Sentences with phrase «contemporary lives shaped»

Born and raised in Nigeria and now living in Los Angeles, Akunyili Crosby constructs intricately layered scenes reflecting the rich complexity of contemporary lives shaped by postcolonial African cosmopolitanism and global, hybrid identities.

Fusing Nigerian and American source materials, histories and cultural references her intricately layered scenes reflecting the rich complexity of contemporary lives shaped by postcolonial African cosmopolitanism and global, hybrid identities.

Not exact matches

We study all these topics because they shape the practices that constitute the common life of contemporary communities seeking in faith to respond appropriately to God.

Brilliant minds of the order of Norbert Wiener, Claude Shannon, Warren Weaver, John Von Newman, W. Ross Ashby, and Stafford Beer, among many others, provided the conceptual structures for the multidisciplinary methodology of the systems approach.2 Incredible advances in computers, in league with sophisticated instruments of systems analysis, play an ever increasing role in shaping the life style and the world view of contemporary society along the lines suggested by systems theory.

The spiritual dimension to life has also to be seen as it is being shaped within contemporary culture.

His parables take as their symbolic basis not only natural occurrences but also the social, domestic, political, and economic realities that shaped the lives of his contemporaries.

The second major influence shaping my life and thought is found in engagement with and reflection upon the vastly complicated dimensions of contemporary popular culture.

In a series of tautly constructed dramas that imbue the everyday struggles of married life with suspense and tragedy, filmmaker Asghar Farhadi has proven himself a remarkable observer of the social, moral, and personal dimensions that shape contemporary Iranian society.

Mike Robe's 1991 TV mini-series presented a more detailed and straightforward biography of Custer's life, while this early studio production during the war years shaped events to reflect more contemporary morals: heroism, self - sacrifice, and the preservation of democratic ideals are sacred, while greed and war profiteering - via Ned Sharp - are ruinous, and unconscionable.

All of the 124 elegant contemporary designed suites, including a magnificent 2,800 - square - foot penthouse suite, have spectacular ocean - front views and feature European wood cabinetry and granite countertops, stand - alone egg - shaped tubs in bathrooms, expansive living and large terraces with unparalleled views.

Both the outdoor and indoor living spaces are decorated with modern shapes and neutral tones for a chic contemporary feel.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

In fluenced by western modern and contemporary art, Chinese artists start applying new concepts, such as symbolic elements and inspirations from everyday life to create unique works, which focus more on specific questions than the conceptual ones and keep shaping the relationships between art and reality.

NYC Makers inaugurates a new series of MAD exhibitions that will examine the culture of making and highlight the contributions of the makers who shape contemporary life.

If these artists were about reduction of form and pure painting, Biltereyst's abstractions employ references to contemporary everyday life and evoke familiar shapes: logos on currency, advertising on the sides of trucks, or fences on a country road.

