Sentences with phrase «contemporary kitchens as»

Brightly toned toughened glass is very popular in contemporary kitchens as they can inject definition and character to minimal schemes without over-powering the room.

Not exact matches

This pail can act as both a diaper container in your misery with its pleasant contemporary design and an elegant trash bin in bathroom or kitchen when it's not used for baby's diapers any longer.

A contemporary eat - in kitchen boasts a rectangular dining table with curved corners lined with an lime green velvet settee as well as modern turquoise dining chairs.

The main area is an open space that includes living and dining sets, as well as a contemporary kitchen.

Interiors are suited up in contemporary finishes (bamboo floors, full kitchens with granite countertops) and rooms have hotel - like amenities such as memory foam - topped beds and 1,000 thread - count sheets.

There are 27 contemporary luxury properties, with white - washed stone walls, clean lines, fully equipped kitchens with as much butler service as you would wish for.

Lodging Features: This contemporary 2 - bedroom plus den / 3.5 - bath condo features an updated kitchen with granite counters, cherry cabinets and stainless appliances, as well as a dining area.

Exquisitely contemporary in style, B303 features a fully equipped kitchen with full size side - by - side refrigerator, stove, oven, microwave, dishwasher, toaster, and coffee maker; as well as all the dishes, pots, pans, and utensils needed to prepare delicious meals for your family each day!

Palmbeach Resort & Spa, located in Punta Engaño, Mactan Island, is one of the beautiful and relaxing resorts to go to in Cebu.It offers rooms with kitchen and contemporary facilities to guarantee a pleasant and comfortable stay for its guests.Its staff will make your stay as homey as possible as they genuinely espouse the bright and cheery aura of Cebuano Filipinos.A quiet and relaxing place to enjoy the scenery, go scuba diving, or simply delight in a body massage awaits at Palmbeach Resort & Spa.Palmbeach Resort & Spa currently has Standard rooms, Deluxe rooms and Suite rooms with a total of 52 rooms.

Contemporary apartments have 1 or 2 bedrooms, as well as kitchens and washers / dryers.

The fully equipped contemporary kitchens and open plan living spaces mean that long stays are comfortable, enjoyable and stylish and are well suited as short term rentals for corporate relocations to Brisbane.

At Mantra on Murray you'll be equally as impressed with it's premium position on King Street, along with its elegant suites with luxurious decor and contemporary facilities, not to mention the acclaimed Society Bar & Kitchen.

Each apartment features elegant, contemporary Italian designer furniture, luxe mattresses as well as fully - equipped kitchens, marble - clad bathrooms with rainforest showers and premium toiletries, floor - to - ceiling windows and free access to high - speed Wi - Fi.

The serviced apartment hotel offers spacious open plan studios as well as one bedroom, two bedroom and 3 bedroom apartments - all offering the space and convenience of self - catering kitchens and laundries as well as stylish and contemporary furnishings.

CORAL STONE CLUB # 25 3 Bedrooms 3 Bathrooms Sleeps 6 Breathing a fresh, light, contemporary feel into condo living on Seven Mile Beach this choice of accommodations offers light laminate floors and masterfully designed, cream - colored kitchen cabinets, as well as pale blue, light yellow, and green accents throughout.

The contemporary, two - bedroom, self - catering apartment has airy open - plan living, a dining - room and fully kitted out kitchen, as well as a private balcony that offers stunning city, Signal Hill and harbour views — well suited to morning coffee and al fresco meals.

All villas are designed in modern contemporary style featuring open air living room, kitchen, air - conditioned bedrooms, bathroom with bathtub and open air shower as well as private pool set on a tropical garden landscape for a unique Balinese experience.

Quality furnishings ensure five - star comfort, complemented by contemporary amenities such as flat - screen TVs with satellite channels, DVD players, iPod docks, brand name kitchen appliances and a 120 - inch projector screen on the pool deck for alfresco movie nights.

Screening: AMBOY at the Kitchen AMBOY, a film originally produced by Frances Scholz and Mark von Schlegell for an exhibition at the CCA Wattis Institute for Contemporary Arts in San Francisco, is described by the artists behind it as a horror - documentary hybrid.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

2008 The Future As Disruption, The Kitchen, New York NY, organized by Rashida Bumbray and Matthew Lyons Intransit, Moti Hasson Gallery, organized by Omar Lopez - Chadoud The B - Sides, ALIRA a Center for Contemporary Art, organized by Edwin Ramoran Archeologies of Wonder, Real Art Ways, Hartford, CT, organized by Kristina Newman - Scott Ethnographies of the Future Remixed, Tides Foundation, New York, NY, organized by Sara Reisman Scratching The Surface VOL 1, L'appartement22, Rabat, Morocco and AVA Gallery, Cape Town, South Africa, organized by Gabi Ngcobo and Mwenya Kabwe Ethnographies of the Future, Rotunda Gallery, Brooklyn, NY organized by Sara Reisman

His inclusion of electronic circuitry, store - bought kitchen items, plastic dolls, and vacuum tubes, among other industrial produced materials renders his pieces as outtakes or parts of contemporary ecology.

