Sentences with phrase «contemporary graphic artist»

Celia Philo is a British contemporary graphic artist best known for her work with David Bowie regarding his album Aladdin Sane, which came out in 1973.

Not exact matches

The unique furniture pieces from Designers and Fine Artists featured at La Galerie Italienne in Paris, immerse us in a graphic, vitaminized color, contemporary shaped universe.

Combining graphic, jagged lines with a love of primary pops of colour, contemporary artist Lin Michelle exploits unconventional and innovative materials and textures to create bold, abstract art pieces that pack a statement - making punch.

In particular, the livery, a modern reinterpretation of the original, the colour, the historical Abarth logos and the original «Fiat Abarth 595» graphics - all handmade by the best customisation artists at Officine Abarth in Turin - give the car individuality and character to turn it into a «contemporary icon».

Contemporary artists have made work depicting graphic sexual acts, damaging property, injuring their own bodies, or paying others to alter theirs.

The show will proceed chronologically: from early prints that portray the populist and revolutionary roots of graphic arts in Mexico, to Rufino Tamayo's role in the invention of the Mixografia printing technique, and finally to the collaborations done with contemporary Latin American artists following Mixografia's move to Los Angeles in the 1980s.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenartist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

Inspired by the success of The Responsive Eye and a resulting explosion in enthusiasm for the Op Art (also known as Optical Art) movement, art collector, clothing manufacturer (and subsequently founder of the Aldrich Contemporary Art Museum) Larry Aldrich, hired graphic artist Julian Tomchin to translate some of the Op Art paintings in his collection into textile designs.

In 2011, it was rare to find artists involved in contemporary practice that were deeply invested in exploring the computer graphics of simulations.

Araya Rasdjarmrearnsook is one of Southeast Asia's most respected and internationally active contemporary artists, and for the past 25 years, her video, installation, and graphic works have been regularly shown in institutions in her native Thailand and throughout the world.

Clangors is presented alongside Channa Horwitz» numerological graphic scores 8th Level Discovered (1982) and Sonakinatography I Composition XXII (1991), and contemporary pieces from artists working in a dazzling range of mediums.

Featuring five of eight computer - animated films that comprise the artist's seminal Poemfield series (1966 - 1971), as well as a small selection of related computer graphic prints on paper, this presentation illuminates a significant pillar of the gallery's ongoing mission to re-engage historical work within contemporary contexts.

Shepard Fairey is a Los Angeles based contemporary artist, graphic designer, and illustrator, who first became known for his «OBEY GIANT» stickers which he created while studying at the Rhode Island School of Design.

1981 Museum of Contemporary Art: «Twentieth Century NorthAmerican Painters» Sao Paulo, Brazil La Jolla Museum of Contemporary Art: «Artists Quilts: Quilts by Ten Contemporary Artists with Ludy Strauss» California Also: Los Angeles Municipal Art Gallery, San Jose, California, and University Art Gallery, University of Texas, Arlington, Texas (catalogue) Art Center College of Design: «DECADE: Los Angeles Painting in the «70's» Pasadena, California Fox Graphics Gallery: «Selected Prints Published by Landfall Press» Boston Washington Project for the Arts: «Neon Fronts: Luminous Art for the Urban Landscape», Washington D.C. James Corcoran Gallery: «Summer Group Show» Los Angeles, California Thomas Babeor Gallery: «A California Summer» La Jolla, CA Tower Gallery, Inc.: «California Artists: Sculpture and Paintings» Southampton, New York Judith Christian Gallery: «Forty Famous Californians» New York Montgomery Art Gallery, Pomona College: «Professor's Choice» Claremont, California Sheldon Gallery, University of Nebraska: «The Kansas City Show» Lincoln, Nebraska Art Gallery, California State University, Northridge: «Abstraction in Los Angeles, 1950 - 1980: Selections from the Murray & Ruth Gribin Collection»

Sellink positions Tuymans among an elite group of contemporary artists (Hockney, Warhol, Rauschenberg, Bourgeois, Baselitz) who have made «large and important bodies of graphic works via different printmaking techniques.»