Elizabeth Ferry / Honey Ramka / 56 Bogart / thru 11/23 Work It Out curated by Eric Heist / Momenta / 56 Bogart / Bushwick / thru 12/7 Caroline Cox / Studio 10 / 56 Bogart / Bushwick / thru 12/21 Tilo Baumgartel / Slag / 56 Bogart / Bushwick / thru 12/28 Robert Lansden / Henry Contemporary / 56 Bogart / Bushwick / thru 11/23 Farrell Brickhouse; James Prez / Life on Mars / 56 Bogart / thru 12/7 Oskar Nilsson / Interstate / 66 Kickerbocker Ave. / Bushwick / thru 11/23 Ragnar Kjartsson and The National / Luhring Augustine / 25 Kickerbocker Ave. (second location) / Bushwick / thru 12/21 Peggy Ahwesh / Microscope / 1329 Willoughby (new location) / Bushwick / thru 1/4 Opening 11/22 (6 - 9 PM) Etched Impressions: 18 Years of Jennifer Melby Editions / Schema Projects / 92 St. Nicolas / Bushwick / thru 12/14 Claudia Baez / Art - 3 / 109 Ingraham / thru 11/22 Hronir: Un-Lost Things / Temporary Storage / 119 Ingraham / thru 11/21 Closing Reception 11/21 (6 - 9 PM) Flatfile Year 2 / TSA: Tiger Strikes Asteroid / 44 Steward Ave. # 49, Bushwick / thru 11/23 Ryan Foerster / Clearing / 505 Johnson Ave. / thru 12/28 Henry Hargreaves + Caitlin Levin / Air Circulation / 160 Randolph / thru 1/4 Mari Rantanen; Shingo Francis; Royce Weatherly; Kurt Steger / Art Helix / 299 Meserole / thru 11/30 Reception 11/21 (6 - 9 PM) Abstraction and its Discontents; French Paradox / Storefront Ten Eyck / 324 Ten Eyck / thru 11/23 Phillip David Stearns / Transfer / 1030 Metropolitan / thru 12/13 Icono Clash: Fred Fleisher; Tommy Mishima; GJA Stewart / Projekt722 / 722 Metropolitan / thru 12/8 Graham Collins / Soloway / 348 S. 4th / Williamsburg / thru 12/9 Tracy Henenberg; Susan Mayr / Sideshow / 319 Bedford / Williamsburg / thru 12/7 The Great Figure: D.Heidkamp; L.Ludlow; K.Mayerson; D.Schutz; H.Taylor; T.Thornton / Journal / 106 N 1st / Williamsburg / thru 12/21 Emily Roz / Front Room / 147 Roebling / Williamsburg / thru 11/23 You - Tility curated by Amanda Friedman / Southfirst / 60 N 6th Williamsburg / thru 12/21 Opening 11/21 (Lu Yang / Ventana244 / 244 N 6 / Williamsburg / thru 11/22 Paulien Lethen / Art 101 / 101 Grand / Wmsburg / thru 12/21 Opening 11/21 (6 - 9 PM) Cecilia Avendano / Reverse Space / 28 Frost, Williamsburg / thru 11/23 Brian Dewan / Pierogi / 177 N 9th / Williamsburg / thru 12/21 Opening 11/21 (7 - 9 PM) Linda Herritt; Elana Herzog / The Boiler / 191 N. 14th St. / Greenpoint / thru 12/21 Tim Simonds / Cathouse Funeral / 260 Richardson, Greenpoint / thru 1/4 Opening 11/22 (7 - 10 PM) Stefan Tcherepnin / Real / 673 Meeker / Greenpoint / thru 12/7 10 Year Anniversary / Kurnatowski / 205 Norman / Greenpoint / thru 12/21 Opening 11/21 (7 - 9 PM) Adam Brent / Auxiliary Projects / 212 Norman Ave., Greenpoint (new location) / thru 11/23 J.Cohen, M.Freeman, C.Kelly, C.Lazard, M.Lowe, V.Vreeland, R.Watson Horn / Cleopatra's / 110 Meserole / Grpt / thru 12/22 Britta Deardorff / Regina Rex @ Bunker 259 / 259 Banker / Greenpoint / thru 12/12 Shape Scapes / Calico / 67 West # 203 / Greenpoint / thru 11/28 Interrupting Camus: Meena Hasan; Carlos Rigau; Charles Shedden / Heliopolis / 154 Huron / Greenpoint / thru 11/30

He prefers an aesthetically lean, visually simple look fort he main living areas of the house, where several spaces of different sizes and shapes contain minimalistic, changing displays of pieces by a mix of young and established Japanese and international contemporary artists, including Olaf Breuning, Tracey Emin, Tatsuo Miyajima, Marc Quinn, Thomas Struth, Yoshihiro Suda, Hiroshi Sugimoto, and Wolfgang Tillmans.

Central to the Palma Rodríguez's practice is an emphasis on indigenous ancestral knowledge, both as an integral part of contemporary life and a way of shaping the future.

Select group exhibitions and biennials featuring her work include Making & Unmaking, Camden Arts Centre, London (2016); Human Interest: Portraits from the Whitney's Collection, Whitney Museum of Modern Art, New York (2016); Surrealist: The Conjured Life, Museum of Contemporary Art, Chicago (2015); Picasso & Contemporary Art, Le Grand Palais, Paris (2015); Divine Comedy: Heaven, Purgatory and Hell Revisited by Contemporary African Artists, Museum für Moderne Kunst, Frankfurt am Main, Germany, traveled to Savannah College of Art and Design Museum of Art, GA, and the National Museum of African Art at the Smithsonian Institution, Washington, DC (2014); The Shadows Took Shape, Studio Museum in Harlem, New York (2013); Exquisite Corpses: Drawing and Disfiguration, The Museum of Modern Art, New York (2013); The Luminous Interval, Guggenheim Bilbao, Spain (2011); The Spectacle of the Everyday, and Black Womanhood, San Diego Museum of Art, CA (2009).

The accumulation of 6 years of entries creates a living archive of the shape of feminism in contemporary thought.

