Morgan and University of Liverpool archaeologist Natalie Uomini arrived at their conclusions by conducting a series of experiments in teaching
contemporary humans the art of «Oldowan stone - knapping,» in which butchering «flakes» are created by hammering a hard rock against certain volcanic or glassy rocks, like basalt or flint.
Morgan, University of Liverpool archaeologist Natalie Uomini and their team conducted a series of experiments in teaching
contemporary humans the art of «Oldowan stone knapping.»
Not exact matches
The cynicism that pervades
contemporary cultural life must be replaced by a deep confidence in the
human purposes and importance of
art.
Gene (sis)
Contemporary Art Explores
Human Genomics.
Janet combines the ancient
art of non-predictive palmistry with the
contemporary science of fingerprint analysis to pinpoint your unique
human psychology.
2010 Whitney Biennial, Whitney Museum of American
Art, New York, NY Greater New York: 5 Year Review, MoMA / PS1, Long Island City, NY Framed, Indianapolis Museum of
Art, Indianapolis, IN Emerge, Museum of
Contemporary Art Chicago, Chicago, IL Uncertain Spectator, Experimental Media and Performing
Art Center, Troy, NY Sweat, Patricia Low
Contemporary, Gstaad, Switzerland F * Utility, Arena 1, Santa Monica, CA Better When Broken, Seventeen Gallery, London, England A Basic
Human Impulse, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy Mirror, Mirror, Postmasters Gallery, New York, NY Gim me Shelter, Mixed Greens, New York, NY Knock Knock, Fred Torres Collaborations, New York, NY A Reluctant Apparition», Sue Scott Gallery, New York, NY Global / National, Exit
Art, New York, NY Escape from New York, Patterson
Arts Council, Patterson, NJ COMPOSE!
Cronin's works has also been featured in numerous group exhibitions, including Global Positioning Systems, Perez
Art Museum Miami, FL (2014 - 15); 1993: Experimental, Jet Set, Trash and No Star, New Museum, New York, NY (2013); Come Together: Surviving Sandy, Industry City, Brooklyn, NY (2013); Watch Your Step, The FLAG
Art Foundation, New York, NY (2012); Because We Are, Station Museum of
Contemporary Art, Houston, TX (2010); and Sh (out):
Contemporary Art and
Human Rights, Gallery of Modern
Art, Glasgow, Scotland (2009).
2016 Mentors, Curated by Rick Herron, CFHILL, Stockholm, Sweden New Revolutions: Goodman Gallery at 50, Goodman Gallery, Johannesburg, South Africa Tomorrow Never Happens, Samek
Art Museum, Bucknell University, Lewisburg, PA Future Perfect: Picturing the Anthropocene, University
Art Museum, SUNY, Albany, NY 9th Berlin Bienniale, KW Institute of
Contemporary Art, Berlin, Germany
Human Interest: Portraits from the Whitney's Collection, Whitney Museum of American
Art, New York, NY Imitation of Life: Melodrama and Race in the 21st Century, HOME, Manchester, UK Luis Gispert + Jacolby Satterwhite, Lundgren Gallery, Palma de Mallorca, Spain Electronic Superhighway, Whitechapel Gallery, London, UK Disguise: Masks + Global African
Art, Brooklyn
Art Museum, Brooklyn, NY
China
Art Today, Collateral Event of the 57th Venice Biennale, Giardini Arsenale, Italy (2017); Fire Within: A New Generation of Chinese Women, Eli and Edythe Broad
Art Museum, Michigan State University, East Lansing, MI (2016); Animaux Biennale, Museum of
Contemporary Art Shanghai, China (2016); 4th Jakarta
Contemporary Ceramics Biennale, National Gallery of Indonesia, Indonesia (2016); International Youth Animation Biennale, China Academy of
Art, Hangzhou (2016); Here Out There, Helsinki Festival, Finland (2015); Tradition and Innovation: The
Human Figure in
Contemporary Chinese