An exhibition of prints by the legendary graphic artist accompanies contemporary work by Dick Esterle, George Hart, Miranda Herrick, Paul Hildebrandt, Akio Hizume, Marc Pelletier, Clark Richert, Erin Sledd, Fabien Vienne and Scott Vorthman.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

1987 Allied Arts Council of Southern Nevada / First Interstate Bank Regional Art Collection, Las Vegas, Nevada The Works Gallery: «A View Through / Revisited» Long Beach, California Korean Cultural Service: «CURRENTS - Eight Contemporary Artists, American & Korean» Los Angeles, CA University of Hawaii at Manoa: «Glass: Another View» Honolulu, Hawaii Pence Gallery: «Works on Paper» Santa Monica, California Yurakucho Asahi Gallery: «Prints by Los Angeles» Tokyo Japan (traveling exhibition) Sena Galleries West: Arnoldi / Cooper / Dill, Santa Fe, New Mexico Stanford University Museum of Art: «The Anderson Collection Two Decades of American Graphics, 1967 - 1987» Stanford, California Scott Hansen Gallery: «Summer Selected Works» New York James Corcoran Gallery: «From the Sixties and Seventies» Santa Monica, California Elizabeth Leach Gallery: «Cirrus Editions, Ltd» Portland, OR

The Fair celebrates the spectrum of printmaking, from Rembrandt's etchings and drypoints, Andy Warhol's screenprints and David Hockney's etchings, to the graphic work of contemporary artists such as Paula Rego and Grayson Perry.

The artist's work synthesizes information into an entirely graphic language, starting with the formal concerns of surface, composition, color and tension, while introducing a range of subtle contemporary references and symbols.

1981 Sixty Years of Collage, Gallery Schlesinger - Boisanté, New York, NY Selections 81, Katonah Gallery, Katonah, NY Words and Images, Philadelphia Art Alliance, Philadelphia, PA; Pittsburgh Center for the Arts, Pittsburgh, PA; Southern Alleghenies Museum of Art, Loretto, PA Women Artists, Ulster County Community College, Stone Ridge, NY Pratt Graphics Center, New York, NY The New Gallery, Cleveland, OH Joyce Hunsacker Gallery, Los Angeles, CA University Art Gallery, Sonoma State University, Rohnert Park, CA Contemporary Collage, Alice Simsar Gallery, Ann Arbor, MI Artist's Books, Kathryn Markel Gallery, New York, NY Galerie Caroline Corre, Paris, France

Tarek Abou El Fetouh (curator) John Akomfrah (artist and filmmaker) Rheim Alkadhi (artist) Noora Al Mualla (Curator of Modern Arab Art, Sharjah Art Foundation) Monira Al Qadiri (artist) Hoor Al Qasimi (Director, Sharjah Art Foundation) Saira Ansari (Researcher, Sharjah Art Foundation) Rasheed Araeen (artist) Marwa Arsanios (artist) Mohammad Ali Atassi (Director, Bidayyat) Sarnath Banerjee (artist, writer and graphic novelist) Daniel Blanga Gubbay (Researcher and Curator, Aleppo.eu) Yaminay Chaudhri (artist and Co-founder, Tentative Collective) Ali Cherri (artist) Manuel de Rivero (Co-founder, Supersudaca) Manthia Diawara (University Professor and Director, Institute of African American Affairs, New York University) Mona El Mousfy (Founder and Managing Director, SpaceContinuum) Shilpa Gupta (artist) Ayesha Hameed (artist and Lecturer, Visual Cultures, Goldsmiths College) Dale Harding (artist) Salah Hassan (Goldwin Smith Professor and Director, Institute for Comparative Modernities, Cornell University) Mohamed Ahmed Ibrahim (artist) Saba Innab (artist and architect) Eungie Joo (Curator of Contemporary Art, San Francisco Museum of Modern Art) Butheina Kazim (Co-founder, Cinema Akil) Maha Maamoun (artist) Ahmed Mater (artist) Almagul Menlibayeva (artist) Sally Mizrachi (Co-founder, lugar a dudas) Naeem Mohaiemen (artist) Paribartana Mohanty (artist) Aram Moshayedi (Curator, Hammer Museum) Hania Mroué (Founder and Director, Metropolis Art Cinema) Neo Muyanga (composer and musician) Zeynep Öz (curator) Claudia Pagès (artist) Sharmini Pereira (Founder and Director, Raking Leaves) Filipa Ramos (Co-curator, Vdrome) Uzma Rizvi (Associate Professor, Anthropology and Urban Studies, Pratt Institute) Abir Saksouk (Architect, Public Works) Larissa Sansour (artist) Mario Santanilla (artist) Zineb Sedira (artist) Wael Shawky (artist) Reem Shilleh (Co-founder, Subversive Film) Martine Syms (artist) Yoshiharu Tsukamoto (Co-founder, Atelier Bow - Wow) Alper Turan (Co-founder, DAS Art Project) Deepak Unnikrishnan (writer) Antonio Vega Macotela (artist) Hajra Waheed (artist) Ala Younis (artist and curator)

