziris Biennale, India, 2016; Young Collectors, The Elgiz Museum, Istanbul, Turkey, 2014 and the Mykonos Biennale, Greece, 2013.

2002 CAB Gallery Retrospective 1999 - 2001, Essor Gallery Project Space, London, UK Between Language and Form, Yale University Art Gallery, New Haven, Connecticut, US Amsterdam Revisited: Adam & Eve On Sex, Tolerance and other Dependencies, De Appel, Amsterdam, NL Reaction - A Global Response to 9/11, Exit Art, New York, US Art Aficionado Auction of Cigar Box Art, Birmingham Museum of Art, Birmingham, Alabama, US Just Remember: It's Vienna, Galerie Hubert Winter, Vienna, AT Welfare State International, London, UK Light & Shadows..., Galerie Anselm Dreher, Berlin, DE From the Observatory, Paula Cooper Gallery, New York, US Galerie Pietro Spartà, Chagny, FR Coolecção Onnasch: Aspectos da Arte Contemporânea, Museu Serralves / Museu Arte Contemporânea, Porto, PT Conceptual Art 1965 - 1975 from Dutch and Belgian Collections, Stedelijk Museum Amsterdam, NE DIN Art 4 - 560 Künstler und 1 Formular, Museum für Kommunikation, Hamburg, DE 2002 Benefit Silent Auction and Gala, White Columns, New York, US Parole, Parole, Parole, Galleria Civica di Arte Contemporanea, Trento, IT Water - Sand — Space, The International Art Exhibition: Sharjah Art Museum, UAE; Städtischen Galerie Wolfsburg, DE Private Views, London Print Studio Gallery, London, UK Collections, Stedelijk Museum, Amsterdam, NL Startkapital, K21 Kunstsmamlung Nordhein - Westfalen, DE 20 Years in Danish Art, Stalke Galleri & Galleri Kirke Sonnerup, DK The Artists» Memory, Stadtische Museen Jena, Kabinett im Stadtmuseen, DE Ideal Avalanche, The Pond, Chicago, Illinois, UK Pièes de Collection / Oeuvres Contemporaines, Une Proposition de Françoise et Jean - Philippe Billarant, Ecole Supérieure des Beaux - Arts de Nîmes, ESBAN @ Hôtel Rivet, FR Hors d'Oeuvre, Artist's Pages, Le Journal de l'art Contemporain en Bourgogne, No. 10, FR Frenetic Interferences a presentation of MEMORY / CAGE EDITIONS, Museum Store of The New Museum of Contemporary Art, New York, US Sens Giratoire Exposition Collective Peintures, Photographies, Installations PASSAGES, Centre d'Art Contemporain, Troyes, FR Ilona Ruegg, Kunsthalle Bern, Bern, CH Kunst und Schock Der 11, September und das Geheimnis des Anderen, Eine Austellung mit Bildern und Texten in Zusammenarbeit mit Lettre International, Haus am Lützoplatz, Berlin, DE Art Unlimited, Basel Art Fair, Basel, CH Les Horizons du Paysage, curated by François Montliau & Hubert Besacier, Maison de la Culture de Bourges, FR Ansammlungen von Ingrid Wald und Gerhard Jaschke («Freibord»), Sommerallerie, Unterretzbach, AT Out of Print Edição Esgotada, Museu Serralves, Museu de Art Contemporaneâ, Porto, PT De Concert, Oeuvres d'une Collection Privé, Frac des Pays de la Loire, FR What About Hegel (And You)-RRB-?

With Man Made and the new book, audiences will come to understand Burks's singular vision of making, a vision committed to the expansive notion of design as an authentic basis for the production of culture in a contemporary, global context.

Matsuyama is influenced by a variety of subjects, including Japanese art from the Edo and Meiji eras, classical Greek and Roman statuary, French Renaissance painting, post-war contemporary art, and the visual language of global, popular culture as embodied by mass - produced commodities.

The Kabakovs join the Hirshhorn's 2017 - 18 schedule of diverse contemporary artists whose work reflects global conversations that shape history, politics and culture, including Japanese artist Yayoi Kusama, German artist Markus Lüpertz, Swiss artist Nicolas Party and American artists Theaster Gates, Yoko Ono and Mark Bradford.