Proof: The Rise of Printmaking in Southern California, Norton Simon Museum, Pasadena, CA We Will Live, We Will See, Zabludowicz Collection Curatorial Open 2011, London, UK The Shape of Things to Come: New Sculpture, Saatchi Gallery, London, UK Statuesque, Nasher Sculpture Center, Dallas, TX The Artist's Museum, Museum of Contemporary Art, Los Angeles, CA

Selected exhibitions include: Atomic Sunshine at The Okinawa Prefectural Art Museum, Japan (2009); Wall Rockets: Contemporary Artists and Ed Ruscha, curated by Lisa Dennison at The Albright - Knox Art Gallery, Buffalo, NY (2009); Making a Home at The Japan Society, New York (2008); Second Lives at The Museum of Arts & Design, New York (2008); Wall Rockets, Curated by Lisa Dennison at The FLAG Art Foundation, New York (2008); Free Fish at the Asia Society, New York (2007); Thermocline of Art - New Asian Waves at ZKM, Karlsruhe, Germany (2007); Attention to Detail at The FLAG Art Foundation, New York (2007); The Shapes of Space at the Guggenheim Museum, New York (2007); Greater New York at P.S. 1 Contemporary Art Center, Queens, NY (2005); Yokohama International Triennial, Yokohama, Japan (2005); and Fuchu Biennale at the Fuchu Art Museum, Tokyo, Japan (2004).

The three exhibitions, Tacita Dean: Landscape, Portrait, Still Life, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practLife, shaped by Dean's response to the individual character of each institution, will explore genres traditionally associated with painting — landscape at the Royal Academy of Arts, portraiture at the National Portrait Gallery and still life at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practlife at the National Gallery — seen through the contemporary prism of Dean's wide - ranging artistic practice.

Moffett consistently constructs his works around critical frameworks that engage audiences to think about painting, art, and the political and social issues that shape our contemporary lives.

The dual nature of this approach provides the museum with a diverse range of holdings and opportunities to display histories of recent artistic practice that are disparate, divergent, and reflective of the broader range of identities, disciplines, and forms that give shape to an idea of contemporary life.

Haunted by memories of Africa or the trauma of the Middle Passage, Saar's journeys remind us that history is not simply the recording of past events - it is a living, breathing entity, filling the space of our present and shaping contemporary identities.

The Thomas Cole National Historic Site and The Olana Partnership / Olana State Historic Site co-hosted a landmark exhibition of contemporary art to highlight the pivotal role that the two historic properties — and the artists who lived and worked there — played in shaping America's tradition of contemporary art.

Thomas Cole National Historic Site and Olana State Historic Site co-hosted a landmark exhibition of contemporary art to highlight the pivotal role that the two historic properties — and the artists who lived and worked there, Thomas Cole and Frederic Church — played in shaping America's culture of contemporary art.

«EyeMinded: Living and Writing Contemporary Art» by Jones, «offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in conteContemporary Art» by Jones, «offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in contemporarycontemporary art.

With a intimate view on the role of his art and how it has been shaped through traveling and living abroad, Diango Hernández has been widely exhibited in galleries like Barbara Thumm (Berlin), Marlborough Contemporary (London) and Alexander and Bonin (New York) and institutions such as Kunstahlle Basel (Basel), Museum Morsbroich (Leverkusen), Museum of Contemporary Art (Tokyo), Tate Liverpool (Liverpool), Barbican Centre (London) among many others.

From the mesmerizing replication of apartment windows in Andreas Gursky's Avenue of the Americas, 2001, which captures both the interconnectedness and the loneliness of city life; to an exploration of the way historical spaces are experienced by the contemporary public in Thomas Struth's Pergamon Museum I, Berlin, 2001; to a consideration of ubiquitous Stepford Wives - like housing estates as brilliantly conceived by James Casebere in Landscape with Houses (Dutchess County, NY) # 2, 2009, the collected photographs offer myriad ways of contemplating the shaping influence of architecture, and its photography.

(Gagosian Gallery, New York, 2011), 2010 Whitney Biennial (Whitney Museum of American Art, New York, 2010), Living in Evolution (Busan Biennale, Busan, 2010), Pop Life (Tate Modern, London, 2009), When Things Cast No Shadow (5th Biennale for Contemporary Art, Berlin, 2008), Biało - czerwona (Gagosian Gallery, New York, 2008), Joy of Photography (Musées de la Ville de Strasbourg, Strasbourg, 2007), A Retrospective (Vienna Secession, 2007), Summer Love (Whitney Museum of American Art, New York, 2007), Shapes of Space (Solomon R. Guggenheim Museum, New York, 2007), Summer Love (63 Mostra Internazionale d'Arte Cinematografica di Venezia, Venice, 2006), Where Are We Going?

