My artistic practice is an exploration of
contemporary human relationship with the non-objective.
Jonathan Sims on his work: «My artistic practice is an exploration of
contemporary human relationship with the non-objective.
His work explores
a contemporary human relationship with the landscape which often sees him working directly in the ocean for hours at a time.
Although he successfully addresses the climate issue, it is clear that Stoknes has something bigger in mind as he expertly describes
contemporary human relationships with the natural world and offers hope for a revitalized ecological link.
Not exact matches
Whereas Paul described his former life in Judaism as focused on
human relationships with his
contemporaries and predecessors, his depiction of his new life is so centered on his relation to God that he as yet has no
relationship to the other apostles.
... if we are to be attentive to God's work in the world, we must listen attentively to the language of the people of our time... It is not only a matter of expressing the Gospel message in
contemporary language; it is also necessary to have the courage to think more deeply - as happened in other epochs - about the
relationship between faith, the life of the Church and the changes
human beings are experiencing.
Interpreted from a
contemporary perspective, divorce is a manifestation of evil — the breaking of a primary
human relationship that is intended to form the deepest and most intimate tie that can be experienced by two persons.
For, the first chapters of the Book of Genesis were never meant to be taken as history or science, as «eyewitness» accounts, either of God or of someone impossibly «interviewing» God, but as a spiritual, theological, and mystical statement about God's
relationship with the world; as an «aetiological myth,» to use Rahner's phrase, that provides an explanation, based on the
human author's
contemporary experience, of how things must have gotten to be the way we see them.
Contemporary artist Jarrod Beck will create a large - scale drawing installation in the front gallery at M E N, incorporating charcoal and packing tape, underscoring the artist's interest in material impressions, memory and the
human relationship to environments both natural and built.
There is a common interest within all of my work — contemplations upon the
human condition in relation to structures of power, historically and within
contemporary society — the
relationship between the oppressed and the oppressor.
Among the most significant media artists in
contemporary times, Hershman Leeson is broadly recognized for her pioneering projects exploring the
relationship between
humans and technology, identity, surveillance, and the use of media as empowerment against censorship and repression.
Through the work of artists in the permanent collection such as Martin Johnson Heade and Andy Warhol, as well as loans by
contemporary artists such as Jessica Pezalla and Kendell Carter, the exhibition gives visitors new ways of relating to flowers through
relationships to the
human figure, scientific study, and moments when the floral form becomes ornamentation.
The
relationships between these select programs encourages the exploration of the increasingly profound and manifest intersec ¬ tions between the discourses of
contemporary arts,
human rights, and political thinking, both affirmative and critical.
Mapplethorpe's photographs exemplify classical ideals of form and proportion with their controlled
relationships between light and shadow, balance and asymmetry, beauty and obscenity, while at the same time clearly reflecting both a Classical and highly
contemporary interest in the
human body.
On a Saturday in November of 2016, during his exhibition Continuous Services Altered Daily at the Aldrich
Contemporary Art Museum in Connecticut (May 1, 2016 — February 5, 2017 and on view at the Bemis Center in Omaha June 1, 2017 — August 26, 2017), David Brooks, an artist recognized for his commitment to illuminating our complex
human relationship with the natural world, sat down with Greg Lindquist to talk about his current show, ecological activism, and scientific fieldwork.
It's a weirdly affecting reminder that, for all our
contemporary anxieties about technology,
humans have always struggled with their
relationship to the structures that govern our experience, chief among them time.
Join Erin Dunn, Assistant Curator at Telfair Museums, for a lecture on Watershed, exploring how
contemporary photography depicts the often contentious
relationship between
humans and the environments we inhabit.
The artist's practice is rooted in the
relationship between
human existence and
contemporary political and economic institutions, confronting this
relationship through playful association and metaphor.
She is interested in exploring the
relationships between
contemporary art and other disciplines such as critical pedagogy, gender studies,
human rights and literature in order to imagine and materialize the present and nearby futures, where creation and collaboration lead the way.