Tagged as: 99 cents Plus, A / D / O, Abrons Art Center, Allison Wade, Alter, Angelo Badalamenti, Anoka Faruqee, Anthony Cudahy, Brooklyn Art Library, CANADA, Chris Lux, Christopher K. Ho, Daniel Temkin, david lynch, Dotcom, Elizabeth Riley, Emily Greenberg, Faith Holland, Geary Contemporary, greenpoint, Greenpoint Open Studios, Hauser & Wirth, Jaehyun Kim, Java Studios, Jimin Song, Jordan Bortner, Julia Leonard, Katie Cercone, Mario Ayala, Michael Clemow, Michael Mahalchick, Michael Queenland, Moist» 99, moma, Mumbo's Outfit, Nao Bustamante, Nick Atkins, Osman Can Yerebakan, PencilWorks, Philip Guston, Sean Capone, Simpsons, SVA, The Kitchen, Tom of Finland, Twin Peaks, Van Leeuwen, Willy Reed, Xiu Xiu, yale

Virtually all of the major themes that have engaged Weems are represented, including personal narrative, such as Family Pictures and Stories and the famous Kitchen Table Series; the legacy and locales of slavery, including Sea Islands Series, Jefferson Suite, Slave Coast, and Dreaming in Cuba; contemporary perceptions of African Americans, as in Colored People and Afro - Chic; and the universal struggle for equality dealt with in works like Ritual and Reunion.

Julieta Aranda's work has been exhibited internationally in venues such as (selection): The Kitchen (NY), 10th Lyon Biennial, Solomon Guggenheim Museum, NY (upcoming solo presentation, 2009), Conspire: Transmediale08, Berlin (2008); Present Future, Artissima, Torinno (2007); Escultura Social, Museum of Contemporary Art in Chicago (2007); 2nd Moscow Biennial (2007) System Error, Palazzo delle Papesse, Siena, Italy (2007), Dictionary of War, Muffathalle, Munich, Germany (2006), Trial Ballons, MUSAC, Spain (2006), An Image Bank for Everyday Revolutionary Life, REDCAT, Los Angeles, (2006), Museo Carrillo Gil, Mexico City (2009 / 2006), Version 6.0, Espace Paul Ricard, Paris, France (2005); IX Baltic Triennial, Contemporary Art Center (CAC), Vilnius, Lithuania / Institute of Contemporary Art (ICA), London, England (2005); Moderna Galerija, Museum of Modern Art, Ljubljana, Slovenia, (2004); Centro Nacional de las Artes, México City (2004); «ev + a, Imagine Limerick», Limerick, Ireland (2004), Canaia, Mexico City, Mexico (2003); Platform Garanti, Istanbul, Turkey (2003), and VII Havanna Biennial; amongst others.

His exhibitions and public programmes were presented at venues such as The Kitchen (New York), Värmlands Museum (Karlstad), National Gallery of Art (Washington, DC), Contemporary Arts Center (New Orleans), Gallery 400 (Chicago), and Akademie der Künste (Berlin).

Brian Karl has worked as a curator, producer and director at Los Angeles Contemporary Exhibitions (LACE), Harvestworks Media Arts, Headlands Center for the Arts, ArtinGeneral, Creative Time, and the Kitchen, along with serving as editor for Tellus, the Audio Art Magazine.

The video architecture of the installation space at The Cosmopolitan was originally designed by Rockwell Group and realized through compelling digital narratives produced in collaboration with Digital Kitchen, digital art by renowned contemporary artists curated in partnership with Art Production Fund and generative content that is algorithmically determined as it is being displayed.