An article published in the Financial Times this week, by Caroline Roux, explains: An exhibition at Nottingham Contemporary brings together work from the 1980s by artists and collectives shaped by the times in which they were living, and the western

Exhibitions and projects include The Sea is Represented by an Irregular Shape at Devening Projects and Editions Chicago, God is Represented by the Sea, Adds Donna Gallery Chicago, Nothing to do with wizards, O'Connor Gallery, Domincan University, River Forest, IL., pierecednightstarvoice at Schalter Gallery, Berlin, Germany, The Stinging Tentacles Of Anxiety That Constrict The Heart Are Healed By The Light Of An Inner Sun, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL., Spanish Still Life (or a large list of merged animals), Hyde Park Art Center, Chicago, IL., Endless (Perverted by Language / Delay 1968), UBS 12 × 12, Museum of Contemporary Art Chicago, IL..

Black and White, Mostly — Hiram Butler Gallery, Houston, TX The Grant and Peggy Reuber Collection of International Works on Paper — McIntosh Gallery, London, ON Local History: Enrico Castellani, Donald Judd, Frank Stella — Dominique Lévy Gallery, New York City, NY Local History: Castellani, Judd, Stella — Dominique Lévy Gallery — London, London In Living Color: Andy Warhol and Contemporary Printmaking — Joslyn Art Museum, Omaha, NE Taking A Stand Against War — Lehmbruck Museum, Duisburg Alois Breyer, El Lissitzky, Frank Stella: Wooden Synagogues — Tel Aviv Museum of Art, Tel Aviv Love Story — Sammlung Anne & Wolfgang Titze — Schweizergarten, Vienna Modernism from the National Gallery of Art: The Robert & Jane Meyerhoff Collection — The de Young Museum, San Francisco, CA Openness And Clarity: Color Field Works From The 1960S And 1970S — Honor Fraser, Los Angeles, CA Summer Group Exhibition: Part I — Van Doren Waxter, New York City, NY The Shaped Canvas, Revisited — Luxembourg & Dayan, New York City, NY Calculated Abstractions — Hard - Edge Prints — UB Art Galleries — University of Buffalo, Buffalo, NY Solidaridad Y Resistencia.

Cooper Union's latest exhibit, Image of the Studio: A Portrait of Graphic Design in New York, does just that by examining how living and working in New York shapes contemporary studio practice on the level of scale, geography, and day - to - day organization.

«Future Greats», December 2005 «Twelve Footnotes for Ian Monroe», Tom Morton, Show Catalog, Haunch of Venison, Zurich Art Review, «The Walls Came Down» Jay Merrick, July 2005 «Ian Monroe's Architecture», Barry Schwabsky, Show Catalog «They Built Upon It», Haunch of Venison, London 2004 Modern Painters, «All in the Best Bad Taste» Sally O'reilly, Dec 2004 - Jan 2005 2003 Art Monthly, «Anyway», Bruce Haines, May 2004, number 276 Contemporary, «The Queen Mum Show» Jamie Lau, issue 53/54 The Times, «New Blood at RA Summer Show Gets Old Blood Boiling» Dalya Alberge, May 29 The Royal Academy of Arts Magazine, «Summer Exhibition» Sebastian Smee, Summer 2003, number 79 Arena, «The Boom», Tom Morton, July, number 136 The Spectator, «Formidable Power», Andrew Lambirth, May 17 Art Review, «Saatchi's New Sensation», Meredith Etherinton - Smith, May Evening Standard, Metro Life, «The Saatchi Effect» Hephzibah Anderson, April 18 The Observer, «Space Traveller», Alison Roberts, April 20 Telegraph Magazine, «Adventures in Saatchiland», Colin Gleadell, March 29 2002 The Sunday Times, «Saatchi's Rival to the Tate Takes Shape» Richard Brooks, September 8 Time Out London.

In the contemporary globalized world we live in, shaped by money, military and media, finding space to value the authentic and interpret the unadulterated is a feat in and of itself.

2015 SPECULATIVE FRICTIONS group show at DELUGE CONTEMPORARY ART Victoria, Canada June the touring to Diluvio Arte e Ideas, Mexico City THE SHAPES WE»RE IN group show at Bread and Jam, London SUPERNORMAL FESTIVAL I AM YOUR ERROR MESSAGE Live performance / video with Exploding Cinema, August

Project Los Altos reflects on this unique setting, and more broadly, Silicon Valley, a region of unparalleled importance in shaping contemporary life.