Art, Chazen Museum of
Art, University of Wisconsin, Madison, WI (2015); China 8 -
Contemporary Art from China on the Rhine and Ruhr, Lehmbruck Museum, Duisburg, Germany (2015); Tradition and Innovation: The
Human Figure in
Contemporary Chinese
Art, Chazen Museum of
Art, University of Wisconsin - Madison, WI (2015); Busan Biennale, South Korea (2014); Landscape of Mind, Artmia Foundation, Beijing, China (2014); Caissa Rising Arting, Today
Art Museum, Beijing, China (2014); The Start of a Long Journey, CAFA
Art Museum, Beijing, China (2014); A Call - Girls - Attack, Kalrsruhe University of
Arts and Design, Germany (2013); CAFAM Future, CAFA
Art Museum, Beijing, China (2013); Gathered World, Ceramics Gallery, Aberystwyth
Art Centre, Wales, UK (2010); Mahjong:
Contemporary Chinese
Art from the Sigg Collection, University of California, Berkeley
Art Museum and Pacific Film Archive, CA (2008), and The Chinese
Contemporary Art Exhibition, Miro Museum, Barcelona, Spain (2008).
Her work has been exhibited widely; The Migros Museum, Zurich (2005),
Human Resources, LA (2011), Tramway, Glasgow (2012), 2012 Whitney Biennial, Whitney Museum of American
Art, NY (2012), David Lewis, NY (2014), ADN Collection, Bolzano, Italy (2014), Redling Fine
Art, LA (2015), Tang Museum, Skidmore College, NY (2015) and Portland Institute for
Contemporary Art, OR (2015).
He has been included in numerous group exhibitions, including Blues for Smoke, Museum of
Contemporary Art, Los Angeles and Whitney Museum of American
Art, New York; Made in LA, Los Angeles Municipal
Art Gallery, Los Angeles;
Human Nature:
Contemporary Art from the Collection, Los Angeles County Museum of
Art, Los Angeles; and 30 Americans, Rubell Family Collection, Miami, FL and North Carolina Museum of
Art, Raleigh, NC.
He began to imagine a
contemporary art of the possible, in which
human consciousness would regard itself as inseparable from the invisible, elemental energies of the cosmos.
He has received the Chinese
Contemporary Art Award (2008); an honorary doctorate from the Faculty of Politics and Social Science, University of Ghent, Belgium (2010); the Skowhegan Medal (2011); and the Václav Havel Prize for Creative Dissent from the
Human Rights Foundation (2012).
Group shows in which he has participated include Tooth and Sons, London, in 1958, Pittsburgh International Exhibition at the Carnegie Institute in 1958 and 1961,» 54/64 Painting and Sculpture of a Decade at the Tate Gallery, 1964, British Painting in the Sixties organised by the
Contemporary Arts Society in 1964, and The
Human Clay, selected by R.B. Kitaj, held at the Hayward, 1976.
2014 Disturbing Innocence, The FLAG
Art Foundation, New York, NY curated by Eric Fischl Love It Locket Leave It, Island Weiss Gallery, New York, NY curated by Diana Corvelle Tell Them Stories,
Art Foundry, New York, NY curated by Tun Myaing & Marshall Jones Living and Sustaining a Creative Life, Exhibit by Aberson, Tulsa, OK National
Contemporary Painting, Weatherhead Gallery, University of Saint Francis, Ft. Wayne, IN A
Human Extension, The Lodge Gallery, New York, NY
The
Contemporary Arts Center, New Orleans (CAC) continues its 2014 -15 Performing
Arts Season with singer - bassist Meshell Ndegeocello, who returns to New Orleans with her band to perform her critically - acclaimed new album, Comet, Come to Me - an introspective, unwavering look into memory, lost love, and
human fallacies.
For YARE: ONE MORE DANCE the artist has recreated the Dancing Devils as an
art experience incorporating
contemporary challenges and joys of the
human spirit in Los Angeles.