Combining the classic English pub sign with words and phrases which he believes encapsulate certain times or have lasting resonances, Ryan Callanan is an artist working in contemporary printmaking and graphics.

The work of filmmaker, artist and graphic novelist Sarnath Banerjee explores the contradictions of daily life in contemporary India.

Pootoogook's solo exhibition at The Power Plant Contemporary Art Gallery, Toronto, Ontario, Canada (2006) and Sobey Art Award (2006), as well as her participation at the international art exhibition documenta (2007), established her as the leading contemporary Inuit graphic artist Contemporary Art Gallery, Toronto, Ontario, Canada (2006) and Sobey Art Award (2006), as well as her participation at the international art exhibition documenta (2007), established her as the leading contemporary Inuit graphic artist contemporary Inuit graphic artist at the time.

Arckus, Anthony Leon (introduction), Pittsburgh International (catalogue), Carnegie Institute, Pittsburgh, 1970 Billam, Michael (introduction), John Hoyland, Prints & Monotypes 1979 - 1983 (catalogue), Waddington Graphics, London 1983 Bowness, Alan (introduction), Recent British Paintings (catalogue), Whitechapel Gallery, London, 1967 Brett, Guy, «John Hoyland» in X Bienal de São Paulo Gra - Bretanha 1969 (catalogue), British Council / Lund Humphries, London, 1969 Compton, Michael, «John Hoyland» in Contemporary Artists, St James's Press, London, 1989 Gooding, Mel, «John Hoyland», John Taylor / Lund Humphries, 1990; The Poetic Trace: Aspects of British Abstraction since 1945 (catalogue), Adelson Galleries, New York, 1992; John Hoyland in the 1960s (catalogue), Neville Keating Pictures Ltd, London, 2001 Harrison, Charles, «John Hoyland» in X São Paulo Biennale 1969 (catalogue), Brazil, 1969 Hoyland, John, «Hans Hofmann — An Appreciation» in Hans Hofmann: Late Paintings (catalogue), Tate Gallery, London, 1988 Hoyland, John, The Dialectics of Vision: Hoyland's Bali Paintings (catalogue), Theo Waddington, London 1995 John Hoyland (catalogue), Waddington Galleries, London 1973 John Hoyland (catalogue), Galeria Modulo, Lisbon, 1976 John Hoyland (catalogue), Waddington Galleries, London, 1981 John Hoyland (catalogue), Waddington Galleries, London 1985 John Hoyland: Paintings (catalogue) Waddington Galleries, London, 1969 John Hoyland: Paintings (catalogue), Waddington Galleries, London, 1970 John Hoyland: Recent paintings (catalogue), Waddington Galleries, London, 1971 Lambirth, Andrew, «John Hoyland: Scatter the Devils», Unicorn Press 2009 Lucie - Smith, Edward, British Painting and Sculpture 1960 - 1970 (catalogue), National Gallery of Art, Washington DC, 1970 Lynn, Elwyn, «Hoyland — Then and Now» in John Hoyland, Paintings Australia 1980 (catalogue), University Gallery, University of Melbourne, 1980 Lynton, Norbert, «British Art Today» in Smithsonian, vol.

The tradition of graphic art as political protest represented by Emory Douglas and Sister Corita Kent can be seen in the bold palette and graphic lines of contemporary artists Carrie Moyer and Michael Lazarus.