2007 An Atlas of Events, curated by António Pinto Ribeiro, Debra Singer and Esra Sarigedik Öktem, Calouste Gulbenkian Foundation, Lisbon, Portugal The History of a decade that has not yet been named, Lyon Biennial 2007, Lyon, France Introvert, Extrovert, Makes No Difference, curated by John Armleder, Galerie Catherine Issert, Saint Paul de Vence, France NeoIntegrity, curated by Keith Mayerson, Derek Eller Gallery, New York, NY Summer Group Show, Richard Telles Fine Art, Los Angeles, CA Dump: Postmodern Sculpture in the Dissolved Field, The National Museum of Art, Architecture and Design, Oslo, Norway Painting as Fact — Fact as Fiction, organized by Bob Nickas, de Pury & Luxembourg, Zürich, Switzerland A Fair Show: Slang and Cool Orthodoxy, Galleria Massimo De Carlo, Milan, Italy Freelance Stenographer, a collaborative performance and video project by Kelley Walker and Seth Price, The Kitchen, New York, NY Op Ed World, Galerie Frank Elbaz, Paris, France The Melvins, curated by Bob Nickas, The Mandrake, Los Angeles, CA Compulsive, presented by Jalouse at Palais de Tokyo, Paris, France, originated at IAP Art, Miami, Florida Art in America: 300 Years of Innovation, organized by the Solomon R. Guggenheim Foundation and the Terra Foundation for American Art; presented at the National Museum of China, Beijing, China travelling to the Shanghai Musuem, Shanghai, China Altered States, curated by Nicolas Bourriaud and Paolo Falcone, Fuori Uso 06, Pescara, Italy, travelling to WAX — ex MEO, Budapest, Hungary; travelling to Galeria Noua and MNAC National Museum of Contemporary Art, Bucharest, Romania Uncertain States of America: American Art in the 3rd Millenium, (GuytonWalker), curated by Daniel Birnbaum, Hans Ulrich Obrist and Gunnar Kvaran, Le Musée du Serignan, Serignan; Herning Art Museum, Herning / Copenhagen; The Centre for Contemporary Art, Zanek, Ujazdowski, Warsaw For the People of Paris, Sutton Lane — Paris, Paris, France

FISCHBECK and RARA have presented collaborative work in a wide variety of contexts, including the WHITNEY MUSEUM of AMERICAN ART (as part of the 2008 WHITNEY BIENNIAL), the CENTRE GEORGES POMPIDOU, WALKER ART CENTER in MINNEAPOLIS, LONDON»S INSTITUTE for CONTEMPORARY ART, the KITCHEN in NEW YORK, REDCAT and LACMA in LOS ANGELES, MOCA LOS ANGELES, the 54TH VENICE BIENNALE, and the SMITHSONIAN»S HIRSHORN MUSEUM and SCULPTURE GARDEN, among others.

As an independent curator, Daderko has presented exhibitions at Artists» Space, Art in General, EFA Project Space, and The Kitchen in New York, Vox Populi in Philadelphia, and the Contemporary Arts Center in Vilnius, Lithuania.

One - person exhibitions of his work have been presented at venues such as Gaga Contemporary, Mexico City; Standard (Oslo), Oslo; and the Kitchen, Maccarone Gallery, and Team Gallery in New York.

1976 A Proposition + Some Questions as to Moved Picture, Artists Space, New York, US An Exhibition on the Work of Lawrence Weiner, Van Abbemuseum, Eindhoven, NL Five Works One Book One Videotape, Institute of Contemporary Arts (ICA), London, UK A Work of Lawrence Weiner Presented at 17 Queens Lane, Robert Self Gallery, Newcastle Upon Tyne, UK With Relation to the Various Manners of Use, The Kitchen, New York, US

His work was presented in the 2014 Whitney Biennial at the Whitney Museum of American Art, New York, as well as at venues including The Kitchen, New York; SculptureCenter, New York; The Hessel Museum of Art, Bard College, Annandale - on - Hudson, New York; and the Institute of Contemporary Art at the University of Pennsylvania, Philadelphia.

Her work has been included in the Whitney and Sao Paulo Biennials as well as in group exhibitions at Tate Modern, Philadelphia's Institute of Contemporary Art, Saatchi Gallery, The Kitchen in New York, SculptureCenter in New York, the Power Plant in Toronto, among other venues.

Their work has been presented in a wide variety of contexts, including the Whitney Museum of American Art (as part of the 2008 Whitney Biennial), the Centre Georges Pompidou, the Walker Art Center, London's Institute for Contemporary Art, MOMA / PS1 and the Kitchen in New York, REDCAT, LACMA, MOCA, and the Hammer Museum in Los Angeles, the 54th Venice Biennale, and the Smithsonian's Hirshhorn Museum and Sculpture Garden, among others.

The Kitchen L.A.B. (its acronym stands for «language,» «art,» «bodies») invites artists to unpack such ambiguous vocabularies in contemporary art by responding to them both in conversation and artworks, creating hybrid events — and, over time, hybrid audiences — that underline not only points of commonality among disciplines but also, as important, real differences.