Great works of art entering IMMA's Collection shape future conversations about art, Ireland and the world we live in and expand the reputation of contemporary Irish artists globally.

Works from Lewben Art Foundations, Lithuanian Exhibition and Congress Centre LITEXPO, Vilnius 2017 «A Screen of Flesh», Coma Gallery, Rushcutters Bay 2017 «Body Language», Company Gallery, New York 2o17 «Tschabalala Self, Ellannah Sadkin, Mr Kiji», Red Bull House of Art, Detroit 2017 «Le Nouveau Voyeurisme», Hotel Contemporary, Milano 2016 «Desire», Moore Building, Miami 2016 «Life During Wartime», Diane Rosenstein, Los Angeles 2016 «Protuberances», LAXART, Los Angeles 2016 «Aiko Hachisuka, Tschabalala Self, Caroline Wells Chandler», 11R, New York 2016 «Sexting», Kate Werble Gallery, New York 2016 «Perfect Day», Roberts & Tilton, Culver City 2016 «WACKing the Piñata», Ltd los angeles, Los Angeles 2016 «A Being in the World», Salon 94 Bowery, New York 2016 «Look up here, I'm in heaven», BRIC, New York 2016 «Intimisms», James Cohan, New York 2016 «Mal Maison», Maccarone, New York 2016 «A Shape That Stands Up», Art + Practice (off - site Hammer Museum), Los Angeles 2016 «Intersections», Tensquared Gallery, Internet 2016 «Arachne's Woof», Litvak Contemporary, Tel Aviv 2016 «New Genealogies», Yale School of Art Green Gallery, New Haven 2016 «Duplify», Kate Werble Gallery, New York 2015 «Berg Matthams Self & Weaver», Thierry Goldberg Gallery, New York 2015 «A Constellation», The Studio Museum in Harlem, New York 2015 «The New New», Diane Rosenstein Gallery, Los Angeles 2015 «THATS ON ME», Paris Blues, New York 2015 «Yale MFA Painting and Printmaking Graduates», Garis & Hahn, New York 2015 «2,015 But Who's Counting», Yale School of Art Green Gallery, New Haven 2014 «13 Artists», 24/6 Space, New Haven 2014 «Swimming Pool», 24/6 Space, New Haven 2013 «For Ed: Splendor in the Grass with Olympic Lad & Lass», Yale School of Art Green Gallery, New Haven 2013 «Women Love the World», Launchpad, New York 2013 «Encounters», Harlem School of the Arts, New York 2012 «SUGGARHILL», Essie Green Galleries, New York 2012 «EdgeControl», UBS Exhibition Center, New York 2012 «NEO XL», Werehouse, New York 2008 «Radiant Minds», Queens Museum of Art, New York 2007 «Admission $ 2.00», Whitney at Altria, New York

In Living Color examines how his use of color impacts both subject and viewer, creating a dialogue between Warhol and nineteen contemporary artists who all used color to shape how we understand images.

A particular highlight this year will be the ongoing examination into the social, political and economic landscape that shaped ROSC and its subsequent impact on contemporary art developments in Ireland, which will culminate in a major symposium in November 2017, our ongoing provision of programmes for people living with dementia through the AZURE initiative and the launch of a new digital digest that will develop new content about our programmes, giving people new ways to find out more about the work, and to personally connect with art and artists at IMMA.

Queens International 2016 characteristically looks to the idea of thresholds, and the way spaces for transition, contact, and exchange become markers for the complex forces that shape contemporary life.

The critic Linda Nochlin, in «Miriam Schapiro: Shaping the Fragments of Art and Life,» a monograph accompanying «Miriam Schapiro: A Retrospective,» another exhibition on national tour, said taht in the process Ms. Schapiro «has made a place for women in her art, and made it in a way that is completely contemporary and splendidly seductive in its sensuous pictorial fabric.»

Rotunda Living, a small home builder based in the United Kingdom, has designed some small, contemporary round houses inspired by nature's shapes and elements.

We think the conference is of interest to anyone who thinks about the changing shape of law in contemporary life.»

If you have a large living room and you like the contemporary look, a modular sofa, made up of lots of individual pieces that sit together in various configurations (from L - shaped to long and lean), is a flexible buy that will see you through several house moves.

Contemporary work - live spaces can be aesthetically interconnected with a sleek, L - shaped desk like Studio, that maximizes productivity.