In awards news: this year's BP Portrait Award has announced its shortlist, with artists Miriam Escofet, Felicia Forte, Ania Hobson and Zhu Tongyao in the running — the winner will be announced in June; LA's Mike Kelley Foundation has named recipients for its 2018 Artist Project Grants — the Craft & Folk Art Museum, Fulcrum Arts, Hammer Museum, JOAN, LA Freewaves, LAXART, the Museum of Contemporary Art, Los Angeles, Museum of Latin American Art, Self Help Graphics & Art and the Underground Museum will receive a total of USD$ 400,000 in support; ArtCenter / South Florida have announced a new USD$ 500,000 visual art awards called the Ellies, with first recipients anounced in October; and the official selection for the 71st Cannes film festival, which runs 8 — 19 May, is here, with Jean - Luc Godard, Spike Lee and Jia Zhangke in competition — only three out of 18 films competing for the Palme d'Or have female directors.

The print collection offers an overview of a number of epical moments in contemporary American art, and includes compositions by Robert Rauschenberg and Jasper Johns; Pop artists Andy Warhol, Robert Rosenquist, and Roy Lichtenstein; minimalists Frank Stella, Sol LeWitt, and Chuck Close; neo-expressionists Julian Schnabel, Robert Longo, and David Salle; as well as graphics by celebrated figures like Louise Bourgeois, Vija Celmens, Pat Steir, and Richard Serra.

Christopher Wilmarth: living inside, on view at the University Museum of Contemporary Art for the spring semester, presents sculptural and graphic works by an artist who found a way to share his silent conversations with light.

About Jan's work, artist, curator and writer Michelle Grabner states, ``... his paintings expand the best of contemporary non-objective work in their shear boldness and fearless scope, the entirety of the painting's dynamics are always greater than the architecture that supports them... The impact of van der Ploeg's paintings is located at the intersection of sensation and thought, between the work's graphic visual impact and its conceptual underpinnings.

Offering further context for the main installation, «The Contemporary in Context» presents the artist's graphic timeline of the Contemporary relative to specific historical and speculative events of the twenty - five - year period and longer term social and political transformations including the decline and growth of economic inequality.

• The publication of the first - ever catalogue raisonné on Kjærholm's oeuvre, researched and written by the leading Kjærholm scholar, Michael Sheridan, designed by award winning graphic artist Takaaki Matsumoto and published by premier art publisher Gregory R. Miller & Co. • Simultaneous exhibitions at Sean Kelly Gallery and R Gallery of the most important collection of Kjærholm works ever assembled, alongside significant modern and contemporary art works that, together, showcase a compelling dialogue between furniture, art and installation.

This exhibition includes masterworks and multiples by a number of contemporary artists recognized for their superb abilities in the realm of graphic works.

British artist David Shrigley's graphic work often incorporates text for a laugh - out - loud funny take on the strange and often overlooked aspects of contemporary life.

Christine Ay Tjoe is an Indonesian contemporary artist who started out as a graphic artist and experimented with dry - point technique.

Drawing on global weaving traditions as well as the history of painting and sculpture, graphic design, and architecture, American artist Sheila Hicks has redefined the role of fibre in art and influenced a generation of contemporary artists with her interdisciplinary visual language.

Alan Aldridge was a British contemporary artist widely known and recognized for his gifted work as a graphic stylist, designer of music covers and an illustrator.

Ruth Sykes, graphic designer and associate lecturer in graphic design at Central Saint Martins, said: «These artists have and continue to make an incredibly important contribution to poster design but generally they are not as well - known as their male contemporaries.

Speakers include graphic artist and illustration mastermind Jean Jullien, whose iconic» Peace for Paris» symbol became an instant global meme; children's book author and illustrator You Jung Byun, known for her detailed narrative and commissioned work inhabited by strange beasts and lost children; everyone's favourite gif - wunderkind Julian Glander, creator of bubblegum - coloured digital illustration, indie games and interactive artwork, all subsumed under the catchword «digital toys»; animator, writer, and producer Ben Bocquelet, creator of the famed animation series «The Amazing World of Gumball `; Martina Paukova, illustrator with an incredibly fast - paced career, whose jam - packed images in a trademark palette and Memphis - inspired patterns mirror our mundane lives in the digital age; and Jaime Álvarez, renowned for his 3D rendered Mr. Kat (PE) universe, fusing pre-Columbian with contemporary kawaii aesthetics.