Her works have been presented in spaces worldwide, such as ArtSonje, Seoul (2015); Stedelijk Museum, Amsterdam (2015); Hammer Museum, Los Angeles (2015); Australian Center for Contemporary Art, Melbourne (2014); Kunstenfestivaldesarts, Brussels (2014); CentrePasquArt, Biel (2014); Kunsthalle, Oslo (2014); The Kitchen, New York (2013, 2011, 2006); Performa Biennial, New York (2013, 2009); and Centre d'Art Contemporain, Geneva (2012).

Friedman's work has been the subject of one person exhibitions at venues such as Hammer Museum, Los Angeles (2013); Detroit Museum of Contemporary Art (2014); Miami Art Museum, Miami, Florida (2012); Museum of Modern Art, New York (2010); Julia Stoschek Collection, Düsseldorf (2009); The Kitchen, New York (2005); Site Santa Fe, Santa Fe (2001); and Gavin Brown's Enterprise, New York (2014, 2011, 2008.

, LIAF, Lofoten International Art Festival, Norway Rematerialized New Galerie Paris / New York, New Galerie, Paris on Off moments, Grimmuseum, Berlin Le tamis et le sable 2/3: L'Intervalle, Instants Chavirés, Paris New Eyes for New Spaces, ISCP, New York Und everybody says yeah — on internet meme, The House of Electronic Arts, Basel 2012 The End (s) of the Library, Goethe - Institut New York Library, New York The Making of Americans: A marathon reading of Gertrude Stein's novel, Triple Canopy, New York Let us keep our own noon, curated by David Horvitz, West, Den Haag Rome Photo Festival, MACRO, Testaccio, Rome Fair Exchange, curated by Taeyoon Choi, Eyebeam, New York Canceled: alternative manifestations and productive failures, organised by Lauren van Haaften - Schic, Center for Book Arts, New York Frieze, with Triple Canopy, New York Group exhibition, Access Art, Vancouver Matter Out of Place, The Kitchen, New York Scenes of Selves, Occasions for Ruses, Surrey Art Gallery, Vancouver In search of..., curated by Lennard Dost and Daniel Dennis de Wit, Academie Minerva, Groningen the chief on top of the chief, MIRACLE & CONNELLY PRESENTS, Vancouver Force Fields, curated by Alexis Granwell and Jenny Jaskey, Tiger Strikes Asteroid, Philadelphia 2011 The Greater Cloud, curated by Petra Heck, Netherlands Media Art Institute, Amsterdam Worng, IMO, Copenhagen Intimate Bureaucracies: Art and the Mail, curated by Zanna Gilbert, Art Exchange, University of Essex, Essex Subject to Change, Fathom + Hatch, New York The Best of 2011, Soloway, Brooklyn, New York The Open Daybook, Los Angeles Contemporary Exhibitions, Los Angeles FINISHED, Showpaper 42nd St Gallery, New York, New York As Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, BurAs Yet UnTitled, SF Camerawork, San Francisco LATE Nights, Berkley Art Museum, Berkeley, California (performance) 2010 FREE, New Museum, New York Different Repetitions, curated by David Senior, Booklyn, New York Palling Around with Socialists, U-turn Art Space, Cincinnati, Ohio We have as much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Buras much time as it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Buras it takes, Wattis Institute for Contemporary Arts, San Francisco FAX, Burnaby Art Gallery, Vancouver An Immaterial Survey of our Peers, Chicago (online) 01, Presented by 01 Magazine, 107 Shaw Gallery, Toronto The Page, Guggenheim Gallery, Chapman University, Orange, California Burn, Baby, Burn!

He has staged works at LAxART, Art L.A. Contemporary, SoHo House Hollywood, Art Basel Miami, and The Kitchen in New York City, as well as site - specific performances for Grand Arts, The Ball of Artists and LACMA.

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They also took the opportunity to create some unique, contemporary structural features, such as the angular, suspended ceiling that houses the kitchen lighting, the integrated storage and cladding around the living room fireplace and the textural wall panelling in the dining room.

Go for a contemporary, urban look by opting for handleless cream gloss units — this sleek design is perfect for galley kitchens, such as those in Victorian properties.

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Lighting, such as this contemporary statement piece, creates a natural anchor in the dining area of this large, open - plan kitchen.

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In contemporary schemes, wood can soften the sharp edges of minimalist design, while in more traditional spaces, such as this, it can be used to co-ordinate kitchen cabinetry with architectural features.

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