2016 Yichuan Biennial of
Contemporary Art, Ningxia, China The
Human Condition, Los Angeles, CA Shrines to Speed, Leila Heller Gallery, New York, NY
2016 Making and Unmaking curated by Duro Olowu, Camden
Arts Centre, London, UK 30 Americans, Cincinnati
Art Museum, Ohio, USA Remix, Columbia Museum of
Art, Columbia, South Carolina, USA You go to my head, Galerie Templon, Paris, France The
Human Form, Berggruen Gallery, San Francisco, California, USA A Material Legacy: The Nancy A. Nasher and David J. Haemseigger Collection of
Contemporary Art, Princeton University
Art Museum, Princeton, New Jersey, USA Framing Beauty, The Grundwald Gallery, Bloomington, Indiana Turn the Page, Virginia Museum of
Contemporary Art, Virginia Beach, Virginia Versus Rodin: Bodies across space and time, The
Art Gallery of South Australia, Adelaide, Australia
Recent solo and major notable museum exhibitions include; «Enlightened Princesses; Caroline, Augusta, Charlotte and the Shaping of the Modern World», Yale Center for British
Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art, New Haven, Connecticut, USA tours to Kensington Palace, London, UK (2016 - 2017); «Paradise Beyond» Gemeentemuseum Helmond, Netherlands (2016); «Recreating the Pastoral», VISUAL Centre for
Contemporary Art, Carlow, Ireland (2016); «End of Empire», Turner Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art, Carlow, Ireland (2016); «End of Empire», Turner
Contemporary, Margate, England (2016); «Wilderness into a Garden», Daegu
Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC / ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Museum, Daegu, Korea (2015); «Pièces de Résistance», DHC /
ART Foundation for Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
ART Foundation for
Contemporary Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art, Montréal, Québec (2015); «Cannonball Paradise», Herbert - Gerisch - Stiftung, Neumünster, Germany (2014); «Yinka Shonibare MBE: Egg Fight», Fondation Blachère, Apt, France (2014); «Yinka Shonibare MBE: Magic Ladders», The Barnes Foundation, Philadelphia, Pennsylvania, USA (2014); «Selected Works», Gdansk City
Art Gallery, Gdansk, Poland; travelled to Wroclaw Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Gallery, Gdansk, Poland; travelled to Wroclaw
Contemporary Museum, Wroclaw, Poland; «Selected Works», «Yinka Shonibare MBE», Royal Museums Greenwich, London, England (2013); «FABRIC - ATION», Yorkshire Sculpture Park, Wakefield, UK; travelled to GL Strand, Copenhagen, Denmark (2013 - 2014); «FOCUS: Yinka Shonibare, MBE», Modern
Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Museum of Fort Worth, Texas, USA (2013); «Imagined as the Truth», San Diego
Art Museum, San Diego, USA (2012); «Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (201
Art Museum, San Diego, USA (2012); «
Human Culture: Earth, Wind, Fire and Water», Israel Museum, Jerusalem (2011 - 2010); «Looking Up», MBE, Nouveau Musée National de Monaco, Monaco (2010) and «El Futuro del Pasado», Alcalá 31 Centros de Arte, Madrid, Spain, then toured to Centro de Arte Moderno, Las Palmas de Gran Canaria, Spain (2011).