Her projects focus on
human relationships, cultural codes and their impacts on
contemporary society.
As the press release states, «Oursler [investigates] our
contemporary Internet usage, viewing the Internet as a mechanical reflection of our
human psyche, inducing a compulsive
relationship despite its disturbing effect.
Her curatorial project Flock (an exhibition of
contemporary artworks and films which explores the
relationship between
humans and wild birds) opened at Spacex Gallery, Exeter in 2003.
With a strong research grounding, their socially engaged projects explore
contemporary relationships between
human and non-
human animals in the contexts of history, culture and the environment.
Barboras «work is rooted in the
relationship of
human existence and the
contemporary political and economic institutions.
All Too
Human celebrates the painters in Britain who strove to represent human figures, their relationships, and their surroundings in the most intimate of ways — and features breathtaking works by Lucian Freud and Francis Bacon alongside rarely seen pieces by contemporaries such as Frank Auerbach and Paula
Human celebrates the painters in Britain who strove to represent
human figures, their relationships, and their surroundings in the most intimate of ways — and features breathtaking works by Lucian Freud and Francis Bacon alongside rarely seen pieces by contemporaries such as Frank Auerbach and Paula
human figures, their
relationships, and their surroundings in the most intimate of ways — and features breathtaking works by Lucian Freud and Francis Bacon alongside rarely seen pieces by
contemporaries such as Frank Auerbach and Paula Rego.
With digital avatars, robots, and animated video that presage a cyborg - filled future, Evans has poignantly plumbed the
relationship between
humans and machines that has come to define our
contemporary world.
Icelandic and UK artists Bryndis Snæbjörnsdóttir and Mark Wilson describe their collaborative practice, which they have conducted since 2001, as «socially engaged projects that explore
contemporary relationships between
human and non-
human animals in the contexts of history, culture and the environment.»
Based in Paris and Rio de Janeiro, Gonzalez - Foerster is celebrated for her interdisciplinary practice and, alongside
contemporaries such as Philippe Parreno and Pierre Huyghe, is considered one of the preeminent figures of relational aesthetics, the term proposed by critic and curator Nicholas Bourriaud to describe practices that emerged in the 1990s exploring
human relationships and the social contexts in which they operate.
Exploring two of the oldest subject matters in
contemporary form, the artists featured in this exhibition individually illustrate the
human figure and our physical landscape — and subsequently, the symbiotic
relationship between the two.
Taken as a whole, her collected work can already be seen as an atlas: mapping the potential of
human relationships across
contemporary technological and political landscapes.
Bringing together different artistic representations of plant life in modern and
contemporary art, «Plant Culture» will investigate the
relationship between
humans and plants.
Previous works have looked to the
contemporary media sphere and its
relationship to the visceral body, the degenerative aspects of pervasive new technologies, to cultural forms of fanaticism and cults, to ideas of attraction and repulsion, body horror, the defamiliarisation of the
human body and cartoon abjection.
Artists: Mats Adelman — Roger Andersson — Justin Bartlett — Paul Housley The tendency for
contemporary art to reference the darker side of the
human psyche as a response to our troubled times has been prevalent in recent years and has led to many artists referencing imagery that has a direct
relationship with death, gothic -LSB-...]
Her practice is rooted in the
relationship of
human existence and the
contemporary political and economic institutions.
His photorealist flower paintings of the late 2000s spoke of
humans»
relationship with nature, while his tapestries of
contemporary conflicts, a series that he began in 2011, explore violence, and how conflict is portrayed in the media.
This exhibition explores the
relationship between
humans and nature through the minds and hands of these
contemporary artists.
The most important quality of the successful
contemporary leader may be something that is fundamental to all
human relationships: the ability to listen.
In today's
contemporary world of communication where facetime means looking at a screen instead of someone's face, and a trip to the bank or to the gas station involves putting a card into a machine instead of having an in - person exchange, formalized
human relationship skill building must be a critical area of focus in our work as teachers.