2006 Jake & Dinos Chapman and John Currin — etchings from the Collection of Magasin 3, Magasin 3 Stockholm Konsthall, Stockholm, SE Unholy Truths at Initial Access New Art from the Frank Cohen Collection, Wolverhampton, UK PLAY, Bearspace, London, UK Peculiar Culture: The Contemporary Baroque, Art Gallery of Greater Victoria, British Columbia, CA Aftershock: Contemporary British Art 1990 - 2006, Guangdong Museum of Art, Guangzhou, CN Works from the Frank Cohen Collection, The New Art Gallery Walsall, UK With the Artists: New Paintings by Jake, Paul, George and Dinos, RS&A, London, UK The François Pinault Collection — A Post-Pop Selection, Palazzo Grazzi, Venice, IT Surprise Surprise, Institute of Contemporary Art, London, UK Eretica, Museum Sant» Anna, Palermo, IT People, Museo D'Arte Contemporanea Donna Regina Napoli (MADRE), Naples, IT Scarecrow, The Evangelos Averrof - Tositsas Foundation, Athens, GR Into Me / Out of Me, P.S. 1 Contemporary Art Center, New York, US; travelling to KW Institute for Contemporary Art, Berlin, DE Summer Exhibition 2006, Royal Academy of Arts, London, UK INFINITE PAINTING: Contemporary Painting and Global Realism, Villa Manin Centro D'Arte Contemporanea, Passariano, IT

Ever conscious of the inextricable bonds between local and global, Purcell offers cool and composed commentary on the material culture of contemporary America.

Whilst the Exhibition and Prize remain at the heart of Artes Mundi, I look forward to developing further partnerships, collaborations and global networks to create a web of activity celebrating the vitality and purpose of contemporary art at the heart of our international culture».

«a / drift: Scenes from a Penetrable Culture,» curated by Josh Decter, Bard Center for Curatorial Studies, Annandale - on - Hudson, NY, October 26, 1996 — January 5, 1997 «On Paper II,» Schmidt Contemporary Art, St Louis, MO, January 23 — February 20, 1996 «Tangles,» Otis College of Art and Design, Los Angeles, CA, November 2 — December 21, 1996 «Community of Creativity: A Century of MacDowell Colony Artists,» Currier Gallery of Art, Manchester, NH, 1996; traveled to the New York School of Design, New York, NY; Wichita Art Museum, Wichita, KS «The Inner Eye: Art Beyond the Visible,» Manchester City Art Galleries, Manchester, UK, 1996; traveled to the Museum and Art Gallery, Brighton, UK; Glynn Vivan Art Gallery, Swansea, UK; Dulwich Picture Gallery, London, UK; catalogue «Hotter Than July,» Margo Leavin Gallery, Los Angeles, CA, 1996 «a / drift,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996; catalogue «Inclusion / Exclusion: Art in the Age of Post-Colonialism and Global Migration,» Steirischer Herbst 96, Graz, Austria, 1996; catalogue «Art at the End of the 20th Century: Selections from the Whitney Museum of American Art,» National Gallery, Alexandros Soutzos Museum, Athens, Greece, 1996; traveled to Museu d'Art Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany; catalogue «Burning Issues: Contemporary African - American Art,» Museum of Art, Fort Lauderdale, FL; brochure «Thinking Print: Books to Billboards 1980 - 1995,» Museum of Modern Art, New York, NY, 1996; catalogue «10th Biennale of Sydney: Jurassic Technologies Revenant,» Art Gallery of New South Wales, Sydney, Australia, 1996; catalogue «The Mediated Object: Selections from the Eli Broad Collection,» Fogg Art Museum, Cambridge, MA, 1996; traveled to Forum for Contemporary Art, St Louis, MO «An American Story,» Whitney Museum of American Art, New York, NY, 1996 «Festival Exit,» Maison des Arts de la Culture, Paris - Creteil, France, 1996 «Screen,» Friedrich Petzel Gallery, New York, NY; video catalogue «Prospect «96,» Frankfurt Kunstverein, Frankfurt, Germany, 1996; catalogue