2012 Ed's Party: spheres of Influence in the LA
Art Scene, William Turner Gallery, Santa Monica, CA Mic: Check (The:
human mic)(Occupy), Sideshow Gallery, Brooklyn, NY What Only Paint Can Do: an erratic selection of Triangle Alumni, Curated by Karen Wilkin, Triangle
Arts Association, Brooklyn, NY Notations:
Contemporary Drawings As Idea and Process, Kemper
Art Museum, Washington University, St. Louis, MO
2012 Looped, Utah Museum of
Contemporary Art, Salt Lake City, USA The
Human Touch: Selections from the RBC Wealth Management
Art Collection, Red Line Gallery, Denver, USA The Soul of a City: Memphis Collects African American
Art, Memphis Brooks Museum of
Art, Memphis, USA 30 Americans, Chrysler Museum of
Art, Norfolk, Virginia, USA All I Want is a Picture of You, Angles Gallery, Los Angeles, California, USA BAILA con Duende, Watts Towers
Arts Center and Charles Mingus Youth
Arts Center Campus, Los Angeles, California, USA The Bearden Project, The Studio Museum in Harlem, New York, USA The
Human Touch: Selections from the RBC Wealth Management Collection, The Scottsdale Museum of
Contemporary Art, Scottsdale, USA Fresh Paint, Stenersen Museum, Oslo, Norway
A meeting of tradition and innovation, connoisseurship and humour, «Study from the
Human Body» is a comprehensive exploration of the impact of Francis Bacon and Henry Moore on
contemporary figurative
art.
Her traveling exhibition Sustenazo, originally commissioned by the Centre for
Contemporary Art Ujazdowski Castle, Warsaw (2010), was subsequently shown at Museum of Memory and
Human Rights, Santiago (2012 - 2013); Patricia & Phillip Frost
Art Museum, Miami (2014); and Goethe Institut New Delhi (2015).
Featuring work by Huma Bhabha, Tony Cragg and Sarah Lucas, Bumped Bodies is the final chapter in the ISelf Collection displays, a private collection of
contemporary art which focuses on personal identity and the
human condition.
He made a name for himself on the Turkish and international
contemporary art scene by creating videos that raise fundamental questions about the meaning and significance of
human activity and labor as well as the authentic experiences of people while they are working on the real projects.
Perspectives on
Contemporary American Realism, Pennsylvania Academy of Fine
Arts, Philadelphia, Pennsylvania A Private Vision:
Contemporary Art from the Graham Gund Collection Museum of Fine
Arts Boston, MA A Close Look at the
Human Figure in
Contemporary Art Contemporary Arts Center New Orleans, LA
He has shown his work in
contemporary art spaces, such as the Hammer Museum,
Human Resources LA, and Otras Obras.
Rituals since 1851», Fondazione La Triennale di Milano, Milan, Italy (2015); «Chercher le Garçon», MAC / VAL, Paris, France (2015); «Staying Power: Photographs of Black British Experience 1950s - 1990s», Victoria and Albert Museum, London, England (2015); «Progress», The Foundling Museum, London, England (2014); «Study from the
Human Body», Stephen Friedman Gallery, London, England (2014); «The Divine Comedy: Heaven, Hell, Purgatory revisited by
Contemporary African Artists», Frankfurt MMK, Germany; travels to Smithsonian National Museum of African
Art, Washington, USA; Museo Reina Sofia, Madrid, Spain; Correo Venezia, Venice; Hayward Gallery, London, England (2014); «Education», Vögele Kultur Zentrum, Pfäffikon, Switzerland (2013); «Victoriana: The
Art of Revival», Guildhall
Art Gallery, London, England (2013); «Earth Matters: Land as Material and Metaphor in the
Arts of Africa», Smithsonian Institute, National Museum of African
Art, Washington DC, USA (2013); «The Desire for Freedom:
Art in Europe since 1945», Deutsches Historisches Museum Berlin, Berlin, Germany (2012); «Six Yards, Guaranteed Real Dutch Wax Exhibition», Museum of Modern
Art, Arnhem, Netherlands (2012); and «Migrations: Journeys into British
Art», Tate Britain, London, England (2012).