Museum of Contemporary Art San Diego and the Timken Museum of Art, San Diego, CA, November 10, 2012 - February 9, 2013 «Inaugural Exhibition by Gallery Artists,» Los Angeles, CA, September 22 - October 27, 2012 «Letters from Los Angeles: Text in Southern California Art,» Jack Rutberg Fine Art, Los Angeles, CA, November 17 - December 22, 2012 2011 «The Lord & The New Creatures,» Nye + Brown, Los Angeles, CA, September 10, 2011 - TBD «Arsenale: Graphics from the Museion Collection,» Museion - Museum of modern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary Art San Diego and the Timken Museum of Art, San Diego, CA, November 10, 2012 - February 9, 2013 «Inaugural Exhibition by Gallery Artists,» Los Angeles, CA, September 22 - October 27, 2012 «Letters from Los Angeles: Text in Southern California Art,» Jack Rutberg Fine Art, Los Angeles, CA, November 17 - December 22, 2012 2011 «The Lord & The New Creatures,» Nye + Brown, Los Angeles, CA, September 10, 2011 - TBD «Arsenale: Graphics from the Museion Collection,» Museion - Museum of modern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — November 28.

Raymond Pettibon: The Punk Years, 1978 — 86 taps into the steady stream of this California artist's early graphic arts production, before he appeared on the contemporary art stage.

EXPO Contemporary welcomes a broad range of traditional and non-traditional media and materials showcasing transformative projects from painters, printmakers, book and graphic artists, sculptors, assemblage and mixed media artists, muralists, installation artists, and high concept designers.

Landmark postcards made in collaboration between contemporary St. Petersburg photographers and graphic artist Alexander Florensky present an original perspective on iconic pl...

It's not only the first time his drawings are shown in France, but also the first time that the graphic work of a contemporary artist is shown in the Louvre.

Often taking the form of humorous collages or nonlinear narratives, the work of filmmaker, artist and graphic novelist Sarnath Banerjee explores the contradictions of daily life in contemporary India.

The Artist as Archivist in the Internet Age, Settimana dell» Arte, Brescia, Italy (curated by Domenico Quaranta) Life on the Screen, RE / Mixed Media Festival, New York (curated by Perry Bard) La imagen transitada, arte y nuevos medios, Espai Cultural Caja Madrid, Barcelona (curated by Andy Davies) KEEPIN» IT REAL, HungryMan Gallery, Chicago (curated by Robin Juan) 3 Screenings: Eruption, Backspace Collective, Peoria, Illinois (curated Eric Fleischauser and Jesse McLean) VIDEO VILLAGE 2011: New Media Expeditions, INDEX ART CENTER, New Jersey (curated by Noah Collier and Stephanie Szerlip) Life on the Screen, Joyce Yahouda Gallery, Montreal (curated by Perry Bard) Internet Livre — Free Internet, SESC Ribeirão Preto, São Paulo (curated by Renan Araujo) Minimize BOCA # 1 BOZEAU ORTEGA CONTEMPORARY ARTS Graphics Interchange Format, Mulberry Gallery, Denison University, Ohio (curated by Paddy Johnson) Getting Closer, Fe Arts Gallery, Pittsburg Internet Livre, SESC Ribeirão Preto, São Paulo

The era's limited palette of bright colors, dynamic compositions, and strong graphic qualities allowed artists to tackle formal issues with the playful visual language of stardom and comic books, while contemporary artists cite these formal systems -LSB-...]

2005 25 years Baumgartner Gallery Part 2, Baumgartner Gallery, New York, USA Blooming: A Summer Garden for the Picking, Carl Solway Gallery, Cincinnati, USA Paint, Elizabeth Leach Gallery, Portland, USA Graphics by 20th Century Masters From the Cochran Collection, Huntington Museum of Art, Huntington, USA Contemporary Woman Artists, University Art Gallery, Indiana State University, Terre Haute, USA

The artist inaugurated Hermès» contemporary art gallery La Verrière in Brussels in 2000 by transforming its walls with bold graphics, colours and his trademark stripes, and later opened the Atelier Hermès in Dosan Park, Seoul with his Filtres colorés, coloured panels that diffused the light to dramatic effect.