At Culturgest, Lisbon, by Justin Jaeckle Ignasi Aballi at Museo Nacional Centro de Arte Reina Sofía, Madrid, by Keith Patrick Göteborg International Biennal for
Contemporary Art, by Sara Arrhenius David Claerbout at Marabouparken, Stockholm, by Stefanie Hessler Charlotte Prodger at Spike Island, Bristol, by David Trigg Dorothy Cross at Frith Street Gallery, London, by Sean Ashton Juha Pekka Matias Laakkonen at Corvi - Mora, London, by Oliver Basciano Grazia Varisco at Cortesi Gallery, London, by Mark Rappolt Gianfranco Baruchello at Massimo de Carlo, London, by Paul Pieroni Ben Burgis and Ksenia Pedan at Union Pacific, London, by Tim Steer The
Human Face of Cryptoeconomies at Furtherfield, London, by J.J. Charlesworth Don McCullin at Hauser & Wirth Somerset, by Helen Sumpter Jen DeNike at Anat Ebgi, Los Angeles, by Andrew Berardini Martin Kersels at Redling Fine
Art, Los Angeles, by Jonathan Griffin Tavares Strachan at Anthony Meier Fine
Arts, San Francsico, by Christian Viveros - Fauné Paul McCarthy at the Renaissance Society, Chicago, by Stephanie Cristello Alina Szapocznikow at Andrea Rosen Gallery, New York, by Karen Archey Tom Burr at Bortolami Gallery, New York, by Brienne Walsh Zineb Sedira at Taymour Grahne Gallery, New York, by Siona Wilson Rachel Rose at the Whitney Museum of American
Art, New York, by Iona Whittaker Cinthia Marcelle at Silvia Cintra + Box 4, Rio de Janeiro, by Claire Rigby
Many of Orozco's works have become classics of
contemporary art, such as the modified Citroí «n car that he surgically reduced to two - thirds its normal width and a real
human scull that he covered with a graphite grid pattern.
Rituals Since 1851», Triennale di Milano, Italy (2015); «Visual Deception II: Into the Future», The Bunkamura Museum of
Art, Shibuya - ku, Japan; touring to Hyogo Prefectural Museum of
Art, Kobe, Japan; Nagoya City
Art Museum, Nagoya, Japan (2015); «Room by Room: Monographic Presentations from the Faulconer and Rachofsky Collections», The Warehouse, Dallas, Texas, USA (2014); «Study from the
Human Body», Stephen Friedman Gallery, London, England (2014); «Seismic Shifts», The National Academy Museum, Manhattan, New York, USA (2013); «Lifelike», Museum of
Contemporary Art San Diego, San Diego, USA (2013); «Invisible
Art: About the Unseen, 1957 - 2012», The Hayward Gallery, London, England (2012); «Paper», Musée d'
Art Moderne et d'
Art Contemporain, Nice, France (2012); «All that Glisters», Stephen Friedman Gallery, London, England (2011); «Floor Corner Wall», Fort Worth
Contemporary Arts, Fort Worth, Texas, USA (2010); and «Chasing Napoleon», Palais de Tokyo, Paris, France (2009).
1971 6th Guggenheim International Exhibition, Solomon R. Guggenheim Museum, New York, USA Words and Image, Pinnar Gallery, Tokyo, Japan Chronicle of Post-War
Art, The Museum of Modern
Art Kamakura & Hayama, Japan Tokyo Gallery Exhibition 1971, Tokyo Gallery, Tokyo / Pinnar Gallery, Tokyo / Saikodo Gallery, Tokyo, Japan The 10th
Contemporary Art Exhibition of Japan:
Humans and Nature, Tokyo Metropolitan
Art Museum, Japan Kyoto Municipal Museum of
Art, Japan Aichi Cultural Hall, Japan Miyazaki Prefectural Museum of Nature and History, Japan Sasebo Central Citizens Hall, Nagasaki, Japan Fukuoka Prefectural Culture Hall, Japan Beaupin Exhibition, Pinnar Gallery, Tokyo, Japan The 1st Anniversary Exhibition & 100th Anniversary of Mainichi Shimbun, Today's 100 People, Hyogo Prefectural Museum of
Art, Japan
Contemporary Japanese Prints, Yokohama Civic
Art Gallery, Kanagawa, Japan
Contemporary Japanese
Art, Staempfi Gallery, New York, USA The 5th Japan
Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern
Art, Tokyo, Japan The National Museum of Modern
Art, Kyoto, Japan The 5th Japan
Art Festival, Solomon R. Guggenheim Museum, New York, USA
Contemporary Japanese
Art, Staempfi Gallery, New York, USA The 5th Japan
Art Festival, Solomon R. Guggenheim Museum, New York, USA The 7th International Biennial Exhibition of Prints in Tokyo, The National Museum of Modern
Art, Tokyo, Japan The National Museum of Modern
Art, Kyoto, February 20 - March 21 The 5th Japan
Art Festival, Solomon R. Guggenheim Museum, New York, USA
2011 Parallel Perceptions, NYC Opera, New York, New York, USA Who, What, Wear: Selections from the Permanent Collection, Studio Museum Harlem, New York, USA Capital Portraits: Treasures from Washington Private Collections, National Portrait Gallery, Smithsonian Institution, Washington, USA Becoming: Photographs from the Wedge Collection, The Nasher Museum of
Art at Duke University, Durham, USA
Human Nature:
Contemporary Art from the Collection, Broad
Contemporary Art Museum (BCAM) at Los Angeles County Museum of
Art, (LACMA) Los Angeles, USA Beyond Bling: Voices of Hip - Hop in
Art, Ringling Museum of
Art, Sarasota, USA For a Long Time, Roberts & Tilton, Culver City, USA RE-Envisioning the Baroque, I.D.E.A. at Colorado College, Colorado Springs, USA
German painter André Butzer started his career creating particularly visceral and turbulent semi-figurative paintings of simple
human encounters inspired by comics,
contemporary life, and
art history.
«Until the Whitney Museum was picketed and threatened with
human rights legislation in 1970, very few, if any, women artists were included in major public exhibitions of
contemporary art.
It brings to mind a comment from Francis McKee, director of Glasgow's Centre for
Contemporary Arts, on Hirst's ability to «(turn) away from certainty and knowledge to reveal the almost invisible
human and natural traces».
Leidy Churchman's work has been exhibited at venues such as Kölnischer Kunstverein, Cologne; Museum Moderner Kunst Stiftung Ludwig, Vienna; Whitney Museum of American
Art, New York; Kunsthalle Bern, Bern; Highline, New York; Yale Union, Portland; Museum Brandhorst, Munich; The National Gallery of Denmark, Copenhagen;
Contemporary Arts Museum Houston, Houston;
Human Resources, Los Angeles; Stroom Den Haag, The Hague; Museum of
Art at Rhode Island School of Design, Providence; and MoMA PS1, New York.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for
Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine
Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video
Art and the
Human Body, Cheekwood Museum of
Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for
Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College
Art Center, NY Traveled to: Firehouse
Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the
Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of
Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas,
Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of
Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of
Contemporary Art, Lake Worth, Florida (brochure) 2001
Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'
Art Santa Monica, Barcelona, Spain Smirk: Women,
Art, and Humor, curated by Debra Wacks, Firehouse
Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The
Art of the Screen Saver, Stanford
Art Museum / Cantor
Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu,
Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual
Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
As a part of an ongoing inquiry into the place of the
human body in
contemporary art (occasioned by the release of Phaidon's new book Body of Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the bo
art (occasioned by the release of Phaidon's new book Body of
Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the bo
Art), Artspace's Dylan Kerr spoke to Thomas about artists who have influenced his own approach to the body.
Selected group exhibitions include
Art through the Eye of the Needle, Henie Ondtad Kunstsenter, Oslo (2001); ARS 01, KIASMA, Helsinki (2001); Sharing Exaustism, 5th Biennial de Lyon (2000);
Human Being and Gender, 3rd Kwiangju Biennial (2000); The Sky is the Limit, 2nd Taipei Biennale (2000); Hypermental, Kunsthaus Zürich (2000); ArtWorld in Dialogue, Museum Ludwig, Cologne (1999); d'APERTutto, 48th Venice Biennial (1999); Echolot, Museum Fridericianum, Kassel (1998); 5th Istanbul Biennale (1997); Manifesta 1 (1996); Traditions / Tensions, Queens Museum; Cities on the Move, Secession, Vienna; P.S. 1
Contemporary Art Center, New York, 1997 - 2000.
Museum of
Contemporary Art Santa Barbara (MCASB) presents Then they form us, a new group exhibition that explores the precarious status of the «self» during its pixelated or roboticized evolution — as computers increasingly co-opt the
human body during an age of ultra-connectivity.
2016 Nov. 18 — Wadsworth Atheneum Presents 43rd Annual Festival of Trees & Traditions Nov. 1 — John Trumbull Paintings Central to «Visualizing American Independence» at Wadsworth Atheneum Oct. 5 — First U.S. Exhibition by Artist Dulce Chacón Explores
Human Feats and Failures in the Frontiers of Air and Space Sept. 23 — Grant S. Smith to Lead Development, Revitalize Fundraising Initiatives at Wadsworth Atheneum Sept. 9 — First Major Photography Survey in 27 Years to Open at Wadsworth Atheneum Museum of
Art Aug. 16 — Francisco de Zurbarán's «Saint Serapion» Returns to Galleries at Wadsworth Atheneum May 23 — Exhibition to Highlight Diversity of
Contemporary Artists, Artworks May 10 — Works by Salomon van Ruysdael and Kehinde Wiley Among Newest Acquisitions by Wadsworth Atheneum April 21 — «Vanessa German / MATRIX 174» to Confront Social Issues of Race and Violence Beginning June 9 March 25 — Wadsworth Atheneum Museum of
Art Names Anne Butler Rice New Director of Education
Her recent solo exhibitions include Martha Madigan: Autumn Equinox:
Human Nature at The Mariboe Gallery in Hightstown, PA and Martha Madigan: Botanical Portrait, at the Tuska Center for
Contemporary Art, University of Kentucky in Lexington.
The
Human Rights Project and the Curatorial Studies Program this year inaugurate a joint series of lectures and presentations which seek to explore the increasingly profound and manifest intersections between the discourses of contemporary arts and human rights, both affirmative and crit
Human Rights Project and the Curatorial Studies Program this year inaugurate a joint series of lectures and presentations which seek to explore the increasingly profound and manifest intersections between the discourses of
contemporary arts and
human rights, both affirmative and crit
human rights, both affirmative and critical.
Target Gallery, the
contemporary exhibition space for the Torpedo Factory
Art Center, presents Wade Kramm's exploration of
human perception in Dotted Space.
Pully, Switzerland, Musee D'
Art Contemporain, «Post
Human,» June 14 — September 13, 1992; traveled to Rivoli, Italy, Castello di Rivoli, June 14 — September 13, 1992, Athens, Deste Foundation for
Contemporary Art, December 3 — February 14, 1993, Hamburg, Deichtorhallen, March 12 — May 9, 1993, and Jerusalem, Israel Museum, June 21 — October 10, 1993 (cat.
Her work has been exhibited at The Kitchen, Nice & Fit Gallery, The Moore Space, Von Lintel Gallery, the Rose
Art Museum at Brandeis University, Portland Institute for
Contemporary Art,
Human Resources, Fleisher Ollman Gallery, Real
Art Ways, Soloway Gallery, and Neon > fdv.
Phantom Bodies: The
Human Aura in
Art (2015) explored the subjects of loss and remembrance in contemporary a
Art (2015) explored the subjects of loss and remembrance in
contemporary artart.
These gruffly carved, erotically charged pieces draw from Brancusi, Degas and folk
art, and their fusions of forms —
human and not — feel vital and
contemporary.